Q&A with II BY IV DESIGN: Connected and Healthier Future

In this week's interview with 2022 SBID Awards winners of the CGI & Visualisation category, II BY IV DESIGN, Dan Menchions talks about working on sustainability-focused projects, integrating sustainable initiatives into the design, as well as making wellness the main priority of the space.

In a world threatened by the climate crisis, The Residences at Central Park offers a better future. Nestled between Toronto’s protected ravine and one of the city’s hip urban areas, it is a vibrant nexus—focused on wellness and sustainability.

Firstly, tell us a bit about the design of your project. What were the key ideas, concepts and processes behind it?

Central Park is an ambitious 12-acre master-planned neighbourhood in Toronto that promises a connected, healthier future. Focused on wellness and sustainability, it connects the urban and natural worlds, raising the bar for design excellence. Green initiatives are integrated throughout the complex. We worked collaboratively with the entire project team to align the interior design with the development’s vision: refining the contemporary lifestyle, using natural materials and framing views of the ravines, extending the harmony of the natural world inside. This strategy is also implemented in the design of the permanent Presentation Pavilion, where a composition of natural materials and future-forward immersive experiences emulate the proposed lifestyle for the prospective inhabitants of Central Park.  

Designed holistically, the Presentation Pavilion for Central Park is built as a permanent space with the potential to transform into a multi-purpose cultural hub for the community. Wrapped in a soaring 4-storey window façade, this architectural glass box is positioned on the site as a billboard to sell the development and its breathtaking views. With an orchestrated, powerful retail experience, we weaved culture and lifestyle stories, thoughtful moments of theatre, and a series of vignettes, creating the forthcoming environment at Central Park for the prospective residents while they visually merchandise the selection of future-forward finishes, furniture, and products. 

What was your biggest takeaway or highlight from completing this project?

Witnessing the positive reaction of those who visit the site—and the pavilion—has been a joy for us since completing the project. We are pleased to see the formation of a community that cares about wellness and sustainability; and have come to appreciate how significant the integration of nature and natural elements (including natural light) plays a part in creating a healthy, future-forward residence. It is also encouraging to gain insights about how much the prospective residents of Central Park delight in someday living where they have ease of access to the nearby ravines, urban living, public transit, and robust indoor/outdoor amenities. We aim to incorporate these insights into our future projects, designing healthy, wellness-focused, and connected residences for our clients.

What has winning an SBID Award meant for you and your business?

Since its inception in 2009, SBID has been instrumental in propelling the interior design industry forward. As a global platform—attracting entries from across the world—it is truly an honour to win an SBID award. It is a sign of industry recognition for our project to get evaluated by leading experts for technical content and aesthetic creativity. Together with our clients, team, and collaborators, we get the boost of encouragement to continue designing beautiful spaces that connect and elevate people. We also love that the design-conscious public has a say in voting for the most inspiring projects.

What is the most important thing to keep in mind when working on sustainability-focused projects?

When designing a sustainability-focused project, the design principles of functionality, accessibility, and aesthetics revolve around environmental considerations, so in a way, the project is both eco-centric and human-centric, which includes humans too. The longevity and durability of the finishes are key, especially for high-traffic areas. It is also important to work collaboratively with the entire project team to accommodate for systematic Green features that are new in residential developments. For Central Park, we reached further and emphasized the significance of integrating the natural world into everyday life by incorporating natural materials and views of the surrounding ravine areas and using energy-efficient technology throughout the interiors.   

The development’s vision is to refine the contemporary lifestyle. What does contemporary lifestyle mean to you? How do you think our lifestyles and, therefore, design choices are changing?

To mitigate the climate crisis, we need to refine our current lifestyle as a global society. We need to become more efficient and eco-conscious, mainly for our benefit.

The Residences at Central Park connect the urban back to nature. The design and development team has integrated Green initiatives like reflective solar panels, Green roofs, and a thermal building envelope. A next-generation mechanical system incorporates advanced airflow and filtration for the entire building. Moreover, there is direct access to public transit, on-site bicycle/car-share service, and EV (electric vehicle) charging stations for every spot in residential and visitor parking spaces, promoting safe, clean travel—free of emissions. As interior designers of Central Park, we decided to reimagine how we can live better: what aspects of today’s lifestyle could be refined for a better tomorrow. We then reflected our insights onto every part of the project and delivered a robust amenity program, spa-inspired bathrooms, energy-saving light fixtures, and everything in between. The Presentation Gallery for this development even confirms the team’s commitment to sustainability, designing it as a permanent building. Envisioned as a multi-purpose cultural hub in the future, it is suited up in a composition of natural, enduring, high-quality materials and high-tech features for posterity.

What makes an interior design project wellness-focused? How do you account for it as a designer?

By its nature, interior design projects are always focused on wellness as we create spaces that improve the human experience through ergonomics, style, light, layout, and finish palettes/materiality. When designing vertical living projects, like The Residences of Central Park, we include activities for wellness in the amenity program. Moreover, a timeless composition of elements, materials, and furnishings in warm tones and delightful textures creates a harmonious feel for wellness. The attention to detail and quality cohesively begins at the entrance, continuing to the resort-like amenities and offering an urban oasis in each suite, including low water—and electrical—systems/appliances. There are also available provisions for cutting-edge automation, enabling residents to control temperature, lighting, or other items from their smartphones that make life more efficient and convenient, contributing to the quality of the residents’ everyday experience and, therefore, their wellness.

Questions answered by Dan Menchions, Partner, II BY IV DESIGN.

In this week's interview with 2022 SBID Awards winners of the Show Flats & Developments category, David Collins Studio, Iain Watson reflects on the experience of working with a multitude of makers and artists, and discusses designing colourful yet refined spaces.

David Collins Studio was chosen to design and deliver the latest 3-bedroom show apartment at The Bryanston, Hyde Park for London-based developers Almacantar.

Firstly, tell us a bit about the design of your project. What were the key ideas, concepts and processes behind it?

Our Show Apartment at The Bryanston was designed to showcase a thoughtfully curated selection of artists, designers, makers and craftspeople who exemplify British luxury. The design was developed in collaboration with Nick Vinson of Wallpaper* Magazine. In addition to the artists whose work is featured within the apartment, the space also showcases a selection of iconic David Collins Studio furniture from our 38 years of hospitality projects, reimagined for a residential setting.

What was your biggest takeaway or highlight from completing this project?

Collaborating with Nick Vinson from Wallpaper* meant that The Studio was able to mine both its own, and Nick’s, ‘little black book’, as well as bringing a third party’s point of view when editing the selection of Studio furniture pieces that would feature in the apartment. Working with the multitude of makers and manufacturers to realise the furniture in new and custom decorative finishes brought another dimension to the design and process.

Working with Nick was very inspiring as he brought his editor’s eye and an editorial process to the process. The final apartment showcases pieces from a lot of different provenances which brings a sense of authenticity to the space.

What has winning an SBID Award meant for you and your business?

Winning an SBID award was incredibly important to David Collins Studio. It is amazing for our work to be honoured in this way and speaks volumes about the hard work of the design teams and The Studio. Given that we re-worked furniture pieces from a variety of projects, the award feels extra-special! Awards of this nature are so important to our BD process and customer journey.

The apartment has lots of different design elements, colour stories and, it seems, styles. What was the inspiration behind that and how did you accomplish creating a cohesive design featuring different elements?

Almacantar’s brief to us was to be bold. Part of the reason for our selection for this project was our bold yet refined use of colour. From the outset, we wanted the apartment to comprise a series of strong colour stories. This was essential to provide a point of difference not only between the rooms themselves, but from a lot of the other show apartments on the market. The colours all had to work within the context of the setting and inherited base build, as well as a whole, so that the journey from one room to another felt considered, connected and balanced.

How did you find the process of working with different artists for commissioned artworks? Was each piece created for a specific room based on its design, or did you collaborate throughout the entire design process?

All the makers we worked with were incredibly professional and went the extra mile for us. Everyone had to work to a fixed program and some makers had more experience working to a commercial brief than others, but the project team was able to use its combined experience to manage the delivery process and allow the artists the creative headspace that they needed. David Collins Studio collaborates with makers and artists on all of its projects and so the process felt very natural to us. 

The apartment’s design was created holistically, in that we wanted to feature as many of the makers from our shortlist as possible. We worked very hard to ensure that each room showcased makers and key stories that could be used within the client’s marketing. For example, the Lucy Smith pink jesmonite hallway relief featuring an iris motif that connects the apartment with Hyde Park and the dining table made from a plane tree felled in London by Sebastian Cox. The Simon Hasan study furniture inspired by Charlotte Perriand furniture seen through Simon’s own understanding of the decorative arts and industrial design, and the commissioned Bethan Laura Wood timber bedframe that was based upon an original piece designed with Phillipe Malouin that Nick had seen exhibited in Dresden in 2016, re-scaled for The Bryanston.

How do you transform nature and the surrounding environment into an interior design?

Creating a definitive sense of place was key to our design concept -  a connection with neighbouring Hyde Park and the immediate areas of Marble Arch, Marylebone and Mayfair. Lucy Smith and Sebastian Cox worked very literally in this way, meanwhile Geraldine Larkin created an abstract topographic map of Hyde Park, realised in three colourways of Loro Piana cashmere. Many of the accessories and art pieces were selected for their connection to the park, such as Shannon Clegg’s press floral vases. There are more subliminal design elements within the apartment that have been chosen to bring a connection to the locale, including a series of custom arch mirrors by Alguacil & Perkoff which echo Marble Arch itself, and commissions from local stores such as Perfumer H in Marylebone. We also carefully selected a series of books and auction catalogues that resonated with the location, as well as the design references within the apartment. Finally, we managed to source an original Henry Moore lithograph for the apartment, which connects to his park sculpture, The Arch, and cements the concept behind the space!

Questions answered by Iain Watson, CEO and Founder, David Collins Studio.

This week’s instalment of the Project of the Week series features a modern residential development design by 2022 SBID Awards Finalist, ENJOYDESIGN.

What was the client's brief? 

The theme of client’s brief: The Garden on the Loess.

The city of Yinchuan, where the project is located, is situated in the Ningxia Plain, an arid region in western China. Unlike other arid regions, there are two major wetland parks that are ecological features of the area. In order to protect the precious wetland resources and this important transit point for migrating birds, the city of Yinchuan is also aiming to become a 'city of lakes'. In addition, the survey shows that there are few commercial forms around the project site, the quality of life is not high and the convenience of living is improving.

Therefore, ENJOYDESIGN, as the interior design for this case, wanted to create a "multi-life experience hall" for the residents with the theme of "The Garden on the Loess", integrating plants and greenery, floral art, cultural creation, trendy games, reading, beauty, tea and other diversified businesses, and creating a "multi-life experience hall" with both aesthetics and fireworks in the form of a community. A third space outside of work. At the same time, it also serves to promote the ecological characteristics of the area.

What inspired the design of the project?

What inspired the design of this project is the local efforts made over the years to protect the wetland resources. Using flowers and greenery as a medium, nature is allowed to surge like flowing water, irrigating not only the desert sands, but also the hearts of the people of Yinchuan.

We have tried to tell the other side of the city in a lifelike way, leading people to experience the unique face of Yinchuan, not only the yellow earth and barren smoke and ravines, but also the prosperity and vibrancy of The Garden on the Loess.

We hope that community residents will feel the romance of the sun surrounded by flowers and embark on a journey to nature to find the oasis their hearts desire.

What was the toughest hurdle your team overcame during the project?

During the project, the toughest hurdles to overcome were the construction of the design facade and the local people's acceptance of the novel style.

Large curved wood finish walls require a high degree of workmanship and stability in terms of grain and colour. Yinchuan is one of the more remote cities in western China, where finding workers who are skilled in construction and high quality building materials is more difficult than in the metropolis.

Secondly, the style of the scheme is relatively new to the occupants of the area and has undergone a process of trying to tell the concept from scheme to landing and then to pre-acceptance by the general public.

What was your team’s highlight of the project?

I think it is: we strive to turn dream gardens into real, functional spaces that are both beautiful and functional, making them a part of the lives of the community.

Why did you enter this project into the SBID Awards?

First, of course, the professionalism. SBID Awards is a highly professional, fair and influential award in the design industry. Every year, we choose excellent works to compete. For example, last year, we won the only award for interior design in the Asia Pacific region, which was affirmed and recognized by the jury from distant overseas and design countries. The designers were greatly excited and encouraged after winning the award because it proved the design ability of the studio.

Questions answered by Jie Guo, Founder & Creative Director, ENJOYDESIGN.

This week’s instalment of the Project of the Week series features an elegant and sophisticated residential design by 2022 SBID Awards Finalist, CHIL Interior Design.

The romance of discovery is found in all aspects of life if you are willing to explore. Travel, culture, design, music, fashion all inspire life, and none are more influential than seeing these aspects through the refined cultural lens of a city like Paris. Through the distinct European architecture, fragrant French gardens, and the overall appreciation of the finest details in living, CHIL Interior Design created a design for Chloe Kerrisdale that celebrates these unique Parisian and European details within.

With soft palettes and sophistication, the result is unforgettable spaces that express the effortless elegance, grace, and joie de vivre of Paris itself. A balance between indulgence and restraint, between measure and proportion and between structure and abstraction, the Chloe Kerrisdale display suite is an exquisite jewel standing out within the community.

What was the client's brief? 

The client wanted us to create an aspirational living space that is inspired by the classical architecture and Parisian lifestyle. It was also important to the client that the show suite is a direct replica of a purchasable unit to showcase luxurious living through high end materials, furniture, artwork that appeals to the a well-travelled and affluent demographic.

What inspired the design of the project?

We began with the classical architecture of the building that is reminiscent of established European cities like Paris. We wanted to pay homage to the well-recognized details of these buildings while still providing a clean and modern perspective as a balance. The design for Chloe Kerrisdale celebrates the Parisian lifestyle in the heart of Vancouver.

What was the toughest hurdle your team overcame during the project?

The toughest hurdle for this project is fitting a unit floorplan into a pre-existing space and avoiding as many columns in the display unit as possible. While we were successful in avoiding some, unavoidable columns were used to the design’s advantage with added floral arrangement displays.

What was your team’s highlight of the project?

Every material, furniture, accessory and lighting selection reflects to the luxurious Parisian living concept with a modern take on traditional details. The locally commissioned hand carved 3D rose artwork that adorns the reception area tells the Parisian story right when the buyer walks in, transporting them into the state of mind immediately. Attention to various levels of lighting to create a soft ambient atmosphere in the space. We are also proud of the way we overcame unavoidable columns by beautifying them with floral arrangements.

Why did you enter this project into the SBID Awards?

The SBID Awards is one of the most prestigious international interior design awards. It is always an honour to be recognized by such a high calibre of industry expert panel and we look forward to submitting our entries every year. This year is also our first time submitting to the Show Flats & Development category and we are immensely grateful to be shortlisted as a finalist!

Questions answered by Danielle Clarke & Adèle Rankin, Design Director & Principal & Global Design Lead, CHIL Interior Design.

Angel O'Donnell were asked to interior design a penthouse and sub-penthouse inside One St. John’s Wood, a new luxury development in NW8. Both residences enjoy the rarest of London views: big skies, treetops as far as the eye can see, golden sunrises, showstopping sunsets and, of course, the legendary Lord’s Cricket Ground.

This happy blend of nature and iconic architecture inspired many choices – from hand-drawn floral motifs to sculptural furniture and geometric patterns. Each apartment, while different, feels part of an exclusive collection, something our client was keen to achieve.

In the mix

Arranging shapes, textures and colours is a way of forging relationships between seemingly disparate objects. It could be a conical lampshade paired with a pyramidal sculpture. Or a set of mixed-media collages that share tonal similarities with wood, brass and marble finishes. By selecting pieces with commonalities, the team brought an unsuspecting corner of the living room to life.

Cushion the blow

Striped cushions of multi-coloured linen yarns. Stone-washed cushions with handmade leather straps. And a superabundance of pillows and throws. It’s what every bedroom deserves.

Artwork depicting Singapore’s Garden City – with its intersecting lines and architectural supertrees – complement the elliptical shapes and parallel lines elsewhere in the room.

Turn over a new leaf

The flourishing mural of large leaves, delicate pods and long grasses has been hand drawn and printed onto panels. The design is exuberant and life-affirming – and a pleasing counterpoint to the measured fumed oak side tables, and cushions with their neat arrangement of teal, mint and ochre circles and crescents.

In good shape

The large bronze table lamp resembles a Stonehenge monolith. Its substantial frame provides a visual backbone to the mix of soft, plump and lean shapes in the room. Whether it’s the reassuringly rounded profile of the Marenco sofa or the shiny accents of the glamorous Hollywood Regency coffee table – there’s plenty to savour.

All clear

The glass- and ash-wood table was designed in-house. The base, which pays homage to miyadaiku Japanese carpentry, is cunningly simple. No bolts or nails. Just five interlocking pieces of wood that form a top with four triangular legs. It looks architectural, skeletal even. The precision of the half lap joints combined with the drama of the scorched wood are beautiful to behold.

Looking sharp

Structural forms and materials continue to flourish throughout the apartment. In particular, the Roman-like arches of the headboard and the ziggurat-inspired shape of the lamps. These speak to the riot of architectural genres found in the neighbouring Lord’s Cricket Ground. We especially love how the lamps’ teeth look wincingly sharp against the smooth, burgundy velvet.

Photo credit: Taran Wilkhu

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This week’s instalment of the Project of the Week series features a luxury property design by 2022 SBID Awards Finalist, Jeffrey Beers International.

The Alyx at EchelonSeaport is a defining contemporary landmark designed by internationally lauded Kohn Pedersen Fox architects of New York. The impressive stepped tower design takes inspiration from Boston’s Victorian neighbourhoods full of brick and brownstone row houses, and puts a modern spin on it, showcasing oversized windows with city, courtyard, and water views. On the interior, the design team at world-renown Jeffrey Beers International, crafted the lobby and amenity spaces to feel like an extension of one’s own living room; warm, inviting, and comfortable. Designed with a sense of community, the amenity experiences encourage residents to gather and socialize.

What was the client's brief? 

We identified with the client’s vocation to create the property’s DNA as artistic, innovative, authentic, and communal.

What inspired the design of the project?

Boston, specifically it’s history, culture and innovation! We have drawn inspiration from Boston’s colonial past, rich academia, and its cultural heritage, as well as from the city’s sense of authenticity and community. We are also drawn to the surrounding views of the water; the geography, design and lifestyle of the waterfront.

What was the toughest hurdle your team overcame during the project?

Budget and timing always should be managed carefully for every project.

What was your team’s highlight of the project?

We are honoured to be part of the progressive plans to transform the area of Boston Seaport into a neighbourhood that will balance the soul of the city with innovation and modernity.

Why did you enter this project into the SBID Awards?

We wanted the opportunity to highlight the project on an international stage.

Questions answered by Tim Rooney, Principal, Jeffrey Beers International.

This week’s instalment of Project of the Week series features a minimal sales gallery design by 2021 SBID Awards Finalist, A.RK Interior Design.

Park Vera is by far the most iconic of Rainbow City’s project in Shanghai. It is also the last lot of residential development in the district of Ruihong, Shanghai. Shui On Land’s vision was 20 years in the making. Their aim for Park Vera gallery is to use this sales gallery to showcase their commitment to the community, transforming and developing this district into the most sought after postal code in Shanghai.

The interior of the sales gallery for the residential development Park Vera is designed to reflect the journey taken over 20 years to bring about this dramatic transformation. Design inspiration has evolved through the years and one might say they have come full circle. Targeted for younger demographics whose life ethos is very much different from their parents - they seek personal fulfilment and socialising is a very important part of their lives, their manner is filled with enthusiasm and creativity.

For inspiration for this project designers looked to one of the happiest regions in the world - Scandinavia. To pursue contentment and well-being is the Danish way of life and here A.RK Interior Design inspire to inject some Lagom and Hygge into our lives.

What was the client's brief? 

Being the apex and the last lot of development for Rainbow City (mix-development), the client’s goal and wish was to put their best foot forward, to instil the buyer’s confidence in their development and to have bragging rights of having one of the best residential development in this area.

What inspired the design of the project?

We looked at the demographics and the evolving needs of the population and gave the client a couple of design concept proposals. Finally settled with a Scandinavian theme, we injected elements of Danish lifestyle concept of ‘hygge’ and Swedish way of life ‘lagom’ to showcase simplicity and minimalism, embracing the Scandinavian mentality that moderation and happiness are intertwined.

The extensive presence of seagulls in this sales gallery reflects the developer’s pursuit of perfection, as inspired by Jonathan Livingston Seagull, a Richard Bach book.

What was the toughest hurdle your team overcame during the project?

We have to say the pandemic was the biggest hurdle we faced during this project. With a design team in Singapore and the project in Shanghai, we had to pull all the stops and get used to travel and working with restrictions of not being able to supervise the build in person. The client's design team was very understanding and has come to quickly realise that working remotely might be the new way forward. The availability of technology hugely alleviated the lack of in-person consultation.

What was your team’s highlight of the project?

Going above and beyond solving design challenges, the highlight of this project speaks volume of the inter-city, cross border collaboration that was only possible with technology and the trust given by our clients. The shared visions that the client and designer team have is only possible with a multi-disciplined teams that work well and have the same end-goal in mind.

Why did you enter this project into the SBID Awards?

SBID awards is one the industry’s most respected and sought after accolade. Being part of this prestigious award raises the credibility of our company and our brand. This award will also further enhance our standing with our client.

Questions answered by Agatha Teng, Creative Director and Partner, A.RK Interior Design.

Market expectations and perceived building standards are holding back the country's progress to construct net-zero buildings, according to the UK Green Building Council, UKGBC. The organisation would like to see developers adjusting investor and owner-occupier expectations about green buildings and this should be set out early in a development's narrative.

It is often said buildings were completely fitted out to maximize appeal during the leasing stage, resulting in over-provision and waste as typically incoming occupiers remove final fit-outs.

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