New Development Design Invites to Live in Harmony with Nature

This week’s instalment of the Project of the Week series features a modern residential development design by 2022 SBID Awards Finalist, Yuan-Art.

What was the client’s brief? 

BBMG Jinchengfu is located in Gaoxin district, the most prosperous zone in Chengdu. It is a high-end residential project in the area. The project occupies the core and surrounding environment of the area, with pleasant ecology and surrounded by parks. The courtyard villas, bungalows and high-rise buildings are planned. The villa adopts the new Chinese style, which perfectly integrates modern elements with traditional architectural styles. The garden is designed and built on the model of the top ten cultural and historical attractions in Chengdu.

What inspired the design of the project?

Due to its unique urban geography, Chengdu has rapidly developed into a bustling Internet celebrity city in China. However, the native people in Chengdu are not happy because of the liveliness. Instead, they hope that life would be more relaxing, that they could experience life more calmly and gently when conditions permit, and build their own homes and lives. They wish to seek a life that truly belongs to them in a more self-directed way in order to fully enjoy and be compatible with the transformation and association between life, work and society, and use another way to coexist harmoniously.

What was the toughest hurdle your team overcame during the project?

The style of wabi-sabi has a dilapidated beauty, which is not completely in line with people’s understanding of quality life today. Therefore, in the design, we need to reflect a certain sense of value as appropriately as possible, such as expressing through material appeals, furniture, etc., utensils, art, and those products that we use regularly. This value is convenient and comfortable, it is the guarantee and embodiment of quality, and it is also a way to improve the texture and modern atmosphere of the space scene. We want to convey that wabi-sabi brings us a gentle and comfortable life attitude, not extreme restraint.

What was your team’s highlight of the project?

In this project, the space is constructed with simplicity and tranquility. The wood, stone, rattan, cotton and linen in the indoor space have a natural symbiotic relationship with outdoor green plants, sunlight, wind and rain. They flow and change due to time, season and climate. As a new enlightenment of nature, they accept the existence of time and curve traces of the passage of time. This harmony with nature and symbiosis with the environment is the biggest highlight of this project.

Why did you enter this project into the SBID Awards?

The SBID International Design Award is the most prestigious award in the interior design industry. The teams that have won this award are outstanding workers and teams who have achieved outstanding results in the field of international interior design. We want to let more people know and recognize us by participating in this SBID competition. At the same time, we can also compete and communicate with outstanding international contestants on the same stage, constantly improve our professional skills and tap into our creative potential.

Questions answered by Zi Peng GUO, Founder and Chief Designer, Yuan-Art.

This week’s instalment of the Project of the Week series features a glamorous oak home design by 2022 SBID Awards Finalist, Space Studio.

What was the client’s brief? 

Our client loved the hotels that we have designed and wanted the same for the extensive renovation to the home that he had recently purchased. He said he loved raw oak, dark oak, marble and brass and asked us to just go for it!

What inspired the design of the project?

The house is located on the shores of Auckland’s beautiful Waitemata harbour, and sits amongst pohutakawa trees that tangle around the site. The house was quite a traditional brick bungalow, and the street is one of Auckland’s finest, positioned very close to the CBD. We sought to capture our client’s love of luxury hotels and urban glamour, with the raw desaturated colours and textures of the natural surroundings. We then looked to open up the planning of the rather boxed in original home, creating long sight lines across the living spaces.

What was the toughest hurdle your team overcame during the project?

There were no hurdles with this project. A clear vision, a motivated and trusting client and passionate builder kept the project running smoothly from start to finish.

What was your team’s highlight of the project?

The entry screen with the view through to the dining room, is as good as the photography portrays. It was such an effective device to provide a point of welcome at the entry and a filtered view through to the family life within.

Why did you enter this project into the SBID Awards?

We recognise how lucky we are to live in New Zealand, and we would like to share the work that we do down here more broadly. We also work in an international market, with many offshore clients, and we want to show them that we are leading a broader community of international designers.

Questions answered by David Sweatman, Associate Designer, Space Studio.

At Helen Green Design we believe that beautiful lighting is an integral part of every well curated interior. Every room lends itself to a different lighting style, shape and design and therefore choosing the perfect fixture can be a daunting task.

To achieve a harmonious and considered scheme, it is important to keep lighting throughout the property consistent and connected to each other. This can be achieved by either by specifying similar finishes (aged brass, blown glass, crystal) or a particular style (modern, art deco, traditional). It is possible to mix and match for a more eclectic look, however it is challenging to ensure there is no disconnect between the spaces.

We like to source lighting from a range of suppliers who offer a variety of fixtures suitable for different areas. Here are our simple tips on how to select the perfect light for every room.

Entrance Hall/Stairwell

The entrance hall is an opportunity to make an impact in your home. The lighting in an entrance hall is likely to be one of the first things seen when entering the house so it is important to ensure it encapsulates the identity of the property.

It is an opportunity to make the most of the architectural features and utilise high ceilings or stairwells. An oversized, statement light can span across several floors or a centrepiece light can create an elegant, welcoming lobby area above the entrance table.

Living Room

As the centre of every home, it is crucial that the light fitting chosen for this space does not compete with the rest of the furniture in the room and complements and relates to the design scheme. It doesn’t mean it cannot be striking. The key is to consider the proportions and materials as well as balance textures, colours and patterns used in the room.

It is important to carefully consider the position of the light. Most commonly it is placed in the centre of the room, above the main seating area or by the fireplace. It should not obstruct the view if located near a large window and not to hang too low to allow people to walk underneath it.

Dining Room/Kitchen

The main function purpose is to provide light above the dining table or island. It is good practice to follow the shape of the furniture item directly below the light fixture. For example, a round light for square or round tables and oval or oblong for rectangular or elliptical tables.

An interesting choice of lighting is using clusters of smaller pendants either in regular rows or staggered for dramatic effect.

When the dining area is connected to the kitchen, it is effective to use lights from the same family for a cohesive design.

Bedroom

Being sanctuaries of peace and rest, bedrooms are one of the most important rooms. As strong lighting is not necessarily required, light fittings perform a decorative role and can determine the feeling of ambience in the space.

Simple pendant lights above bedside tables are not only very functional as they leave the surface of the table clean but also are an excellent way to accentuate the main elevation of the room.

Alternatively, a small chandelier can bring elegance and interest to the bedroom scheme making it feel more like a hotel suite.

Bathroom

The clean lines and usually very light tones of natural stone finishes, sanitaryware and mirrors in a bathroom create a fantastic background and opportunity to showcase more sculptural lighting pieces.

From large, elaborate chandeliers above the bath to clusters of interesting pendants, they can transform a simple bathroom into a luxury spa.

It is also important to ensure all lights chose for bathrooms have suitable IP rating.

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This week’s instalment of the Project of the Week series features a contemporary family home design by 2022 SBID Awards Finalist, Designck.

Designck was commissioned to design the interior for this large contemporary new build. Part of this project was the kitchen, wine room and powder room. Robin Caudwell wanted to keep a feeling of warmth throughout the home. His clients have a large extended family and friends and entertain regularly; it was essential to make the home stylish, inviting, and relaxing, that everyone could enjoy. Using a mixture of different textures and tones, with carefully placed statement pieces such as the Titanium Gold Granite Island top, he feels that he has achieved a remarkable outcome for the clients.

What was the client’s brief? 

I was engaged to design several areas of this luxury new build, which included the kitchen, outdoor kitchen, evening room, wine cellar, and powder room. The client is of Asian descent and have regular, large family gatherings, it was important to them that the kitchen was equipped with expansive storage for food, good prep areas and gas in the principal cooking area. Their wine collection needed to be showcased within their evening room. They wanted a warm and inviting powder room for their guests.

What inspired the design of the project?

The anchor for my design was the stunning Titanium Gold granite I chose for the island, and it has become a statement piece within the room. I used Lux board, which I reversed, and utilised the matte side that complements the Laminam in Moro that I picked for the expansive front door and a large fireplace.

What was the toughest hurdle your team overcame during the project?

On this particular project, there was a requirement for several air-conditioning return vents of which we didn’t want to put on show. I came up with a solution to conceal the vents above the cabinetry, extending the height of just the doors to  give the kitchen area a cleaner look without showing the numerous vents required.

What was your team’s highlight of the project?

For me, it was seeing how the different rooms come together with a common theme whilst keeping their individual identities. And as a bonus, when I told the clients that we have been shortlisted for the SBID Awards, they were over the moon.

Why did you enter this project into the SBID Awards?

The SBID Awards are renowned as the pinnacle of the design industry’s awards. It’s one of the few awards that becoming even a finalist is a mammoth effort, and if I was fortunate enough to win, it reinforces why I love this creative industry being recognised for my passion, and time that I have poured into this project.

Questions answered by Robin Caudwell, Principal Designer, DesignCK.

This week’s instalment of the Project of the Week series features a dark apartment design by 2022 SBID Awards Finalist, ID4U studio.

What was the client’s brief? 

Very unusual young woman owns this apartment. She is unique. So her brief was also untypical. She asked us to make her a “stylish and gloomy” apartment only for herself.

What inspired the design of the project?

Our magic client inspired us. We tried to create space which would reflect her a lot. We knew that our client would also appreciate some experiments, so we did it. At the same time we couldn’t ignore our fundamentals – comfort and cosiness. That’s why the interior concept was based on use of rich dark palette and concrete. But wooden walnut floors, different textiles, accents in gold and décor make this space very cozy.

What was the toughest hurdle your team overcame during the project?

We started this project before COVID. We created the whole concept. Everything was approved with the client. Covid quarantine came just before construction work started, so the project was paused. After few months we had to redo the whole concept and we had to remotely control the construction work.

The most complicated part of the project was the concrete staircase. We came up with the idea of it’s soft lines and rough material. Five people had been building it for two weeks.

What was your team’s highlight of the project?

For a long time we were dreaming to create an interior with dark walls. We were happy that finally we met a client who agreed with that idea. And not only with dark walls but also with dark ceilings! We love this dark green bedroom. It is amazing. Even though the floor is also dark, the room is full off light coming from a giant window.

Why did you enter this project into the SBID Awards?

By entering SBID Awards we want to share Ukrainian Interiors with the World. We want to show that our quality of work meets international standards and trends.

Questions answered by Viktoriya Moshchynska and Olga Griban, Co-Founders, ID4U Studio.

Great lighting design is one of the most important elements in any interior. In addition to enhancing functionality, illumination can also transform mood, ambiance and the perception of space. For optimum results, a project’s lighting plan should be implemented right at the beginning of the creative process. The best lighting designs maximise the amount of natural daylight available, then enhance this with complementary forms of artificial light. Task, ambient, mood, feature and architectural lighting all have an important role to play. The right type can enrich the colour, character and tone of any room. It can also accentuate physical features such as heights and recesses.

Key lighting design considerations

“There are three key facets to consider when planning lighting within a room design,” explains our director Mark Taylor. “The size of the room; the nature of the light and how it hits the room; and the existing shapes and ceiling heights.” The client’s personal preferences and their budget must also be taken into consideration. “Lighting can form a very expensive part of any room, sometimes more than the cost of furnishings and joinery,” Mark confirms. “So, it’s vital to establish a realistic budget from the outset.”

Rooms size and shape are next on Mark’s lighting design checklist. “We would assess the shape of the space, where the darker areas are, and how light the room needs to be,” he explains. “We would also consider where we need to avoid glare or reflection, and the colour palette and materials. Lighting can fundamentally change hues and tones.” Mark continues: “We would also take into account energy conservation, and how the lighting will be controlled. Solutions might include remote control smart home lighting systems such as Lutron. More traditional options – such as arc lamps and Anglepoise® lighting – can be both attractive and cost-effective if they are placed correctly and suit the interior’s aesthetic.”

High ceilings were a particular challenge for this multi-functional Marlow kitchen project. Mark and his team incorporated a strip light on the walls, bouncing light off the ceilings to avoid any dark spots. To maintain task lighting, they added LED strips to the wall shelving, to illuminate all the work surfaces.

The different types of lighting

A room’s primary function usually dictates the type of task lighting required. It can be hidden or directed specifically at certain areas that need to be illuminated. Mark notes: “This type of functional task lighting can still deliver visual design impact via an exposed fitting, either from a ceiling or a wall.”

Feature lighting is about much more than mere functionality. It’s about the shape and style of the fitting, as well as the illumination it provides. It’s an ideal way to make a statement and enhance a specific element of your decor – whether the light in question is off or on.

Then there’s architectural lighting. “There are certain situations where natural light simply is not available,” Mark explains. “To offset this, we could install a large, illuminated panel simulating daylight coming in from a skylight. Or we might use an LED hidden strip to “bounce” light off a ceiling, especially if the ceiling is very tall and spotlights would create dark spaces. That’s what we did in this drawing room, as the client didn’t want too many spotlights. So, we added an LED strip above the tongue and groove panelling.”

The art of layering

Bespoke, layered lighting design schemes use multiple light sources to deliver a combination of functional, ambient and accent lighting. “Depending on a room’s function, we usually look at up lighting, mid-level lighting, and ceiling or task lighting,” Mark explains. “Everything depends on the height of the ceiling, the amount of natural light available, and how the room will be used.”

He continues: “For instance, to light an area with two specific functions – such as a kitchen and TV/entertaining area – you need to adapt the functionality of the lighting for each use, and for different times of the day. In many cases, we use lighting that bridges both areas. For example, we might install wall lights that can be turned on to enhance mood, when task lighting isn’t required.”

This Shaker-style kitchen project incorporated two levels of flooring – and two levels of ceiling. It also featured three distinct areas: the snug, dining space and cooking area. Our lighting design used a combination of floor lights, mid-level lighting, task lighting, LED linear lighting and a window wall to illuminate and harmonise the different elements.

Why bespoke works best

While there is no ‘one size fits all’ with great lighting design, there are some general guidelines that apply, depending on a room’s primary function(s). Obviously, kitchens require practical task lighting so that meals can be prepared safely and easily. Conversely, the rule of thumb with most cloakrooms is to celebrate their relative darkness. Soft lighting – and not too much of it – can minimise the sanitaryware, mitigate small spaces, and create a feeling of calm. For example, this windowless cloakroom is dark, intimate and tranquil. Our lighting design created a sense of movement and fantasy without over-illuminating the space.

Multi-purpose spaces, such as open-plan areas, family rooms and even drawing rooms, are likely to require a lighting design that can accommodate different occasions at different times of the day. In fact, combinations of low level and lamp lighting usually work best.

Lighting design in bathrooms & bedrooms

“As bathrooms have become more luxurious, clients want to create a mood for them, rather than just ‘wash and go’,” Mark reveals. “Sensor lighting is a really great way to make the bathroom an inviting space from the moment you walk in. Soft warm lighting can be used to replicate candlelight. LED strip lighting is also an effective way to highlight a particular design feature.”

Bedroom lighting design also needs to be versatile. Most clients require lamps/task lights for reading in bed and choosing clothes, although the room in general should be calm and sleep-inducing. Mark observes: “A flexible lighting system that gives clear visibility where you want it – but is very forgiving where you don’t – is the key.”

Getting lighting design right

“Not all clients understand the value of lighting design – but it really can make or break a space,” Mark observes. “There’s both a science and an art to great lighting design. And it represents some of the best money spent in terms of creating or renovating loveable living spaces.”

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Canadian luxury handmade furniture and lighting brand Gabriel Scott has launched its latest lighting collection, Welles Reimagined, in collaboration with six global designers and architects to celebrate Gabriel Scott’s tenth anniversary in 2022.

The established designers have reinterpreted the studio’s most iconic fixture, the Welles Chandelier. The six fixtures, first showcased at Milan Design Week 2022, have now been formalised into six capsule collections which include chandeliers, sconces and pendant lighting.

Scott Richler, Gabriel Scott’s Founder and CEO, explains: “The Gabriel Scott brand launched on a manifesto to furnish the architectural community with exactly what they needed, and we’re still doing this through material, size and form ten years later. Inspired by jewellery, the Welles Chandelier is a true representation of our design philosophy – to design and make modular products to custom specifications. The Welles Reimagined capsule collections celebrates our brand ethos and the collaborations we undertook with each designer perfectly demonstrate how we like to work together with our design and architecture clients to achieve something really special and tailored to their requirements.”

David Rockwell

The David Rockwell capsule collection celebrates the Welles Chandelier’s classic geometric form, while creating a contemporary light fixture inspired by clusters found in nature, such as crystals, chemical compounds, and clouds. Ultimately, Rockwell drew from botanic forms to create an organic assemblage. The hollowed glass polygons act as metallic light points that come together at varying heights and dimensions to form a floating light cluster. The feature chandelier is defined by its luxe volume and organic nature.

“The collaboration allowed us to create something very special that combines Gabriel Scott’s modular approach to lighting and expert craftsmanship with our focus on storytelling and materiality. We experimented with volume, color, texture, and scale to create organic assemblages of light that have a dramatic impact on the atmosphere and our perception of space.” – David Rockwell.

Kelly Hoppen

Crafted from white clay and inspired by a collection of ceramics she is currently designing, the Kelly Hoppen capsule collection comprises a single flush-mount sconce suitable for both wall and ceiling installation, a pendant light, a single sconce on a banded arm and the Welles Long Chandelier in three sizes. The overall form has been scaled down from its original size to create an elegantly delicate aesthetic.

“When I was asked to do it, obviously it’s a very iconic piece already, but instantly I knew I wanted it to be a chalk white, clay, very organic piece, because that would make it incredibly different from anything Gabriel Scott had done before.” – Kelly Hoppen, CBE.

Alessandro Munge

Alessandro’s capsule collection has a beautiful narrative infused with dynamic and bold fashion references inspired by rhythmic dance. It includes the 12-module central chandelier as seen in Milan, a scaled down 8-module chandelier, a larger 18-module chandelier and an arm sconce. While its volume is radically different, the modular qualities are still able to extend for extra tall ceilings and multiply for larger spaces. This flexibility makes it a truly versatile and playful product that invites designers to create bespoke configurations.

“One of the key features that inspired us was how architectural the Welles is, yet extremely detailed and jewellery-like – even the slightest of components like the bracket is beautifully designed. It felt like a sculptural piece of art. So, we drew inspiration from couture fashion, from dance, and when we immersed ourselves in this world, we thought about deconstructing the original piece and rebuilding it in a completely different way.” – Alessandro Munge.

Michelle Gerson

Michelle turned to nature to add a floral element that represents growth and bloom, alluding to a rebirth of a classic Gabriel Scott design. Uplifting and joyful, Michelle Gerson’s capsule collection includes a vertical sconce and small, medium and large versions of the chandelier first seen in Milan.

“The vision is nature. We tried to take a more geometric, modular, masculine type fixture and break it up and create what we thought would be blossoms, branches and leaves. We mixed up the materiality a little by using mesh to create a lightness, we wanted it to feel spacey, alive and happy.” – Michelle Gerson.

Sybille de Margerie

As a contrast to the sharp metal and glass silhouette of the original Welles, Sybille’s interpretation reveals the feminine side of her signature design style. Couture-inspired, elegant and smooth, the capsule collection shows a gradient composition from emptiness to full, with a variation of hollow and plain shapes. It comprises a sconce, cluster sconce, the standard chandelier as seen in Milan, and a smaller version. All fixtures include padded vegan leather to create a subtle 3D effect and rounded corners to add softness.

“We love leather because we find it’s a very elegant finish and combined with a soft bronze, this is our vision of luxury which is very understated.” – Sybille de Margerie.

Guan Lee

Guan’s design is a striking floor installation, illuminated by light bulbs and made from POLiROCK, a new material developed by Material Architecture Lab. The fired clay has unique characteristics, somewhere between ceramic and rock. It appears natural but is made by recycling manufacturing waste. Due to the nature of this design, it can be customised from the original form that was shown in Milan. For commissions, Guan and the Gabriel Scott’s design team will work with the client to deliver something bespoke.

“The first thing I thought was that it would be nice to have a contrasting material, so instead of something transparent something solid that allows light to go through in a very particular way.” – Guan Lee.

Cover image: Sybille de Margerie for Gabriel Scott

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As we approach the end of another busy year, Sofa.com shares their favourite projects and reflects on their achievements from 2022…

For us, working collaboratively with various designers has been a real highlight – helping to bring their creative vision to life and seeing our products in a range of gorgeous spaces. The breadth of projects this year has been wonderful, from larger hospitality work, to commercial settings and a wealth of boutique hotels; this is where sofa.com product really comes to life, with bespoke elements and extensive fabric choice meaning no two projects look the same. Here’s what they had to say!

We have compiled some of our favourites of the year, from the hills of Edinburgh to the coastal waters of Cornwall and everywhere in-between, featuring design specifications that we’re most proud of and are thrilled to see completed to such a high standard.

One of our most recent collaborative projects has just recently completed in time for the holidays. It was a joy to work with Unique Homestays on the renovation of The Hatch, a pared-back coastal property next to the glimmering seas in Cornwall. Finishing touches in the dining room convey the aesthetic of the property perfectly, but with a slight bias our favourite room has to be the Scandi-inspired living room, featuring our bestselling Isaac sofas.

Another key project with Unique Homestays was the completion of Little Inka, a cottage finished with trending combinations of black and brass. This modern farmhouse aesthetic is the perfect setting for our Chesterfield style Patrick loveseat in beautiful vintage leather.

Additional highlights include working with The National Trust Scotland, Alice Leigh design, and The Bath Arms to name a few.

It’s wonderful to look back and celebrate with our customers on the completion of their projects. Thank you to all for working with us, and we look forward to collaborating in the future. As we look towards 2023 and exciting projects on the horizon – we’ve are thrilled to be part of such a vibrant industry.

Cover image: Emma Gurner

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This week’s instalment of the Project of the Week series features a minimalist monochrome residential design by 2022 SBID Awards Finalist, MOON bureau.

What was the client’s brief? 

“THE HILLS” is a home project for a young family of programmers who love to travel around Africa. The main design challenge was to create a barrier-free space with plenty of natural light. The clients wanted the atmosphere of their home to be reminiscent of their travels in Africa. They also wished for a monochrome interior with natural materials in mind and a minimum amount of furniture.

What inspired the design of the project?

We were inspired by photographs and stories about the magnificent nature of Namibia, where the endless ocean borders the desert. Our team has recreated this mesmerizing atmosphere within the interior design. The entire interior is made in pastel colors that resemble dunes and do not distract from the beautiful view outside the window. An original palette of natural shades, materials and panoramic glazing has erased the boundaries between the living room and the surrounding landscape. In this endless space, we have located a cozy lounge area, combining it under the dome of an ultra-stylish, modular Pole lamp.

What was your team’s highlight of the project?

We used kitchen model Artematica. Materials such as decorative plaster, glossy glass facades, brushed metal and natural stone were used. The central part of the working surface is closed by a lifting mechanism. In the center of the kitchen is a multifunctional island. We represent how pleasant it will be to meet the first rays of the sun with a cup of freshly brewed coffee.

In the bedroom in we used textured travertine and decorative plaster, and in the dressing room – transparency changing smart-glass panels. Smart glass is a multi-layer product in which the middle layer is made of a liquid crystal film. When the smart glass is impacted by electricity, the glass instantly becomes transparent.

Why did you enter this project into the SBID Awards?

I decided to take part in the competition because I wanted to show the creativity and talent of Ukrainian designers to a wider audience. It was an internal challenge to compare myself with modern European designers, to see how my work stands in the context of the current world design.

Questions answered by Tetiana Sytova, Founder and Chief Designer, MOON bureau.

Angel O’Donnell were asked to interior design a penthouse and sub-penthouse inside One St. John’s Wood, a new luxury development in NW8. Both residences enjoy the rarest of London views: big skies, treetops as far as the eye can see, golden sunrises, showstopping sunsets and, of course, the legendary Lord’s Cricket Ground.

This happy blend of nature and iconic architecture inspired many choices – from hand-drawn floral motifs to sculptural furniture and geometric patterns. Each apartment, while different, feels part of an exclusive collection, something our client was keen to achieve.

In the mix

Arranging shapes, textures and colours is a way of forging relationships between seemingly disparate objects. It could be a conical lampshade paired with a pyramidal sculpture. Or a set of mixed-media collages that share tonal similarities with wood, brass and marble finishes. By selecting pieces with commonalities, the team brought an unsuspecting corner of the living room to life.

Cushion the blow

Striped cushions of multi-coloured linen yarns. Stone-washed cushions with handmade leather straps. And a superabundance of pillows and throws. It’s what every bedroom deserves.

Artwork depicting Singapore’s Garden City – with its intersecting lines and architectural supertrees – complement the elliptical shapes and parallel lines elsewhere in the room.

Turn over a new leaf

The flourishing mural of large leaves, delicate pods and long grasses has been hand drawn and printed onto panels. The design is exuberant and life-affirming – and a pleasing counterpoint to the measured fumed oak side tables, and cushions with their neat arrangement of teal, mint and ochre circles and crescents.

In good shape

The large bronze table lamp resembles a Stonehenge monolith. Its substantial frame provides a visual backbone to the mix of soft, plump and lean shapes in the room. Whether it’s the reassuringly rounded profile of the Marenco sofa or the shiny accents of the glamorous Hollywood Regency coffee table – there’s plenty to savour.

All clear

The glass- and ash-wood table was designed in-house. The base, which pays homage to miyadaiku Japanese carpentry, is cunningly simple. No bolts or nails. Just five interlocking pieces of wood that form a top with four triangular legs. It looks architectural, skeletal even. The precision of the half lap joints combined with the drama of the scorched wood are beautiful to behold.

Looking sharp

Structural forms and materials continue to flourish throughout the apartment. In particular, the Roman-like arches of the headboard and the ziggurat-inspired shape of the lamps. These speak to the riot of architectural genres found in the neighbouring Lord’s Cricket Ground. We especially love how the lamps’ teeth look wincingly sharp against the smooth, burgundy velvet.

Photo credit: Taran Wilkhu

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