Helen Bygraves and Jenny Weiss, Founder Directors at Hill House Interiors, have given their insights into the industry.
Hill House Interiors was founded by Helen Bygraves and Jenny Weiss in 1997, growing from a boutique studio into one of Britain’s most established interior design practices. Today, the studio is known for couture residential interiors for private clients in the UK and internationally, with projects spanning London townhouses, country estates, private residences, villas, penthouses and yachts.
Helen and Jenny came to interiors through different but complementary creative paths. Helen’s background as a professionally trained dancer informed an instinctive understanding of proportion, movement, theatre and composition, while Jenny’s lifelong love of art, textiles and film, alongside a background in property development, evolved into a passion for creating layered, welcoming homes. Together, their shared belief that thoughtfully designed surroundings can meaningfully enhance the way people live has shaped Hill House Interiors’ client-led, refined and deeply personal approach to design.
For both of us, interiors began with a very instinctive understanding of how powerfully a space can influence the way people feel and function within it. A home is never simply a collection of rooms; it is the setting for daily life, and when it is carefully considered, it can bring comfort, ease and a strong sense of identity.
Our individual journeys into design were different, but equally grounded in creativity. Helen’s early career in dance nurtured an appreciation for rhythm, spatial awareness and storytelling, while Jenny’s route evolved through creative exploration and hands-on experience within refurbishment and design of personal properties. What ultimately drew us both to interior design was the opportunity to bring together creative thinking with a more intuitive understanding of people, shaping environments that feel authentic, considered and genuinely supportive of the way our clients live.
Building relationships with clients is undoubtedly one of the most rewarding parts of what we do. Interior design is inherently personal; clients are inviting you into their homes and, in many ways, their lives. We value the process of getting to know a client on a more intuitive level, taking time to understand not only their aesthetic preferences, but what truly makes them tick, how they live, entertain, unwind and spend time with those closest to them.
We also thrive on the creative challenge of ensuring every project feels completely unique. Hill House Interiors has never been about imposing a recognisable style. Each scheme is shaped by a combination of the client, the architecture, the setting and how the space needs to perform. The satisfaction lies in carefully orchestrating proportion, light, texture, materials and detail to create interiors that feel cohesive, characterful and quietly assured, however considered the process behind them may be.
This past year has been particularly meaningful for us. Being awarded the SBID Icon Award was an extraordinary honour, not least because it is recognition from our peers within the industry. That level of acknowledgement carries a particular significance, as it reflects both longevity and contribution to the profession over time.
Alongside this, receiving two major international accolades has further positioned Hill House Interiors on a global stage. These achievements have expanded our presence beyond the UK and reinforced the relevance of our work within a broader, international context, which is both humbling and incredibly rewarding.
Our favourite projects are those which allow us to shape the foundations of a home from the outset, considering spatial planning, flow, lighting and atmosphere before layering in the decorative elements. That holistic approach allows for a more cohesive and resolved end result.
We are particularly drawn to private residential projects that are deeply personal to the client, whether that is a London townhouse, a country estate, an overseas villa or a yacht. The most rewarding briefs are those centred around lifestyle rather than aesthetics alone, where the aim is to create a home that truly reflects how someone lives and what matters to them.
One of the greatest challenges lies in balancing creativity with the level of precision required to deliver a project successfully. A refined interior is never solely about the final aesthetic; it relies on structure, technical understanding, project management, coordination and an exceptional level of detail. Behind every composed and considered space is an extensive and highly organised process.
There is also a significant level of trust involved. Clients are allowing you into a very personal aspect of their lives, and that requires discretion, consistency and sensitivity. The designer’s role is to anticipate, resolve and guide, often quietly behind the scenes. Ultimately, one of the most rewarding moments is seeing a client’s reaction at the completion of a project, particularly when the result surpasses their expectations. That emotional response is what makes the entire process worthwhile.
If we were speaking to our younger selves, we would say to stay curious and trust your instincts. Research is invaluable, and a willingness to keep learning will always strengthen your work.
We also came into building a business without formal business training, and in hindsight, we would strongly recommend seeking guidance early on, whether through a business coach or industry body. There will inevitably be challenging periods, so resilience, careful planning and a clear long-term vision are essential.
The SBID, in particular, has been a constant source of support, providing guidance, structure and reassurance as we have grown. Having that level of professional backing has been invaluable throughout our journey.
Understand your market and remain confidently within your lane, as that clarity will shape not only your design direction but also the clients you attract. For us, focusing on the luxury residential sector has defined both our creative approach and the way we position the business. Alongside this, presenting your work well is essential, so investing in professional photography from the outset will ensure it is perceived in the right way. Equally important is building a strong foundation around you by joining professional bodies such as SBID and engaging with networking groups and industry organisations. These connections provide invaluable support, visibility and opportunity, reinforcing both your credibility and your longterm growth within the industry.
Clients today expect more from their homes than ever before. A home is no longer purely a place to live; it needs to function as a sanctuary, a wellness space, and often a working environment. That shift has changed the way spaces are designed, with a greater emphasis on adaptability, comfort and emotional wellbeing.
Having experienced multiple shifts within the industry over the years, we have learned the importance of remaining agile and open to change. The ability to adapt, respond to new ways of living and interpret evolving styles is key to staying relevant.
The rise of AI is also influencing expectations, with clients arriving with highly visualised ideas of their ‘ideal’ home. A crucial part of our role is to interpret those ideas, assess what is both practical and achievable, and translate them into a design that works in reality, both functionally and aesthetically.
SBID accreditation means a great deal to us. It represents credibility, professionalism and a recognised standard within the industry. It provides reassurance to clients, while also reinforcing the integrity of the work we deliver.
Beyond that, it offers a sense of support and community. Having that professional backing, guidance and recognition has been invaluable throughout our career, and it continues to play an important role in how we position ourselves and our projects within the industry.
About Hill House Interiors
Hill House Interiors is the fruit of a 25-year friendship between its founding partners, Jenny Weiss and Helen Bygraves. Their creative collaboration is built on a shared belief that beautiful surroundings can transform people’s lives. Their client-centred approach has garnered a multitude of awards while their business has grown over the years into one of Britain’s leading interior design practices, with a 30-strong team of designers and architects. Hill House Interiors operates out of a creative studio and lifestyle showroom in the UK, and a luxurious newly opened office near the DIFC in Dubai. With a global reach, Hill House Interiors works on high-end residential projects in locations as diverse as London, Dubai, New York, Lake Como, Antibes, the Bahamas, Ibiza and L.A. Projects can range from exclusive penthouse apartments to palatial homes, lakeside villa retreats or beautifully engineered yachts.
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At T&A Property Development / Shi+Me Interiors, we specialise in delivering high-end, design-led residential projects across London where craftsmanship, detail, and materiality define the final outcome. One of our most recent luxury interiors presented a particularly refined challenge: the integration of authentic gold leaf finishes across key architectural and decorative surfaces.
Gold leaf is one of the most delicate and expressive materials in interior design. Its application requires precision, patience, and a deep understanding of both traditional craftsmanship and contemporary design expectations. Spanning approximately 12,500 square feet, this luxury London project presented an opportunity to combine traditional craftsmanship with exceptional attention to detail, with genuine gold leaf becoming one of its defining design features.
Unlike conventional finishes, gold leaf does not allow for error. Each sheet is ultra-thin and highly sensitive to environmental conditions such as humidity, temperature, and surface preparation. Even the slightest imperfection in the substrate can affect the final visual continuity.
Before application began, extensive preparation work was required to ensure all surfaces were perfectly smooth, sealed, and primed. Multiple test applications were carried out to achieve the correct adhesive balance and tonal consistency, ensuring the final finish aligned with the design intent.
One of the defining aspects of this project was the client's decision to use genuine gold leaf rather than composition (imitation) gold leaf. While imitation leaf offers a similar aesthetic at a lower cost, genuine gold leaf possesses a richness, depth of colour and permanence that simply cannot be replicated. Its ability to retain its brilliance over time made it the clear choice for a residence where authenticity and longevity were paramount.
However, selecting genuine gold leaf introduced an entirely different level of complexity. Every sheet is exceptionally delicate and demands meticulous handling throughout the application process. More importantly, achieving the client's vision required far more than simply choosing the material, it involved a collaborative design journey.
To ensure complete confidence before installation, our team produced a series of bespoke sample panels using different sheet sizes, layouts and application patterns. These mock-ups allowed the client to experience first-hand how the individual leaves aligned, how the seams interacted with light, and how varying installation techniques influenced the overall visual effect. Each sample was carefully reviewed and refined until the client identified the finish that perfectly reflected their design aspirations.
This level of prototyping proved invaluable. It minimised risk during installation, ensured absolute clarity before work commenced, and reinforced the bespoke nature of the project, where every detail was tailored specifically to the client's expectations.
One of the key challenges of working with gold leaf in a live London development environment was coordination between multiple trades within a restricted timeline. As the finish is highly sensitive, the application had to be carefully sequenced to avoid contamination from dust, movement, or adjacent works.
Lighting conditions also played a critical role. Gold leaf reacts dynamically to both natural and artificial light, meaning careful coordination with the lighting design team was essential to ensure the material delivered the intended warmth and depth without overwhelming the space.
Additionally, maintaining uniformity across larger surface areas required a consistent hand-applied approach, with specialist craftsmen brought in to ensure continuity of finish across all zones.
Despite the technical complexities, the result is a striking demonstration of how traditional materials can be reinterpreted within modern luxury interiors. The gold leaf surfaces introduce a sense of warmth, richness, and architectural depth that cannot be replicated by industrial finishes.
This project highlights the importance of collaboration between developers, designers, and skilled artisans. Every stage, from concept development to final application, was guided by a shared commitment to excellence and attention to detail.
At T&A Property Development / Shi+Me Interiors, we believe true luxury lies in the details that cannot be mass-produced. The use of gold leaf in this London residence reflects our commitment to delivering highly bespoke environments that balance artistic expression with technical precision.
Each sheet applied tells a story of craftsmanship, patience, and design ambition, resulting in a space that is not only visually exceptional but also deeply considered in its execution.
As London’s luxury property market continues to evolve, projects like this reaffirm the value of artisanal techniques within contemporary developments. Gold leaf, when executed with expertise and care, remains one of the most powerful tools for creating timeless, high-impact interiors.
About T&A Property Development
T&A Property Development is an award-winning design practice, proudly SBID-accredited since 2019. Led by Shiva Aghababaei, a chartered and award-winning Architect with over 25 years of experience, the company provides bespoke interior design services under its trading name, Shi+Me Interiors. Specialising in high-end residential and commercial architecture, the team combines creativity, functionality, and meticulous attention to detail to create distinctive and timeless spaces. From concept development and space planning to project delivery, T&A Property Development, trading as Shi+Me Interiors for its interior design services, is committed to delivering elegant, tailored, and highly functional design solutions.
Designing your own home is often described as the ultimate opportunity for creative freedom. In reality, it is something far more demanding. Every decision carries greater significance because you are not simply designing for a client—you are designing the environment your own family will experience every single day.
Blackbarn, our contemporary family home in North County Dublin, became much more than a self-build project. It became an opportunity to challenge, refine and ultimately reinforce every design principle that underpins Studio 31. It allowed me to explore the relationship between architecture, interiors and everyday living in a way that few projects ever can.
Throughout my career, I have always believed that exceptional interiors begin long before furniture, colour palettes or decorative finishes are considered. Blackbarn reaffirmed that philosophy. It demonstrated that the homes which endure are those where every decision is made with purpose, where architecture and interiors are developed together, and where beauty and functionality are never treated as separate ambitions.
One of the most common misconceptions about interior design is that it begins once the walls have been built. In reality, the most successful interiors are shaped during the earliest architectural conversations.
Before selecting a single material, we considered how we wanted to live.
Where would the morning light enter? How should someone experience the home as they moved through it? Which rooms would naturally become gathering spaces? How could the house remain adaptable as our children grew older?
Rather than designing individual rooms, we focused on designing the experience of living within the house.
From the moment you enter Blackbarn, your eye is drawn through the hallway towards the landscape beyond. That carefully considered sightline immediately establishes a connection between the architecture and its rural setting. It also creates a sense of calm, openness and anticipation before revealing the heart of the home.
Every transition, every doorway and every proportion was carefully considered to create a natural flow rather than simply connecting rooms.
Blackbarn takes inspiration from the simplicity of traditional agricultural buildings found throughout the Irish countryside. The architectural form is intentionally restrained, allowing proportion, materiality and craftsmanship to become the defining features.
People often associate minimal architecture with fewer decisions, but the opposite is true. When a design is stripped back, every detail becomes more important.
The relationship between the black metal cladding and the warmth of the timber. The depth of window reveals. The rhythm created by glazing. The alignment of architectural elements. These are the details that quietly define a project without demanding attention.
The same philosophy continued throughout the interiors.
Rather than relying on bold colours or passing trends, we chose a carefully curated palette of natural materials, textured fabrics, stone, timber and warm neutral tones. Contrasting black accents were repeated throughout the home. This was not simply as a decorative feature, but as a visual thread linking architecture and interior design into one cohesive language.
Our aim was never to create a fashionable house. It was to create a home that would feel as relevant in twenty years as it does today.
Beautiful homes only become truly successful when they support the people living within them.
As interior designers, we often talk about functionality, but functionality should never be confused with compromise. Some of the most beautiful spaces are also the most practical because they have been designed around real daily routines.
The open-plan kitchen, dining and living space quickly became the heart of Blackbarn. The Belvedere Quartzite island isn't simply a dramatic centrepiece. It's the place where our meals are prepared, family life unfolds, conversations happen, and friends gather. It is, in every sense, our family firepit.
The hidden playroom allows family life to unfold naturally while maintaining a calm and organised living space. A dedicated boot room provides generous storage for coats, shoes and everyday essentials. Circulation routes were planned to allow the house to function effortlessly, whether entertaining guests or managing the morning school routine.
Good design rarely announces itself. Instead, it quietly improves how people move, interact and live.
Selecting materials is about far more than aesthetics.
Every material contributes to how a space feels, how it performs and how it will age over time.
Throughout Blackbarn, we sought materials that would develop character rather than deteriorate. Natural timber introduces warmth against the architectural simplicity of the black exterior. Quartzite provides durability while becoming a sculptural focal point within the kitchen. Textured fabrics soften clean architectural lines, while carefully selected flooring creates continuity throughout the home.
Luxury is often associated with expensive materials, but genuine luxury is more often found in thoughtful restraint.
Choosing fewer materials and allowing each one to perform beautifully creates spaces that feel calmer, more sophisticated and ultimately more enduring.
Lighting is perhaps the most underestimated element within residential design.
It has the ability to transform colours, textures and atmosphere without changing a single piece of furniture.
At Blackbarn, natural daylight informed many of the architectural decisions, from window placement to room orientation. Decorative lighting was then layered throughout the house to create atmosphere, define spaces and highlight architectural features.
Rather than relying solely on downlights, each room incorporates ambient, task and decorative lighting. During the day, the interiors are shaped by changing natural light. In the evening, carefully selected feature fittings create warmth, intimacy and a completely different experience of the same spaces.
The best lighting schemes are rarely noticed. They simply make a room feel exactly as it should.
Every project leaves a lasting impression on a designer, but designing your own home changes your perspective entirely.
It deepened my appreciation for the emotional investment clients make in every decision. It reinforced the importance of balancing budgets without compromising long-term value. It reminded me that patience almost always leads to better outcomes than rushing decisions simply to meet deadlines.
Perhaps most importantly, it reinforced the belief that architecture and interior design should never be treated as separate disciplines. The most successful homes emerge when both are developed together, allowing every element—from spatial planning and lighting to furniture and finishes—to support one another.
Those lessons now influence every Studio 31 project.
Whether we are transforming a Victorian townhouse, designing a contemporary new-build or renovating a single room, the process always begins by understanding how people genuinely live. The aesthetics naturally follow.
Designing and building Blackbarn taught me more than any other project. Creating our own family home shaped me both personally and professionally, and continues to influence every Studio 31 project today.
It serves as a constant reminder that exceptional design is rarely defined by individual furniture pieces or luxurious finishes alone. Instead, it is the accumulation of hundreds of thoughtful decisions that shape how a home feels, functions and evolves over time.
For Studio 31, that philosophy continues to guide every project. We believe the most successful interiors are those that quietly enrich everyday life—spaces where architecture, materials, light and functionality work together seamlessly to create homes that are not only beautiful today, but will remain meaningful for many years to come.
Blackbarn reaffirmed everything I believed about great interior design. More importantly, it continues to shape how we design for every client who places their trust in Studio 31.
About Studio 31 Interior Design
Studio 31 Interior Design is a Dublin-based interior design studio specialising in bespoke residential and commercial interiors throughout Ireland. We create timeless, functional spaces tailored to each client's lifestyle, business and aspirations. Our comprehensive service includes interior architecture, space planning, lighting design, bespoke joinery, material specification, furniture sourcing and complete project management from concept through to completion. Every project is approached with creativity, meticulous attention to detail and a commitment to exceptional quality. Our work has been featured in leading Irish publications, reflecting our passion for creating beautifully considered interiors that stand the test of time.
In an industry often focused on what is new, Yotam Ottolenghi's recently refreshed kitchen offers a valuable reminder of the importance of designing for longevity. More than a decade after its original installation, the Roundhouse kitchen remained so successful that the refurbishment focused not on replacing it, but on carefully evolving it.
Few compliments carry more weight than a returning client. When someone has lived with a kitchen every day, raised a family around it, cooked thousands of meals, hosted friends and relied on the space for years, choosing to return to the same designer speaks volumes about the success of the original project.
That is exactly what happened when internationally renowned chef, restaurateur and food writer Yotam Ottolenghi returned to Roundhouse to refresh the kitchen in his North London Georgian townhouse.
The original kitchen was designed and installed in 2013 using Roundhouse's Urbo collection. Defined by its understated aesthetic, practical layout and carefully considered functionality, the space was designed around the realities of everyday life rather than passing trends.
As Ottolenghi explains: "Roundhouse designed my kitchen 13 years ago, and it still works brilliantly. The refresh was not about changing the fundamentals, I wanted to build on a design that had already stood the test of time."
For interior designers and professionals, the project demonstrates how thoughtful planning, durable materials and adaptable layouts can significantly extend the lifespan of a kitchen without compromising aesthetics or performance.
Rather than embarking on a complete redesign, the refurbishment focused on enhancing a space that was already working exceptionally well. The original layout continued to support the way Ottolenghi and his family lived, while the material palette remained as relevant and appealing as when it was first installed.
"Everything is at my fingertips. The kitchen works intuitively, which makes cooking a pleasure," says Ottolenghi.
That simple observation highlights one of the most important measures of successful design. Beyond appearance, great kitchens make everyday routines feel effortless and intuitive.
While the foundations remained unchanged, the refurbishment introduced carefully considered updates that brought new character to the room.
The most significant addition was a hand painted tiled splashback created by artist Cecilie Maurud Barstad of Gilles & Cecilie Studio. Inspired by family memories, favourite foods and shared experiences, the artwork introduced a deeply personal layer to the space.
"I wanted a kitchen that felt personal. The new splashback brought character and individuality that made the space my own," explains Ottolenghi.
For designers, the project serves as a reminder that personality does not always require dramatic intervention. Sometimes a single carefully chosen element can transform the atmosphere of a room while preserving everything that already works.
Alongside the new splashback, a series of practical improvements helped bring the kitchen up to date.
Storage around the oven wall was reconfigured, appliances were upgraded and the kitchen transitioned from gas to induction cooking. A new suite of Gaggenau appliances and a Quooker tap enhanced performance while maintaining the familiarity of a well-established space.
One of the most notable aspects of the refurbishment was the decision to retain the original white lacquered cabinetry. Years after installation, it remained in excellent condition and continued to provide a calm backdrop for daily life.
As Ottolenghi notes: "A simple, calm backdrop allows everything else to shine. That's true in our restaurants, and it's true in my kitchen. The tiles designed by my dear friend Cecilie Barstad bring some fun and character to the space."
The project also highlights the enduring appeal of restrained material palettes. White lacquered cabinetry, walnut interiors, and stainless-steel worktops create a timeless foundation that allows artwork, objects and ingredients to become part of the visual composition.
For interior designers, there is an important lesson in the way this kitchen has evolved.
Longevity is not simply about durability. It is about creating spaces with enough flexibility to adapt alongside the people who use them. The most successful interiors are rarely those that remain frozen in time. Instead, they mature, evolve, and accumulate character while continuing to support changing lifestyles.
By prioritising functionality, simplicity and quality from the outset, the original design created a framework that could be refined rather than replaced.
The project demonstrates that successful kitchen design is not measured by how quickly it is replaced, but by how well it continues to perform over time. By combining enduring design principles with carefully considered updates, Ottolenghi's kitchen continues to support the changing needs of its owner while retaining the qualities that made it successful from the outset.
In a profession often driven by the pursuit of the new, it is a refreshing reminder that thoughtful design, quality craftsmanship and a deep understanding of how people live can create spaces that remain relevant for decades.
Yotam Ottolenghi's kitchen demonstrates the value of designing spaces that can evolve over time.
If you are planning your own project, book a design consultation or visit a Roundhouse showroom to discover how thoughtful design, quality craftsmanship and carefully considered materials can shape the way you live for years to come.
About Roundhouse Design Ltd
Founded by architects, Roundhouse is a multi-award-winning British company, creating beautiful bespoke kitchens and furniture. Their stunning kitchen designs feature a signature understated aesthetic, influenced by contemporary and traditional design, using innovative materials, texture and colour. Each project is made to measure from a wide range of stunning finishes. Expertly crafted by skilled designers and makers in a state-of-the-art manufacturing facility in Malvern, Worcestershire. Visit any of seven Roundhouse Design kitchen showrooms; Wigmore St, Clapham, Fulham, Richmond, Cambridge, Guildford & Cheltenham.
Frank Iaria, Kitchen and Interior Designer at Mint Kitchen Group, has given his insights into the industry.
My career in the industry began as an apprentice cabinet maker, which gave me a strong hands-on understanding of joinery, construction and detailing from the very beginning. After sustaining a back injury, I moved away from the physical side of cabinet making and into the design field. What started as a necessary career shift quickly became a genuine passion, and I found that I enjoyed the creativity, problem-solving and client interaction of design even more.
I went on to become a Certified Kitchen Designer and built my career around creating highly functional, detailed and beautifully resolved kitchen spaces. After working with major retailers and developing a strong reputation within the industry, I decided to go out on my own and open my own showroom. From there, it was a natural progression to expand into other areas of the home, as many of my clients were renovating multiple spaces at once. This led me to further study bathroom design, allowing me to provide a more complete design service across kitchens, bathrooms, laundries, wardrobes and whole-home joinery.
Entering industry awards became an important turning point in my career. In the first year alone, we achieved 10 awards, which gave me the confidence and motivation to continue pushing the design side of the business further. Year after year, we continued entering awards and collecting recognition, which helped strengthen our reputation and increase demand for our style of work.
As the business continued to grow, I formed a group with industry colleagues to create better buying power, greater exposure and stronger collective advertising. This became Mint Kitchen Group. Since then, we have continued to build on our success and are proud to have become one of the most awarded kitchen design groups in Victoria. Today, I operate two design studios with a team of six designers, and much of our work comes through referrals from existing and past clients.
I am very proud of the work we produce and the care we put into every project. For us, great design is not only about how a space looks, but how well it functions, how carefully it is detailed and how successfully it is executed. That commitment to detail, craftsmanship and the client experience continues to drive the way we work today.
I was drawn to interior design because it combines creativity with problem-solving in a very practical and meaningful way. My early background in cabinet making gave me a strong understanding of how things are constructed, but moving into design opened up a much broader opportunity to shape spaces from the very beginning. I enjoyed being able to think not only about how something was made, but how it would function, how it would feel, and how it would improve the way people live.
For me, the profession is about much more than selecting finishes or creating a stylish space. It is about listening carefully, understanding a client’s lifestyle, and then translating that into a design that is both beautiful and practical. That combination of creativity, functionality, detail and human connection is what first attracted me to the industry and continues to motivate me.
I really enjoy the process of taking a client’s brief and turning it into a resolved design that feels both beautiful and effortless. There is something very rewarding about working through the details — the layout, proportions, materials, storage, lighting, finishes and joinery — and seeing all those elements come together into one cohesive space.
I also enjoy the relationship-building side of the profession. Every client is different, and every project has its own story. Being trusted to help shape such personal spaces in someone’s home is a privilege. The best part is seeing the finished result and knowing that the design has genuinely improved the way the client uses and enjoys their home.
One of my most memorable career highlights from the past year has been the transformation of our South Melbourne Design Studio. We converted what was once a commercial office space into an apartment-style showcase, designed to feel like a real home rather than a traditional showroom. This allowed us to demonstrate the type of work we do across all areas of the home, from kitchens, bathrooms and laundries through to wardrobes, living spaces, custom furniture and detailed joinery solutions.
The studio was designed to help clients experience our work in a more personal and immersive way. Rather than viewing individual displays in isolation, they can walk through connected spaces and see how materials, finishes, storage, lighting and joinery details work together in a complete interior environment. It has become a valuable space for presenting design ideas, inspiring clients and showing the level of detail, craftsmanship and functionality that sits behind every project we deliver.
My favourite projects are those where we are able to create a complete design solution rather than looking at one room in isolation. Whole-home renovations, kitchens connected to living spaces, and projects with custom joinery throughout are particularly rewarding because they allow us to create consistency, flow and a strong design language across the home.
I also enjoy projects that require careful planning and detailed problem-solving. Kitchens, bathrooms and laundries can be some of the most technically demanding spaces in a home, but that is what makes them interesting. When a space works beautifully from both a design and functional perspective, the result feels seamless — and that is always the goal.
One of the most challenging aspects is balancing creativity with practicality. A successful design needs to look beautiful, but it also needs to be functional, buildable, durable and suited to the client’s budget and lifestyle. There are often many layers to consider, from design intent and client expectations through to manufacturing requirements, site conditions, lead times and installation details.
Communication is also critical. Interior design involves many people — clients, designers, suppliers, trades, manufacturers and installers — and every decision needs to be clearly documented and understood. The smallest detail can have a big impact, so maintaining clarity throughout the process is one of the ongoing challenges, but it is also what leads to the best outcomes.
I wish I had understood earlier just how much of interior design is about communication, documentation and decision-making. Many people see the creative side of the profession, but behind every successful project is a huge amount of planning, coordination and attention to detail. Good design is not just about the idea — it is about how clearly that idea is communicated and executed.
I have also learned that every project will evolve. Site conditions, budgets, client preferences and technical requirements can all shift along the way. Being flexible, calm and solutions-focused is essential. The ability to adapt while still protecting the overall design intent is one of the most valuable skills a designer can develop.
My advice would be to learn how things are actually made. Understanding construction, manufacturing, installation and detailing will make you a much stronger designer. A concept may look beautiful on paper, but it needs to work in the real world. The more you understand materials, hardware, joinery construction, clearances and site limitations, the better your designs will become.
I would also encourage aspiring designers to listen carefully. Clients may not always know how to explain exactly what they want, but they will usually give you clues through the way they talk about their lifestyle, frustrations and routines. A great designer knows how to interpret those details and turn them into a space that feels considered, personal and practical.
I think the industry will continue moving toward more personalised, lifestyle-driven design. Clients are becoming more considered about how their homes function, not just how they look. They want spaces that support the way they live, work, entertain and relax, with a greater focus on quality, longevity and intelligent storage solutions.
I also see technology, documentation and communication becoming even more important. Clients expect a clearer understanding of their design before it is built, while design and production teams need accurate information to reduce errors and improve efficiency. The future of interior design will still rely heavily on creativity, but it will also depend on strong systems, clear processes and better integration between design, documentation and delivery.
Being an SBID Accredited Interior Designer represents professional recognition and a commitment to maintaining high standards within the industry. It is an acknowledgment of experience, design capability and professionalism, but also of the responsibility designers have to deliver considered, ethical and well-resolved outcomes for their clients.
For me, SBID accreditation is also about being connected to a broader international design community. It reinforces the importance of continual learning, professionalism and striving for excellence in every project. It is a privilege to be recognised within an organisation that values design integrity, innovation and the ongoing development of the interior design profession.
About Mint Kitchens by Designwize
Mint Kitchen Group is a Melbourne-based kitchen and interiors company specialising in the design, manufacture and installation of bespoke joinery. We create custom kitchens, bathrooms, laundries, wardrobes and interior spaces that are tailored to each client’s lifestyle, home and design vision. With a strong focus on quality craftsmanship, practical functionality and personalised service, our team manages each project from concept through to completion. By combining thoughtful design with locally made joinery and attention to detail, Mint Kitchen Group delivers beautifully resolved spaces that are made to be lived in and built to last.
Set within the New Forest in Hampshire, this Georgian-style manor house was conceived as a complete interior architecture and design project for a substantial new-build residence of more than 15,000 sq ft.
Dream Design was appointed to develop the interiors in close collaboration with the architect, allowing the architecture and interior design to evolve in parallel from the early stages of the project. This ensured that spatial planning, room-to-room flow, material continuity, lighting, furniture and detailed specification were considered as one coherent whole.
The result is a composed and timeless private residence, where classical architectural language is balanced with modern design. Rather than treating the interiors as a decorative layer, Dream Design approached the project through the principles of interior architecture, with ceiling details, lighting positions, bespoke joinery, kitchen planning, bathroom specification, furniture placement and material transitions all developed in relation to the architecture of the house.
The kitchen is one of the defining spaces of the project, forming part of an open kitchen, dining and lounge environment where traditional architectural features are balanced with contemporary cabinetry, modern furnishings and integrated lighting. Decorative ceiling cornices, clean-lined kitchen detailing and carefully planned lighting allow the room to feel both impressive and highly liveable.
The L-shaped island anchors the space, supporting natural circulation while framing views towards the terrace and surrounding landscape. Arranged for cooking, dining and conversation, the island gives the kitchen a natural sense of focus within the home.
A bespoke ceiling design, formed of three raised sections with concealed LED lighting, brings definition to the kitchen, dining and lounge areas while preserving the openness of the room.
The scale and character of the property called for a high-calibre specification, bringing together leading brands including SieMatic, Flexform and Rimadesio, alongside specialist ateliers and one-of-a-kind furniture pieces. Several elements required detailed knowledge of materials, craftsmanship and sourcing, ensuring each piece contributed to the overall composition of the home.
A key example is the kitchen dining table, crafted from 50,000-year-old Kauri wood from New Zealand and expertly worked by the experienced artisans at Italian furniture maker Riva1920. The piece brings a distinctive material story into the main living space while remaining fully integrated with the broader design language.
Material selection was central to the success of the project. Traditional references were treated with restraint, while contemporary finishes introduced clarity and precision. This balance between classical form and modern detailing gives the home its quiet confidence: elegant, substantial and comfortable without feeling overly formal.
Beyond the living spaces, the bathrooms and private areas continue the same considered language. In the principal ensuite, marble-effect porcelain surfaces, a sculptural freestanding bath and a large vanity with his and hers countertop basins create a calm and enduring room. Traditional elements, including sliding sash windows and decorative ceiling cornices, are integrated with contemporary detailing, ensuring the space feels aligned with the Georgian-style architecture of the house.
Across the project, Dream Design’s role extended beyond individual rooms. The studio considered how each space would be experienced in sequence, from arrival and circulation to everyday use and moments of retreat, ensuring the home felt coherent at every scale. In this New Forest residence, classical architecture and contemporary interior design come together in a home shaped by clarity, restraint and quiet permanence.
About Dream Design
Dream Design is a luxury kitchen, bathroom and interior design centre in Dorset, creating one-of-a-kind private residences across Dorset, Hampshire, Poole, the UK and internationally. Supported by its award-winning interior architecture and interior design studio, Dream Design specialises in bespoke kitchens, bathrooms, bedrooms, living spaces and complete home design. The 5,000 sq ft Design Centre brings together leading brands and specialist ateliers across kitchen design, bathroomware, appliances, surfaces, lighting, furniture and interior architectural details, creating a distinctive design destination for private clients, architects and developers seeking a considered, highly tailored approach to residential design, specification and project delivery.
At Hill House Interiors, a garden is never treated as an afterthought. It is considered part of the home’s story: a space with its own rhythm, atmosphere and purpose, yet one that should feel naturally connected to the interiors around it.
For Jenny Weiss, Co-Founder and Director of Hill House Interiors, the story of her Surrey garden began with a blank canvas and a clear intention: to create an outdoor room that felt calm, escapist and deeply personal. Having moved from a larger property, Jenny knew that every inch of the garden would need to work beautifully. Rather than seeing its more compact proportions as a limitation, she saw an opportunity to design with precision, creating a space that felt as layered and liveable as any interior.
The garden was imagined as a sanctuary, blending Mediterranean charm with touches of English heritage. It was not designed simply to be looked at, but to be lived in: somewhere to dine, unwind, listen, gather and retreat throughout the seasons. As with any Hill House Interiors project, the starting point was not only how the space should look, but how it should make people feel.
Because the house was a new build, Jenny was able to shape the garden from the ground up. The developer agreed to leave the outdoor area untouched, giving her the freedom to create something entirely personal. The layout had a natural sense of potential, but it required careful planning to ensure each element felt purposeful, balanced and inviting.
The relationship between inside and out became central to the design. The garden is the first thing visible on entering the house, drawing the eye through the interior and immediately creating a sense of calm. Bifold doors open completely from the main living area, allowing the outdoors to become part of the daily rhythm of the home rather than a separate space beyond it.
This sense of flow informed every decision. The dining area was positioned closest to the house for easy access to the kitchen, reinforcing the feeling of the garden as a true extension of the living space. Practicality was also carefully considered but never allowed to interrupt the atmosphere. Heaters and an awning were incorporated so that the garden could be enjoyed beyond the height of summer, despite the unpredictability of the English weather.
Planting was used to bring structure, softness and a sense of escape. Evergreen planting forms the foundation of the scheme, ensuring the garden retains depth and character throughout the year. Italian cypress trees and mature olive trees introduce a Mediterranean quality, while bay trees, pleached Photinias and Annabelle hydrangeas bring texture, rhythm and romance. The hydrangeas, which bloom from July through to October, add a generous seasonal note during the summer months.
Materials were selected with the same care as an interior palette. Paved Indian sandstone and Millboard decking define the different areas while allowing the space to feel cohesive. Gloucester sofa seating brings the comfort of an interior sitting room outdoors, while a Stark outdoor rug anchors the seating area and adds softness underfoot. Each element contributes to the sense of the garden as a room in its own right.
For Jenny, nature is both restorative and inspiring, and the garden was designed to engage more than the eye. Texture, sound, light and atmosphere all play a role in how the space is experienced. Concealed speakers were integrated throughout, allowing music to become part of the mood without disrupting the visual calm. Architectural lighting adds depth and warmth after dark, while the surrounding forest was also lit, turning it into a feature in its own right and extending the feeling of space beyond the garden’s physical boundaries.
As evening falls, the garden takes on a different character. Geometric lanterns by Contardi add a decorative layer, bringing intimacy and a gentle sense of theatre. The result is a space that feels quietly transportive: personal, purposeful and deeply connected to the home.
Jenny’s garden reflects a wider belief at Hill House Interiors: that outdoor spaces should be designed with the same imagination, sensitivity and attention to detail as interiors. Whether working with a generous landscape, a city terrace or a more compact garden, the most successful outdoor spaces are those that feel effortless, atmospheric and genuinely lived in.
Here, every detail has a role to play. The sightline from the entrance, the position of the dining area, the layered planting, the lighting, the sound and the surrounding landscape all work together to create a sense of ease and belonging. The garden does not sit apart from the home; it completes it.
Design from the inside out: Jenny planned the garden around how it would be seen and used from within the home: the first view from the front door, the bifold doors from the main living space, and the dining area placed closest to the kitchen. This helps the garden feel connected to daily life rather than simply decorative.
Design for the senses: A successful garden is sensory, not just visual. Planting, sound, lighting, texture and scent all contribute to the experience. Jenny integrated concealed speakers throughout the space so music could become part of the atmosphere without disturbing the visual calm.
Use lighting to extend the space: Rather than lighting only the garden itself, Jenny also lit the surrounding forest, turning it into part of the composition. This gives the garden depth after dark and creates a greater sense of escape.
Give the garden year-round architecture: Evergreen planting, Italian cypress, mature olive trees, bay trees and pleached Photinias give the garden structure and permanence, while Annabelle hydrangeas bring softness and seasonal romance.
Cansel Seymen, Founder & Creative Director at CS Design Studio, has given her insights into the industry.
My journey into design began with a sensory obsession. As a young girl, I fell in love with a vintage Ikat fabric at a Turkish market, which became the first cushion in my bedroom and my first lesson in the power of textiles. This early passion for layers and natural materials eventually led me to the world of high-end luxury, where I spent years honing my craft at Harrods Interior Design, David Collins Studio, and Finchatton.
These prestigious houses trained me to settle for nothing less than exceptional quality. At CS Design Studio, I carry that standard forward, working exclusively with high-end materials and artisanal finishes. My signature style is 'Contemporary Classic'—I believe in creating rooms with an easy, timeless flow rather than spaces that feel overwhelming or trend-driven.
Living in London, I’ve learned that the city’s grey light needs warmth, but I prefer a 'less is more' approach to colour. Instead of saturating a whole room, I introduce color as a thoughtful splash—perhaps through bespoke trimmings, vibrant cushions, or a stunning piece of artwork.
For me, design is about bridging the gap between a building's historic soul and innovative luxury. I am constantly sourcing new products and building relationships with my clients to ensure their homes are not just beautiful, but are dignified, high-quality 'envelopes' for the memories they will create there.
For as long as I can remember, I have seen the world through a different lens—I don’t just see a room; I see its potential to shape the people within it. Even as a child, I was constantly experimenting with layouts and reimagining upholstery, fuelled by the belief that our surroundings are deeply intertwined with our character. I chose this profession because design is my life’s calling; it is where my love for textures, layers, and natural materials meets the discipline of architectural integrity. There is a unique joy in the instinctive process of sourcing the perfect elements to give a space its soul and ensuring every detail meets a high standard of quality. Ultimately, I wanted to build long-lasting relationships with my clients, turning their homes into 'living canvases' that offer a timeless, contemporary-classic flow.
What I enjoy the most is the tactile journey of sourcing and the artistry of putting a scheme together. There is a profound magic in layering textures, colours, and high-quality materials to see a vision come to life. However, the most rewarding part of the process is the collaboration with my clients. I truly value their involvement and feedback, as it ensures the design is deeply personal to them. When a client’s insight meets my professional eye, everything sits beautifully in the room. This synergy allows me to create spaces that aren't just aesthetically pleasing, but are a perfect, contemporary-classic reflection of the people who call them home.
The most memorable highlight of the past year has been the rapid success of CS Design Studio and the incredible trust our clients have placed in us. While the first year for any new company can be a challenge, we were thrilled to complete two luxury apartments in Mayfair that both sold before they even reached the market. For me, this was a defining moment; it was the ultimate validation that our aesthetic and commitment to quality truly resonate with the high-end London market. Seeing our vision translate into such immediate commercial success has been incredibly rewarding. It confirms that we deeply understand what our clients are looking for: a perfect balance of historic soul and modern, effortless luxury.
My favourite projects are those that bridge the gap between a building's historic soul and the demands of modern living. Whether restoring a listed London townhouse or designing a sophisticated new development, I find it incredibly rewarding to honour architectural integrity while introducing a fresh, intuitive flow. Having led high-profile projects in both the city and the English countryside, I also love marrying rural heritage with a more current, refined sensibility.
However, the best results stem from a client relationship built on complete trust. When a bond is established through transparency—where a client eventually says, "you decide"—it unlocks our highest creativity, allowing us to deliver a home that truly surpasses expectations.
The most challenging aspect of interior design is the delicate dance between vision and reality. It begins with translating a design intent into technical drawings, which then face the practical scrutiny of contractors, site limitations, and strictly allocated budgets. Bridging the gap between a high-end concept and a tangible result within financial constraints is a significant hurdle that requires constant problem-solving.
Despite these pressures, we pride ourselves on protecting the integrity of our original vision. We view site constraints not as roadblocks, but as opportunities to refine the design. By working closely with contractors and maintaining a clear focus on the "Contemporary Classic" aesthetic, we ensure that any necessary adjustments are minimal. Our goal is always to deliver the best possible outcome where the final space looks exactly as intended, proving that luxury and high quality can be achieved even within the complexities of a challenging budget or build.
If I could go back, I wish I had spent more time formally studying fine art. While my technical training and experience in renowned studios have been invaluable, I’ve come to realize that art is the ultimate soul of an interior. Understanding the true power of a piece—how its scale, colour, and texture can completely shift the energy of a room—is a field of study that never ends.
In my work today, I see art not just as a finishing touch, but as a vital layer that defines a home’s character. I am constantly learning and exploring the art world now but having that deeper academic foundation early on would have been a beautiful advantage. It has certainly influenced why I now prioritise building such 'artful' and textured layers into every contemporary-classic scheme I create.
My one tip for aspiring designers would be to stay bold and relentlessly curious. This industry moves quickly, so you must keep sourcing, keep meeting new people, and never stop learning. Growth only happens through action. Most importantly, build a thick skin; resilience is just as important as creativity.
Never let criticism of your work discourages you. Instead, view every project as a stepping stone. In this field, you grow with every space you complete, and your next project will always be better than your last because of the lessons you learned. Treat every challenge as an opportunity to refine your 'eye' and your process. If you remain persistent and keep pushing your own boundaries, you’ll find that your unique style eventually speaks for itself. Don't be afraid to make mistakes—they are often the best teachers on the path to becoming a master of your craft.
The industry is entering a transformative era of "conscious luxury." While the current economic climate presents challenges, it is also driving a shift toward a more thoughtful, sustainable future. We are seeing a powerful focus on ethical materials and reuse—a "green" approach where a project’s value is defined by its environmental footprint as much as its aesthetic.
At CS Design Studio, we’re excited by how AI can support this shift. It helps clients explore materials and visualise layouts quickly and accurately, while also streamlining administration, ordering, and project coordination. By improving precision, these tools can also help reduce waste.
I believe the year ahead will be defined by this balance of innovation and responsibility—using technology to create timeless spaces that respect both our clients’ time and the wider environment.
Being accredited by the SBID is a true honour and a significant milestone for CS Design Studio. To be recognized by such a prestigious society—one known for its exceptionally high professional standards—provides a sense of validation that is deeply rewarding. It signifies that our commitment to quality, integrity, and aesthetic meets the rigorous benchmarks of the global design community.
Beyond the prestige, I am most excited about the sense of belonging to a network of like-minded professionals. I am looking forward to engaging with the SBID through their events and CPD programs to continue my growth as a designer. Being part of this recognized society ensures that we stay at the forefront of industry innovation and excellence. It is more than just a title; it is an inspiration to keep pushing the boundaries of luxury design while upholding the professional values the SBID represents.
About CS Design Studio
At CS Design Studio, a home is more than a refined address; it is a living canvas where modern life thrives. Founded by Cansel, whose distinguished background includes David Collins Studio, Finchatton, and Harrods, the studio brings an instinctive eye for detail to every bespoke residence. Our signature style captures the unique spirit of London living, elegantly blending historic soul with contemporary comfort. Informed by European artisanal excellence and a global perspective, we bridge the gap between tradition and tomorrow. We honor architectural integrity while embracing modern innovation, creating timeless, dignified spaces that redefine the boundaries of luxury for today’s lifestyle.
This week’s instalment of the Project of the Week series features a modern family home design by 2025 SBID Awards Finalists, Yudi Design.
“Nest Within” is a thoughtfully designed residential project that redefines family living by prioritizing shared spaces over private ones. Emphasizing natural materials and transparency, the design fosters emotional connection and practical flexibility for a modern family. Innovative use of glass partitions maintains openness while ensuring supervision and interaction, creating a warm, sustainable home that balances function with heartfelt togetherness.
Category: Residential Apartment Under £1M
Design Practice: Yudi Design
Project Title: Nest Within
Project Location: New Taipei City, Taiwan
Design Practice Location: New Taipei City, Taiwan
The client, a young family, wanted a home that emphasized daily togetherness and shared living, rather than conventional, separated rooms. Their brief called for maximized communal areas, visual connectivity, child-friendly features, emotional closeness, and the use of natural, sustainable materials. They also wanted the space to support work-from-home needs while remaining aesthetically calm and flexible.
The project was inspired by the idea of redefining domestic life for modern families, focusing on emotional well-being and togetherness. The design reversed traditional layouts by minimizing private areas and expanding shared zones. Inspiration also came from natural materials like Shirasu-kabe plaster and reclaimed driftwood, promoting a sustainable and sensory-rich environment.
The greatest challenge was achieving intimacy and calm within an open-plan layout without visual clutter or overstimulation. Balancing spatial openness with emotional zoning required careful use of materials, textures, and acoustic control. Additionally, designing for both adult functionality and children's evolving needs added emotional complexity to the process.
The highlight was creating a future-oriented, flexible home that fosters behavioral change—encouraging more face-to-face interaction and shared rituals. By involving both adults and children in the design process, the result is a thoughtful, emotionally resonant space that evolves with the family.
We entered the SBID Awards to share our human-centered and sustainable design approach with a wider audience. It was an opportunity to showcase how design can shape behavior, support emotional well-being, and respond to environmental responsibility—especially in the context of evolving family life.
Being an SBID Award Finalist has validated our design philosophy and brought greater exposure to our work. It has strengthened client trust, elevated our brand, and inspired our team to continue pushing the boundaries of emotionally and environmentally conscious design.
We hope you feel inspired by this week's design!
If you missed the last instalment of Project of the Week, featuring an innovative hotel design, click here to read it.
You can spend thousands on a bedroom renovation and still end up with a room that never feels quite right. It is a paradox many homeowners quietly struggle with: the presence of too much furniture, insufficient storage, dominating wardrobes, and harsh lighting. You may have beautiful finishes, yet absolutely no sense of calm.
In modern London homes, bedrooms are expected to do more than ever before. They are no longer just places to sleep; they are multi-functional spaces for switching off, dressing, reading, working, and storing everyday life. So, how do you design a bedroom that feels calm without sacrificing practicality?
That was the exact challenge presented to Oraanj Interior Design during the turnkey renovation of a prestigious Kensington & Chelsea residence. The brief was deceptively simple: create a master bedroom that felt elegant, calm, and luxurious, while incorporating significant storage and maintaining a strong sense of spatial openness. The result is a room that feels beautifully effortless, but behind that simplicity lies a series of highly considered, deeply technical design decisions.
According to Rachana Gupta, Founder of Oraanj Interior Design, one of the biggest mistakes made during high-end renovations is the assumption that luxury comes from adding more, more finishes, more statement pieces, more furniture, and more decorative details.
“In reality,” Gupta explains, “luxury often comes from editing. The calmest spaces are usually the ones where every detail has been considered and unnecessary visual noise has been removed.”
In the Kensington project, the primary challenge was balancing extensive storage requirements without making the room feel physically heavy. The clients needed highly practical wardrobe space for daily living, but they also required the bedroom to act as a restorative retreat to decompress after a busy day. This is where meticulous spatial planning took precedence over mere decoration.
Most bedrooms suffer from the same fundamental flaw: storage is treated as an afterthought. A wardrobe is placed here, a chest of drawers there, and perhaps extra shelving is added once things begin overflowing. Over time, even the most beautifully decorated bedrooms begin to feel visually crowded.
For this project, Oraanj approached storage holistically. Rather than treating wardrobes as separate, bulky pieces of furniture, the team designed bespoke joinery that became an integrated part of the room’s architecture. Floor-to-ceiling wardrobes were carefully woven into the layout, maximising vertical storage without interrupting the flow of the room. Smoked glass sections with soft internal lighting were utilised to break up the solid mass, softening the visual weight of the cabinetry while maintaining a sophisticated, understated aesthetic.
The goal was simple: when you enter the room, your first impression should be calmness, not storage.
Can a bedroom actually feel restful while still functioning as a practical dressing and storage space? The answer lies in the design choices that people rarely notice consciously.
In the Kensington suite, furniture placement was intentionally restrained. Generous circulation space around the bed was preserved, and visual clutter was strictly reduced. By keeping the palette soft and cohesive, nothing in the room feels oversized or unnecessarily dominant.
“There is something powerful about walking into a room that immediately allows your mind to slow down,” says Gupta. “Bedrooms should fundamentally support wellbeing. If the room feels visually busy, people often feel unsettled without fully understanding why.”
Many homeowners underestimate the role lighting plays in spatial perception, often treating it as the final decorative touch. In reality, lighting is an architectural tool that completely alters the atmosphere. Poor lighting can make even the most expensive interior design feel flat or clinical.
For this master suite, Oraanj implemented a layered lighting scheme to create flexibility throughout the day. Warm ambient lighting softens the room in the evening, while integrated wardrobe lighting improves functional practicality without flooding the room with harsh brightness. Decorative bedside lights introduce intimacy, and discreet ceiling lighting supports practical daily use. The effect is subtle but powerful, transitioning the room from an energising morning space to a restorative evening sanctuary.
While luxury interiors are often associated with high-gloss materials or dramatic statements, the most sophisticated homes are increasingly embracing the quiet power of texture. In this bedroom, richness is achieved through layering tactile materials rather than overwhelming the eye with loud patterns.
Soft, oversized upholstery behind the bed introduces immediate comfort. Timber finishes bring organic warmth, while subtle metallic details add necessary depth. Muted tones of taupe, stone, and warm beige create a seamless continuity across the room. This careful layering provides warmth without clutter—an approach that feels especially timeless in London’s historic properties.
Like many high-end London properties, this home came with architectural complexities. Sloped ceilings and unusual geometry can easily make bedrooms feel awkward or difficult to furnish. Rather than fighting the architecture, Oraanj designed around it. Custom joinery was used to maximise difficult alcoves, furniture placement preserved the room's natural openness, and lighting was used to soften harder architectural lines. These conscious decisions ensure the room feels deeply intentional rather than compromised.
Ultimately, what makes a bedroom feel luxurious is rarely one dramatic element. True luxury lives in the combination of things working quietly together: effortless storage, warm lighting, balanced proportions, and tactile materials.
For Oraanj Interior Design, successful design is not simply about beautiful aesthetics—it is about how a room actively supports daily life. The best luxury interiors are not the loudest; they are the ones that make life feel beautifully easy.
About Oraanj Interior Design
Luxury Interior Design in London for Residential and Commercial Projects delivered through a structured, technical, and design-led approach. As an award-winning Interior Design Company, Oraanj Interior Design creates refined, high-performance interiors for homes, offices and hospitality spaces across London and international locations. Our approach combines creative vision with technical expertise, ensuring every project is both visually compelling and practically deliverable. From concept to completion, we focus on space planning, interior architecture, lighting design, and bespoke detailing to achieve clarity, balance, and long-term usability. With expertise in technical drawings, procurement and turnkey high end interior design projects, we deliver fully coordinated, build-ready solutions, ensuring seamless execution and a refined, high-end result.
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