This April, during Salone del Mobile in Milan, Katharine Pooley unveiled her inaugural collaboration with THG Paris – a collection that distils architectural clarity, material integrity and enduring design into a singular, sculptural expression.
At once elegant and quietly commanding, The Marcel Collection reinterprets architectural and industrial language through a refined contemporary lens. Each piece transforms utilitarian forms into objects of composure and permanence, drawing inspiration from the iconic Wassily Chair by modernist master Marcel Breuer. His pioneering use of tubular steel and commitment to functional, stripped-back design during his Bauhaus years in the 1920s inform the collection’s bold simplicity.
Defined by purity of line and considered materiality, the range reflects the disciplined geometry of architecture and the linear precision of industrial pipelines. Streamlined silhouettes and luxurious finishes embody our Studio’s signature balance of refinement and restraint. A distinctive feature lies in the introduction of a wood inlay – an homage to Breuer’s tactile approach to furniture design. Inspired by the armrest detailing of his seating, this element is not ornamental, but sensory: softening the precision of metal with warmth.
Developed in close collaboration with Interior Architect Pablo Rimoldi, the collection is guided by a central question: what defines luxury today? The answer is found not in excess, but in restraint—in the nobility of materials, clarity of form and the creation of pieces designed to endure.
“True luxury resides in objects that transcend trend, offering longevity both in function and aesthetic. This is an approach strongly promoted by the Bauhaus movement.” The collection comprises a considered suite of wall and deck-mounted taps, alongside lever and cross handles. Three distinct expressions – standard metal, metal inlay and wood inlay – offer nuanced customisation allowing each piece to respond seamlessly to its interior context.
To mark the launch the Katharine Pooley and THG Paris teams hosted an immersive launch in the THG showroom in Milan’s Brera district, translating the collection’s philosophy into a physical and spatial form. Material continuity defined the space, with wood detailing echoed across vanities and mirrors. Beautiful pieces from industry peers Ben Whistler and Oliveri completed the overall scene.
A further iteration will debut at the Monaco Yacht Show, demonstrating the collection’s versatility across both residential and maritime environments. The Marcel Collection reflects a longstanding relationship between Pooley’s studio and THG Paris – uniting visionary design with a legacy of craftsmanship and technical excellence.
About Katharine Pooley London
Recently named ‘British Interior Designer of the Decade’, ‘International Designer of the Year in Asia’ and ‘Entrepreneur of the Year’ Katharine Pooley has in a short space of time become one of Europe's leading designers. Her portfolio encompasses a multitude of interior styles and architectural genres and her design ethos is one of luxurious eclecticism. No two projects are ever alike, but they are universally beautiful and timeless.
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In each project, there is always a defining moment where it truly comes to life and more often than not, it is the introduction of light. Lighting is invariably the one element that defines the space, but sometimes the final component to be considered.
Beyond function, light shapes the atmosphere and reveals texture. It has both the ability to soften and to elevate, and in many ways it is the most emotive layer of design. Katharine Pooley's close collaborators John Cullen Lighting note that “lighting is not just about visibility - it is about creating atmosphere” and this distinction is essential. A beautifully furnished room can feel jarring without the right lumination, while a simple space thoughtfully lit, can feel deeply inviting.
When creating an interior and architectural design scheme, it is most effective to consider it as a series of subtle gestures. Whether it is the gentle wash of light across a wall, the focused pool of a reading lamp or gallery light, or the quiet glow that lingers in the background of joinery each source contributes to a broader narrative. Lighting should never feel imposed; instead, it should unfold naturally, supporting the rhythm of a space and enhancing how it is lived in.
Wall lighting is functional and atmospheric. Thoughtfully placed sconces soften the vertical planes of a room and create a gentle wash of light that feels intimate and composed. They frame spaces beautifully - flanking a mirror, punctuating a hallway or either side of the bedside - while avoiding the dreaded ‘big light’ effect of harsh, overhead lighting. This type of lighting's strength lies in subtlety. A pair of sculptural sconces can add depth without overwhelming, allowing the eye to move comfortably across a space.
Discreet yet transformative, LED strip lighting allows for seamless integration into the fabric of a space. It has become increasingly popular over the past few years and we love to conceal it within joinery, beneath cabinetry or along architectural lines for effect. It introduces a soft, continuous glow that enhances form without drawing attention to the source itself.
It is true that lighting can be used to emphasise elements and create different atmospheres depending on its intensity and colour and this is particularly true of LED lighting where flexibility allows for precise control. It can gently illuminate a corridor, define a staircase or add depth to shelving with quiet precision.
A chandelier remains one of the most expressive forms of lighting. Its impact lies not in scale alone, but in craftsmanship. Bespoke pieces offer the opportunity to introduce something entirely unique to the client and it really is a joy to collaborate with artisans to create something entirely new and specifically suited.
When done well, a chandelier becomes more than a focal point; it anchors a room while contributing to the overall functionality and composition of light. It should feel harmonious with its surroundings, responding to proportion and materiality rather than completely dominating them. The interplay of light through materials like glass, metal or crystal creates movement and reflection, bringing a sense of life and dynamism to the space as well as beauty of course.
Natural light remains the most compelling element within any interior. Its quality shifts throughout the day, bringing a sense of rhythm and connection to the outside world. The role of design is not to compete with it but to enhance its presence. Sheer drapery, reflective surfaces and considered floorplans and layouts allow daylight to travel more freely, softening shadows and brightening spaces.
Layered lighting creates a more dynamic and flexible environment and this begins with understanding how natural and artificial light work in harmony. When the day is done, artificial lighting takes over, maintaining that same sense of balance and continuity. The transition should feel seamless with spaces gently shifting to soft and intimate twilight without disruption.
Lighting is the language through which a space speaks. It is never merely functional - it is emotive, sculptural and transformative. When considered with care each source becomes part of a quiet choreography that guides the eye and shapes the atmosphere. Good lighting enhances the experience of living and life and should always be an initial consideration when planning any interior design or architectural project.
The celebrated Kips Bay Decorator Show House in Dallas has now drawn to a close, and Katharine Pooley would like to take a moment to share more about the finer details behind their installation, “The Study.” For those new to Kips Bay, the Show House is an esteemed annual design event that brings together leading talents from across the industry to transform a home-each space a showcase of creativity-all in support of the remarkable Kips Bay Boys & Girls Club. From a bespoke rug designed in house, a magnificent one of a kind cabinet, our rich velvet sofa and of course the magnificent desk sitting in pride of place, the space was dotted with treasures and motifs that gave the room an incredible energy. It has been magnificent to hear such positive feedback on the scheme and it is fair to say I have left a piece of my soul in Dallas for the time being. Thank you again to our incredible suppliers, my team and all the patrons who came to visit – what an incredible event, all for the most wonderful cause.
I choose a refined palette of dark blues and warm ochres which came together to create a contemporary study interwoven with homages to classicism. The space was enveloped in a beautiful shade of ‘Van Deusen’ blue from Benjamin Moore and panelled walls finished with hand-painted Venetian plaster wallpaper by Studio E. Artwork in the setting was carefully curated to suggest the intimacy and intention of a collection assembled over a lifetime, and included compositions by Piero Centofanti, Quintessa Art and pieces from my own collection. These works were paired with some landscapes from one of my favourite artists, Deborah Tarr, and suspended on a distinctive chain hanging system, handcrafted by Collier Webb.
When planning the room, I wanted to draw the eye to the beautiful, original joinery so each shelf showcased a unique array of antique and contemporary finds. They came from a number of sources, including my London Boutique, my own private collection and some of our most beloved and trusted suppliers. Each thoughtfully chosen piece told a story and gave a glimpse into my style. The pieces were set against Etamine’s radiant Solaire fabric and my favourite detail was including a bronze bust of my Father, Robert Pooley.
At the heart of the room stood a bespoke desk made in a British style, but crafted in American walnut and walnut burr veneer by Parkway England. The piece intertwined British history beautifully with American timber, and is complemented by a deep blue Holly Hunt leather blotter. The desk was accessorised with treasures such as an El Casco gold-plated pencil sharpener, sourced from Abask’s distinctive collection, while an Alexander Lamont Geo table lamp provided the perfect soft glow. Behind the desk sat the striking ‘Quiver Klimos’ leather chair by Soane Britain. A bespoke sofa by Bray Design, upholstered in de Le Cuona’s Vienna Velvet in ‘Hula’ and a Samuel & Sons’ trim sat in a cosy corner of the room accented with striking blue cushions as well as Holland & Sherry’s newly launched ‘Pennant’ design. Flanking the sofa, a pair of Vaughan floor lamps with Heathfield & Co. ‘Sandstone’ linen shades cast a warm glow onto Alexander Lamont Portico Side Tables.
At the centre of the space, sat a handsome Chalon steamer trunk I found at Bentleys London, while a bespoke hand-tufted, New Zealand wool rug by Ice International anchored the scheme with geometric patterns in blues and oranges. Floor-to-ceiling windows were dressed in Holland & Sherry fabrics with a decorative ‘Argyle’ trim. These were expertly handcrafted by The Shade Store with de Le Cuona’s ‘Regatta’ linen sheers delicately layered behind.
Adding to the room’s allure was crowd-favourite, the freestanding ‘Fakir’ drinks cabinet from David Gill Gallery crafted in stainless steel and nickel. Inside I chose fine stemware by William Yeoward Crystal and barware from my own collection which included a vintage crystal pineapple showpiece alongside an extraordinary Art Deco-inspired, boat-tail shaped racing car silver cocktail shaker. To one side, the FBC London ‘Angelina’ lounge chair in wool bouclé was complemented by the ‘Column’ side table with striking Calacatta Viola top, while a de Gournay folding screen added further decoration. On the lounge chair, I placed a textured Toyine Sellers cushion to add contrast while overhead, the ceiling shimmered with metallic paper in ‘Smooth Sterling’ by Phillip Jeffries, crowned by a chandelier from Vaughan. The overall design of the study was absolutely brought to life by exquisite architectural lighting by John Cullen Lighting.
A big thank you to our incredible suppliers and sponsors, without whom this initiative simply wouldn’t have been possible. Also a thank you to the wonderful journalists and to every visitor who has walked through our space and explored the house. A special acknowledgement for the team at Gander and White, our exceptional shipping partner and true unsung heros, and finally of course, to my team: thank you for your dedication and creativity on this journey.
During 2025, Katharine Pooley's in-house design team partnered with The Childhood Trust on multiple occasions to reimagine a children’s bedroom in a truly transformative way. This project is part of my ongoing commitment to The Childhood Trust’s Transforming Spaces programme, marking my eighth year as an ambassador for the charity.
An estimated 730,000 children - or about 35% of all children in London - are living in poverty. Many lack access to basic necessities including food, clothing and a safe place to rest in a supportive environment. The ongoing cost-of-living crisis only worsens this reality, leaving more children vulnerable and at risk. The Childhood Trust works tirelessly to tackle these challenges, and Transforming Spaces is its flagship community outreach initiative. Each week, the charity redesigns and refurbishes bedrooms for children experiencing the impacts of poverty. Its mission is clear: to provide children with safe, nurturing environments where they can sleep, learn, play and thrive.
Throughout 2025 my team and I have worked on a variety of projects, helping a total of 22 children. By creating safe, inspiring spaces, the programme helps break the cycle of inequity and supports children’s mental, emotional and educational development. The impact goes far beyond interior décor - these transformations lay the groundwork for healthier and happier futures.
The Childhood Trust is a cause that holds deep personal significance for me and resonates with everyone at my studio. Each year we are proud to support its life-changing mission by reimagining spaces for children who need them most. We approach every room with the same care and creativity we bring to all our work but with an even greater sense of purpose. Creating a space where a child feels safe, comfortable, and inspired to learn and dream isn’t just important - it’s absolutely essential. Every child deserves that sanctuary and it’s a privilege to be part of making that a reality.
For the Hackney bedroom makeover we planned a comprehensive transformation to create a space for a three-year-old girl. The scope of work included wall treatments, new window dressings, rugs, furniture, artwork, storage, soft furnishings and lighting.
As I reflect on our work with The Childhood Trust, I am reminded of the profound impact that thoughtfulness and empathy can have on a child’s life. I am incredibly proud of my team for their dedication, creativity and care in making these transformations possible.
It is a privilege to contribute to a programme that not only beautifies spaces but also nurtures hope and confidence for children who need it most. We look forward to continuing this journey, creating more spaces where children can truly flourish in 2026.
The SBID UK Interior Design Icons were selected to recognise leading design practices throughout the UK who have consistently displayed exceptional standards within our esteemed industry network.
This week’s instalment of the SBID Icon Insights series features Katharine Pooley. Established over 20 years ago, Katharine’s London-based design studio creates exquisite designs around the world.
Our recent interior design and interior architecture project, Château de la Croix des Gardes, has been called ‘a contemporary reimagining of an historical masterpiece’. The largest remaining estate on the Cote D’Azur, this legendary Belle Époque Château is unparalleled in the beauty of its architecture, its sublime Mediterranean views, the scale of its surrounding gardens and its magical history. It has been an honour and a pleasure for Katharine to lead a formidable team of creatives in the complete redesign of this majestic home (as featured in Architectural Digest France). Inspired by classic French design delicately blended with a touch of English eclecticism it is a good example of Katharine’s design aesthetic, married with her passion for craftsmanship, as it included: - Over 150 hand-crafted bespoke furniture pieces and custom joinery pieces with intricate marquetry, inlays and specialist timber finishes which have been made by England’s traditional, small-scale, fine cabinetry workshops. - Over 40 diqerent hand embroidered textiles from 5 British ateliers. - 30 diqerent pieces of art from British painters and ceramicists. - 13 hand-painted frescos, silk wallpapers and panels painted by 8 diqerent studios and artists – the work of a London based artist features throughout and 2 British handpainted wallpaper companies
We collaborate exceptionally well both internally and externally and that is a cornerstone of the design studio: It takes a village! Internally we have built a studio of experienced and award-winning designers and architects who seamlessly work together to create flawless, fully immersive designs for our clients where every detail is considered, designed, installed and styled. We also work alongside – and often lead – an established network of the highest quality contractors, agents, specialists and suppliers to ensure a luxurious level of workmanship is achieved across every facet of a client’s project.
We like to design unhemmed by trends or fleeting fashions as Katharine strongly believes that true elegance and comfort is timeless. Wellness, fitness, comfort and personalisation are increasingly important to our clients. There is also a move towards more informal entertaining, a generational move away from traditional formal living room spaces to more fun and immersive games rooms, home cinemas, wine tasting rooms, music rooms. Spaces that reflect the unique individual passions of the client and showcase their niche interests are definitely growing in demand.
We make a conscious eqort to design with an eco-friendly approach and have a dedicated librarian who manages all of our supplier relationships and the library of architectural samples and decorative finishes and fabrics to ensure that specifications are made with sustainability in mind. We actively work to minimise waste across our projects and prioritise reuse, refurbishment, reclamation and antiques.
Katharine champions hundreds of the finest small to medium workshops, ateliers and makers in Britain. This ‘British-made’ approach minimises transportation for our domestic projects.
Wherever possible we aim to use natural fibres in our fabric specifications and Katharine’s role as an advocate for the Campaign for Wool reflects this passion for sustainable, natural fabrics. Wool, cotton, linen, jute, Cashmere, sisal, mohair and bamboo are all far more sustainable and better for our health than man-made fibres. Timber in our joinery and bespoke furniture is also sourced from FSC.
Our team of talented architects place sustainable MEP design solutions at the heart of our projects. For example we have completed a number of projects which have ‘air source’ heat pumps and solar photovoltaic solutions. Focusing on achieving the best U values so that the fabric of the building gives the system a head start.
Travel as much as you can, visit galleries, museums, beautiful cities, and individual artists and creators. Live life with your eyes and heart open, everything and anything can inspire you to create new and beautiful designs, but you have to get out in the world, don’t wait for it to come to you.
The Château de la Croix des Gardes has is probably our most iconic recent project, due to the final design and its captivating history. Situated high above Cannes on the lush Crois des Gardes hill, the property became infamous in 1955 as the set of Hitchcock’s film ‘To Catch a Thief’, starring Grace Kelly and Cary Grant. The scale of this project was quite spectacular, the Chateau’s square footage is 25,000 sq. ft set across four floors (extended from an original sq ft. of 13,000). Katharine Pooley also designed 42,000 sq. ft of living spaces spread across five additional beautiful secondary buildings and in total there are fifteen guest bedrooms and seven staq bedrooms across the estate. A majestic property set amongst 25 acres of sympathetically restored Italianate gardens, the design and renovation of this “heartstoppingly” beautiful French Riviera chateau embodies the luxury and glamour of its movie-star history.
In spring 2025 we complete a beautiful 50,000 sq ft coastal residence in Sardinia for a returning client. I feel this will be an iconic design for us. Set within two acres of gardens with classic Mediterranean style architecture housing a refined contemporary /rustic interior. We have taken inspiration from the curved architectural detailing that is the hallmark of Mediterranean design and designed joinery and furniture with rounded edges and circular elements to complement the flowing, intimate, nature of the space. The outdoor landscape overlooks a simply sublime Sardinian seascape which has inspired the interior design and infused it with vibrant Mediterranean hues like terracotta, deep blue, or olive green adds warmth.
This year we complete ten more projects that really are unlike anything we have created before. They will be in Paris, Aspen, Kuwait, Hong Kong, London, Bermuda, Mallorca and we currently are working on large scale iconic projects in Dallas, Doha, Dubai and Gibraltar.
Yes, we have a strong internship program which accepts candidates and graduates every year from all the main design schools and from further afield. Katharine gives regular talks and takes part in panel discussions and has a strong relationship with the KLC School of Design.
About Katharine Pooley
Established over 20 years ago, Katharine’s London-based design studio creates exquisite designs around the world. Named as 'British Interior Designer of the Decade', Katharine leads an international team of 49 interior designers, architects and interior architects. Current projects range in scale and style, from traditional country estates to palaces, hotels, luxury spas, beach villas, traditional castles, ski chalets, private jets and super yachts. Katharine is currently working on several international projects for private clients in Bermuda, Majorca, Aspen, Dallas, Sardinia, Paris, New York, Hong Kong, London, Dubai, Kuwait, Doha and Great Britain. Born in Hertfordshire, schooled in Oxfordshire and France, Katharine hails from a family of adventurers and aeronautical enthusiasts and her passion for exploration has been a lifelong inspiration. An intrepid traveller, she has visited more than 150 countries and, along the way, has summited many of the world’s highest mountains; driven a team of dogs on a sled to the North Pole; and crossed the Sahara Desert on horseback, amongst other exciting adventures. Katharine's approach to interior and architectural design is equally fearless and her aesthetic is synonymous with unforgettable, beautifully crafted, art-like living spaces that exude timeless elegance and luxurious comfort. Her positivity and enthusiasm for the minuti of design are legendary. Driven and fearless she creates exuberant and memorably beautiful interiors across the world and is a truly global design icon.
Autumn is here again and the daylight is softening across London as the city dons its beautifully crisp hues. In Katharine Pooley's Studio the arrival of this season sparks a renewed focus on cosy textures and warmth in all its forms. This time of year also evokes reflection: on journeys taken, on the spaces we inhabit and on the small, considered gestures that transform a house into a home.
The Walton Street Boutique is welcoming the season with a subtle in-store transformation and the launch of our Autumnal Edit. My window display captures the deep russets of fallen leaves and the muted glow of early dusk, spotlighting a selection of exquisite new treasures that have just landed.
In celebration of 'Wool Month' and British craft, we have highlighted some beautiful soft furnishings (and sheep!) to honour this wonderfully sustainable material and the artisans who bring a sense of heritage to every piece.
While the season may be slowing down, our pace certainly isn’t. This autumn, my team is travelling across the US, Middle East, and Caribbean, with highlights including unveiling The Study at the Kips Bay Decorator Show House in Dallas. A sophisticated palette of deep blues and warm ochres defines this elegant space, where classical references meet modern craftsmanship. I can't wait to share more next month.
Be sure to pop into our Walton Street store and discover a carefully curated collection of delights from bespoke, one-of-a-kind cushions to luxurious living room accessories - each has been handpicked for our discerning clientele both locally and online. As always, my hope is that this season offers you moments of inspiration, comfort and delight. May you find pleasure in slowing down and observing the beauty in your surroundings.
Design isn't built on materials alone, it is carried by structure, rhythm and refinement. When we discuss architecture it’s not usually the scale of a space that grabs our attention, but more the details. A shadow line, a repeated curve, a restored edge - these decisions we make when we are scheming is what gives a building impact. The following is a breakdown of four architectural elements that Katharine Pooley focuses on when designing: choices that shape how a space performs, ages and ultimately how it resonates.
The line where the wall meets the ceiling is often overlooked, yet a well-chosen cornice can do wonders for a room. Sitting quietly at the top of the room, it can soften the transition, draw the eye upward and add to the room's presence. A clean, linear shadow gap in a modern home or an ornate plaster profile in a period property, giving thought to this detail can anchor a room in its time or gently blur the boundaries between eras. Let it frame your space like a punctuation mark: subtle, precise and with intention.
A staircase has a certain presence within a home: the rhythm of the treads, the grip of the handrail, and the light that can slip between the steps are all small things that shape how we live and how we move through our home. In older homes, staircases are often the spine of the house and beautifully worn by generations. In contemporary spaces, they can float, twist, or fold like paper. But in every case, they should invite touch, lead the eye and guide you from one moment to the next.
To preserve is not to freeze. Inherited or newly introduced, heritage details give a building texture and continuity. Heritage is realised in countless ways, it can be a ceiling rose retained during renovation, a tiled hearth carefully repointed or a set of internal doors restored rather than replaced. Retaining the heritage of a building is less about preservation for tradition’s sake, and more about honouring what came before. These elements bring soul to a home and remind us beauty is often something you live with, not just something to add. Preserving heritage grounds a space in its past while allowing it the flexibility to evolve with its residents.
Wall panelling speaks softly but has a strong impact. The repetition and depth that panelling introduces can completely shift a room’s proportions. From traditional wainscoting to oversized grid layouts, it invites tactility and texture and offers structure to otherwise blank surfaces. In contemporary work, we often pare it back, think wide panels with minimal joints to allow the shadow play and tone to do the talking.
A fireplace is usually the focal point of a room and a place where design slows down and gathers. In any type of home the treatment of the fireplace tells you how the space wants to be read. Think a reclaimed surround with layers of paint removed by hand, or a monolithic stone slab cut with precision - the fireplace makes a statement and draws attention without needing to shout. It can centre a room or divide one, invite conversation or contemplation. Even when unused, a well-resolved fireplace carries weight and should never be overlooked.
At its core, design is not just about visual beauty it’s about creativity and the quiet stories behind the details. Cornicing, panelling, staircases, fireplaces, heritage elements - each of these elements plays a role in shaping how a home feels and functions. These are not decorative flourishes, but decisions that define how a space holds time and how it endures. It’s this same philosophy that underpins our recent partnership with Bold & Reeves. A shared commitment to homes that are not only masterfully designed, but continually cared for as our belief is true luxury isn’t just one moment.
It is often the smallest spaces that speak the loudest. A bedside table may seem purely practical but styled thoughtfully it becomes complimentary to our daily rituals. Katharine Pooley explores how to elevate this intimate corner of the bedroom. From lighting that softens the room to the tactile details that ground your evening routine, consider this your guide to styling with purpose - refined, functional and beautifully lived-in.
Lighting sets the foundation for a well-styled bedside table. A lamp should do more than provide illumination, it acts as an anchor that helps to frame the space. Consider both scale and material when making your selection: a lamp that is too large will overwhelm a small table and look too busy, but too small and it loses presence.
A bedside table is a practical surface so it must be able to accommodate everyday essentials while still remaining calm. A small, elegant tray or box can hold loose items like reading glasses, medicine, lip balm or jewellery, reducing clutter and creating a sense of calm. This is particularly useful in guest rooms where an uncluttered surface feels welcoming and considered.
The qualities of a bedside should speak to the room’s palette. Think aged brass next to raw ceramic, linen-bound books against a marble tabletop. Materials should contrast gently - creating tension without chaos. A balance of matte and reflective finishes adds depth and draws the eye without overwhelming the view.
A framed photograph, a handwritten note, a scent that reminds you of somewhere beautiful, these small markers turn the ordinary into something quietly sacred. Whether it’s a sea-polished stone from a long-forgotten holiday or the lingering trace of a favourite candle, personal touches build an atmosphere of comfort. The bedside isn’t entirely designed for display like other spaces, it’s a private landscape and a still life composed for one. It should hold the things that calm you and move you, gently guiding you into rest.
Careful proportions or balanced or deliberately off-centre, a bedside table can be either depending on the mood you want to create. A symmetrical setup either side, perhaps a matching pair of lamps and other aligned objects, feels formal and grounding. Asymmetry, on the other hand, invites a more relaxed, lived-in character: a candle offset by a low stack of books, a solitary object with presence. Trust your eye to create rhythm and flow.
There is a certain romance to collecting wine – the way the bottle evolves with time, the memory of the vintage year and waiting for the right moment. Designing wine storage and its respective rooms is in many ways a reflection of the same elegance. It requires a patient balance between functionality and style. As a studio, Katharine Pooley has designed wine rooms and cellars for countless properties: London townhouses, Mediterranean villas, Provençal estates and Swiss ski chalets. Each has been a practice in crafting something deeply personal and rigorously exact.
Wine, like interior design, is sensitive to its surroundings; Humidity, temperature and light become as critical as colour palette, texture and proportion to the final product. Creating these bespoke storage spaces across the world means a thoughtful exercise in crafting a space where details like materials, technology and spatial planning all work in tandem.
In a hot and humid environment, it’s about concealed cooling and natural materials that breathe with the environment. In an inner city penthouse, sculptural glass and precision-engineered humidity control is the way to go. I love designing these rooms, it’s a joy to craft spaces where craftsmanship and expertise meet and the rooms age as gracefully as the bottles they hold. Here are my top considerations for designing wine rooms.
Wine rooms are no longer relegated to shadowy corners of traditional basements, the modern cellar has emerged over the years to become a centrepiece of luxury residential design. This is a reflection of the ever-expanding cultural reverence of wine and the rituals we appreciate that surround them and so, the spaces need to reflect the inhabitants.
I am seeing an increase in the requests for additional seating, wet bar and audio facilities as people want to spend extended time, and entertain in these rooms. In one of my South of France projects, I integrated a ‘tasting room’ above the storage cellar itself at the clients request. I included lots of fun touches like a vine-draped bespoke chandelier and generous comfortable dining chairs at a round tasting table to create a warm and inviting atmosphere. I paired all of this with functional elements like climate control and multiple areas for glass and server storage.
Fine wines demand specific conditions to age gracefully. A consistent temperature sits ideally between 11-14°C, controlled humidity levels should be around 60-70%. There needs to be minimal light and a vibration-free environment. Translating these technical requirements into something aesthetic is the challenge designers now embrace with increasing ingenuity.
A contemporary wine room is now often integrated into the main living space and sometimes visible through glass enclosures or showcased like artwork. I love transparent glass walls framed in a classic metal like bronze or steel – it should feel like an extension rather than an afterthought and mirror the home’s broader material and design vocabulary.
Materiality plays a crucial role in the performance and atmosphere of a wine room. Wood, particularly mahogany and redwood, has long been a preferred choice for racking due to its resistance to mould and moisture. However today’s designs frequently incorporate materials like blackened steel, smoked glass, travertine, and even poured concrete to achieve a more contemporary effect.
Lighting is another element where design and functionality converge. LED strip lighting is favoured not just for its low heat emission, but for its ability to dramatise by casting long shadows through bottles and creating a sense of allure. Custom cabinetry often includes modular racks for standard Bordeaux bottles, larger format magnums, and the increasingly popular Burgundy and Champagne shapes.
In this age of wine appreciation the cellar is no longer just a place for bottles to age and collect dust. These spaces can be beautifully orchestrated, and a beautiful blend of history, atmosphere and design. Every detail, like a well aged Barolo, tells a story worth savouring.
The design landscape is rapidly evolving as Katharine Pooley moves beyond visual experiences to something more immersive and appreciative of the full spectrum of human perception. Sight is no longer the deciding force in shaping the aesthetic experience of a space, and so we are weaving considerations for sound, touch, smell and even taste into our projects to create spaces that not only look good but feel good by leaning into our intuition. As we discover more about the multisensory nature and intricacies of the brain we begin to realise how important our world around us is to our personal experience and sense of wellbeing.
Enter sensory design. Sensory design considers how each element of an environment influences our mood and behaviour whether consciously or not. Textures of natural materials, the ambient silence of a room with gentle acoustic and bespoke fragrances are some of the more known practices in crafting a space that speaks to the senses. Here are my considerations for each of the senses being thoughtfully integrated into today’s interiors.
Going far beyond that which we feel with our hands, touch encapsulates a number of elements that stem from the body's sense of balance and spatial orientation. Proprioception is regularly called the sixth sense and describes how your body senses where it is in ‘space’ or its position and movement. It’s how we walk without constantly looking at our feet, or how we’re able to touch our noses with our eyes closed. In interior design this translates to creating environments that gently engage the body through subtle movement. Rather than static, passive rooms, we can integrate things like varying floor levels or a mixture of textures to stimulate feedback. Small shifts in elevation or underfoot material are enough - not every living space needs a conversation pit.
Touch in architecture isn’t only about material, it’s also symbolic. As Finnish architect Juhani Pallasmaa famously said, “the door handle is the handshake of the building.” The first thing we often touch when entering a space is the entry point, it sets the tone for what follows. A good front door is one of the most important elements in a residential home and I love creating a moment through bespoke handles, shapes or weights to a doorway. Once inside, every surface we contact - floors, railings, upholstery, elevator buttons - contributes to a tactile experience both emotional and physical. Heavy doors with textured handles are a low-effort way to enhance tactility, while larger gestures like curved corridors, soft corners, or material changes (think the coolness of marble or the grain of wood) all influence how the space feels and how we feel within it. Texture and temperature are core elements of tactile design and can subtly support our limbic system and anchoring us through memory, comfort, and embodied presence.
Sound is often at the bottom of the list in considerations to factor in architectural design yet it has one of the most profound impacts on how we experience a space. Jarring or unpredictable noise is typically seen as something to eliminate but it's also important to recognise how the presence of certain sounds can shape atmosphere and emotional response. Acoustic design is becoming increasingly considered essential in homes, schools, healthcare environments, and as we continue to live in increasingly urbanised environments the effects of noise pollution on wellbeing are becoming harder to ignore.
Most architectural discourse on the topic has been historically centred on the reduction or isolation of sound and past research has focused almost entirely upon noise or the presence of ‘unwanted sound. Previously, sound in architecture was often addressed in terms of absorption and insulation. But we now know every space carries its own auditory identity. I like to adopt careful zoning, material selection, and sound-absorbing surfaces to sculpt the auditory impact of a space to ensure the soundscape is not only controlled but comforting and has a welcoming rhythm to it.
Taste holds surprising potential in creating immersive experiences and this is especially the case within hospitality design. It can evoke powerful emotional memories and effortlessly enrich a space’s narrative. In residential settings kitchens and shared living areas are where food and drink naturally bring people together and in these moments taste becomes a powerful connector that fosters a sense of belonging. I love encouraging casual interaction around food, and incorporating spaces that support hosting and social ‘rituals’ creates a warm and welcoming atmosphere. A well-designed kitchen with ample casual dining space invites debriefs at the end of a long day, while a thoughtfully planned bar or tasting nook offers residents a place to relax and unwind. Outdoor dining areas that blend food experiences with nature extend these sensory moments beyond the walls and are increasingly important to my clients. Good design invites guests to engage, share stories, and build relationships—making dining a multisensory experience that goes far beyond the plate.
Scent has a uniquely direct line to the brain’s limbic system which is the primitive centre of our emotion and memory, making it an incredibly potent sensory tool. Even subtle aromas that are delivered through essential oils, fresh botanicals, or the natural qualities of materials like cedar, leather, or natural stone can instantly influence mood and atmosphere. In sensory design olfactory, or scent, elements are used strategically to influence the mood and experience of the individual. Scientific studies confirm that ambient fragrances can reduce stress hormones and increase feelings of wellbeing, underscoring scent’s profound potential as an invisible yet impactful design element.
Many brands and businesses have appreciated this fact and adopted their own signature scents to deepen the connection to their branding - brands like Chanel or Hermes use bespoke scents in their boutiques, hotels like the Aman or Ritz-Carlton have been doing the same for years, and myself I like to have a distinctive diffuser oil at each of my homes.
Sight remains a primary sense in interior design, but the focus has shifted from pure aesthetics to creating visually soothing and supportive environments. Natural light is now understood as essential for mental and physical health, influencing circadian rhythms and emotional wellbeing. Designers employ dynamic lighting—adjustable in tone and intensity throughout the day—to mimic natural cycles, promoting alertness or calm as needed. Biophilic design principles bring nature indoors through views, organic forms, and natural materials, enhancing visual comfort and reducing cognitive fatigue. Colour palettes are selected not only for style but for psychological impact, with calming hues reducing stress and vibrant tones energising. Minimalist compositions and balanced spatial arrangements help to prevent sensory overload, allowing occupants to process their surroundings with ease and clarity. The visual environment is thus crafted to support both the function and emotional resonance of a space.
Designing for the senses is not a trend but a fundamental shift toward more inclusive, engaging, and wellbeing-focused environments. As our understanding of sensory processing and cognitive diversity deepens, so too must our design strategies. Thoughtfully crafted interiors offer a chance to reconnect—with ourselves, our surroundings, and our senses. In doing so, they elevate spaces from the merely functional to the experiential, deepening our connection to the world around us.
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