Beoto Design: Creating a Sanctuary to Escape from the Bustling Metropolis

This week’s instalment of the Project of the Week series features a calm and serene apartment design by 2024 SBID Awards Finalist, Beoto Design.

Beoto Design was appointed to design and deliver the interior design of a duplex apartment located within the iconic Battersea Power Station. The brief was to provide a sanctuary for the residents and instil their home with calmness to provide an escape from the bustling urban world outside. Beoto Design’s interior provides luxury without the traditional formalities, whilst encouraging relaxation, and provides flexibility for entertaining, and working without the need for prescribed, sub-divided rooms. Biophilic design and the careful selection of warm, earthy materials and fabrics were key to softening the raw aesthetic, in harmony with the existing historic facade.

What was the client's brief?

With the once brownfield site now a thriving mixed-use urban quarter drawing millions of people from around the world to visit, the client’s brief was to create a sanctuary for the residents and provide an escape from the bustling metropolis outside.

There was a strong desire from the client also to resolve the stark acoustics and humanise the scale of the apartment, to support a feeling of warmth, intimacy and cosiness. Whilst the vast double height space is impressive, since it links the two levels via the mezzanine, it was imperative that noise was dampened throughout to minimise interference.

These requirements and challenges called for an interior that instils the space with calmness; provides luxury without the traditional formalities, whilst encouraging relaxation; and enables flexibility for entertaining and working without the need for prescribed, sub-divided rooms.

The base-build had many inspiring features to draw from, most notably the incredible exposed brickwork and magnificent 21ft tall, industrial window. These were complimented by oak chevron floors, brassware and dark metalwork. However, there were several areas where MEP concealment strongly imposed itself on the space. This was deemed unsightly by the client; but provided an opportunity to incorporate much needed additional storage throughout.

What inspired the design of the project?

Located within the iconic Grade II* Listed Battersea Power Station, the design celebrates the building’s rich history in synergy with a modern, dynamic and adaptable urban lifestyle.

Although the interior design is not a like-for-like replica of 1920’s Art Deco, it does recognise this aspect of the power station’s heritage throughout. For example, the headboard takes inspiration from the scalloped chimneys, divided by four vertical brass trims. The existing balustrade on the upper level provides a datum that wraps around the joinery, subtly tying the space together. The artwork and loose accessories all make a contemporary reference to Art Deco or the building.

Biophilic design and the careful selection of warm, earthy materials and fabrics were key to softening the raw aesthetic, whilst being in harmony with the existing historic facade of the building. Soft furnishings and the introduction of the enormous curtains to the full height of the window achieved significant sound dampening. The curtain stack was carefully considered so that it did not conceal any of the existing façade steelwork or listed brickwork, and appears subtle despite the grand scale.

What was the toughest hurdle your team overcame during the project?

The client and Beoto Design agreed and ensured that no existing features should be removed and put into landfill – which is sadly far too common a practice when base-build residential developments are fitted-out by their end users. Instead, we fully incorporated the entire base build into the new interior design, lifting it to a level of sophistication and luxury far beyond its initial presentation.

Dealing with the existing geometry was complex and required Beoto Design to carefully 3D scan and model in detail the entire unit, creating a one-to-one digital twin of the space. This allowed all of the joinery and furniture to be digitally tested and visualised prior to manufacture, to ensure it fitted both physically and aesthetically, achieving a high level of tolerance in manufacture and fitting, and eliminating any unnecessary returns or wasted materials.

What was your team’s highlight of the project?

We care deeply about the story and identity of a place, its history and heritage. Diving into research and thoroughly understanding the context in which we are working is one of the first tasks we undertake on any project. Being able to work on a unique apartment in such an iconic building was truly a joy. We thoroughly enjoyed looking into the rich history of the Power Station as a whole and learnt many interesting facts that make the development so unique. This in turn fed into our design process for the project.

Within the apartment, there were many historical quirks that delighted the client and made the place feel unique and special to its setting: from the original numerical markings on the brick work, to some of the existing electrical drawings from the 1950s.

When we first saw the completed space, we were struck by the low winter sun dancing around the space, casting a variety of shadows on the various finishes, most notably the scalloped headboard design.

Why did you enter the SBID Awards?

At Beoto Design, we are committed to making conscious design decisions that harmonise both sustainability and quality from the outset. We entered the duplex apartment into the SBID Awards to demonstrate this uncompromised fusion, which utilises an existing base build and elevates it to suit the needs of a client without having to remove anything to landfill.

What has being an Award Finalist meant to you and your business?

Being named a Finalist for the 2024 SBID Awards was a great honour for Beoto Design and felt like recognition and a celebration of our alternative approach to delivering a high-quality project infused with our sustainable ethos.

This recognition would not have been possible without a fantastic project team, with highly skilled craftsmen and women, consultants and suppliers as equally as responsible for its success. The project was a truly collaborative endeavour between the client, designers, suppliers and installers. We love working in this way and were grateful that this approach was also recognised by the judging panel.

The nomination has given us the confidence to continue developing this approach, further scrutinising our material choices and furniture-sourcing to ensure that the design and installation can have minimal impacts on the environment, whilst achieving an elevated level of quality.

Questions answered by Jake Warrington, Founder and Director at Beoto Design.

This week’s instalment of the Project of the Week series features a luxurious and sophisticated apartment design by 2024 SBID Awards Finalist, Isabel Gómez Studio.

Located in the heart of the European district in Brussels, this 200m2 apartment won over the owner with its location and spacious volumes. The redesign of this space was a real challenge as it was thoroughly studied down to the smallest details. Upon entering, we are greeted by an exceptional custom-made metal coating from Italy. Horizontally oriented, it features a bronze colour palette. It's surprising because it conceals numerous storage spaces and provides access to the spa.

What was the client's brief?

The client had just purchased the flat and initially reached out to us for some decorative updates. However, once we presented the hidden potential of the space, they became very excited about the possibilities. We also took the time to question them about how they live and entertain, which allowed us to come up with an unexpected yet stunning proposal they simply could not refuse. This led them to give us complete "carte blanche" to fully transform the flat.

What inspired the design of the project?

The inspiration for the design came from both the architecture of the building and the open layout of the apartment, as well as the clients' personal interests. The clients are passionate about sports and wellness, and they enjoy playing games when hosting friends. We also paid special attention to the 180-degree terrace, which became a significant feature of the project. To create a luxurious and sophisticated atmosphere, we chose Natural Stone Patagonia Quartzite and Bronze metallic finishes, which brought a timeless elegance and warmth to the space.

What was the toughest hurdle your team overcame during the project?

This project was not only very demanding design-wise, but it also involved a high level of technical complexity. The integration of a new air conditioning system, the automation of all electrical fittings, new heating, and the spa required careful coordination. Assembling such a large team of specialists and ensuring they worked together seamlessly was also quite challenging. The project required countless on-site visits. However, the most important aspect for me was ensuring that the final result would meet our client's expectations, which kept the team and I fully focused throughout the process.

What was your team’s highlight of the project?

The highlight of the project was the level of bespoke design involved. So many elements were custom created specifically for this space, including the stairs, all the carpentry, the doors, the wallpapers, the carpets, and even the switches, which were designed using the typography the client told us was her favourite. It was incredibly rewarding to see all these pieces come to life and to witness how satisfied our clients were with the final result.

Why did you enter the SBID Awards?

We entered the SBID Awards because it provides an excellent platform to showcase our work to a broader audience, particularly within the interior design community. We are passionate about our projects, and being part of such a prestigious award recognises the level of craftsmanship and thoughtful design that goes into each of our projects.

What has being an Award Finalist meant to you and your business?

Being selected as an Award Finalist has been a tremendous honour for both myself and my team. It strengthens our commitment to excellence and affirms the dedication and creativity we pour into every project. We shared the exciting news with our audience, especially our clients, who were thrilled by the recognition.

Questions answered by Isabel Gómez Tinoco, Founder and Creative Director at Isabel Gómez Studio.

This week’s instalment of the Project of the Week series features a luxurious and wellness-focused apartment design by 2023 SBID Awards Finalist, Design-Art LLC.

Residences Kierland is a prestigious multifamily development that places an emphasis on wellness. This project effortlessly blends indoor and outdoor living spaces, providing residents with a luxurious and wellness-focused environment. Designed to be able to offer a comprehensive spa menu, residents can indulge in various treatments and services, including tranquil relaxation spaces, private massage rooms, saunas, steam rooms, and secluded outdoor hot and cool pools. With its emphasis on wellness, luxurious amenities, and captivating surroundings, Residences Kierland sets the stage for a life of unparalleled comfort, luxury, enjoyment, and wellness through its thoughtfully designed amenities.

What was the client's brief? 

To create a multifamily living experience that focuses on wellness, sophistication, and luxury. And, feels like an extension of the neighbouring Kierland Commons retail development. The project should consist of 294 homes including 8 town home style units in a six-story “podium” and take advantage of the Westin Golf Course views.

What inspired the design of the project?

When thinking about wellness, we immediately thought about Spa Resorts, and started talking through how we could incorporate a wellness resort lifestyle into our multifamily project. We, additionally, wanted to bring some luxury living elements into the project, so residents didn't have to go far to get their nails done, go to the gym, or store their wine. So, we worked with the Architect to include a beverage fridge in every unit, as well as additional rental wine lockers in the wine bar inspired clubroom. A full-service spa and fitness facility were added to the project as a luxury amenity that really rounded out our luxury wellness lifestyle concept.

What was the toughest hurdle your team overcame during the project?

Due to the global pandemic, many of our construction walks for this project were done electronically, due to the team's inability to travel to the site and/or gather in large groups. We had what we called "paper box walks" for the bulk of the units, which made it challenging to know exactly what we were going to get, once finally on-site. The pandemic also affected the supply chain, which caused several project delays. And, additional tariffs were added to receive goods, which increased our costs beyond what was originally budgeted. However, everyone stuck together. And the teamwork across trades was incredible to achieve a final product that everyone is immensely proud of.

What was your team’s highlight of the project?

Designing, and helping to program the full-service spa, was incredibly rewarding. I had an opportunity to work on a few spa designs while previously employed with hospitality design firms, designing hotels and restaurants around the world. So, it was wonderful to bring that knowledge and experience to this project, and create an amazing, one-of-a-kind, amenity space, for these residents.

Why did you enter the SBID Awards?

We saw entering the SBID Awards as an opportunity to further showcase this amazing project/development and provide international exposure of what our local design and development teams are working on.

What has being an Award Finalist meant to you and your business?

Being an Award Finalist has been such an honour. We are so grateful that we have an opportunity to be recognised as part of the greater international small design business community. And feel a sense of pride to be included among such amazing international projects and teams. We can't wait to attend the ceremony in November!

Presenting The Gainsborough - An apartment nestled on the riverside, in the heart of London’s iconic Westminster.

There is a certain weight that goes hand in hand with anything to do with my home of London, an intangible gravitas that carries with it the depths of centuries-old culture, all enveloped in the energy of a thriving metropolis.

The city's iconic landmarks are a testament to its legacy, each telling a chapter of its enduring history and steady evolution. The challenge and joy of designing here lies in harnessing the dynamic spirit that floats around our city and translating it into an interior that encapsulates the essence of the capital itself. Art and architecture have resonated across these streets for centuries and this presence is the source of inspiration that has driven me to craft a space that pays homage to the city while encapsulating the luxurious, contemporary lifestyle it can offer.

With that in mind, I proudly present my studio's most recent work - The Gainsborough at Millbank. This 4,536-square-foot duplex apartment is unique in shape and legacy. The building has so much character, that I came to think of her as a beautiful, quintessentially English woman from a time gone by. Her natural grace needs only the most elegant of pieces to add a final touch of glamour to her innate beauty.

In a previous life, the building was the home to Imperial Chemical Industries, the country's creators and largest manufacturers at the time, of the familiar and enduring material Perspex. And the vast apartment itself? It was the Chairman's Office.

With spectacular views of the Thames, Grade-II Listed 9 Millbank was originally designed by Frank Baines, a staunch supporter of the conservation and preservation of buildings for which he had a global reputation. The Portland-stone exterior is flanked by 1920’s sculptures from Charles Sargent Jagger. The four effigies represent the industries of chemistry, agriculture, marine transport, and construction, or the four pillars of ICI.

It is a very considerate exterior and with the apartment named after the 18th century artist, Thomas Gainsborough, who was known for his inventive and original approaches, we needed a fitting ambience to match. The first floor of the apartment boasts an open-plan entertaining and living room with parquet herringbone parquet flooring. An original 1920s stained glass roundel depicting the allegory of Britannia is set in the middle of The Gainsborough’s sweeping 10ft windows.

As a team, we approached this project as a restoration and we worked to capture the grand majesty of the original features. The apartment was already adorned with rich walnut panelling and intricately floral-carved door frames; I wanted to ensure our designs for this extraordinary space allowed the beautiful bones of the building to breathe and take centre stage.

Sculptural chandeliers by Sans Souci in hand-blown crystal, Murano glass, and patinated bronze and bespoke carpets from Rivere were created to reflect the cityscape beyond the terrace. As always the work of Britain's finest ateliers and artisans was realised by incorporating bespoke sculptures and hand-crafted embroidered textiles alongside tactile materials like alabaster, parchment, British wool, Italian silk, and cotton velvet.

The grandeur of the surroundings is highlighted by our thoughtful selection of antique pieces for the various case goods throughout the residence. Each room has been meticulously layered with treasures from the past and is complimented by bespoke pieces, created to fit the unique dimensions of specific spaces.

The macassar ebony office desk pictured above was dressed with bronze details, a leather blotter, and dedicated pencil and paper arrangements within the drawers. Power was also worked into the design, ensuring all stays were as equally functional as aesthetic.

Hand-stitched silk wallcoverings by Fromental adorn the entryway walls with delicate beaded feathers. The design echoes the peacock motif that greets visitors from the building's exterior façade and accompanies motifs of the individuals involved in the founding of the company. Another iteration of the building is realised in the delicate shade used in the Master Bedroom: the cosy and nostalgic teal grey of Farrow & Ball’s Pigeon.

The graceful master bedroom features many original details, including timber panelling and the stunning circular plaster ceiling with its fine cornicing and decorative motifs. The moulded ceiling soars to 17 feet and the timber columns are akin to those found in London’s historic palaces. Cotton-linen drapes hand-stitched in bronze thread adorn the four-poster bed.

To the east of the apartment lies the family kitchen where contemporary fitted units and an island offset the imposing architecture. These features contrast beautifully with the rich lustre of the original timber panelling on the walls.

With the tall ceiling came tall windows, and owing to the listing of the building, we had to come up with innovative solutions to dress them. We went with a gorgeous Roman blind with an embroidered leading edge to pair with the light-and-airy drapes pressure-fixed mid-way. Meanwhile on the upper floor lie three en-suite bedrooms; the sage, pearl, and slate rooms respectively.

The 43ft colonnade terrace is accentuated by the apartment's vast floor-to-ceiling glazing. The only thing I love more than thinking of the lucky owner of this apartment enjoying the sunrise and sunset from their abode, is the wonderful sculptural addition St Edward commissioned. Standing alongside the existing representations of male scientists on 9 Millbank a sculpture of pioneering mathematician, Ada Lovelace, pays homage to the building's scientific legacy.

Designed by renowned London sculptors Mary and Etienne Millner, the work compliments the existing stone sculptures of Charles Sergeant Jagger and celebrates the woman's ground-breaking work on the world's first mechanical computer in the 1840s.

To see this marvellous building of national importance, rise anew, is very exciting. I hope you enjoy this little insight into the process behind bringing it to life!

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In this week's interview with 2022 SBID Awards winners of the Residential Apartment Under £1M category, JL Studio, Jenya Lykasova discusses achieving a balance of roughness and cosiness, using natural materials in a design, and mixing nature and architecture.

The JL STUDIO team has implemented a completely unique interior design project for a two-level apartment in a historic building.

Firstly, tell us a bit about the design of your project. What were the key ideas, concepts and processes behind it?

The main idea behind the interior is naturalness, going beyond the ordinary and outgoing trends. It was important for us to create an interior that would be relevant even in 10 years from now.

We met some difficulties while started working on the project, because the local authorities imposed strict requirements on the renovation of the building. We wanted to emphasize its historical value and show pure modernity in the same time, as well as demonstrate how harmoniously this interior fits to the human nature and people’s lifestyle.

What was your biggest takeaway or highlight from completing this project?

I was happy to realise, that we have reached this perfect combination of cosiness, natural roughness and uniqueness. Art objects in the interior are ordinary things that we see in nature, but do not see in our apartments. That is why they are not perceived as something catchy and do not turn the house into a museum.

At the same time, these interior elements perfectly reflect the bright individuality of the owners. Guys are happy and delighted with their new interior for 100 % - that is very important for me and my team.

What has winning an SBID Award meant for you and your business?

We have always been totally in love with what we do, but SBID Award gives a definite understanding that our projects are professional and competent. It means that we understand high standards and trends of the interior design in the UK and worldwide as well. We had been participating for three years and finally got an award we wanted so far.

The design creates a cosy and warm space while using wildness and rough textures in an ancient building. How did you achieve such an effect, without the apartment looking cold and stiff?

Textures make everything, especially when they are so different and extraordinarily tactile. Everything matches perfectly in this symphony of comfort and function. Linen plays with woods and bricks as well as day-and-night lighting compliments every single detail of this interior composition.

This space is full of natural light which is duplicated by lamps of soft lighting at night. Greens play a key role also: it fills the interior not only with freshness and life, but also helps to absorb sounds and eliminate echo.

What would you say is most important to keep in mind / the correct approach when using lots of natural materials and textures in an interior design?

Its important to find out a nice combination between materials, this relationship is a key note. By choosing material samples we always place them all together and check if there is something to ruin the whole idea.

I don’t like much color but i enjoy rotating textures within a composition of the same color. For example, total grey interior architecture looks smart and expressive only when all the textures are different.

And of course all the materials should be tactile and cause this incredible touch-desire. If they are not, something has to be changed immediately.

There is quite a mix of straight-edged and organically shaped furniture. Tell us more about your choice and approach to using it.

This is one of my favorite techniques. While combining straight-edged shapes with natural ones I can emphasize each of them correctly. Straight forms of the podium are highlighted by soft couch pillows. Look at this unusual bathroom with its strange shower and a stone sink which is supposed to be an accent itself.

It seems like we mix nature and architecture, human impact on the entire world and the origins of human being. The key idea of this interior - is our communication with nature because we are a strong part of it.

Questions answered by Jenya Lykasova, Founder & Director, JL STUDIO.

This week’s instalment of the Project of the Week series features a contemporary family home design by 2022 SBID Awards Finalist, RS Interiores & IDA SRL.

The inspiration of this Project came from the very first call with our clients, it’s a design inspired by Mid century décor. In Marba Haus we implemented much warmth of the environment to instill peace and serenity within the design.

The use of wood is shown in the many elements of the design, for example, the wooden ceilings, or in the many modern pieces of furniture. The color coordination of the greens and terracotta inspires organic design. We used textured techniques for the wall finishings creating different dimensions and earthy sensations.

All these combinations in the design have created a warm, peaceful and serene home, a true space for a family to live.

What was the client's brief? 

The clients wanted a family home that reminded them of nature.

What inspired the design of the project?

The inspiration came from a phone call when discussing the project with my clients, they were speaking about how they loved to be outdoors and nature. Colors like greens and earthy tones, textures all came into place.

What was the toughest hurdle your team overcame during the project?

The toughest hurdle for this project was creating new texture techniques on the walls with plaster and sand. We used a brush in order to create arched movements and patterns on the walls. After completing this process we decided to paint over it. The overall aspect of this organic creation was a true work of art.

What was your team’s highlight of the project?

The highlight of this project has to be the combination of the materials and finishing and how they all come together in design. We were able to mix furniture, textures and fabrics to mesh the mid century feel with contemporary design.

Why did you enter the SBID Awards?

As a SBID Member and past winner of the 2020, I believe in sharing and competing in design. It makes us stronger as designers and inspires others in our field to grow as professionals.

Questions answered by Rosadela Serulle, CEO and Founder, RS Interiores & IDA SRL.

In this week's interview with 2022 SBID Awards' Overall Winner, Clara Lleal Interiorista, Clara Lleal explains how they achieved displaying a number of different art pieces in a cohesive design, and discusses the experience of working on a space for an artist.

Art Gallery House is located in the historic centre of Badalona, a city near Barcelona. The brief was to strategically place the sculptures created by the owner of the house himself, the artist and sculptor Juanma Noguera. In short, an Art Gallery house.

Firstly, tell us a bit about the design of your project. What were the key ideas, concepts and processes behind it?

One of the challenges when it came to the layout of the project was to strategically place the sculptures created by the owner of the house himself, the artist and sculptor Juanma Noguera. In terms of general aesthetics, the idea was to give the whole space an industrial atmosphere, maintaining and recovering the building's original materials. The solid brick walls were uncovered, the vaulted iron-beamed ceilings were respected, and areas with the original hydraulic pavement were maintained.

The materials used subsequently also follow this industrial premise, concrete, black iron sheet, herringbone floor of recovered wood, and teak wood furniture to break the cold of the greys.

The construction of the house dates back to the 19th century, coinciding with the industrial period in Catalonia. Therefore, the house has many architectural elements typical of that period, which we wanted to maintain and even restore. The walls were chipped to leave the brickwork exposed, the original cast iron columns were restored, the hydraulic mosaic floor tiles of Mediterranean origin were kept, and the Catalan vaulted ceilings were left exposed. In short, we wanted to recover the industrial essence of the house and give it value.

What was your biggest takeaway or highlight from completing this project?

One of the main challenges was to gain natural light. It must be said that in an area of 200m2 there was only one window. Skylights were opened in the roof and in the inner courtyards, as many openings as possible were made so that the house would be bathed in light. We wanted to convey the feeling of wellbeing and warmth that natural light provides. In addition, from the beginning we wanted to include a lot of natural vegetation that can only live with light.

Another challenge was that the spaces were very large and there was a risk that they would not be welcoming, which was of paramount importance to the client. With the combination of materials such as teak wood and dark colors, a cozy atmosphere was definitely achieved.

What has winning an SBID Award meant for you and your business?

It was a big honor and symbolic for me. It was the first big international contest where I had taken part, and I can confirm that is also one of the few contests that is honest and where it is very difficult to get an award. That is why I cannot describe how happy I was when I heard my name. It was amazing!

For my business, winning this award represents an excellent opportunity to take a leap to grow and be able to access more interesting projects, and perhaps even have the opportunity to expand my business abroad.

You managed to display a lot of artworks of different mediums, while also using a few open storage units. How did you achieve this without the space looking cluttered?

The placement of the art pieces was well thought out from the beginning, and in fact the distribution was based on the strategic placement of each one of them. Initially we knew which pieces were going to be exhibited, so we only needed to determine where each one was going to be placed and design a setting and lighting to make them stand out. In this way, even though they are of different formats, the paintings and sculptures keep a visual order within the space as a whole as part of the same design.

Have you, as a creative, learned anything new from designing a home for an artist?

Perhaps I have learned to better appreciate works of art in general, but especially sculptures. Personally I have always liked the world of art and crafts and whenever I can I try to include works of art in the projects. Since I was a child I have practiced artistic painting in different techniques and ceramics is one of my hobbies.

In the case of this house, I have been able to work with some sculptures that I really like, pieces created exclusively to be observed and beautify the place where they are located. It is clear that the design, without these sculptures and paintings would not have the same result.

How did you find the process of working with an artist? Did they have their own vision of the space? Do you think the design process is easier or more difficult, if a client is set on a specific design concept?

The design process with the artist Juanma Noguera, the owner of the space, was very easy. This was the third project I had done with him, and not by chance, because aesthetically we speak the same language. Working with a client with this profile makes the work of choosing colors and combining materials and textures much easier, because his aesthetic sense is highly developed. I would insist, then, that part of the success of this project is due to his good taste and the inclusion of his artwork, which, by the way, is beautiful.

Questions answered by Clara Lleal, Creative Director, Clara Lleal INTERIORISTA.

In this week's interview with 2022 SBID Awards winners of the Residential Fit Out Project of the Year category, Laila Interiors, Laila Shour discussed how the team uses design elements to separate open spaces into different areas, talks about designing spaces to suit any taste and lifestyle, and the power of light colour palette.

Kensington court was a neglected mix of multiple vacant flats that were in a state of disrepair for many years. It lays in a conservation area within the borough of Kensington and Chelsea.

A complete refurbishment was carried out that transformed this prestigious building into 10 high ceiling luxury apartments and the key idea was to develop a unique design concept of living that aligns with the majority's style, preferences and functional requirements in keep with the surrounding neighbourhood.

Firstly, tell us a bit about the design of your project. What were the key ideas, concepts and processes behind it?

When and during the refurbishment, the contemporary style which our design team introduced in the interiors was to incorporate modern design elements, such as choosing metallic accents, geometric shapes, neutral color palette to complement wooden flooring and wall finishes.

Our goal was coordinating the interiors with developers and managing most aspects of the project, to ensure a successful outcome for the client.

What was your biggest takeaway or highlight from completing this project?

The biggest highlight of completing this project was the transformation of the space into a functional and aesthetically pleasing environment and feeling like we have exceeded all expectations.

The biggest takeaway of the completed project was the satisfying feeling in creating a unique empty space that reflects the style, personality, and lifestyle of everyone and anyone.

What has winning an SBID Award meant for you and your business?

Winning the SBID award was a great honour that gave our company recognition in the UK and on an international level. It elevated the credibility and reputation of the business, making us stand out in a competitive market while attracting new clients and opportunities.

This award boosted the morale of the team and instilled a sense of pride and motivation for us to maintain high standards in future projects and to continue pushing towards creative and design boundaries. We felt highly rewarded and valued for our achievements and hard work in this project from the public and SBID.

How do you design rooms that have lots of open space? What approach do you use to separate those spaces into different areas?

Separating a space that has lots of rooms can be achieved by using furniture such as sofas, armchairs or ottomans to create separate seating areas and define different functions within the space. We also use colour to differentiate between spaces, introducing textiles such as curtains, cushions, or throws to create a visual separation between different areas.

Bringing in nature with indoor plants, natural wood flooring, natural stone, sustainable rugs and lighting added to the separation within areas too. By using a combination of these techniques, it is always possible to create a functional and visually pleasing space with clear divisions, while still maintaining an open and airy feel.

How do you ensure the properties you design will be suitable for all occupants?

In order to ensure that the properties we design are suitable for all occupants, we incorporate universal design principles, such as easy to reach controls, ergonomic design, to make the space usable for people of different ages, abilities and to meet the needs of all occupants.

By following these steps, we promote inclusiveness and comfort for all occupants with adequate lighting, multi-functional spaces and furniture that could be flexible and adapted to accommodate changing needs and requirements over time.

What was the inspiration behind choosing a light and neutral colour palette?

The inspiration behind choosing a light palette in this particular project was due to a few reasons:

a) The 19 century building has an elegant red brick exterior, therefore a neutral palette was chosen for the interior to contrast yet complement the outside. Its purpose was to also draw attention to other design elements, such as textures, patterns, and artwork, and make them the focal point of the inside space.

b) To create a calm and serene atmosphere throughout the interior of the flats we enhanced natural light that seeped through the Kensington gardens to create a cohesive look.

c) The Neutral colors is an additional backdrop for more statement pieces throughout an interior.

d) The property is timeless hence light and neutral colours are seen as classic and timeless, and this was a versatile choice for our design to stand the test of time.

Questions answered by Laila Shour, Founder, Laila Interiors.

In this week's interview with 2022 SBID Awards winners of the Show Flats & Developments category, David Collins Studio, Iain Watson reflects on the experience of working with a multitude of makers and artists, and discusses designing colourful yet refined spaces.

David Collins Studio was chosen to design and deliver the latest 3-bedroom show apartment at The Bryanston, Hyde Park for London-based developers Almacantar.

Firstly, tell us a bit about the design of your project. What were the key ideas, concepts and processes behind it?

Our Show Apartment at The Bryanston was designed to showcase a thoughtfully curated selection of artists, designers, makers and craftspeople who exemplify British luxury. The design was developed in collaboration with Nick Vinson of Wallpaper* Magazine. In addition to the artists whose work is featured within the apartment, the space also showcases a selection of iconic David Collins Studio furniture from our 38 years of hospitality projects, reimagined for a residential setting.

What was your biggest takeaway or highlight from completing this project?

Collaborating with Nick Vinson from Wallpaper* meant that The Studio was able to mine both its own, and Nick’s, ‘little black book’, as well as bringing a third party’s point of view when editing the selection of Studio furniture pieces that would feature in the apartment. Working with the multitude of makers and manufacturers to realise the furniture in new and custom decorative finishes brought another dimension to the design and process.

Working with Nick was very inspiring as he brought his editor’s eye and an editorial process to the process. The final apartment showcases pieces from a lot of different provenances which brings a sense of authenticity to the space.

What has winning an SBID Award meant for you and your business?

Winning an SBID award was incredibly important to David Collins Studio. It is amazing for our work to be honoured in this way and speaks volumes about the hard work of the design teams and The Studio. Given that we re-worked furniture pieces from a variety of projects, the award feels extra-special! Awards of this nature are so important to our BD process and customer journey.

The apartment has lots of different design elements, colour stories and, it seems, styles. What was the inspiration behind that and how did you accomplish creating a cohesive design featuring different elements?

Almacantar’s brief to us was to be bold. Part of the reason for our selection for this project was our bold yet refined use of colour. From the outset, we wanted the apartment to comprise a series of strong colour stories. This was essential to provide a point of difference not only between the rooms themselves, but from a lot of the other show apartments on the market. The colours all had to work within the context of the setting and inherited base build, as well as a whole, so that the journey from one room to another felt considered, connected and balanced.

How did you find the process of working with different artists for commissioned artworks? Was each piece created for a specific room based on its design, or did you collaborate throughout the entire design process?

All the makers we worked with were incredibly professional and went the extra mile for us. Everyone had to work to a fixed program and some makers had more experience working to a commercial brief than others, but the project team was able to use its combined experience to manage the delivery process and allow the artists the creative headspace that they needed. David Collins Studio collaborates with makers and artists on all of its projects and so the process felt very natural to us. 

The apartment’s design was created holistically, in that we wanted to feature as many of the makers from our shortlist as possible. We worked very hard to ensure that each room showcased makers and key stories that could be used within the client’s marketing. For example, the Lucy Smith pink jesmonite hallway relief featuring an iris motif that connects the apartment with Hyde Park and the dining table made from a plane tree felled in London by Sebastian Cox. The Simon Hasan study furniture inspired by Charlotte Perriand furniture seen through Simon’s own understanding of the decorative arts and industrial design, and the commissioned Bethan Laura Wood timber bedframe that was based upon an original piece designed with Phillipe Malouin that Nick had seen exhibited in Dresden in 2016, re-scaled for The Bryanston.

How do you transform nature and the surrounding environment into an interior design?

Creating a definitive sense of place was key to our design concept -  a connection with neighbouring Hyde Park and the immediate areas of Marble Arch, Marylebone and Mayfair. Lucy Smith and Sebastian Cox worked very literally in this way, meanwhile Geraldine Larkin created an abstract topographic map of Hyde Park, realised in three colourways of Loro Piana cashmere. Many of the accessories and art pieces were selected for their connection to the park, such as Shannon Clegg’s press floral vases. There are more subliminal design elements within the apartment that have been chosen to bring a connection to the locale, including a series of custom arch mirrors by Alguacil & Perkoff which echo Marble Arch itself, and commissions from local stores such as Perfumer H in Marylebone. We also carefully selected a series of books and auction catalogues that resonated with the location, as well as the design references within the apartment. Finally, we managed to source an original Henry Moore lithograph for the apartment, which connects to his park sculpture, The Arch, and cements the concept behind the space!

Questions answered by Iain Watson, CEO and Founder, David Collins Studio.

The architectural base of graphite and beige structures, which existed here before, was complemented by the client's favourite combination of grant-green-purple-carmine, which introduced a visible boldness of colour, evoking associations and an atmosphere like in the world of Almodovar, whom she has appreciated while inspired this place.

This combination, intense and variable in intensity and proportion, became the main basis for material and colour choices. Thus, within this framework, shades of these colours appear in the form of varied and contrasting textures, shiny blue and green mirrors contrast with silk and velvet wallpapers, furry gradient fabrics are combined with nubuck matte leather, patterned fabric ornaments with an intense, almost ethnic expression are juxtaposed with glossy anthracite wood.

The intensity of the colours is combined with the finesse of the shapes of the sophisticated and designed furniture. As a tribute to the style of the Memphis group, Robert Majkut has designed a dedicated collection of furniture inspired by them, such as a console in the entrance, a TV cabinet and table in the living room and a chest of drawers in the bedroom. This coherent and bold collection of sculptures-objects fulfils its concentrating, colour-sculptural role, giving a distinct character and unambiguity to this effusion of intensity. A number of distinctive forms and juxtapositions were used in the design of the console located in the lobby, including the most popular Memphis pattern - the squiggle, otherwise known as 'bacterio'. A table and TV cabinet using ornaments typical of the style were also designed in the convention of the Italian group. The collection was created in collaboration with the Dawidczyk Brothers carpentry workshop.

The whole is complemented by the owner's furniture and meticulously selected additions in the form of Casina armchairs, Minotti sofa, or other furniture from companies such as Porada, Ekstorm, Bosa, Pouenat, Takeushi, Kundalini.

The living room and bedroom interiors are dominated by fleshy fabrics with thick weaves and colours from well-known and respected brands Kirkby Design, Zimmer+Rohde professionally stitched and upholstered to order in collaboration with Ardeco Studio and silk and velour textile wallpapers of high quality by Vescom, Phillip Jeffries, individually selected and made colourful mirrors, shades and carpets made to order by CS rugs factory from the Cameleon Collection. Finally, the highlight of the project is a kitchen ceramic wall made based on inspiration from a selected painting by a Canadian artist, whose transcriptions into the language of ceramics were first precisely designed and then crafted. It is an expressive dominant feature of the interior created by means of traditionally fired, sophisticated colours, realised in collaboration with Ardea.

The hand-formed work has been transferred into the kitchen space providing an artistic respite, but also a backdrop to the urban life of the house, blending in with furnishing details such as the Gessi kitchen tap with its ceramic stem in the colour of carmine certainly.

Robert Majkut appreciates the sensitivity and artistry of other artists and seeks out original and unobvious works that complement his vision of a place, which was the case in his collaboration with the OAK Gallery in Paris. For this project, an Art Object - Mirror by Christophe Gaignon/Signature Collection was created with a special dedication to the owner of the interior.

From the Author:

“This beautiful living space came out as an intense mixture of colors, bold forms, a tribute to the joyful, colorful times of artistic design - it was and it is all about playing with conventions and joy liberated from the obvious. Just like the person who lives here! Thank you, Barbara.”

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