“Design is important because chaos is so hard.” Often quoted in the design community, this line from American satirist Jules Feiffer has never felt so relevant. We are living in a time of great uncertainty and we are all feeling overwhelmed and anxious. But this is only temporary. Eventually we will begin to reoccupy our shared spaces and start getting back to work and school, even visit museums and movie theatres.
As we move forward, the world is going to need the design community to help everyone feel safe and assured – particularly in our workspaces. “This isn’t going to last forever, but it will change the way we experience our built environment, in both the short and long term” says Inger Bartlett, founder of Toronto interiors studio Bartlett & Associates. “We need to be here to help our clients find effective ways to manage new expectations within their existing interiors. We also need to treat this as an opportunity to explore, innovate, and deliver even more adaptable workspace for the future.”
So what does the post-COVID 19 office look like?
Do we replace the ubiquitous water cooler with a hand-washing station? Will we gather (six feet apart) around the sanitiser dispenser to compare notes on the weekend? Perhaps. There are definitely changes on the horizon, but the good news is that we already have some highly favourable frameworks in place. Inger has long specialised in the design of workspace and is confident that the open office remains here to stay. “The recent trend towards Agile Workspace Design has left many of our clients with incredibly flexible open offices,” she explains. “These spaces are already built to adapt to constantly changing needs, to put people at ease and let them work in a way they feel comfortable.”
Providing Flexibility with Agile Workspaces
For example, the modular open breakouts and Town Hall gathering spaces that are essential elements in agile space will provide the flexibility to maintain physical distancing and still bring groups of employees together. And that interaction is something people will crave after weeks in isolation. In fact, an increased desire to connect and collaborate is one of the silver linings to be found in this crisis. Sharing this challenge is reminding us that we are strongest when we work together!
Mill St Offices
Edelman
Bartlett & Associates designed Agile Workspace for Edelman and Mill Street, both of which complement open office areas with small meeting rooms. Though these rooms will be ideal for accommodating virtual meetings, which we can expect to continue when we return to work.
Though we won’t be packing our existing meeting rooms to the same densities as before, they still have an important role to play. Workforces will emerge from isolation with improved technological capabilities. A higher level of comfort with using digital communication tools will mean these spaces are used as much for virtual meetings as face-to-face. They may also be used to accommodate small teams, as we look to distribute workforces.
Volaris
McCann
League
Breakout zones, such as the high-backed booths featured at McCann, the modular lounges at League and the cozy armchairs at Volaris, offer the option to maintain distance in small meetings. Alternatively, these can become temporary workstations when redistributing people in an open office.
New Ways of Zoning and Interacting
Free-desking or hotelling is likely to fall out of favour. As most clients emerge from this situation with new capabilities for remote work, the Bartlett team predicts this will lead to more rotating work-from-home systems, rather than more workstations, and new ways of zoning space. “Keeping teams that collaborate frequently together in a designated space is one preventative measure to limit the number of unnecessary interactions and potential spread of viruses,” Inger suggests. Should clients wish to define areas for these teams, B|A is ready to offer solutions to reallocate space, reorganise work groups, or introduce design tools such as partitions to modify interactions. We can develop design concepts that support individual corporate protocols for keeping workplaces safe. And by implementing visible changes we can help employees feel confident that their wellbeing is being protected.
While existing flex spaces will help us maintain some degree of distancing for as long as necessary, for the longer view six-foot-wide-by-36-inch-deep workstations could become a new standard for the open office; those dimensions would allow six feet of space between seated employees. Extendable partitions could also come into play for future preparedness: When issues rise, so does the screen.
Sage
Spacious lunchrooms, lounges, and Town Halls will also provide the flexibility to meet in groups and enable social interaction while still maintaining physical distancing.
Additional Health & Security Measures
Some of the biggest changes will be at the landlord level. Enhanced HVAC and air purification systems will be of interest and sanitation protocols will be of more concern to tenants. Entering an office tower could become a process akin to passing through airport security: some buildings will implement screening protocols that include temperature scans and ID checks. In order to prevent these processes from becoming too invasive, intimidating or time-consuming, designers will need to create dedicated spaces that are comfortable, inviting, attractive, and efficient.
Crown Lobby, 5255 Yonge St
The artful screen that defines Bartlett & Associates’ Crown Lobby project could help designate the elevator bay as a secure area. Entering an office tower such as this may become a process akin to passing through an airport. Flexible amenity space could be re-positioned as security zones, where temperature and ID checks occur before visitors and employees can access upper floors.
Utilising Hands-free Technology
New touch-free, voice-activated technologies could quickly replace current systems, particularly in reception areas–where we have already started to see digital systems take over–and in elevators. That’s not to say we anticipate losing the tactility of our spaces. An interior designer’s knowledge and understanding of finishes will be invaluable in creating safer workspaces that remain warm and inviting. Another positive outcome of this crisis is the innovation it is sure to inspire –we can expect new products, new materials and designers need to push for those and contribute to their development.
Selection of Materials and Surfaces
In the meantime, we must implement more seamless surfaces, antimicrobial fixtures and coatings, washable fabrics, and other finishes that are easy to maintain and durable enough to stand up to frequent sanitisation. “There are a lot of transferrable lessons to learn from healthcare design right now, in terms of surfaces, textiles and even furniture,” Inger says. “And that’s not a bad thing. Our offices are not going to end up looking like sterile hospitals. This situation presents a unique opportunity for different sectors to work together to find the best solutions. We are going to come out of this with stronger, more resilient communities and more beautiful projects.”
About the Author
Bartlett & Associates is dedicated to innovation and excellence in interior design, incorporating creative design solutions across hospitality, workplace, retail, institutional and speciality projects.
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This week's instalment of the #SBIDinspire interior design series features a light and airy residential design. This large and comfortable house had already been extended 10 years earlier, but this was demolished to provide an even larger replacement, featuring a study area, extra living space and a small service kitchen hidden behind a full-height sliding door.
In keeping with the calm and minimal tone requested by the client, SBID Accredited Design Practise, Richard Dewhurst Interior Architecture chose a muted colour palette was used throughout the house. The odd burst of colour was, however, tactfully used in the smaller spaces of the house, such as the bathroom and study.
Practice: Richard Dewhurst Interior Architecture
Project: Balham House Extension
Location: Balham, United Kingdom
What was the client's brief?
The brief was to design a light and airy rear extension that didn’t simply feel like a white box grafted onto the back of the house and that was both calming and minimal. She also wanted a very impressive and modern kitchen, but one that was easy to use and could hide the mess as she readily admitted that cooking wasn’t really her thing!
In general, my client had quite a conservative approach to the project, but thankfully she was very happy for me to get creative with the guest loo, which proved to be fun.
What inspired the interior design of the project?
The main driving factor behind this design was my enthusiasm for clerestory windows and the calmness and clarity of light they bring to a space. Having seen plenty of them in other buildings, I was excited to finally get the opportunity to build one.
What was the toughest hurdle your team overcame during the project?
The clerestory window feature was more complex to design and detail than I'd originally thought, meaning that I had to work closely with the window manufacturer and structural engineer to ensure that it functioned well and looked good.
Also, I desperately tried to convince my client that she should replace her sixty-foot long fake grass lawn with the real thing, as I’m getting increasingly frustrated and upset by the environmental damage this stuff causes to the local ecology, especially when considering the role city back gardens play in creating wildlife corridors in urban areas. Unfortunately, this was a battle I couldn't win.
What was your highlight of the project?
I was so pleased that my client loved the clerestory window and the guest loo as it always surprises her guests; they simply don't expect to see the stretch ceiling and seamless walls!
Questions answered by Richard Dewhurst, founder, Richard Dewhurst Interior Architecture.
We hope you feel inspired by this week's residential design! Let us know what inspired you #SBIDinspire
If you missed last week's Project of the Week, featuring a unique facility designed to surpass all expectations of a traditional care home, click here to see more.
Following the government's relaxation of lockdown restrictions for construction workers, leading fit-out specialists and SBID Accredited practice Portview Fit-Out began re-opening sites in preparation for returning to business. Portview shares details of the strict new health and safety measures being rolled out to help them adapt to this ‘new normal’ in the construction industry, shedding some light on what this might mean for the contractors in practice.
Whilst for many industries throughout lockdown the blanket delegation of essential or non-essential work was clear, however the construction industry was somewhat left in limbo. Contractors were left to make the call themselves on whether they should continue operations and if so, how this could be done safely and in a regulatory compliant way.
From the moment we took the unprecedented decision to close our sites on 24 March, we have continued to support our clients with all technical aspects of our projects. During that time, we have also been busy preparing for our return to site, with a robust programme of new health and safety provisions. After much deliberation, planning and preparation throughout lockdown at all levels of the company, we took the careful decision on the 27 April to phase the opening of our sites from 11 May. We welcomed the Prime Minister’s announcement, which gave further impetus for an active return to work for the construction and manufacturing industry.
The new health and safety measures we are implementing include:
A New COVID-19 Site Operating Procedure
We have developed a comprehensive COVID-19 Site Operating Procedure, alongside several site and task specific risk assessments. This was a collective effort by our entire team, who forensically examined construction tasks to see how they can safely operate whist maintaining physical distancing. Currently, we are supplying the updated documents to our contractors and are providing them with assistance to safely facilitate remobilisation.
Travel & Accommodation
We have made provisions to safeguard our team while commuting to and from London as much as feasibly possible. These include issuing all site staff with travel advice, FFP3 face masks and hand sanitisers, and providing hire cars and rental accommodation that is within walking distance of site. England-based Site Managers will also be remobilised ahead of those based in Northern Ireland as a means of reducing travel. In addition to our own safety precautions, we have checked to ensure airlines are stepping up to their responsibilities and improving their operating procedures to ensure the safety of all passengers who board their planes.
Cloud-based Induction
To help aid contactless induction training, we have invested in an online system to pre-induct contractors with key information before they arrive on site. The system is live 24/7, so people can log in remotely at a time that suits them and on any device.
Changes to inductions can be made instantly, with inductees being notified of any updates via the app and given their own unique site access code once they have passed training. Features will also include medical alerts, text notifications and document sharing.
Physical Distancing Marshals & Temperature Checks
Our Physical Distancing Marshals will be responsible for escorting and signing contractors on and off site, as well as ensuring everyone wears the correct PPE and is at least 2 meters apart. Where this distancing is essential, it will be controlled in accordance with an approved Risk Assessment / Method Statement and Permit to Work. We will also be rolling out daily temperature checks of anyone entering our sites before they are granted access.
Sanitation Stations & One-Way Systems
We have invested in mobile sanitation stations for each site. Contractors will be required to regularly wash their hands for a minimum of twenty seconds (such as on entry and exit) and to sanitise work tools and workstations. Each site will then be thoroughly cleaned and new distancing measures such as signage, floor markings, one-way systems, welfare and PPE storage areas will also be installed.
Staggered Start, Finish and Lunch Times
Start, finish and lunch times will be staggered to help avoid congestion on site and maintain distancing. This will be managed by our own Physical Distancing Marshals, who are responsible for monitoring numbers and coordinating schedules.
We know getting back to work is not going to be easy. It will be a new way of working for us all and we won’t be back to normal for a long time. However, with careful planning we can adapt to ‘the new normal’ and in a paradoxical twist - physical distancing will help to bring us together again, eventually.
Established in 1975, Portview is a fit-out specialist that works with the world’s leading brands in retail, hospitality, sport and business to create award-wining interiors.
Leading global kitchen and bathroom supplier GROHE has reported unprecedented demand for hygienic touchless taps in the wake of the coronavirus crisis. At a time when the pandemic has pushed the everyday necessity of hand washing into the spotlight, it would seem finding solutions to optimise hygiene in both the workplace and at home is spurring the demand.
Leading figures within the design community are also considering how hygiene will come to the fore in the interior spaces of the future. Coen van Oostrom, Founder and CEO of EDGE, a company that specialises in developing a new generation of buildings that focus on the health of people and the planet, predicts that new health measures will play a key role in a new generation of workplaces. “Together with sustainability, health will define the way we build and design homes, offices and places where people meet. Touchless products and speech-driven technology will play a key role in making healthy and safe offices. Consumers will want to minimise contact to surfaces as much as possible”.
Having specified the healthcare, hospitality and commercial sector for many years, where hygiene-optimised products are already far more commonplace, GROHE is braced for the vast changes ready to hit the mass marketplace. “With our wide range of touchless and hands-free products, we at GROHE have the right response to the increased need of hygiene in sensitive areas such as kitchens and bathrooms”, says Jonas Brennwald, CEO LIXIL Water Technology EMENA, Deputy CEO Grohe AG. “Currently, we can say that we are already experiencing a higher demand for our hygiene enhancing products – from both our private and business customers.”
In the UK market, the transition to a more hygiene-focused workplace and business environment has already been in motion since the beginning of the year. Elina Enqvist-Twomey, Category Manager at GROHE UK says: “Feedback from the commercial market in the last three months tells us that hygiene is top of the agenda for specification, with a large proportion of projects specifying more hygiene-focused products such as infra-red taps , infra-red flush plates, and shower toilets. In recent weeks, we have seen an increase in customers purchasing infra-red taps as a result. Likewise, in the kitchen, several of our tap designs which use advanced technologies to minimise physical interaction with the handle of the tap itself such as our SmartControl kitchen mixer and Zedra Touch range have also seen an increased interest. When the industry returns to a sense of normality, we expect the increasing scrutiny of hygiene in the workplace and public buildings to continue. This pandemic has encouraged all of us in some way to rethink our hygiene practises and consider new lengths to protecting ourselves and those around us.”
Why an infra-red touchless tap is more hygienic
In recent years, the property market has seen a shift to include more alternative housing settings such as grandparents living with their children and families, or groups of young professionals co-habiting together. This is when infra-red technology first began to be demanded in the residential sector and its benefits have continued to strengthen demand ever since. Infra-red taps require minimal, if any, human contact with the tap itself unlike standard taps where germs from unclean hands could linger on tap handles, unless continual thorough cleaning was carried out after each use. The GROHE Bau Cosmo E, a strong robust design made using composite polymer, uses motion sensors to detect movement, which then activates the water flow. A mixing valve on the side of the spout can be used to adjust the temperature if required and a temperature limiter can also be installed if desired. Once the user removes their hands from the basin, the sensors will detect this and stop the water flow.
SBID Accredited Industry Partner, GROHE is a leading global brand for complete bathroom solutions and kitchen fittings, with every product based on the brand values of quality, technology, design and sustainability.
group ceo and executive vice president, Unilever Prestige
Vasiliki joined Unilever in November 2012 after completing a 19-year career with Procter & Gamble. In P&G, Vasiliki led various global, regional and local roles mainly in the Beauty Category primarily working in skin, hair and colour cosmetics. Vasiliki’s first role in Unilever was creating the Pitch Co-Creation (Innovation) Centres in London and New York. Vasiliki also led the development of strategic macro space work that has been pivotal in defining the strategy, innovation pipeline and expertise of the Beauty and Personal Care Category. In 2014, Vasiliki started the creation of the Prestige division from the beginning. Since then, Vasiliki led the acquisition of 7 companies Dermalogica, Murad, Kate Somerville, Ren, Garancia, Living Proof, and Hourglass. Vasiliki leads a team of 8 CEOs and a central multi-functional team that decide strategic priorities, resource allocation and growth strategy for the portfolio. Vasiliki also is in charge of continuous M&A with the objective to growing current portfolio approximately €540m in turnover to €1 billion. Vasiliki is known to have created a first in organisation design of the Prestige business model of the “string of pearls” that is Brand and Founder Centric and innovates in new models of marketing and omni-channel.
Vasiliki is a champion of female entrepreneurs. Passionate about mentoring young people, supporting female leaders, creative talent, and doing social good, Vasiliki is the Chairwoman of the Cosmetic Executive Women, leading industry association in Beauty in the UK.
How do you define luxury, and how is it evolving?
Luxury can mean a multitude of things, but for the beauty industry, and my brands, it has evolved in recent time to mean “experience”. We know our consumers naturally seek out style and slick aesthetics, which the brands within the Unilever Prestige portfolio deliver – but more than ever we see them craving more than this. They want either the human touch, or personalisation, something that feels bespoke to them. It’s this that elevates something from simply stylish design to true luxury.
What lifestyle changes are influencing the design of products?
Our audience definitely like style, but they need simplicity and ease of use too. Lifestyles today are hectic and we’re busier than ever before, so products that look good but also deliver great results are key. For our brands, the best designs are those that look great, offer a different sensorial experience, but that are also easy to navigate.
How can the luxury industry lead the way as a pioneer in sustainability?
I’m proud that our brands are leading the way in sustainability for the luxury beauty space. REN is continuously the first to go to market with new initiatives whether it’s using PCR or embracing new ways of recycling to minimise the impact on the environment. This is not simply a trend, but a must-have. We put a large amount of resources into looking at our sustainable solutions, and work hand-in-hand with retailers – when it comes to sustainability, we all have to be in it together.
The cross-pollination of brands and experiences continues to grow. What future collaborations do you think would be successful, and why?
We’re always open to partnerships and are excited by the growing fusion between beauty and the health, fitness and wellness industries at the moment. We definitely see this continuing to grow as the increase in our openness to more holistic health and beauty solutions increases. But beyond that, there are no rules anymore…influencers who were once focused solely on beauty have now expanded to fashion, fitness, interiors, etc… This opens up a lot of exciting new doors for partnerships that will reach a new, but engaged, audience.
Vasiliki is one of the prestigious experts invited to join the extraordinary jury for the SBID Product Design Awards, alongside other renowned professionals across industrial and interior design, brand development, architecture, educational research and forward-thinking enterprise.
Click here to view the full judging panel.
The SBID Product Design Awards 2020 entry deadline has been extended!
To find out more about entering, visit www.sbidproductdesignawards.com
creative director, Casa Forma
Carolina Sandri has more than a decade of experience designing and implementing high-end interior design and architecture projects in London and around the globe. Trained as an architect, she established her own architectural business in her native country Brazil before moving to London 15 years ago.
Her passion for design excellence and extensive knowledge of the luxury global market makes it possible for her to transform any client’s aspirations into a truly bespoke luxurious space. Her architectural background gives her a combination of creative design skills with a wide range of technical knowledge.
Carolina is the creative director of the award-winning luxury design studio Casa Forma and is responsible for delivering leading-edge residential schemes for international high-net-worth individuals and property developers.
The Retreat New Delhi / Casa Forma
How do design preferences differ between Brazil and the UK?
Brazil is a hot and tropical place, and it's well known for architect Oscar Niemeyer's white concrete buildings. In Brazil designers are freer with their use of colour and more daring in their combinations of different styles, furniture and accessories compared to London. I’ve been working here for more than 15 years, and while a number of new modern buildings with minimalist architecture have been constructed over the last few decades, I would say the classic traditional style is still most appreciated, not only by our UK clients but our clients from abroad. I believe it’s because of this country’s history and strong Victorian design heritage. Of course, every country has its own past in terms of style and elements. There aren’t really typically Brazilian or typically London design preferences. What differs is the tastes and requirements that dictate what’s important to clients and their families’ lifestyles. We design around that.
Country Mansion Surrey / Casa Forma
What is a luxury amenity a client has recently requested?
We’ve seen many crazy luxury requests! A client in Dubai asked us to design a large circular shark tank and incorporate it into an entertainment space. It was also connected to an outdoor infinity swimming pool - separated by a very thick glass wall, of course! It was meant to hold no more than two sharks. Our team was responsible for the design, but not the installation, so we don't know how it came out in the end. We were curious how the sharks would look to a person swimming in the bottom of the pool – almost like a scene from a movie. Our tank design also integrated audio, light and sound systems and controls. Most of our clients want the ability to open blinds and control everything in their home just by touching a button.
Kensington Gardens / Casa Forma
Where are your go-to places for finding new materials for your design library?
I go to a lot of industry events such as Decorex, Masterpiece, London PAD and Design Week, which I find great fun. It's very important to see and hear what our collaborators and suppliers are up to. I use a lot of social media these days. Instagram is especially full of nice suppliers and is an easy way to track new inspirational materials using hashtags. I also really enjoy museums, having been to a lot in the past. Last year I took a client to Masterpiece, which has loads of art, because she wanted to source some pieces. I like to see different kinds of furniture and antique pieces with their own styles. Design Week is a mix of modern and contemporary items. I go to, let's say, six or seven of them each month. There’s always something going on in London.
How do you stay current with changing design zeitgeists, and how is this reflected in your projects?
I read a lot of design magazines like Architectural Digest, House and Garden, Elle Décor, as well as online articles, to keep current with tendencies, but I don't believe in really following trends. There’s nothing wrong about working with the latest trends, but I believe in timeless designs. Styles incorporating neutral colour palettes with textures, layers and well-placed lighting add longevity to my design schemes. This is one of the reasons our clients come to us. They know we’ll design a place they can live in for a long time, maybe changing a few accents and accessories, but the main spaces will be around for five or ten years.
Carolina is one of the prestigious experts invited to join the extraordinary jury for the SBID Product Design Awards, alongside other renowned professionals across industrial and interior design, brand development, architecture, educational research and forward-thinking enterprise.
principal interior designer, Arcadis
Can worked for 15 years in Istanbul before moving to Dubai as principal interior designer for Arcadis. He has been involved in a wide range of multidisciplinary projects ranging from healthcare and offices to residential and educational. He is primarily focused on the technical aspects of the projects; however, his personal preference is for space planning and design.
Fish Market Abu Dhabi / Arcadis
How do interior design practices and tastes differ between Istanbul and Dubai?
I went through a phase of being a super minimalist, that was the style of the practice I worked with a long time ago when I’d just graduated from school in Turkey. And then I came here to Dubai and worked on projects with lots of ornamentation. However, tastes have developed so that modernism now infuses elements inspired by their traditional backgrounds. I love that, because it has character as opposed to what you might envisage as a minimal space in the Western world. Here, it’s very different because it has an Arabic touch. In Turkey, modernism was closer to the Western style with neutral colours. But here, it has a touch of local taste, which is great.
Red Sea Project Coastal Village / Arcadis
Methodologies are definitely different, too, plus it depends whether it’s a small practice of one-to-ten people versus a proper consultancy firm with multi-city locations. They’re worlds apart. If the company is small and it's a one or two-person job, you just do everything pre- and post-contract yourself without the need to produce much documentation. Everything is in your head. That’s how it is where I come from. Projects don't need to be that documented or regimented. You can just get away with things, but that also stings you when it's time for payment, because people take advantage of undocumented services.
Whereas in this part of the world, in the West, or in bigger practices, everything is very documented, regimented, there are milestones and a proper contract. You can't break it, and if you do, there are implications. I’ve adapted to this system, which I like a lot, because people must bear the consequences of what they say they will do. If you don't deliver or if you're not paid for something, there are consequences. I haven't been to Turkey in 14 years, but from what I hear, things are slowly moving in this direction.
Mirdiff City Center Prayer Rooms - Arcadis
How do your designs support local communities?
I’ve worked on projects in India, Africa, Turkey, and the Middle East, and my role has always been to use design to improve people’s lives. When a designer is involved, the whole idea is to create a better, more comfortable, and functional space. I can't imagine that anything produced by the design community would be unwelcome unless it was offensive to people's beliefs or religion. For instance, I worked on the Adobe campus of New York University in Abu Dhabi, which was very welcome because it brought an international approach to education. Another example is the Fish Market in Abu Dhabi, which upgraded the ancient method of displaying fish by arranging it on top of ice dumped onto the floor. We brought the market up to speed in terms of hygiene whilst maintaining their culture and perception of architecture and interiors based on their historical background. We’re currently working on housing for the people who will construct a massive new development in Saudi Arabia, the Red Sea Coastal Village with lower, mid, and high-scale villas and townhouses. Once construction is complete, this accommodation will be converted into housing for the people working in the village.
What changes have your clients been asking for in your recent projects: layouts, materials, palettes, etc…?
Arcadis is a consultancy that implements other people's initial concepts. Sometimes it’s because they don’t have the ability to build a project in another country, so we take on the role of architect of record and develop it towards the construction phase. However, there are also bits of a project we start from scratch. I’ve worked in both capacities throughout my career and see both sides of the process.
The trend is for projects with more natural and subdued palettes as a result of ecological awareness. There’s also a tendency for using different metals such as bronze that become all the rage, but you know, things come and go. I suggest designers take a more holistic, natural approach. There’s also a movement towards open-plan living areas. The bigger the space, the better.
This happens a lot when you have people running a project and making decisions on behalf of other people. But then at last the call goes to the big cheese, who has not necessarily been involved every little step of the way. Suddenly the decision-maker feels something has moved too far away from the initial intent or isn’t what they’d had in mind, and late-stage changes must be made, which is painful as a project consultant. But then of course, there are also changes as far as how space, colours and materials are being used..
How do you anticipate artificial intelligence will affect architecture and interior design practices?
I hope it will be a positive leap, but I don't see it at happening very soon, at least in my part of the world. Everyone wants to design buildings in a BIM environment, but artificial intelligence is usually better for calculation-based things engineers work on that don’t involve personal choice about whether should be black or blue, marble versus rubber flooring, or whatever the preference might be. I can't see this being used much in interior design at the moment. If somehow it is, I’d be delighted because it takes so much off your plate.
Can is one of the prestigious experts invited to join the extraordinary jury for the SBID Product Design Awards, alongside other renowned professionals across industrial and interior design, brand development, architecture, educational research and forward-thinking enterprise.
This week's instalment of the #SBIDinspire interior design series features a unique facility designed to surpass all expectations of a traditional care home. Set in a nature reserve and bringing new standards in comfort and sophistication for later-life in Dorset. The iconic building draws on art déco influences in the surrounding Poole and Sandbanks area, embodying an oasis of calm modern living, and a careful balance of striking design and the delivery of award-winning care.
Cafes, cosy sitting rooms and a contemporary bistro flow from the entrance atrium out to living walled courtyards. Opulent chandeliers and carefully considered lighting flood the home, while natural light streams through from private gardens. Refined decorative details and a bold colour palette, combined with gold finishes and ornate wallpapers give a hint of déco glitz. The contrasting aluminium-clad roof pod offers an impressive orangery style bar, flowing into a roof garden with views to the sea.
SBID Awards: Healthcare & Wellness Design finalist sponsored by The Stone Federation
Practice: Colten Care
Project: Bourne View Care Home
Location: Dorset, United Kingdom
To design an extraordinary home for residential and nursing residents, that provided luxury lifestyle living, in an environment that surpasses all expectations for a care home.
The wealth of art deco heritage in the Poole and Sandbanks area inspired the design of this project. Modern nods to the art deco period can be found all round the home.
The biggest challenge with this project was creating an exciting double height central space that would be the hub of the home, but without being overbearing, and also meet the acoustic demands for an older person. Building on a steep sloping hill plot caused many delays and headaches for the architects and construction team.
What was your team’s highlight of the project?
Whilst creating the entrance and central hub was the toughest challenge, it was also the biggest success, the buzzing environment is a real highlight in the home. The lighting design in this space was a particular success.
Why did you enter the SBID Awards?
The SBID Awards are the most respected awards within the industry, and to be recognised by the awards is a huge accolade for the designers and the company.
Questions answered by Georgina Colwell, head of design, Colten Care.
We hope you feel inspired by this week's Healthcare design! Let us know what inspired you #SBIDinspire
If you missed last week's Project of the Week featuring a palatial villa with 18th century rococo style decadence, click here to see more.
SBID Awards 2019 | Healthcare & Wellness Design finalist sponsored by The Stone Federation
This week's instalment of the #SBIDinspire interior design series features a palatial villa which is designed to embody class, style and opulence. AND Design embraced the client's vision of this house being synonymous with their aristocracy, therefore a Rococo style was chosen to reflect the majestic design scheme. Classical European architecture is known to induce euphoric pleasure thanks to the dexterity of detail bestowed in every inch of the space. The client’s brief also included strict adherence to the contextual Vastu principles (a traditional Hindu system of architecture), aligning symmetry within the architectural layout. With the entire setting spread over a lush landscape, this villa steps back in time to recreate an 18th century nostalgic monarchical setting.
SBID Awards: Residential Design Over £1M finalist sponsored by THG Paris
Practice: AND Design
Project: Private Villa
Location: Karnataka, India
Vastu-shastra is a traditional Indian system of architecture which literally translates to "science of architecture." This building style was at the core of the client’s brief along with a strong bias towards the classics for both architecture and interiors. Our answer? A journey through time and continents to create a living space that defines élan, grace and authority.
Ancient Indian culture lays great emphasis on “Karma” or one’s deeds. The homeowners had achieved much through their actions. Respect, trust, fame and stature. The lush 25,000 sq ft lush landscaped land was a reflection of their achievements and deserved a monument that celebrated it.
We created a palatial villa that stepped back in time to the 18th century. Evoking the nostalgia of French regal residences, we chose the Rococo Style to reflect the homeowner’s status.
A first glimpse of this luxurious home, immerses the visitor in the French era. Travel through the glorious driveway adorned with a bed of spider lilies and classic urns. Further ahead, discover perfectly bobbed topiaries, Victorian statues and a bird bath featuring a cherub with a trumpet. Settle in for a tête-à-tête by the fountain or spend an evening gazing at the assorted petunias cupped in stone urns. Celebrate Indian agrarian living in the open cow barn that creates an intimate dialogue with the contrasting Rococan setting.
The residence is a classic 18th century monarchical setting. Gilt-framed paintings, arabesque stained glass windows, opulent chandeliers, walls upholstered in silk, parquet floored library and pastel schemed furniture reflect the glory of French aristocracy.
The double height formal living room draws your attention to the huge stained glass dome. The entry of light (inspired by the Oculus of the Pantheon) through the floral motifs and the chandelier further accentuates the morning light. An ornate scroll of wrought-iron patina and gilt work sweeps across the majestic staircase inviting anyone who enters to explore further. You will see trademark French finesse through golden-capped pilasters, rocaille patterns, frescoes, lace curtains, carved chairs at the foot of the bed and marble-topped tables with curved legs. Delightful additions include Indian jaalis, art and porcelain artefacts. Fine detailing and a carefully thought-out combination of the furniture and the interior design exudes a combination of rococo regency and opulence.
Even on a hot day, one can step onto the Annex block to relax, containing a magnificent swimming pool, a massage room and a personal salon. The pool has its own contrast - with its warm breccia aurora cladded walls and the cool Byzantine Mosaic schemed floor bed brightened by the skylight. The adjacent theatre offers a grand operatic feel as one sits comfortably in the leather seats with the overhead wooden coffered ceiling. Lights out, let the drama begin!
The challenges were many but exciting. Like consciously complying to the ancient principals of Vastu-shastra in every room while primarily crafting the 18th century Rococan Architectural and Interior Style. You can see it in the auspicious Northern Main Entrance with the odd numbered steps – responsible for bringing-in “positive energy” while providing a pleasant view of the ornate stone fountain. The Portico rests on 8 major Doric columns, continuing to the entrance vestibule and opening to a central open space – the Brahmasthana. Responsible for embodying relaxation and positive energy – at the same time provides for beauty and direct entry for the skylight entry. Other locations followed the North-East Pooja Room, South West - Master Bedroom and Safe and Kitchen in the South-East, abiding by stringent Vaastu principles.
Collaboration of ancient Indian architectural principals and European architectural styles has never been achieved before. Now add to this, all the comforts and luxuries of a 21st century home and you know this is an opportunity like never before.
The SBID Awards values diversity in design disciplines and celebrates global design, creativity and innovation. Being a part of such a prestigious award simply connects us with an international community of industry professionals. AND Design Co. has always strived for creative excellence and we are thrilled at being nominated as finalists in two categories. Attention to detail defines the success of both our projects and we embrace being global while celebrating our Indianess and bring along the same ethic to the awards.
Questions answered by Rupesh Baid, owner & founder, AND Design Co.
We hope you feel inspired by this week's Residential design! Let us know what inspired you #SBIDinspire
If you missed last week's Project of the Week featuring a striking sculptural transformation for dated office tower in Toronto, click here to see more.
SBID Awards 2019 | Residential Design Over £1M finalist sponsored by THG Paris
This week's instalment of the #SBIDinspire interior design series features the complete transformation of the lobby area of a 30-year-old office tower. Once a series of dark, awkward spaces lacking in a clear axis or flow of movement, the lobby is now a bright and airy volume defined by a graphic screen that emphasizes 30-foot-high ceilings. Toronto designers Bartlett & Associates were commissioned to reimagine the space as a welcoming amenity that would attract a stable of noteworthy new tenants. The design team took an architectural approach to the project; removing a disused storage space made way for a public café, while the custom-designed screen was added to anchor the front desk and delineate the elevator bay. The striking black sculptural screen plays off against a dazzling white wall with a surface of subtle peaks and architectural texture.
Practice: Bartlett & Associates
Project: Crown Lobby – 5255 Yonge Street
Location: Toronto, Canada
The mandate from our client, Crown Realty, was to reposition a dated office tower’s lobby for the 21st century. The building is right on Toronto’s north Yonge Street, a prime location that offered the potential to create a significant destination. Crown wanted a space that would inject new vitality into this rather tired building and position it as a desirable location for a more vibrant class of tenant. Our design transformed the lobby from an uninspiring entrance to an energetic amenity that makes a compelling impression on visitors – including prospective leaseholders.
It’s the challenges of a project that typically inspire the best ideas and in this case we were dealing with a modest budget and an awkward space that was completely covered – all the floors, all the walls – in a very dated and dull granite. Tearing it out was cost-prohibitive, so the new surfaces were something we put a lot of thought into. Nature is also a constant source of inspiration for us and adding biophilic elements is something we try to do with all of our projects. As we spend more and more time in our urban office buildings, immersed in digital worlds, it feels increasingly important to make those connections to nature wherever possible. This is often achieved through very subtle interventions, but with this project the scale of the space presented an ideal opportunity to do something big – something a bit more direct, really impactful. So of course that was the screen, and beyond that we used a lot of wood- and stone-look low-profile surfacing that was applied right over the granite to avoid spending a lot of time and money on demolition and to avoid creating a lot of waste.
Resolving the awkwardness of the space while keeping the budget in check was huge. Originally the effect of the high ceilings was all but obliterated by this bulkhead wall that sort of cinched the walls inwards about a third of the way up. It loomed over the elevator bay, feeling very heavy with its stone cladding, and made that space feel a bit ominous. And then the corridor running off the east wall was this dark, narrow tunnel – it was all very uninviting. In the end we tore out a single short, angled wall to open up the corridor and make space for a public café. Then the screen was an amazing solution that both masks that bulkhead and transforms the elevator bay into a cozy little annex. Walking behind the screen to access the lifts offers this sense of discovery, which is a much nicer way to start your work day than trudging through a dark hall. Overall it feels like a cohesive sequence of usable space now, rather than a patchwork of hallways that were strictly for moving through, not for stopping or spending time in.
The screen is definitely the highlight for us – it won an award for the project before the space was even finished and it was also reimagined as an installation piece for the Design TO festival, which is part of Toronto’s Design Week in January. It’s obviously a stunning feature that is also functional, but there is a bit of hidden genius going on there as well: Not only does it hide that awkward bulkhead, but it’s actually supported by a mounting system originally installed for the granite cladding. Most of the granite was left intact and simply covered with low-profile materials, but by removing a bit of stone from the bulkhead, we were able to avoid creating customized brackets to hold the screen. That was a big cost-saver and just one of those eureka moments that you want to have on every project.
Questions answered by Inger Bartlett, lead designer and president, Bartlett & Associates.
We hope you feel inspired by this week's Office design! Let us know what inspired you #SBIDinspire
If you missed last week's Project of the Week featuring a contemporary loft apartment situated above the famous Soho Theatre, click here to see more.
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