Rachel McLane Ltd has given a stunning new contemporary look and environmental focus to the interior design of the restaurant at The Hertsmere, Elstree, called Script: Restaurant and Bar. The full-scale refurbishment forms part of The Hertsmere's ambitious plans to progressively become the home of family golf in Hertfordshire and North-West London.
A challenging, picturesque 18-hole golf course in the middle of the Hertfordshire countryside, The Hertsmere has recently installed a new high-tech, state-of-the-art 26-bay golf driving range, and opened a golf academy which is ground-breaking in its approach focused on customer outcomes. Built about ten years ago, the clubhouse provides facilities to serve food and drink in a restaurant setting which can also be used by golfers and for public gatherings. Award-winning interior design consultancy Rachel McLane Ltd started work on the interior design concepts behind the new-look restaurant about 18 months ago.
"One of the main things that stood out to us about The Hertsmere was the setting of the course and clubhouse, which are amazing and exceptionally beautiful; the course and the driving range have real character and are of a high quality, which we wanted to capture and reflect in our designs. The clubhouse is quite literally that, a place for everyone to meet and socialise and talk over their game with friends, families and children. We wanted to add a bit of a 'wow' factor to help match the very high standards of the rest of The Hertsmere."
Stuart Ritchie, the business's director, said: "The Hertsmere is a leisure business which owns a golf course, an award winning driving range and now an amazing restaurant which has been separately branded Script: Restaurant and Bar. We wanted to create our own narrative with our ‘fresh approach to golf’ and to give everyone the opportunity to get involved with golf and enjoy our facilities, hence our standalone restaurant in the centre of the facility."
"Our restaurant is key to this and we wanted it to be welcoming, accessible and appealing as well as reflecting our high standards and the importance we attach to our surroundings. Rachel McLane Ltd has created a stunning space where I hope people will enjoy spending time, be that for a bite to eat after a game of golf, or as a get together of family and friends for a meal. We felt that 'Script: Restaurant and Bar' was the perfect name for the restaurant as it combines the idea of us setting our daily changing menu of locally sourced ingredients – which, just like a fantastic script, provides the foundations for an outstanding experience. We are looking forward to welcoming customers to enjoy the new stylish design, stunning views and great menu."
North Yorkshire-based Rachel and her team of interior designers have created a concept that draws on the importance of landscape, countryside and environmental sustainability, without detracting from the view of the course. "The Hertsmere has a vision to help make golf more sustainable, minimising waste, the use of water, chemicals and fertilisers, and to develop an environment that has a positive impact on local wildlife and supports the wellbeing of its community."
"The course has a network of public footpaths and trails across its 160 acres. We felt there needed to be a real sense of how rural and parklike The Hertsmere is and to reference environmental and sustainability aspects in the designs - not just in the design look, but also in the materials we used. Whilst the new look of the interior is one that has been very carefully considered with contemporary lighting and seating, we didn't want it to overpower the positive details of the building, including the views out over the golf course."
A dominating sloped timber ceiling has now been painted over and a flattened bulkhead area created on the ceiling helps to break up the room into zones. A custom bespoke tree-like structure forms a new centrepiece to the room and is constructed from solid oak, and littered with random lights to break up the mass of ceiling.
An innovative, subtle tiered effect seating system has created booths on a raised deck at the rear where people can look across the curved dining booths by the central tree-form which in turn looks over the lower sofa-type seating at the front window. This was all done to ensure uninterrupted views of the course. A mix of timber seating and upholstered booths separated by fret-cut screens break up the room further to create the sense of different areas within one larger space. The fret-cut detailing is also applied to the glazing using The Hertsmere logo, which must be one of the best now in use in the world of golf. The colour palette is one of subtle tones with punches of colour based on The Hertsmere's branding.
About Rachel McLane Limited
Rachel McLane Ltd offers a full design service that interprets a client’s brief and delivers their project on time, on budget, and as envisaged. Every client and every project is different, so how we get there is entirely up to the client. Not every project requires internal spaces reconfiguring; not every client has an architect or project manager. However, as a general rule, their project process offers: Feasibility Study – narrowing down your options; Concept Design – sketched visuals of how your space might look; Design Detailing – producing drawings & plans for trades; Purchasing – new, bespoke or repurposed; Fit-Out.
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Art is at the heart of Rachel McLane Ltd's interior designs for the new high quality Eden Valley farm barns conversion of the Flakebridge Estate.
The major interior design project has an array of traditionally constructed stone and slate barns, cattle byers and dairy into a stone hospitality centre and holiday cottages which are now open at Appleby-in-Westmorland, Cumbria.
The main old barn has been transformed into the hospitality centre for the new facility with a drawing-room, bar and breakfast room, shooting/gun room and a large commercial kitchen. An adjacent barn houses a billiards room and wine cellar. Seven stone cottages have also been converted from the former farm buildings and come with their own bespoke kitchens and en-suite bathrooms.
Rachel McLane Ltd worked from the architect’s planning drawings at an early stage to incorporate their vision into the internal detailing including all the internal finishes, electrical and lighting positions and spatial arrangements. Rachel McLane Ltd sourced all fixtures and fittings, including bespoke joinery, lighting and furniture.
As part of the project Pickering-based Rachel McLane Ltd's award-winning design team have created a unique and original look for the development after commissioning an abstract acrylic/multi-media painting by fine artist and founder of Red Dog Glass Design, Sally Coulden.
"I'm a big admirer of Sally and her art and have wanted to work with her for some time now," said Rachel, whose business has won and been finalist in numerous awards including the Northern Design Awards Best Hotel Interior Design 2020 for their work on the Bike & Boot Hotel in Scarborough.
"The farming history, stone and timber structure of the barn and the cottages with the addition of Sally’s artwork gave us the perfect opportunity to create a unique and beautiful design which compliments the surrounding landscape of the farm.
She visited the estate as part of the preparation and to fuel her inspiration for the original painting. Having found a great view which she felt captured the essence of the landscape she spent several days sketching, taking photographs and getting to know the environment before heading back to her studio to start work on the painting." - Rachel McLane
The end result is a 2m x 1.5m abstract painting on canvas, which now hangs in the main barn and reflects the rural, family nature of the estate, with found objects from the surrounding fields, including foliage and pheasant feathers.
"It was a leap of faith on Rachel's part as we hadn’t worked together before but it has been such a brilliant partnership throughout the process. In addition to the original painting, Red Dog Glass Design has created a contemporary art glass panel which sits behind the aga in the main breakfast room, the design for which has taken specific features from the original painting." - Sally Coulden
Rachel McLane Ltd was part of a project team led by LHL Group, architects, quantity and building surveyors, and GEM Construction, both of York.
LHL Group's managing director Richard Hampshire said, "We were able to incorporate Rachel into the full design team at an early stage, so this has made the integration of architectural and interior design so much easier and has avoided any design clashes at the outset, and ensured that we were all working to budgetary constraints.
Working in old buildings is always challenging but every project meeting has been well spirited and any problems were countered with solutions in the quest to meet the brief and it is clear to me that we had a team all working to one goal. The unique Rachel McLane Ltd flare shines through."
Giles Bilton, of Morgan Bilton, who acted as land and estate agent on the property for the owner Flakebridge Estate said, "This was a lovely courtyard of old farm buildings which were once part of a tenanted farm within the Flakebrigde Estate. We were able to purchase the land and old farm buildings in the knowledge that the tenant farmer was soon to retire.
The seven cottages of this first phase sleep 24 people, with five two-bedroomed and two one-bedroomed cottages, but the eventual plan is to sleep at least 34 including a new as-yet-to-be built five-bedroom home. Low Barn is available to book as individual cottages, or the entire complex."
Rachel McLane Ltd offers a full design service that interprets a client’s brief and delivers their project on time, on budget, and as envisaged. Rachel’s attitude is not to be overly precious; interior design is not about her forcing her ideas onto clients and their customers. Instead, it is about creating something that works for them and enhances their business. It is about producing the best solution they can for the budget – and that does not mean holding back on quality or design. Good design does not have to cost the earth.
When the owners of Thimbleby Shooting Ground turned to Rachel McLane Ltd for the interior of their new clubhouse they were looking for a longlasting and empathic design that reflected the Thimbleby Estate's rural traditions in a homely, memorable and practical fashion.
"The clubhouse is the heart and soul of any sporting club and Thimbleby Shooting Ground is no exception," said Rachel McLane, whose team have turned Thimbleby's new architect-designed timber frame shell from one big open space into a multi-purpose facility where unique spaces are clearly defined by function.
Thimbleby is one of the country’s premier shooting grounds, open six days a week and with a committed and passionate customer base who use the clubhouse as a place to relax, eat, drink and socialise after a round of shooting.
Rachel McLane's designs enhanced the building's blend of classic and contemporary styling - with plenty of glass in a light airy interior - to deliver a modern take on a traditional clubhouse.
"We wanted the interior design to break up that large open space into smaller areas for dining, hospitality, reception, retail and gun room, giving the clubhouse a personality that would suit individual patrons as well as shooting parties and functions. This demanded we had to use space creatively with designs that were innovative and empathic not just with the cabinetry and case goods but the fixtures and fittings."
One shining example of this is the hanging light shades that echo the look, colour and shape of spent gun casings that will not only be immediately familiar to patrons but also add a touch of theatre to a cavernous roof space.
Layers of cladding, panels, timber, tiles, polished plaster and paint added new texture and colours to break up the uniformity of single-space walls, and removable bespoke banquet seating allows Thimbleby's clubhouse to be used by members as a function suite. A cafe-style display cabinet and proper serving counter took the place of a single food servery hatch which was removed.
"There were a few quite big changes to accommodate from the original specification," added Rachel, "including the reception, retail area, WCs and gun room which all sat rather uncomfortably together in the entrance."
This layout obstacle was solved by installing a new internal wall in the reception area separating it from the WC doorways while also clearly delineating the new retail space and enabling better display of goods and where people can walk. It was also agreed to bring inside the new building an originally proposed external terrace to create an indoor snug area with a new fireplace.
"Although a combination of the pandemic and Brexit made sourcing some of the building materials tricky we have been able to keep the project pretty much on time with the only delays from the design changes necessary to suit the building," said Rachel.
"With a job like this, one of the most pleasing aspects is being able to work with an original building vision by a great architect, expert craftsmen, construction professionals and owners to come up with a design vision that can be successfully realised together."
Thimbleby's director Andrew Shelley says that right from the first project discussions Rachel and her team clearly understood their vision for the clubhouse. "Now the building is complete and being used on a daily basis, not only are we delighted with the finished result, but more importantly, our customers are enjoying the space," said Mr Shelley.
"Rachel delivered an attractive, functional, flexible and comfortable clubhouse. Starting from an empty shell, her design made a huge difference. Importantly, this was not an open cheque book vanity project, this was a commercial venture and needed to be delivered on budget and in good time which she achieved.
"The team was outstanding and it was a real pleasure to see their skills employed. Throughout the final fit out Rachel and her team worked together creatively and cost effectively to solve problems - I am pretty sure none of them had ever designed or manufactured a gun showroom before, but the end result was outstanding."
Mr Shelley continues: "I am starting to understand the difference design can make and pleased to report that Rachel and her team delivered a clubhouse and retail space that our customers will enjoy for many years - I suspect most of them will not be aware, but much of this was achieved through Rachel's great design."
About Rachel McLane
After graduating Middlesex University with a BA(Hons) in Interior Architecture, Rachel enhanced her experience by designing for the retail sector for eight years in London and York. This involved designing interiors for clients with commercial interests, allowing her to specialise in spatial circulation, retail display and detailed finishes. With Rachel’s reputation for attention to detail and customer satisfaction, the business has expanded, taking on more clients. There is now a small team to assist and support Rachel, who remains fully involved in the detail of each project and ensures the team shares her guiding principles and professional ethos.
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The green oak building tradition of the Hogg family forms the inspiration behind Rachel McLane's crafted designs in the new 40-bedroom Sandburn Hall Hotel in the Yorkshire countryside.
Design-led and built to a country-style specification, the 1,000-acre Sandburn Hall estate was developed by the late Mike Hogg seven miles from York. The new adjoining hotel complements what is already one of North Yorkshire’s leading golf, wedding, events and business venues.
When Pickering-based Rachel McLane was contracted in 2018 to provide her innovative, specialist interior design work for the ambitious new build it was immediately clear that the Hogg family wanted to build on Mike Hogg's legacy.
"From day one we worked very closely with the client to incorporate the Hogg family firm's wonderful custom building heritage into the design, bringing that history, the shape, feel and emotion of that green oak frame building structure to the fore," said Rachel.
"Given the freedom to interpret their brief we have created a design that not only makes the most of the space and enhances the building, but understands and incorporates the Hogg family heritage, interests, and craftsmanship into the final design."
The new hotel's centrepiece uses natural green oak beams to frame a triple-height lobby as part of Sandburn Hall Golf Club, Grand Function Room and Tykes restaurant. Hand picked artwork is established on the walls, including photos of green oak frames and black and white prints going around the corridors and rooms. The designs also take some of their inspiration from the local area where York and the East Coast are evident in the natural colours, earthy tones, and real materials including vintage maps depicting the Sandburn Estate.
"In doing so, we were able to fulfil an important part of the brief that the rooms and spaces had to feel individual and not corporate," added Rachel.
Rachel's design vision created a unique cohesive feel across all rooms and into the common areas ensuring that the Hogg family connections to nature and craftsman trades were reflected in the room décor. Rachel commented: "The designs merge the traditional and the contemporary and aim to achieve a balance that bridges the core golf, wedding and business customer base."
The Rachel McLane team's design expertise is evident throughout the new hotel's range of 40 double and twin rooms all with dressing areas, including larger family, luxury and accessible rooms, and two luxury suites. They also all come with handcrafted built-in case goods. "We wanted the signature and family rooms to be fun, a bit urban and industrial where the raw richness of exposed brickwork and soft leather combine with cool-toned sawn grey oak flooring and built-in bespoke joinery."
Well lit, spacious and airy with eclectic pieces of furniture that differentiate between room types, the large windows of these signature and family rooms are of a natural oatmeal palette, soft grey and brick in a modern, fresh design that naturally marry the hand-crafted structure of the building.
Super-king beds and luxury, made in Yorkshire Harrison Spinks mattresses are a feature, and bathrooms are a mix of contemporary and traditional with the emphasis being on quality and timeless design. The hotel's premier rooms, including the courtyard premier, have been designed with a feel that is classic and calm with raw, untreated materials to give a fresh, bright, light and airy atmosphere. Reclaimed bricks are softened by natural cream and teal curtain fabrics with artisan hand-blocked characteristics. Elements of teal and natural weave have been picked up in soft woven tweeds and the carpet's muted tones, and the furniture has a comfortable country feel in a calm palette.
"The biggest challenge was the length of time it took from creating the fixtures and fittings specification to fulfiling the initial design with Covid-19 a constant hindrance. We found that not only were some products unavailable, but more than one company had ceased trading."
Despite the challenges of a long project Rachel says that the team has loved working on Sandburn Hall Hotel: "The client is a pleasure to work for, they appreciate high-quality workmanship, attention to detail, and above all understand the value of design and the difference having a designer on board makes to a project.
"It's also lovely being local to a project as you feel like you are contributing towards the good of the local area."
About the Author
Rachel McLane developed a wealth of experience designing for the retail sector for eight years in London and York before setting up her practice, Rachel McLane Ltd specialising in the design of interiors for professional clients with commercial interests.
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With 'renew, repurpose and replenish' at the heart of her work, award-winning interior design consultant and SBID Accredited Designer, Rachel McLane has just completed the Bike & Boot – Scarborough’s newest hotel. As well as the design and fit-out of the 65 bedrooms, Rachel's Yorkshire-based designers have created eye-catching common areas including the bar, residents’ lounge, film club and restaurant.
"We were fortunate with the Bike & Boot as the building was once a row of Georgian terrace houses and retains much of the original architecture. Even now, the envelope of the building remains true to its heritage," said Rachel, who heads up a close-knit team of specialist designers experienced in concept design, design detailing and space planning for the hotel, residential, retail and leisure industries.
"It made no commercial sense to strip back and re-plaster the walls. Rather than hiding the faded grandeur of the original building, we have worked with it and given it a new lease of life."
"My attitude is not to be overly precious; interior design is not about me forcing my ideas onto a client and their customers. Instead, it is about creating something that works for them and enhances their business. It is about producing the best solution we can, for the budget – but that does not mean holding back on quality or design. And good design does not have to cost the earth."
Striving to be local as far as possible, Rachel employed craftsmen and suppliers from the area who were passionate about harnessing their skills to revitalise this once grand feature of the Scarborough seafront. This work has included bespoke case goods, re-upholstering furniture, sourcing local photographs for bedroom doors, creating graphic blinds using original railway poster designs and producing wall mounts featuring bicycle seats and handlebars instead of the traditional taxidermy heads. Other bespoke items in the hotel on Cliff Bridge Terrace include clocks made of brightly coloured bicycle bells and flip flops. Bespoke lighting was created from old bike wheels and crates, and a bespoke handle for the residents’ lounge is based on the ampersand between the 'Bike' and 'Boot'.
A Georgian inspired colour palette was used to paint over the old anaglypta wallpaper giving the rooms a new identity and feel, and the team also designed and commissioned wallpaper based on activity maps of the area and recreated posters of original postcards of Scarborough from its heyday as a fashionable spa resort.
The design and installation of the Bike & Boot's new hotel bar shows all of the company's green, recycling values coming through by giving a second life to the metal back-bar of an old venue in Leeds at the same time as commissioning a Harrogate based company to produce the joinery elements to Rachel McLane's designs.
"If you have been walking or cycling all day, you want to be able to relax and feel at home," said Rachel. "The team sourced the bar furniture with that in mind - some of it was new and some of it was pre-loved and repurposed. An old chair can be upholstered by a skilled tradesman, and by choosing fabric of the right quality and design, the result looks great and provides the luxury of comfort.
"Renew, repurpose and replenish is an ethos at the heart of our work. I believe in avoiding sending things to landfill or bonfires whenever possible, and I am glad to say we have done our little bit with some of the bar and restaurant furniture at The Bike & Boot. This has also helped to reduce our carbon footprint in shipping in new products," added Rachel, who worked on the concept of the Bike & Boot for two years with its directors Simon Kershaw and Simon Rhatigan, and for the last nine months with the local refurbishment contractor Infiniti Roofing & Construction.
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