This week's instalment of the #SBIDinspire series features the breath-taking 'Whale Bar' designed by WOW Architects. We spoke to Wong Chiu Man (Founder and Managing Director) of WOW Architects about this extraordinary project, our overall winner of the SBID Awards 2017.
The Whale Bar’s iconic shape was inspired by the majestic whale shark. This imaginative yet elegant retreat is elevated by light oak interiors and a softly lit neutral palette. The use of fish scale inspired timber shingles around the kitchen and smooth iridescent stucco inside the “body” of the whale emphasises the marine iconography that is unmistakable. The team endeavoured to make as many aspects of the project as sustainable as possible, up-cycling and recycling wherever appropriate, focusing their attentions on highlighting the fragility of the surrounding environment within their design in the hope that this would motivate guests to contemplate the creation of a responsible future for the next generations.
Company: WOW Architects | Warner Wong Design
Project: THE WHALE BAR
Project Location: St Regis Resort Vommuli Island, Maldives
What was the client’s brief?
The clients desire was to create a resort destination that would standout from the existing resorts in the Maldives and be commercially successful. After much research and discussion, the components of the brief were decided upon, the master plan designed and construction started. Upon appointing the St Regis as the operator, the brief was evolved further and refined, and improvements were made to fully achieve the brand’s potential, and the clients vision for a leading resort hotel.
What inspired the design of the Project?
After visiting many resorts in the Maldives, we understood the evolution of resort design throughout the last twenty years. The latest and best resorts had a strong ecological aspect but still stayed within the realm of design inspirations from the human perspective. We saw an opportunity to create even more eco awareness and draw inspirations directly from nature itself, and to pointedly draw attention through our design to the fragility of atoll and marine habitats in particular. Thus, the design evolved through our inspirations and observations on atoll ecology and marine biology. We hope that the design will uplift and motivate our guests in creating a responsible future for the next generations.
What was the toughest hurdle your team overcame during the project?
Building sensitively with minimal waste and consideration for protecting the islands ecology was by far the biggest challenge. Efficiency and speed minimises waste and the logistic and carbon footprint on the Maldives and resources we needed. Despite using all forms of prefabrication and eco friendly materials, up-cycling and recycling, the longer the construction time is, the larger the waste footprint. Our challenge on a daily basis was to find affordable and intelligent solutions to minimise the waste while achieving a high standard of construction and finish.
What was your team’s highlight of the project?
We had many highlights over 4 years. From the beauty of the sunsets to the drama of the storms, and the pleasure of seeing and preserving the island and the marine life around us.
However, an unexpected reward was how we were able to connect with the villagers from the neighbouring islands by offering them employment and gaining their trust and respect. They were instrumental in minimising waste because they up-cycled many leftover building materials and packaging materials into their villages and our project actually improved the villagers lives. This was truly sustainability in practice.
Why did you enter the SBID International Design Awards?
We hoped to gain recognition for a project very close to our hearts and wished that by winning an SBID award, we could not only celebrate the design, but tell the meaningful stories that made the design possible. For receiving the overall winners award, we are extremely proud and grateful, but also humbled by the quality of the other winners.
Questions answered by Wong Chiu Man (Founder and Managing Director) WOW Architects.
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If you missed last week's Project of the Week with Orkun Indere's winter wonderland 'Log House Extension' click here to see more
Entries were received, finalists deliberated and the winners of the SBID International Design Awards 2017 have been announced! Click here to see the full list.
We hope you feel inspired! Let us know what inspired you #SBIDinspire
WOW Architects | SBID International Design Awards 2017
2018 copyright WOW Architects | Warner Wong Design
This week's instalment of the #SBIDinspire series features the magical 'Log House Extension' by Orkun Indere Interiors. Located in Kazan, this project features all the seasonal cheer you'd expect from a stunning 'chalet' in the wintertime. Decked with Christmas decorations and high end interiors, this project is the epitome of festive opulence.
The extension was created to expand on this family home to meet the families growing needs. Conventional log house patterns around the location and separate building blocks were designed to emphasise the warm & cosy “chalet” feeling. Every single-functioning building block is connected by hallways. All the new buildings are made of timber and constructed with special joinery techniques which forgo the use of screws and bolts. The new main space is to be used as a living room, while also functioning as a flamboyant area to welcome guests. In contrast to the traditional log house aesthetic this area has a very high ceiling profile.
SBID had the opportunity to speak with Orkun Indere, Founder & Designer of Orkun Indere Interiors about this magical project.
Company: Orkun Indere Interiors
Project: Log House Extension
Project Location: Kazan, Russian Federation
The idea of adding an extension started with the need for more space. The existing building didn't meet the client’s needs as the whole family (of five) was about to move into the house. The existing building was quite small in relation to its mass. The vernacular architecture of the district which consisted of highly inclined roofing was diminishing the beneficial use of interior areas.
With a new life beginning, the client required a bigger en-suite bedroom, three rooms, one for each child, a bigger area for the walk in closet, a proper entrance to the building (the building entrance was not suitable due to its mass and the connection to the living room was not suitable for the guests), a proper dining room and a stunning reception room. We decided to extend the existing building, adding a new area to be connected to the previous. After this change the whole complex would be seen as one chain of buildings.
The design emphasises every single room as a building block thus maximising the perception of space in every room. The joint points of short hallways which connect the buildings together, give an extra spacious feeling to every new room you step into.
The new layout also affected the existing building as a part of the new chain. After resolving the facilities of dining room, reception room and entrance hall in the new extended blocks, the existing building then turned out to be the intimate and most private part for the family. The new blocks were for welcoming the guests, entertaining and organising special events for celebrations so that the existing building could be used for the private, everyday life of the family.
The toughest hurdle was to connect the two existing buildings (the main house and barbecue house) and constructing new buildings in between them, so that the position, angle and distance between existing buildings was a big reference for the shape of the final design. Firstly we positioned the new reception room building with an area of 9 x 8 metres, we had to connect them one by one to the existing building. There planned three main blocks approaching to the existing house; reception room, entrance space and joint block which includes the staircase around a preserved tree existing on the land. We chose the side façade of the existing building (the kitchen façade also including an exit to the land) for the joint point of new blocks.
The plan layout and shape of each single block, derived from the positions of the buildings as came out of the joint angles. As many different blocks had to join each other properly we wanted to use the biggest block (reception room) as the conjunction unit, so the first idea was to design it in an octagonal shape to use some façades to connect to other blocks.
For this project there were a variety of of highlights. One of my favourite aspects of this project includes the height of the rooftop of the main building block used as the living room, it was 8,5 meters high inside the building, supported with a mesh of beams to keep the huge block stable. Stunning!
Another highlight was the preservation of an existing tree so at the time of snow in winter you can have a well snowed tree inside the house right in the middle of the staircase.
SBID is an internationally known professional body registered in the UK to accredit professionals in interior design, to be accredited by SBID is a great opportunity to spread our design approach and projects to an international platform. That’s why I wanted to enter and be chosen by SBID.
Questions answered by Orkun Indere, Founder & Designer of Orkun Indere Interiors.
If you missed last week's Project of the Week with HBA's outstanding Ultima click here to see more
Orkun Indere Interiors | SBID International Design Awards 2017
This week’s instalment of the #SBIDinspire interior design series features Goddard Littlefair’s healthcare design project that uses modern aesthetics to create a true sense of wellbeing.
One Stop Doctors is a boundary-changing health and wellness clinic, which sets a new standard of excellence in the private healthcare sector and offers patients on-demand medical expertise, along with outpatient diagnostics, physiotherapy, dentistry and aesthetics. This is all available within a ‘one stop’ clinic, available from early morning to late evenings and weekends to fit with patients’ busy working lives. The brief was to create an environment that embodied the instant premium touch-points patients might expect from a high-end service environment, while communicating the calm, soothing and welcoming feel of an obviously patient-centric experience, so that there is as little stress as possible at every stage of the patient journey. The design emphasis maximises the contribution of the environment towards promoting a sense of wellbeing and creating confidence in the clinical excellence patients will experience.
SBID had the opportunity to speak with Martin Goddard, Director & Co-Founder at Goddard Littlefair.
Company: Goddard Littlefair
Project: One Stop Doctors
Project Location: London, United Kingdom
The brief was to create an environment that embodied the instant premium touch-points you’d expect from a high-end service environment, whilst communicating the calm, soothing and welcoming feel of an obviously patient-centric experience, so there’d be as little stress as possible at every stage of the patient journey. The client was very keen to pull on our experience of premium spa and wellness centre design to achieve this.
‘We were not looking for the usual clinical healthcare design, but wanted a designer who could share our vision for creating an ambience that was relaxed, reassuring and tranquil, very comfortable and also aesthetically beautiful, but which still felt professional and reassuring to patients, so they know they are in the best possible care.’ - One Stop Doctors CEO, Ella Tracey
What inspired the design of the project?
We began the project by researching the private sector healthcare market in terms of look and feel and found that most clinics so far had followed the American model, with a very cool and clinical treatment throughout. We wanted our emphasis to be different and for patients to experience a much higher level of design values, maximising the contribution of the environment towards creating a sense of well-being and confidence in the clinical excellence they’re going to encounter.
Then it was all about the idea of a journey, with seamless transitional environments helping the patient to progress through the spaces, decompressing them to be ready for the clinical areas. For example, the welcoming entry lobby area is more akin to a hotel or spa reception and features a sophisticated design treatment using art, texture and drama to give a real sense of arrival. The mood is welcoming and warm with respect for the architecture and full advantage taken of the natural light coming in from the courtyard. Semi-private areas beyond such as waiting areas or corridors feature a natural palette with softer colours, whilst the private areas – the consultation, treatment, dentistry and scanning rooms - also have a lighter palette. This series of colour transitions subliminally signals the patient’s movement from the welcome of arrival to a cooler feel for consultation and cooler feel still for clinical treatments.
Working with healthcare specification requirements and trying to integrate the medical equipment and required medical materials so they would not look too rigid, but at the same time maintained the high level of professionalism on offer.
There were two really. One was the pleasure of introducing art into the scheme using natural shapes and textures, so that the striking art pieces are properly integrated into the design. The second one was some time after the end of the project and finding out how well staff and patients were reacting to the space:
‘We are absolutely delighted with the finished product. Staff, visitors and patients alike are so impressed with the elegance of the design and the attention to detail, but also appreciate the feeling of warmth and comfort that it creates.’ - One Stop Doctors CEO, Ella Tracey
As well as naturally respecting the industry standing of the SBID, it’s also a real pleasure to have your designs recognised and admired by your peers.
Questions answered by Martin Goddard, Director & Co-Founder at Goddard Littlefair.
If you missed last week's Project of the Week with G-Art Design for the Shanghai Zhihui CIFI Square Modeling Finance Office, click here to see more
Entries to the SBID Awards 2017 are now closed. To find out more about booking a table, click here
Goddard Littlefair | SBID International Design Awards 2017
This week's instalment of the #SBIDinspire interior design series features the prodigious and monumentally ambitious project of introducing the Robinsons department store to one of the most alluring cities of the Middle East and distinguished shopping destinations of the United Arab Emirates.
Iconic Singapore department store Robinsons made its debut in the Middle East in Spring 2017 with the launch of a spectacular 200,000 square foot store at Dubai Festival City —the first of a collection of stores to follow in the GCC (Gulf Cooperation Council). HMKM drew inspiration from Robinsons’ roots — in particular, from Singapore’s lush terrain and contemporary architecture. That dynamic runs through every aspect of the design, starting with dramatic facades which blend vertical gardens by renowned French botanist Patrick Blanc, animated screens and interlacing lines of timber and polished brass. Built around a series of spectacular hero experiences, the store’s design creates a distinctive new identity for Robinsons in the Middle East, celebrating its rich Singaporean heritage while looking firmly to the future.
Company: HMKM
Project: Robinsons
Project Location: Dubai, United Arab Emirates
To create a store of inspirations! The aim was to build the largest department store in the region, at 200,000 sqft. with 600 local, regional and international brands. The first of a collection of stores to follow in the GCC. Robinsons was to offer three magnificent floors of contemporary and designer fashion, food, art and culture experiences. From 90 exclusive brands to a number of multi-tiered premium services, guests will delight in an immersive journey making each visit more enchanting than the last. Almost 160 years after it was first established, iconic Singapore department store Robinsons will arrive in the Middle East with the launch of a spectacular store of inspiration at Dubai Festival City.
HMKM’s vision draws its inspiration from Robinsons’ roots — in particular, from Singapore’s blend of green landscapes and edgy contemporary architecture — to produce a scheme founded on the notion of a future landscape. That dynamic runs through every aspect of the design, starting with a series of dramatic external and internal facades which blend large-scale animated screens with sinuous, interlacing lines of timber, bronze anodised aluminium and polished brass, alongside the large-scale vertical garden walls and columns by world renowned visionary botanist designer, Patrick Blanc. Throughout the interior, contemporary forms and digital elements are balanced with warm materials and lush planting.
How do you create a 200,000 sqft new department store in a unique and inspiring way? The answer was to employ a boutique design approach to the whole store design providing bespoke backdrops to the 600 brands, 90 of which are exclusive to Robinsons and including the first John Lewis to the region. A rich palette of materials and craftsmanship were employed throughout the store. For example in Menswear, the department is centred on a central pavilion defined by a slatted oak ceiling raft and fleshed out with herringbone leather panelled walls, end-grain oak flooring, warm lacquers and dark metal frames. In Beauty, the department presents a studio-style make-up zone framed in shimmering metal, centred under a bespoke geometric light installation and floored in honed Palissandro Classico and Kalliston marbles. Fragrance gets a softer feel, with rich marble and brass textures, soft Deco chandeliers and plush seating. In designing and planning the store, significant areas are dedicated to exceptional customer service including specialist tailoring suites for male and female local dress; bespoke printing, a cobbler, and personal shopping.
Realising the Boutique design to each of the category departments within a store of this size. Built around a series of spectacular hero experiences, its design creates an immediate, distinctive new identity for Robinsons within the Middle East, reflecting and celebrating its rich Singaporean heritage whilst looking ahead firmly to the future.
We are exceptionally proud to have been part of this well executed Robinsons store in the Middle East. The SBID awards, in particular the retail category, reflects the quality and prestige befitting this project.
Questions answered by Paul Digby, Creative Director at HMKM.
If you missed last week's Project of the Week with Portview Fit-Out for Harvey Nichols, Knightsbridge, click here to see more
HMKM | SBID International Design Awards 2017
This week's instalment of the #SBIDinspire interior design series features an insightful and gallery-esque re-imagination of interior design and visual merchandising for high-end retail spaces. Portview Fit-Out was assigned with the task of implementing the new flagship store design for Harvey Nichols in Knightsbridge.
Harvey Nichols is one of the world’s leading luxury retailers, renowned for its exclusive edit of the most prestigious brands across womenswear, menswear, accessories, beauty, food and wine. In 2015, an ambitious overhaul of the iconic flagship store in London’s Knightsbridge began with the Menswear department and in 2016, the Beauty department. Portview Fit-Out transformed the interior design of the two departments to enhance the overall shopping environment for style savvy, London shoppers. The Menswear department moved away from the traditional shop-in-shop format to become a collection of specialised boutiques where rooms are treated as a gallery of installations. The Beauty lounge features 221 brands and includes a fragrance space with a selection of over 75 scents.
Company: Portview, Universal Fit-Out Specialists
Project: Harvey Nichols, Knightsbridge
The brief was to turn tradition on its head and, quite literally, think outside the box by moving away from the typical “shop-in-shop” format that is more commonly associated with department stores. We then applied “controlled disruption” to create a space that is effortlessly innovative and alluring.
We worked closely with designers Virgile + Partners to bend the rules of modern design and deliver an awe-inspiring interior that is the absolute expression of contemporary luxury. From creating a collection of specialised boutiques in the two-storey Menswear department; where rooms are treated as a gallery of eclectic art installations, to the new open floor design in the Beauty Lounge; which nurtures ease and creativity in equal measure, we delivered an exceptional interior that has redefined the shopping experience.
A project of this size and scale is always met with challenges. In this case, two existing load-bearing walls measuring 600 millimetres wide needed to be removed using a jacking system to open the space up and create a sense of fluidity. This required installing a large steel frame to support the five storeys above, which proved to be a challenge due to the phased renovation of each section giving us very limited space to manoeuvre in. As always, we rose to the challenge to enable the successful completion of the interior design of this ambitious project on time.
For the menswear department, we loved applying the design principles of ‘controlled disruption’ to juxtapose traditional, luxury fabrics with more architectural, textured materials. This includes 5,200 egg cups, pebble dash, stained plywood in sculpted 3D patterns, brick slips, and slate roofing tiles, to create a sense of movement and add visual weight. Working with unconventional materials was a great experience and the completed look is exceptional.
We know that the design and fit-out of Harvey Nichols’ Menswear and Beauty Lounge departments in Knightsbridge is world class and it deserves to be recognised on a global scale. Projects that are shortlisted for the SBID International Design Awards are the best in the industry and often set the precedent for future design trends to follow. The new interior of Harvey Nichols, Knightsbridge, is no exception as it delivers a new hallmark in luxury department store design that has never been seen before. That’s why we entered the SBID International Design Awards and are delighted to be shortlisted.
Questions answered by Simon Campbell, Managing Director at Portview Fit-Out.
If you missed last week's Project of the Week with March & White for the Devonshire Club, click here to see more
Portview Fit-Out | SBID International Design Awards 2017
This week's instalment of the #SBIDinspire series features the dream-like Kanuhura Resort, an island retreat situated in Lhaviyani Atoll, the Maldives, a true paradise for free-spirited travellers.
Inspired by the concept of 'gypsy jet-setters' or 'gypsetters' a term coined by Muza Lab - the project focused on pulling inspiration from these two concepts. Combining the free-spirited lifestyle of 'gypsies' with the decadence and the spontaneity of 'the jet set-life.'
“We found inspiration in the legends, culture and natural world of the islands – their stories, colours and sculptural forms. By bringing these influences into the experience of Kanuhura, we have created a sense of free-spirited timelessness and well being where guests can escape from their normal lives and find a place to create their own special memories with family and friends.” Inge Moore
Muza Lab completely redesigned and reimagined the private island resort breathing new life and spirit into the holiday retreat.
“The concept of luxury is changing,” says Moore. “Luxury is now about what you get to feel inside rather than what you have to show off. As designers, this means it’s our thought process that sparks these feelings, and that really excites me. So with Kanuhura, we loved translating the values that bring happiness to sophisticated, well-travelled ‘gypsetters’ into experiences designed to elevate their sophisticated, free-spirited souls.”
SBID had the opportunity to speak with Inge Moore, Founder of Muza Lab about this spectacular project.
Company: Muza Lab
Project: Kanuhura Resort, Maldives
Project Location: The Maldives
We were presented with the opportunity to redesign every existing area of Kanuhura Maldives as well as to introduce new spaces, working from the big picture though to every minor detail, from creating larger guestrooms and renovating the F&B outlets, to amenities such as crockery, picnic baskets and uniform collections for the staff.
We wanted to create something different from the usual luxury hotel offering in the Maldives, something that was bohemian, colourful and laid-back. Our inspiration for this was the word “gypset” – describing a lifestyle that combines the unconventionality of the gypsy with the sophistication and speed of the jetsetter.
We always like to tell stories through our design and, in this case, we were spoilt for choice! Extraordinary legends, fascinating cultural traditions and the stunning natural world of the islands gave us so many ideas that we could weave together, taking their forms and palette into different spaces and bringing them to life with an authentic sense of place.
The inspiration for the arrival area, for example, is the black and white sarong of the local Boduberu performers who showcase tales of heroism, satire and romance. The island kitchen A Mano, which translates as “touched by the hand”, embraces all that is handmade and natural, with lime washed timbers, local stones, woven fabrics and eclectic handmade ceramics. In Bottega Italian Restaurant & Wine Bar, fiery reds and corals mingle with sandy pinks, yellows and bright blues in a celebration of the colours of the Indian Ocean.
With the guestrooms & suites, we wanted to showcase the phenomenal panoramas, whilst bringing elements of the landscape into the design through material and colour choice. The Palm Houses take their palette from the surrounding palm trees and their position on the beach means that they benefit from uninterrupted views towards the ocean. The Shell Houses are raised over the Indian Ocean with exteriors inspired by the traditional local dwellings. Each of their outdoor courtyards has a bath so that guests can bathe under the stars whilst the terraces feature nets with large fluffy cushions suspended over the turquoise water, allowing sophisticated castaways a very private and luxurious connection with nature.
As the resort is so remote, the logistics of getting all the materials and products we needed on site was probably the toughest hurdle. We also had to bear the humid climate in mind when making each design choice. Everything used needed to be hard-wearing to combat the sun, sea and tropical rain, yet also beautiful. Striking the balance between the two was imperative to create a luxury oasis that could stand the test of time.
The best thing about the project was actually the same as what we found hardest – the location. It was such a fabulous place to work and whilst it could be a hassle, it was worth it.
SBID International Design Awards are widely considered to be one of the top schemes in the industry. It is important for us to compete against leading studios worldwide and the calibre of projects entered is always high.
Questions answered by Inge Moore, Founder of Muza Lab
If you missed last week's Project of the Week with Studio Proof for the NH Collection Grand Hotel Krasnapolsky Click Here
Entries to the SBID Awards 2017 are now closed. To find out more about booking a table Click Here
Muza Lab | SBID International Design Awards 2017
This week's instalment of the #SBIDinspire series features the Grand Hotel Krasnapolsky, located in Amsterdam and overlooking the legendary Dam Square.
The Grand Café, housed within the Grand Hotel Krasnapolsky has been imaginatively revived by Studio Proof, along with the hotel’s other food and beverage offerings and public spaces. Elegant and contemporary but also designed clearly within the style and tradition of noble European cafés, the venue is three times the size of its previous iteration and has been sectioned into three adjoining areas, each accommodating different dining experiences. A fully glazed pantry housing enticing patisserie displays stands by the entrance, surrounded by compact booths. The next space in the enfilade is dominated by a magnificent seafood counter dressed with a white carrara marble top and custom lamps, and framed at each end by a floor-to-ceiling champagne wall. The far end is balanced with a floor-to-ceiling display of fine teas and sharing tables, with bespoke pendant lights hang throughout to articulate the space and capture the attention of passers-by.
SBID had the opportunity to speak with David Morris, Creative Director of Studio Proof.
Company: Studio Proof
Project: NH Collection Grand Hotel Krasnapolsky, Amsterdam
Project Location: Amsterdam, The Netherlands.
Studio Proof was tasked with the redesign of all public areas and food and beverage venues within the legendary Grand Hotel Krasnapolsky. This was the first full refurbishment of the hotel for nearly half a century and called for the designers to rationalise the space to make sense of the 50-plus individual buildings that had been absorbed into the property since 1865. NH had just launched their new luxury NH Collection brand and so this was the first manifestation of it. Relevance to the brand and its colours were very much part of the client’s focus and we had to skilfully steer that alongside the sensitivities needed in this historic and much-loved hotel.
We were inspired by the history of the hotel, the story of the original owner, and the fantastic location. We wanted to tastefully update the spaces to combine cosmopolitan style with subtle references to the hotel’s heyday – the glamorous 1920s – to achieve interiors fit for the highest quality within the NH brand. The Grand Café is stylish and modern whilst also in keeping with the traditions of noble European cafes; we wanted to make the most of its stunning views across Dam Square and did so by adding more large windows and tripling its size so that it now spans one side of the hotel. The White Room is the oldest restaurant building in Amsterdam, protected by Dutch Monumental regulations, and called for a sensitive touch, whereas the Tailor Bar is a brand new venue whose more light-hearted décor is inspired by Wilhelm Krasnapolsky who started his working life as a tailor.
To be honest, it was simply getting 85% of our design ideas built. So much was invested into removing unexpected amounts of asbestos, inputting extra steel work to hold up the fragile houses that form the hotel (56 of them and some 500 years old), and the sheer quantity of steel needed to remodel the public spaces, it meant that the fit-out budget was really challenged. What we achieved with the budget we had and the building conditions we inherited was nothing short of a miracle, and stands as testament to the whole design team’s fortitude and perseverance. Grand Hotel Krasnapolsky is now a credible and stylish ambassador of the NH Collection brand values and it has been really fulfilling to see this design come to fruition.
To be honest, it was simply getting 85% of our design ideas built. So much had to be invested into unforeseen enabling works and introducing extra steel work to hold up the fragile houses that form the hotel (56 of them and some 500 years old) as well as the sheer quantity of steel needed to remodel the public spaces, it meant that the design budget constrained. The final achievement is testament to the whole design team’s resourceful pragmatism. Grand Hotel Krasnapolsky is now a credible and stylish ambassador of the NH Collection brand and it warms our hearts to see our design come to fruition.
I thought it would be interesting to take part in an international and prestigious contest known all over the world as The SBID International Design Awards; moreover I knew it could be also a good way to get in touch with other design professionals, to keep informed on the news and to be part of the SBID society.
Questions answered by David Morris, Creative Director of Studio Proof.
If you missed last week's Project of the Week with II BY IV DESIGN's Residences of 488 University Avenue Click Here
Studio Proof | SBID International Design Awards 2017
This week's instalment of the #SBIDinspire series features the outstanding Residences of 488 University Avenue, a show flat development located in the bustling cosmopolitan city of Toronto, Canada.
Every great city has its iconic avenue, rich in history and heritage; New York has Park Avenue, Paris has the Avenue des Champs-Élysées and Toronto has University Avenue - the ultimate landscape of society, culture and commerce for the cosmopolitan city. At The Residences of 488 University Avenue, the art of living has been raised to new heights. The Presentation Centre designed by II BY IV DESIGN features inspired kitchen, bath and lifestyle vignettes, as well as, a sales area and scaled model of the final building which embody the project’s lofty brand promise…’where extraordinary living becomes everyday life’. Key purchaser touch points include the stylised wall panelling (a motif found in the final building), which combine geometric shapes finished in lacquer, upholstery, chromed mirror and marble. Cove lighting, under-lit counters, down lights suspended between floating ceiling planes and contemporary decorative lighting in the vignettes work in unison to create a high-end and sophisticated atmosphere.
SBID had the opportunity to speak with Dan Menchions, Partner, of II BY IV DESIGN.
Company: II BY IV DESIGN
Project: The Residences of 488 University Avenue
Project Location: Toronto, Canada
The Presentation Centre was created to promote the sales of the luxury condominium development, The Residences of 488 University Avenue. The client provided us with a simple brief - create a Presentation Centre (including Show Flat) that lived up to the iconic nature of the development and its brand promise, “where extraordinary living becomes everyday life.”
We were essentially given the creative freedom to incorporate elements that would typically only be found in a custom home, or considered ‘upgrades’ in other projects. Our goal was to create an inspired, contemporary space that united modern convenience with creative living.
Every great city has its iconic avenue, and Toronto has University Avenue. Inspiration for The Residences of 488 University Presentation Centre came from the developments ‘Discovery District’ locale, as well as Toronto’s urban fabric; the coming together of great minds, the creation of place and the exchange of innovative ideas.
The overall effect is chic, luxurious and thoroughly modern. Created to reflect the final building design, the Presentation Centre introduces prospective buyers to an overall atmosphere of high-end finishing, inspired design and the unlimited amenities which they can expect.
This was an exceptional project in that the client did not impose any creative restrictions or budget. Fortunately, our mandate was simply to create a Presentation Centre that would reflect the level of quality and care found in this iconic development.
Touring this one-of-a-kind Presentation Centre provides one with an amazing authentic living experience. No expense has been spared, and the level of luxury buyers will be moving into is clearly demonstrated. Inside the stunning entrance, we set the stage with rich detailed paneling, glowing glass walls and sumptuous, eclectic furnishings that seem to magically transport potential buyers. Two fully functioning kitchens in contrasting colour palettes display the luxurious finishes and standard appliance packages.
We entered the SBID International Design Awards because it is internationally renowned, and to be recognised by this prestigious awards program is truly a great honour.
Questions answered by Dan Menchions, Partner, of II BY IV DESIGN
If you missed last week's Project of the Week with Hill House Interior's 'Surrey Pool House' Click Here
II BY IV DESIGN | SBID International Design Awards 2017
This week's instalment of the #SBIDinspire series features Avalon II; a stunning residential project based in the U.K, designed by Hill House Interiors. Meticulous attention has been paid to every detail. The brief was to create timeless elegance with a luxurious yet neutral textured palette. Every room had to be of equal importance and opulence. The concept behind the design stays true to the Hill House philosophy ‘You only get one chance to make a first impression’.
Hill House Interiors were commissioned to design a home for an international businessman with an extended family, who required an 'out of town' base in the UK which included a home cinema, luxury pool, spa and gym.
They have created interest by using a myriad of textures, along with a collection of painstakingly sourced objets d’art, wall coverings and distinctive focal point lighting solutions, for this elegant family home. The end result is the quintessence of a Hill House Interiors scheme: classic contemporary, incorporating only the highest quality materials, with touches of this innovative design consultancy’s unique brand of glamour. The most recent addition to this stunning home includes a state of the art luxury spa, pool and gym area.
SBID had the opportunity to speak with Helen Bygraves, Co-Founder of Hill House Interiors.
Company: Hill House Interiors
Project: Surrey Poolhouse
Project Location: Surrey, U.K
This truly luxurious spa complex was designed for an international businessman and his family to enjoy whilst in the UK. A sympathetic addition to the property, we consulted with the developers throughout, using our in-house architectural expertise to help create a practical, as well as aesthetically beautiful, new focal point for the home, which has been seamlessly integrated into the original part of the house
Texture was central to our design for this spa - for example, the wave-effect wall is beautifully juxtaposed by the crazy cut mother-of-pearl vases filled with stunning orchids. Another key feature is versatility, from the cinema room, a large feature glass wall allows extra light and ambience through to the pool area; we installed a concealed remote control blind to block the light when required for those movie moments!
It was of paramount importance that this extension blended seamlessly with the existing building, whilst bringing a wonderful new dimension to the house. The client is delighted with the fluidity of the space, and the soothing aqua colour palette which makes this the perfect place to relax, as well as workout.
From the textured wave wall to the transparent swimming pool cover, which acts as a safety measure for children whilst showcasing the stunning pool tiling, every element has been carefully considered to offer a majestic poolside experience. The chic single cabana cabins and sofa, from Italian furniture specialist Bonacina Pierantonio, provide pool-side seclusion, perfect for post-workout relaxation.
SBID are consistently at the forefront of both new trends and design, while championing exciting and innovative suppliers. As well as the fabulous awards, events and networking opportunities they organise, the SBID accreditation give us an edge as interior designers, it’s also great to work closely with such a wonderful team.
Questions answered by Helen Bygraves, Co-Founder of Hill House Interiors.
If you missed last week's Project of the Week with 'Belmond Andean Explorer' Click Here
Hill House Interiors | SBID International Design Awards 2017
This week's instalment of the #SBIDinspire series features the inspiring Belmond Andean Explorer. Muza Lab has exquisitely re-imagined the slow travel experience through their design of South America's first luxury sleeper train, the Belmond Andean Explorer in Peru, which launched on the rails May 2017. Working closely with Belmond to compliment the brand’s heritage for properties that are at one with nature, the studio has harmoniously woven cultural connections with inspirations from the idyllic surroundings, creating a detailed backdrop for the breathtaking spectacle of the Peruvian Andes.
“We design journeys and with Belmond Andean Explorer, we have distilled the romance, nostalgia and freedom of the train voyage. The train is a place of transition where time seems to slow down between the departure and the arrival. Our vision was to design somewhere to ponder and dream, a space where the beauty of the land can infuse the soul.”
SBID had the opportunity to speak with Inge Moore, Founder of Muza Lab.
Project: Belmond Andean Explorer
Project Location: Peru
For South America's first luxury sleeper train, Belmond Andean Explorer, Belmond gave us the brief to design a new, unparalleled level of experience that complements the brand’s heritage for properties that sit at one with nature. Our response was to create a one-of-a-kind immersion into Peru’s culture, landscape and crafts that gives passengers a contemporary, re-imagined way to enjoy the beauty of slow travel and create memories they will cherish forever.
Our vision was to distil the romance, nostalgia and freedom of the train voyage through an interior design that taps into the journey’s dreamlike sense of suspended time, an experience where moments seem to slow down. We harmoniously wove cultural connections with inspirations from the surroundings to create a detailed backdrop for the breathtaking Andes mountains.
Soft, neutral tones create an open, airy feel that allows the amazing vistas to take centre stage, while beautifully crafted furnishings reflect Peru’s heritage and natural bounty. Palettes, textures and patterns were chosen to create a sense of calm, a counterpoint to the vibrant panorama outside and a place of transition where travellers can ponder, dream and explore new horizons as the beauty of the land infuses their souls.
In the Observation Car, guests can enjoy nearly 360-degree views, either leaning against the scrolled balcony rails or relaxing on the central round seat. Inside, the bar is furnished with traditional embossed leather chairs and cosy sofas. The elegant Piano Bar Car offers a more formal ambience with a corner bar at one end facing an impressive grand piano at the other, and a palette of refined grey tweed with splashes of cornflower blue and golden yellow. The spa is formed of three treatment rooms painted a soothing shade of white to inspire a sense of stillness and relaxation as the colourful landscape whirs past.
Pale shades of taupe and cream enhance the two Dining Cars’ open spaciousness, and rich, cognac-toned leather chairs bring a substantial feel. One carriage also features a library as well as a boutique shop with original, handcrafted items from each destination along the route. Divider screens between seating groups have been refreshed with white macramé that replaces the inset timber panels.
Carrying up to 48 passengers, the Sleeper Cabins have been designed with all the sumptuous amenities guests expect from a luxury experience. Select nostalgic elements of the original train have been restored or added as emblems of the golden age of train travel. Brass room keys were forged into the shape of the Chakana Cross, one of the most enduring shamanic symbols of Incan civilisation and the train’s official crest.
There weren’t really any hurdles, but we did commit to creating a genuine, heartfelt experience of Peruvian culture versus a pastiche. Nearly everything has been locally sourced, supporting the local community while reducing the project’s carbon footprint. Finishes have been renewed where possible, and re-purposed materials contribute authenticity and environmental responsibility. For example, in the Observation Car, the round central seat is covered in fabrics from traditional dresses sourced by Muza at a Cusco market, and passementerie on the roman blinds is from antique Incan fabrics. The result is a welcoming spirit that feels real and honest. In addition, the design allows for furniture and accessories to be securely affixed due to the train’s movements.
The Belmond Andean Explorer travels through one of Earth’s most beautiful countries, a destination on many people’s bucket-list of places to explore. To get an understanding of Peru’s culture, we visited several Belmond properties in Lima, Cusco and the Sacred Valley and researched its amazing landscape as well as the textiles and textures of Peruvian arts and crafts. It was a magical experience and, with so much beautiful inspiration, truly a designer’s dream project.
The SBID International Design Awards elevate the stature of the interior design industry by highlighting exceptional talent, passion and expertise across the globe. Participating in the competition strengthens our reputation as imaginative leaders creating some of the world’s most exciting designs.
Questions answered by Inge Moore, Founder of Muza Lab.
If you missed last week's Project of the Week with 'Peace Palace' Click Here
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