Debbie Bryant, Founder of Debs Bespoke Interiors, has given her insights into the industry.
I have a background in industrial design, having studied it at university, followed by an MA in Design Practice. My career has allowed me to develop strong leadership skills in Design Research, Service Design, and Experiential Design, particularly within the commercial and consulting sectors. Alongside these roles, I’ve always had a passion for interior design, formally studying at UAL in Interior Design in the summer of 2024 while also launching my business, Debs Bespoke Interiors. Since then, I’ve had the opportunity to work as a residential interior designer, taking on projects ranging from single-room designs and kitchen extensions to full-floor transformations.
I’ve loved problem-solving and design for as long as I can remember—whether it was fixing my parents’ TV at eight years old or sponge-painting my bedroom at ten. Although I haven’t always worked in interiors, I’ve always had a passion for well-designed spaces. I started my career in Industrial Design, then moved into Design Research and Experience Design. This really honed my empathy skills and taught me how to optimise the way people move through experiences—and inevitably through spaces.
The moment I owned my own flat, I couldn’t wait to start designing it. From there, I continued designing interiors for myself, family and friends, alongside my professional design work. Two years ago, I decided to take the leap and focus fully on interiors as my main profession. Now, I get to combine my love for logical problem-solving—how a space functions—with my creative side, designing homes that are both aesthetically beautiful and deeply personal.
Everyone leans towards certain aspects of their profession—and when you run your own business, those tendencies become even more obvious. I’m organised and have years of consulting experience, but the business aspects of my profession are not what energise me. What I love most is the logical side of the design process, and especially the moment of unlocking an idea that feels so simple and obvious once shared—yet often takes real work to discover.
For example, a recent client asked if we could raise the height of a kitchen doorway, as the low pocket door under the stairs was frustrating her 6'4" husband daily. The solution: flip the entrance around, allowing for a full-height door opening directly into the hallway. This not only created a more impressive view from the front door through to the garden, but also flooded the hallway with natural light—and the dead space where the old pocket door was located became a brand-new kitchen pantry.
Solutions like these, where practical needs and beautiful design come together seamlessly, are what make my work so fulfilling.
It’s been a really positive year of learning, growth, and taking on larger-scale projects, so it’s hard to pick just one highlight. That said, completing a full ground floor transformation for a client stands out. Seeing them walk through the spaces for the first time, pausing to take it all in and reacting with genuine ‘wows’, was particularly satisfying. It’s moments like that—where the design clearly resonates—that feel most rewarding. They also went on to leave a thoughtful and generous review, which was a real affirmation of the process and the collaboration we built along the way. Experiences like this make all the careful planning and problem-solving worthwhile, and have definitely been a standout part of the year.
While I enjoy creating schemes within an existing footprint, there’s something particularly satisfying about reimagining how a space flows and restructuring it alongside developing the interiors. In my view, the best residential designs come from true collaboration—working closely with the architect and engineers to optimise both the architectural form and the interior function. If an interior is going to be compromised by architectural decisions, it’s far better to make adjustments while the plans are still flexible. Too often, I’m brought into a project once architectural plans are already approved, meaning we end up retrofitting interiors to a space that could have been better tailored from the start. That’s why I particularly value projects where the interior design can inform architectural decisions, and where the process feels genuinely integrated from the beginning.
For me, designing someone’s home is a real privilege—one I never take for granted. I’m always conscious that my clients are investing both their trust and their resources, and I want to make sure my involvement feels more than worthwhile. I put a great deal of effort into understanding their needs, aspirations, and the way they live, so that the design feels truly personal and considered.
One of the more nuanced challenges I often encounter is working with couples whose visions for their home don’t fully align. It’s not uncommon for me to step into the role of mediator, helping to bridge the gap between different ideas and priorities. This process can take time, but it’s a part of the work I really value—helping each person feel heard, and guiding them towards solutions where both of their aspirations can coexist and complement one another. It’s incredibly rewarding when we reach that shared vision together.
I recently joined an online community that includes access to a mentor, and I can already see the immense value in being part of such a group. It’s something I wish I had discovered when I first started my business, as it has been a game-changer. The opportunity to learn from others who are navigating similar challenges in the field has been invaluable. Whether it’s sharing insights on design trends, discussing business strategies, or simply offering encouragement when things get tough, the support is limitless.
I truly believe that the value in connecting with others in this industry cannot be overstated. There’s a unique power in learning from fellow designers who are open, willing to share their experiences, and eager to help one another. I would strongly recommend anyone in a creative or entrepreneurial field to actively seek out a community of like-minded individuals. It provides not only invaluable knowledge but also a sense of belonging and camaraderie that can make all the difference when facing challenges. Being part of this network has not only helped me grow professionally but has also deepened my passion for what I do.
I believe one of the most important skills we can develop as designers is the ability to truly listen to and interpret our clients' needs—and then translate that understanding into thoughtful, effective design. With that in mind, my one piece of advice to other designers would be to focus on active listening and careful observation. Asking the right questions is crucial, but often, it’s what isn’t said outright that provides the richest insight. This is something I honed over 20 years working in Design Research and Experience Design—people rarely tell you everything you need to know.
For example, in a current project, the client spoke repeatedly about the importance of teaching her young daughter to cook, a value passed down from her own mother. She had even arranged her dining space to keep her daughter close to the kitchen. Picking up on this, I incorporated a worktop overhang into the design—a small but meaningful detail that allows her daughter to be part of the action and learn in a way that feels natural and connected.
I recently attended a talk on Designing for Wellness at the Surface Design Show, and one comment from the panel really resonated with me. They mentioned that, especially for those working from home, many people are now getting less outdoor ‘exercise’ than those in high-security prisons. It was a striking comparison that really made me stop and think about the role our homes now play in our lives.
With the shift to working from home, people aren’t commuting as they once did, yet their wellbeing can be compromised due to a lack of time spent outdoors—whether in nature, fresh air, or even just the simple act of walking between the office and a station. The social aspect of being in an office environment is also something that many of us are missing. This new reality has made me realise how much harder homes now have to work to support our physical and mental health.
I think designers are going to be increasingly focused on how to optimise flexible, multifunctional spaces. The idea of “broken plan” seems to come up a lot—spaces that adapt to the needs of the moment. With the shift in how we use our homes, elements like colour psychology, biophilic design, and thoughtful lighting are becoming critical in supporting our wellbeing in these spaces. It’s no longer just about creating beautiful interiors—it’s about designing for the overall health of the people living in them.
I’m truly honoured to have been accepted as an accredited Interior Designer with SBID. After more than 20 years in the design industry, much of which was spent in an adjacent field, receiving this recognition means even more to me. It’s a testament not only to the hard work I’ve put into my career, but also to my commitment to continuously evolving and refining my practice.
I firmly believe that professional bodies like SBID are vital, not only for supporting members in continuing to develop and hone their skills, but also for providing clients with access to verified professionals who have the experience and expertise they need. For me, being a part of SBID is both humbling and exciting. I look forward to the opportunities this recognition will bring, and I hope it will continue to be a rewarding and impactful part of my journey as an interior designer.
About Debs Bespoke Interiors
Debs Bespoke Interiors is a North London-based interior design studio dedicated to creating stylish, functional homes tailored to each client. With a rich family legacy in design—dating back to my grandfather’s founding of Nathan Furniture in 1916—I blend tradition with innovation to craft spaces that feel both timeless and personal. Specialising in kitchens, bathrooms, built-in furniture, and full home transformations, I take a collaborative approach, working closely with clients to bring their vision to life. With strong project management at the core of my process, I ensure a seamless experience from concept to completion. Serving North and Central London, with remote services available.
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Katherine Briggs, Owner of Pomander Interiors, has given her insights into the industry.
Having studied Art and Design in Central London and assisted my at mother’s interior design studio based in London, I worked with two of the industry ‘Greats’ - Colefax & Fowler and John Stefanidis. Later, I worked under my mother’s studio brand in London. I worked for global advertising agencies and ran the Pan European sector of one of the largest Global brands - enabling project handling in a creative industry to be second nature to me. In 2011, my husband and I moved to Oxfordshire with our young children and I decided it was the right time to launch my own studio, Pomander Interiors. My work is predominantly for residential clients across Oxfordshire, Warwickshire (+ the Midlands region) and central London. My central studio is currently based in Warwickshire and I therefore have a strong team of trade in all three regions that I mainly cover across the UK.
I knew, in my teenage years, that I wanted my career to be within the creative industry. Having studied both Art and Design - it has always fascinated me how colour through fabrics, wall coverings, artwork and different textures across decorative products, flooring, fabrics, furniture - when one strikes the correct balance of each - can set such a specific tone and feel to a space and how the layer of natural versus artificial light can intensify such a mood. The eclectic combination of treasured heirlooms, partnered with collected pieces, sometimes from abroad - set within, sometimes a contemporary or even traditional space - fascinated me. To be able to convey a client’s personality and their ‘life story’, by creating a space that reflected them and made the space ‘home’ - was a skill I wanted to explore and master.
Transforming my client’s houses into a place that illustrates their character, personality and where they feel completely at ease, happy and proud to call their home. Each client and property is so unique and therefore each project is completely different for me and my team - I love diversity! Some clients have a clear vision and style and others require more ‘hand holding’. Some properties require a complete renovation and others may need much needed ‘character’ to be injected into the property. It’s taking each client on an exciting journey through a trusted working relationship and creating wonderful interior spaces, as a result.
Creating an elegant and somewhat traditional style, whilst partnering this with a contemporary flair - is the core of my design style. Therefore, working with supply partners that create traditional products that fit within our contemporary lifestyles - epitomises the perfect partnership for the large majority of my projects. So, when, Lee Lovett, Co-Founder of Soho Lighting Company, invited me as one of a small party of privileged guests within the interior design and architectural industry, to a private launch party in Kensington Palace, I was very honoured.
The event took place in the State Apartments at the Palace in early March this year - where Lee and her husband, showcased their collaborative new ‘Historic Palace Collection’ of switches, at a champagne reception. Being in such historic and majestic interiors was totally surreal and wonderful. An opportunity to share in their exciting stage of their business and talking to so many of my industry peers, was such a wonderful experience. It was definitely the most surreal highlight of my career this year - an evening I will never forget!
The ability to transform an interior space for a client that finds the whole concept of interior design totally alien - is so rewarding. To take a slightly apprehensive client on that creative journey and see the pleasure it brings when the project is completed - gives me immense joy. Interior design is not just about the creative element but, as important, it is the service that you provide for every client. The ability to make the journey a planned, calm, perfectly executed creative process.
Both ends of the design spectrum bring exciting challenges - a new development property that lacks any structural or internal character and how colour, texture and the right combination of well manufactured products - strike just the correct balance between classic style and the contemporary surroundings. An old Listed property that requires a much needed restoration - bringing it back to its’ former glory, whilst combining contemporary elements to sit sympathetically within it’s historic architectural origins. Both fascinate me.
When working across multiple projects at any one time - it is important to remember the individual and differing emotional requirements that each client requires. This is as important, and sometimes even more important at different stages of a project, than delivering the end creative result. Wearing various ‘hats’ when running your own design studio, whilst always staying one step ahead across all aspects of the business, is crucial - to keep the projects ticking over smoothly. Previous senior leadership and project management, on a global scale, has prepared me to tackle all of these areas, which gives me the time to enjoy creating and designing for my clients.
That I should have set up my studio earlier than I did! To be able to truly ‘go to work’ every day and for it to not feel like ‘work’. I honestly enjoy and look forward to every moment when I am designing, creating and delivering what my clients wish for.
Understand the industry and the multi faceted areas of running your own studio. It is not just about being passionate about design and service. You have to be a superb project manager, good at client relations, understand budgets and how to make sure the financials on a project are all in check. A networker, keeping ahead of trends and what will stand the test of time, quality controller and have a solid, trusted trade team partnering you. Running your own studio comes with a lot of responsibility and you have to be 100% committed and passionate, every day, to make a success of your business.
Established and emerging brands are collaborating more and more with each other. I see these partnerships providing a unified and therefore simpler approach for designers to deliver what is needed for their client projects. With social media and other channels connecting brands globally with a more cost effective and streamlined logistical approach - we are able to offer our clients products that were difficult to sometimes unobtainable in the past. However, political restrictions in different countries might hinder import and exporting!
Being accredited by SBID is an immense personal milestone for me and my business. It epitomises the top tier accreditation that my clients would expect when running a professional and successful design studio. On a personal note, it is the ultimate ‘seal of professional approval’ within the industry. I have worked very hard and passionately to build my interiors business to where it is today and to have this recognition from SBID, means everything to me - thank you.
About Pomander Interiors
Having worked for some of the ‘greats’ in the industry – Colefax & Fowler and John Stefanidis – Katherine established her own Interior Design Studio in 2011. The company is based in Warwickshire and primarily covers private client residential properties across London, Oxfordshire, Gloucestershire and The Midlands region. Katherine and her team pride themselves on a depth of knowledge when it comes to British properties. The team have worked across several listed country houses, city apartments, townhouses and new developments. Pomander Interiors work with local trusted building teams, architects and specific artisans from differing specialisms to meet exacting standards, ensuring a perfect finish is continuously met for every client project.
Emma Hopkins, Commercial Marketing Manager at Amtico, has given her insights into the industry.
Amtico is a British luxury vinyl tile (LVT) manufacturer with over 60 years of expertise in designing and creating premium flooring solutions. For over 60 years, Amtico has been at the forefront of luxury vinyl tile (LVT) innovation, designing and manufacturing premium flooring solutions for commercial spaces. With a strong heritage in British manufacturing, we specialise in creating high-quality, design-led flooring that enhances interiors across hospitality, workplace, education, healthcare, and commercial residential sectors. Our expertise in bespoke design, precision cutting and laying patterns allows designers to craft genuinely unique spaces backed by technical support, sustainability commitments, and a dedicated design team.
Amtico began its journey in Coventry more than 60 years ago as a pioneering British manufacturer dedicated to creating high-quality flooring. Over the decades, our brand has evolved, blending advanced manufacturing techniques with an uncompromising commitment to design. We push boundaries and develop our collections with new designs, laying patterns and added benefits that shape and inspire commercial interiors. Today, we remain proud to be a British manufacturer with a longstanding history that reflects our expertise and dependability.
At Amtico, we believe that flooring is the canvas for any inspiring design – after all, every floor has a story. We empower designers with various tools – from our CAD design service to the online room visualiser and technical support – that help bring creative visions to life. Our LVT products give designers the freedom to shape projects with creativity and enthusiasm, whether through striking laying patterns, intricate bespoke designs or our wide choice of Wood, Stone and Abstract decors. We work closely with interior designers to curate environments that balance aesthetics, function and durability, offering a unique blend of design freedom, technical support, and a wide range of high-quality products.
Flooring sets the tone for both the look and functionality of a space. Our expertise in LVT allows us to offer solutions that not only elevate interior schemes but also address key challenges in commercial environments – from hygiene and maintenance with our antimicrobial protection to acoustics and safety with special backing layers and enhanced slip resistance. We work hand in hand with designers, offering comprehensive, tailored support to ensure that every project balances style with robust performance in any environment.
We see every project as a collaboration. Our design and support teams work closely with interior designers to unlock creative possibilities – whether it’s exploring our extensive LVT collections, like Signature and Spacia, or developing bespoke flooring solutions tailored to unique briefs, including custom laying patterns, logos and brand colours. Designers can access our room visualiser tool anytime to experiment with different styles and product combinations in their own space. At the same time, our dedicated specification and technical support teams ensure projects run smoothly from concept to installation. We also offer CPDs and ‘lunch and learns’ and host events that provide insights into not just flooring trends and innovations but also the wider industry, supporting designers at every stage of their journey and making them feel valued and supported.
2024 was a landmark year for Amtico as we celebrated our 60th anniversary – six decades of pushing the boundaries of flooring design and craftsmanship. We also refreshed the Amtico Form collection, which brings authentic wood aesthetics to commercial spaces while offering more manageable maintenance and installation than natural materials. Looking ahead, we remain committed to sustainability, ensuring our products keep inspiring and supporting the evolving needs of the industry.
Design is more human-centric, with a growing focus on creating inclusive, engaging environments. Interior designers are considering the sensory experience of a space – from textures that encourage interaction to colour choices that influence mood. Neurodiversity also shapes design thinking, with more emphasis on flexible, adaptable spaces that cater to a range of needs. The way we design floors plays a role in all of this, whether through thoughtful zoning, tactile finishes or the calming effect of natural-inspired materials.
How we experience spaces is changing, and designers are responding by prioritising wellbeing, sustainability and adaptability. We expect to see an even greater focus on biophilic elements, materiality and multi-sensory design, ensuring spaces feel welcoming and safe. Sustainability is also becoming more transparent, and designers are looking for materials with strong environmental credentials to tell a positive, authentic story. Flooring will continue to be a crucial part of this conversation, helping to define spaces that support both people and the planet.
There’s always something exciting happening at Amtico! We’re continually developing new products, researching trends and refining our design approach. While we can’t reveal too much just yet, we have some exciting product launches in the works – and you might just spot us at a key industry event later this year. Watch this space!
Joining SBID is an exciting opportunity for us to engage with the wider design community and contribute to conversations shaping the future of interiors. It’s important for us to be part of a network that values innovation and expertise, and we look forward to collaborating with members to inspire and support great design. Ultimately, being part of SBID means we are recognised as a partner who genuinely cares about creating beautiful, functional spaces that truly work for people. Being an accredited partner also allows us to connect with designers who may not yet be familiar with the creative potential of LVT flooring.
About Amtico
Headquarters in Coventry, UK, we extend exceptional customer service and comprehensive warranties worldwide, driven by a passion for creating enduring floors that truly inspire. As part of the Mannington family since 2014, we leverage the expertise of over 600 global flooring specialists, serving clients in more than 90 countries. Our integrated lineup of luxury vinyl tiles offers complete solutions for demanding commercial and residential spaces. Our pioneering efforts in efficiency, waste reduction, and material innovation fuel boundary-pushing product development. At Amtico, we don’t just create floors; we create the foundation for exceptional living and working environments.
Richard Davonport, Owner and Managing Director of Davonport Kitchen & Home, has given his insights into the industry.
At Davonport, we have been designing and crafting bespoke handmade kitchens and furniture for over 30 years, creating beautifully tailored interiors that seamlessly blend form and function. Every piece is thoughtfully made in our UK workshop, using the finest materials and time-honoured techniques to ensure lasting quality and character.
Our bespoke approach allows us to collaborate closely with designers and clients, shaping interiors that feel both timeless and entirely personal. Whether it’s a statement kitchen or furniture for the whole home, we take pride in balancing elegance with practicality, ensuring each space enhances the way people live. From initial concept to the final details, our meticulous craftsmanship and dedication to excellence, create interiors that feel effortlessly refined, unique, and made to stand the test of time.
Davonport was founded on a deep appreciation for craftsmanship, something that has been part of my family for generations. My father, Aubrey, was a member of the British Woodcarvers Association, and from an early age, I was surrounded by the art of woodworking. This instilled in me a love for fine craftsmanship and attention to detail.
After studying Furniture Design and Cabinet Making, I set up my own workshop in the early 1990s, initially creating fine furniture before shifting my focus to handcrafted kitchens in 1996. As demand grew, so did Davonport, leading to our move in 2013 to a purpose-built workshop and showroom in Colchester. While the business has evolved, our values remain the same—working with the finest materials, using time-honoured techniques, and creating furniture that not only enhances interiors but also stands the test of time. As I often say, “It’s not just a job, as the furniture we make carries my name.”
At Davonport, we believe that every interior should be a reflection of the people who live in it. Our bespoke kitchens and furniture are thoughtfully designed to complement each project’s unique aesthetic, ensuring a seamless integration with the wider interior scheme. No two kitchens are ever the same—we take the time to understand the vision, crafting spaces that are not only beautiful but also practical and tailored to individual lifestyles.
Our expertise extends beyond cabinetry, allowing us to support interior designers with everything from spatial planning to material selection, ensuring a cohesive and well-balanced design. Whether providing guidance on colour palettes, lighting, or statement finishes, we collaborate closely to create interiors that feel harmonious and considered. From initial concept to installation, our meticulous craftsmanship and attention to detail ensure that every space we create is timeless, functional, and designed to be lived in.
We feel that truly exceptional interiors are built on craftsmanship, quality materials, and thoughtful design. Our bespoke approach allows us to create kitchens and furniture that not only enhance the aesthetic of a space but also add genuine long-term value to a home. Unlike mass-produced alternatives, our handcrafted pieces are made to last for generations, promoting sustainability and reducing the need for replacements over time.
For interior designers and architects, this means having complete creative freedom—every detail is tailored to complement the wider scheme, ensuring a cohesive and beautifully considered result. Our expertise and collaborative approach allow us to support designers at every stage, from concept through to installation, making the process seamless. In an industry that often leans toward fast furniture and fleeting trends, we take pride in championing authenticity, craftsmanship, and enduring quality, helping to create interiors that are as timeless as they are functional.
Collaboration is the key to creating beautifully cohesive interiors. We work closely with interior designers, offering a flexible approach that adapts to the needs of each project. Whether providing full kitchen and interior planning—including flooring, lighting, and colour schemes—or simply focusing on the layout and design of our bespoke furniture, we tailor our involvement to complement the designer’s vision.
Our handcrafted kitchens and interiors are designed to seamlessly integrate into wider schemes, ensuring a balance of aesthetics and functionality. We understand the importance of detail, precision, and high-quality materials, which is why we take the time to refine every aspect of our work. With our expertise in bespoke craftsmanship and an open, collaborative approach, we help designers bring their concepts to life, creating interiors that feel considered, cohesive, and effortlessly elegant.
Sustainability is an integral part of our approach, and in 2023, we took a significant step forward by installing solar panels across our 20,000 sq. ft. workshop roof. This investment now allows us to generate enough electricity to fully power our showroom and head office, as well as a substantial portion of our workshop, reducing our reliance on external energy sources.
This builds on our previous sustainability efforts, including upgrading our workshop roof insulation in 2022 to improve energy efficiency. These initiatives reflect our ongoing commitment to responsible manufacturing—ensuring that our handcrafted kitchens and interiors are not only made to last but are also created with a mindful approach to the environment. By continuously refining our processes, we aim to support designers in creating interiors that are as considered and sustainable as they are beautiful.
We’re seeing a renewed appreciation for natural timbers in kitchen and interior design, whether as a primary material or a subtle accent. This shift towards organic textures brings warmth and authenticity to spaces, and as craftsmen, we love working with wood to highlight its unique character and timeless appeal.
Alongside this, there’s a growing preference for bold statement stones, with advancements in porcelain technology allowing for full bodied veined surfaces and dramatic finishes. These materials add a sense of luxury and individuality to worktops and splashbacks, helping to create kitchens with real personality.
We’re also noticing a resurgence in deeper mouldings and intricate detailing, adding depth and elegance to interiors. This blend of classic craftsmanship with contemporary materials reflects a movement towards enduring, thoughtfully designed spaces—something we always strive to achieve in our bespoke kitchens and furniture.
The interior design industry continues to evolve, with a growing focus on sustainability, natural materials, and designs that stand the test of time. More than ever, clients are moving away from fast trends and instead investing in high-quality, thoughtfully crafted interiors that feel personal and enduring.
Bespoke craftsmanship is becoming increasingly sought after, as homeowners look for spaces that reflect their lifestyle and individuality. From carefully curated materials to tailored design details, there is a shift towards interiors that balance beauty with longevity—creating homes that feel both considered and effortlessly timeless.
We’re fortunate to be involved in a variety of beautifully designed projects, from bespoke kitchens to full-home interiors, each crafted to reflect the unique style and needs of our clients.
Beyond our design work, we’re particularly excited about our ongoing commitment to nurturing the next generation of craftsmen and women. Our Davonport Gauge of Excellence competition, held at a local college, challenges aspiring artisans to test their skills in a timed furniture-making challenge, helping them refine their craft under real-world conditions. We also work closely with the college, hosting showroom and workshop days where students can experience the practical application of their skills—whether in design, cabinet making, or fine craftsmanship. Supporting emerging talent in the industry is something we’re incredibly passionate about, and we’re always looking for ways to inspire and encourage the future of bespoke furniture making.
Becoming an SBID Accredited Industry Partner is a wonderful achievement and a reflection of our dedication to bespoke kitchen and interior design. Craftsmanship has always been at the heart of what we do, and this accreditation is a valued recognition of the professionalism and high standards we bring to every project.
For our clients and design partners, it serves as a mark of trust and quality, reinforcing our commitment to thoughtful, well-crafted interiors that balance beauty and function. Being part of SBID allows us to align with the highest industry standards, ensuring our designs not only meet but exceed expectations, creating spaces that feel both timeless and considered.
About Davonport Kitchen and Home
Davonport Kitchen & Home creates exquisite, British handmade bespoke kitchens and whole-home furniture, blending timeless design with exceptional craftsmanship. Every piece is meticulously crafted in our UK workshop, using the finest materials and traditional techniques to ensure unparalleled quality and durability. Our bespoke service tailors each project to individual lifestyles, balancing beauty and functionality. With decades of expertise, we transform homes with elegant, enduring designs that stand the test of time. From concept to completion, our attention to detail and passion for perfection ensure every space is unique, reflecting the personality and needs of our discerning clients.
Sandra Korka, Founder of Square Design Interiors, has given her insights into the industry.
I studied architecture at the University of Greenwich and upon my return to Greece I worked at a few architectural practices and interiors companies while at the same time taught interior design at a local higher education institution delivering UK university courses.
Having gained valuable knowledge of the market and experience working in studio and on site, I decided to embark on my own creative journey and founded Square Design Interiors, working with passion and dedication, structuring and following a personal approach. Over the two decades of running the studio and focusing on delivering bespoke design and build projects from concept to creation at the highest standards, we have established collaborations with excellent manufacturers, suppliers, technicians and technology experts internationally, ensuring quality control and impeccable results.
Collaborating with an international clientele, we create environments that are complete spaces designed effectively for the interaction of people within them and the creation of life-long experiences and wonderful memories. The Square Design Interiors main studio is in Thessalonoiki, Greece, with operating studios in Athens and London, too.
Coming from an architectural background, the creation of interiors, where the main interaction of people take place in terms of lifestyle in residential projects or brand development in commercial projects, fascinated me. It feels like creating an overall story, a unique environment created based on particular needs and requirements, a sanctuary for personal or family decompression or the unfolding of a brand story. And this comes as a very inspiring complete scheme where you get initially introduced into the life of people or their business and you must translate and transform this introduction into an emerging series of fully functional spaces that communicate distinct aesthetics.
The versatility of the projects I get introduced to. Every project, every space and its parameters, every client, every place is so uniquely different that make my job so intriguingly expressive. The fact that I take on projects internationally, as well as the fact that I collaborate with international clients all over Greece, provides an exquisite variety of options to learn new things and apply my expertise on an ever-evolving landscape. I have the chance to interact with inspiring people, get accustomed to their life, their habits and their cultures and consequently I must stay constantly initiative taking to explore all aspects of a project and be creative.
Actually, there are two memorable career highlights from the past year. One of the most recent projects I designed and built, the Garage Transformation into a Micro-Residence, received a Gold Award at the Greek Interiors 2024. And a few months later, the same project received a Big See Architecture Award 2025, the South-East Europe Awards. I feel extremely honoured for both awards. I am very proud of the work produced by my building collaborators on this project and on every project. I constantly push them (and myself) to stay motivated and step a little bit further each time, to produce an impeccable result with the highest attention to details. And of course, I am very thankful to my client, who has been a recurring client and consequently, a good friend, for introducing to me this idea at first, that evolved in such a wonderfully creatively rewarding experience.
I absolutely enjoy all projects I work on, as all of them are different and this is a remarkably high motive to research, explore, design, create and build so many different environments for so many unique people. However, I do enjoy most the projects that I coordinate with all aspects from the very beginning to the very end. That is, produce an overall bespoke design on a particular brief and build the creative outcome ready to be used by the owners. The whole creative process brings in so many experiences and highlights in its own way, new paths to my professional and personal journey.
The set of challenges of working in interior design can assess both technical and people skills. You must balance creativity and functionality, as you come to create spaces that are visually appealing while remaining functional and liveable. This balance often requires innovative solutions to merge artistic vision with everyday usability.
Furthermore, managing client expectations is very important and a whole new challenge, as clients may have an initial vague vision, but it is up to the designer to comprehend this vision and translate it into a coherent design plan that involves active listening, clear communication, and sometimes negotiation.
In this equation one must add the budget constraints, as well as the time management and the project coordination aspects that are especially important so that the original creative solution is applied seamlessly. And of course, you must be educated on current technical elements that enhance and most of the times, complex the design, yet provide a whole new level of facilitation to the users of your designed space.
I wish I knew how to run a business. In no way do you know everything right after your studies. Yet, you have a good foundation on which you continuously work on, shaping and structuring your creative aspects, while working with so many kinds of people. However, at the same time, you are running a business and this is a world you just dive into. And, among other things, you are expected to find ways to balance your creativity within a rigid, impersonal and unknown environment.
To embrace a mindset of continuous learning. The design world is ever-evolving, so never stop exploring contemporary trends, techniques, and technologies. Staying curious not only helps you develop your unique style but also keeps you adaptable in a dynamic industry. In this way, I believe that a designer sets the foundations to produce uniquely created environments that correspond effectively to the needs and requirements of their clients or the end user of these environments.
The interior design industry is evolving rapidly, influenced by sustainability, technology, and changing lifestyle needs. In the year ahead, I believe we will see even more sustainable and eco-friendly design, emphasising further on biophilic design and using natural materials. Also, in terms of technology, planning and visualisation will be easier thanks to AI powered interior design tools in conjunction with smart-designed furniture, AR and VR.
The transitional style is getting more popular, mixing old and modern style to create a distinctive touch and bled vintage aesthetics with modern design elements. Layered textures, bold patterns and unique art pieces are on the frontline, while moving away from neutral tones, rich, moody hues like deep blues, terracotta and forest greens are here to stay.
In addition to the above, I believe there will be greater appreciation for handcrafted and locally made furniture and décor, as well as a rise in cultural and traditional influences, incorporating global design elements into modern homes, thus, supporting small designers and craftsmen.
Being an SBID Accredited Interior Designer means embodying a commitment to excellence, innovation, and ethical practice in every project. It signifies that I have met rigorous industry standards and continually strive to elevate the quality of my work. It is a mark of trust that reassures clients and peers alike that my design approach is grounded in proven expertise and a commitment to ambitious standards.
Also, the accreditation reflects my dedication to ongoing education, staying abreast of the latest trends, technologies, and sustainable practices in interior design. At the same time, I retain a commitment to ethical design practices. I am happy that being part of the SBID community connects me with a network of like-minded professionals, fostering collaboration and shared insights that drive the industry forward. My accreditation is a celebration of creative problem-solving and the ability to transform spaces in ways that are both beautiful and functional.
For me, this accreditation is more than just a title. It is a constant reminder of the responsibility I carry as a designer to inspire, innovate, and create environments that enhance everyday life.
About Square Design Interiors
We work on our projects with great passion and dedication, structuring and following a personal approach. The process of our work balances a highly creative perspective with driven project coordination. The finished environments we create are complete spaces designed effectively for the interaction of people within them and the creation of life-long experiences and wonderful memories. We work closely with our clients and form strong ties, as most of our clients have become repeat customers and eventually good friends. Our studio is located in Thessaloniki, Greece and we work globally.
Manuela Hamilford, Creative Director at Hamilford Design, has given her insights into the industry.
My journey into interior design was shaped by my early experiences growing up in Italy and then working for Italian interior brands in New York, they instilled in me a deep appreciation for craftsmanship and the way a beautifully designed space can enhance everyday life. Growing up in Vicenza, surrounded by classical Italian architecture, I developed an understanding of proportion, materials, and timeless elegance. When I moved to New York to begin my career, I was exposed to a more contemporary, dynamic approach to interiors, as well as the importance of bespoke home furnishings in creating spaces that feel personal and refined.
Founding Hamilford Design in 2005, in London was a natural progression—allowing me to use my experience and create warm interiors that are sophisticated, with a sense of individuality. My studio strives to bring to life spaces that enhance our clients’ lives and tells their own unique stories. My business grew organically through word of mouth, with people recommending us to friends and acquaintances. My clients drive my passion.
There are so many aspects of interior design that I find rewarding, but mainly it's the variety - curating bespoke spaces, rather than copy and pasting a strict studio style. I love sourcing exceptional pieces, whether it’s unique antiques from dealers that I’ve met in London or custom-made furniture designed specifically for a client’s home. Every project is an opportunity to create something special, and I find immense satisfaction in working closely with trusted artisans, craftsmen, and suppliers who share my passion for quality and attention to detail. On that point - I also love the collaborative nature of this industry—each project involves working closely with tradespeople and the clients themselves.
Over the past year, we have worked on some incredible projects, but one that stands out was the completion of a beautifully restored listed townhouse in Barnes. The project was particularly special as it required a delicate balance between preserving the building’s historic charm and introducing modern luxuries. We carefully reinstated period details such as a mosaic tiled floor, sourced exquisite antique pieces and layered in contemporary design elements.
Another highlight has been expanding our work in the Cotswolds, where we have had the opportunity to design a number of countryside retreats. There’s something very rewarding about creating a sanctuary away from city life—spaces that embrace nature and craftsmanship. Each home has its own unique stye, which is important to me.
We have recently been asked to design more commercial projects over the last year or so, this is an exciting challenge for the studio and winning a Restaurant and Bar Design Award shows that we’re on the right track!
I also enjoy designing residential projects that allow for a high level of personalisation. Luxury is not just about grandeur—it’s about comfort, warmth, and creating an environment that feels truly personal.
One of the biggest challenges in interior design is managing expectations while ensuring that every detail is executed to the highest standard. This means working with meticulous attention to detail, coordinating with multiple suppliers, and ensuring that craftsmanship and finishes are impeccable, whilst a timeline is adhered to.
Timelines and logistics can be complex, particularly when working on international projects or listed buildings with strict regulations. We handle a lot in house, such as planning permissions, so are able to control these timelines to an extent. However, overcoming these challenges is part of what makes the process so rewarding.
I am always learning! Although, I wish I had known just how much of interior design is about project management. Creativity and strong vision are important of course and sit at the heart of what we do, but delivering a high-end project requires exceptional organisation. From working with builders and suppliers to managing budgets and timelines, a successful designer needs to be a great project manager too.
Develop your eye and your taste, then trust in them. Interior design is about refining your sense of style. I’m inspired by my travels, trade shows, galleries and even books. Immerse yourself in design!
The industry is shifting towards a more conscious, considered approach to luxury. Sustainability and biophilic design, which integrates nature into interiors through materials, lighting, and greenery, will continue to gain momentum, as people seek homes that promote wellness and tranquillity.
Being an SBID Accredited Interior Designer is such an honour. The SBID provides a platform for connecting with like-minded industry professionals and staying at the forefront of industry innovations.
I am excited to be involved in panels and taking part in peer discussions. Being involved with an organisation that champions quality, expertise, and ethical design is something I am incredibly proud of!
About Hamilford Design
Founded in 2005, Hamilford Design offers a range of services from all aspects of creative interior design through to new builds and renovations with an expert team of contractors and architects. Creating elegant, luxurious and warm interiors is what reflects the essence of Hamilford Design. With projects globally, ranging from listed residences in London, to townhouses in New York and from large country estates to commercial projects across Europe, Hamilford Design has a wide portfolio. With no strict ’studio style’ all of our spaces are totally unique, we keep the client at the heart of all our projects.
Anna Moss, Founder of Moss Living Interiors, has given her insights into the industry.
Growing up, I was always creative but also love understanding more about how businesses work. Interior design had always been my true passion, but years ago, it didn't seem like an accessible career path. After spending over a decade in marketing and advertising, I decided to pursue my dream. In 2019, I earned my Diploma and founded Moss Living Interiors.
I love having the vision in my own head and then taking my clients on an exciting journey to bring their space to life through 3D renders, colour palette consultations, furniture design, joinery drawings and so on, so they can envisage the end result, despite usually working with an empty shell in the months prior. Seeing my clients faces on the day they move in, or are handed back the keys or space is always an unforgettable moment.
I think it has to be when my work was featured in The Telegraph, it was a magical surprise.
I really love working on period properties, particularly when they’ve lost their spark - I think because they have so much character and history and the building before you’ve even started. I recently worked on a Grade II listed Georgian property with the original parts dating from 1720. The property was redesigned to create a wonderful family home while still maintaining the historical integrity of the property. The drawing room alone is over 50 square meters, and despite its size, it’s been transformed into an interior of beauty. The walls have been panelled in a soft, warm pink and there are formal shapes among the furniture, and others that are squashier and more relaxed. Strong pattern makes its way in through the curtains and soft furnishings; it’s a timeless blend of historical architectures with contemporary finishes.
I think it has to be working with many different suppliers and retailers; if there’s a supply chain issue or a contractor lets you down, it can have a huge knock-on effect on the project as a whole, and I often take that really personally.
Just how varied the role is. You spin many plates. Interior design really does cover a broad spectrum of skills from the technical side of interior drawings and then the creative part, all the way through to project management and administration both on-site and in the office. You have to be able move quickly from one skill set to the other.
Speak to as many people as you can to build your own connections and get as much experience as you can.
We’re definitely moving towards a more sustainable future with a growing emphasis on conscious consumerism. We’re prioritising sustainable materials, craftmanship and timeless styles. I always say, “you buy cheap, you buy twice”. AI is also bringing significant changes with enhanced visualisation, smart home integration and streamlining processes but it’s not replacing the human touch and the bespoke style of an interior designer.
This achievement represents my commitment to excellence, professionalism, and delivering the highest quality of service to our clients which I’m really excited about.
About Moss Living Interiors
Moss Living Interiors is a design studio based in Oxfordshire founded by Anna Moss. We are known for mixing colours, textures, patterns and proportions to create calming and elegant spaces across both high-end residential and commercial projects. With a love for blending classic and contemporary styles to create a timeless aesthetic, our spaces are designed to stand the test of time; each carefully-selected piece has a history, a place and a lasting purpose. We offer virtual e-design services and full service design solutions. From layout design, concept development, to design implementation, furniture selection and installation, we meticulously curate every detail to ensure a seamless and harmonious design experience.
Lucy Black, Head of Business Development at Kenoteq, has given her insights into the industry.
Kenoteq has been established to bring positive environmental impact to interior and architectural projects, disrupting the status quo of traditional brick production and bringing a more modern and sustainable material to the fore – with a contemporary edge and wide colour choice. Kenoteq’s award-winning K-Briqs and K-Slips are made from near 100% recycled construction and demolition waste and are unfired and made to a low energy production process ensuring an end product that is ultra-low carbon, durable and 100% recyclable at its end of life.
Kenoteq started life in Heriot Watt University in Edinburgh, developing into a research spin-out project with Scottish waste management company, Hamilton Waste & Recycling. Heriot Watt University was carrying out research into circular economy applications for construction and demolition waste and Hamilton Waste & Recycling were looking for new applications for their recycled gypsum from waste plasterboard and so a company was born in 2019. It has taken another 5 years to raise investment, set up a commercial scale production facility and push through product, quality and environmental certifications, but 2005 will see Kenoteq roll out the manufacture of 3 million low carbon K-Briqs and K-Slips, thereby breathing new life into 6,600 tonnes of recycled construction and demolition materials and saving them from landfill. These 3 million products will provide 50,000 m2 of coverage for interiors and facades – as well as saving 1,365 tonnes of carbon emission equivalent (CO2e) compared to if traditional bricks or brickslips had been manufactured!
The products not only look striking, but they also have a really interesting circular economy story to lend to a project - and can help educate those living, working or using the space that regenerative and sustainable materials are the future, leaving our earth’s finite raw materials intact, saving materials from landfill, reducing our carbon footprint significantly – and they can be recycled at their end of life!
The K-Briq and K-Slip are coloured using recycled pigments and so choosing from a wide colour palette of 12 certified colours means they can lend either a traditional, contemporary or vibrant edge to a project depending on the colours chosen. Our Pure Black, Medero Dark Grey and Medero Light Grey can look very bold and contemporary, whist our Chapman Burnt Oranges and Watt Browns can help bring a warmer, more traditional feel to a project. And then there are our more striking colours – Heriot Mustard & Mustard Light, Gullane Cyan and Cyan Light and Gillespie Magenta and Magenta Light that ooze personality whether used individually or together for walling, features, furniture or surfaces.
Our brickslips are naturally a popular choice over bricks for interior designers to preserve floorspace and have a lighter solution to work with. We’ve developed our range of brickslips this year so not only do we offer a brick-faced slip in each colour, but we also have a cut-faced slip in each colour. The cut-faced slips have a terrazzo feel, beautifully exposing fragments of the bound recycled materials – and exposing more of this history of the product.
Locally made, low carbon materials and those grounded in the circular economy are key to the industry reducing its environmental impact and carbon footprint. The certified inert waste materials used in Kenoteq’s K-Briqs and K-Slips are all currently sourced in the UK but are readily available worldwide, meaning that as we scale and grow, we can set-up production facilities on a regional basis internationally, providing a solution to the local construction and demolition waste piles and providing locally manufactured products for local projects. This will not only reduce the transportation and importation of heavy materials, but it will also support local supply chains and create local jobs all whilst providing beautifully aesthetic low carbon materials for interiors and the wider built environment.
We are currently delivering CPD sessions on a personal or virtual basis to interior design and architectural practices to share our story and product range. And we are also working with clients who believe in our ethos and want to introduce us to their designers to look for demonstrator projects for these new products. We’ve also been very fortunate to win a number of awards over the last few years that have raised awareness of our brand and made us some fantastic connections. It’s great when the interior designers seek us out! We won the Dezeen Awards in 2022 for Sustainable Design winning both the global public vote and the judges’ votes. We’ve recently completed an interior project for Europe’s largest retailer, the Schwarz Group, for some interior walls in their flagship sustainability hypermarket store and were delighted that Skidmore Owings Merrill (SOM) included us as a key material in a flagship COP28 Pavilion in Dubai for Dubai Holding who own the Jumeirah Group and large scale hotel, leisure and real estate. The Pavilion has since been deconstructed and rebuilt again as a legacy feature in Dubai Holdings’ HQ.
On a collaborative level, the team have good experience and can advise on Whole Life Carbon accounting and also, for every project we supply, we also provide key storytelling data in terms of how much recycled material is within each project and how much carbon has been saved compared to using traditional fired brick products. We try to bring that alive for each particular project. For example, a recent counter project for Gail’s Bakery saved the carbon equivalent of boiling the water for 100,000 cups of coffee just through the selection of the recycled low carbon K-Briq over a traditional brick!
Finally completing our product certification testing for the material allows us to confidently provide all the technical specification data that interior designers and architects are looking for from compressive strength and durability (both high!) to fire ratings. Our Environmental Product Declaration (EPD) will also be published very soon to provide verified environmental and carbon data.
Moving into our launch phase and supplying into early adopter projects has been a key highlight, from domestic interiors, to museums and galleries to flagship stores like Kaufland – it is great after our long journey to see the products finally being used in a multitude of applications and making an environmental statement.
Within interiors, it is our Medero Dark Grey and Gullane Cyan and Cyan Light that are seeing the most project interest – and we can see that too in our page visits on our website. The Medero Dark Grey is striking and contemporary and brings smokey tones to projects. The Gullane Cyan and Cyan Light bring teal and turquoise tones to a project and can look very sharp and fresh teamed with light mortars.
Some designers want to bring their own mark to projects with the development of bespoke colours and that is a service we can offer whether it is to colour match in a refurbishment project or match a brand colour, or just evoke the right tone and mood for the wider project palette.
There is definitely increasing awareness amongst the interior design community of the environmental importance of material selection, and the impact that material choice can have on both the project’s carbon footprint both at delivery and its end of life and deconstruction. Initiatives such as Interior Designer Declares adds additional weight to the movement within the sector, inspiring, educating, collaborating and campaigning for a more sustainable future. This movement across the sector will continue to grow and gain pace in the year ahead.
2025 and 2026 are the years where you will see the K-Briq and K-Slip in their myriad of colours appearing in more and more projects from our pipeline. We have two great theatre projects in the pipeline which we can’t wait to share.
As a young business, it is important to gain verification and be acknowledged as a player in an established industry. The SBID provide good information, platforms, access to networks and event opportunities that help Kenoteq make the right connections and create strong brand, product and project awareness and we will look forward to using the services more extensively this year.
About Kenoteq
Design without compromise! Kenoteq is a pioneering UK company at the forefront of sustainable materials made from recycled waste. The newly launched first products are the revolutionary low carbon K-BRIQ® and K-SLIP™ currently the world’s most sustainable bricks and brickslips, unfired, made from 95% recycled construction and demolition materials together with recycled pigments, and are 100% recyclable. They are suitable for interior or exterior use and offer a wide colour palette. With a technical specification akin to traditional bricks and brickslips, the products benefit from a carbon footprint 95% less than their traditional equivalents.
Ledbury Studio has elevated stainless steel from industrial to indulgent, marrying it with the warmth of aged brass, the richness of English walnut and the timeless elegance of Carrara marble. The result? A breathtakingly luxurious kitchen that exudes sophistication and charm.
The client's vision was nothing short of enchanting: a kitchen that radiated warmth and femininity, while remaining effortlessly practical for hosting. She also already had her heart set on a La Cornue range cooker. As such, Ledbury Studio founder Charlie Smallbone curated a scheme of brushed stainless-steel cabinetry softened by the opulence of aged brass accents. The bespoke finishes were meticulously hand-matched to the range, demonstrating the artistry of custom craftsmanship.
At the heart of the kitchen, a spectacular island commands attention, offering both a generous seating area for drinks or casual dining and plenty of prep space. The Carrara marble worktop is strikingly bisected by a strip of English walnut, visually defining the breakfast bar while adding warmth to the design. In addition, the marble is framed with patinated brass corner detailing, reminiscent of an elegant jewellery box.
Under the breakfast bar, the island is clad in a single sheet of hand-distressed brass, its rich patina lending texture and depth. On the working side, stainless steel drawers gleam with bespoke brass handles, while brass-framed steel panels at each end create a sleek, cohesive finish. Suspended above, a perfectly positioned pendant stylishly illuminates the island.
Storage is seamlessly integrated into the fabric of this exquisite kitchen. To the left of the La Cornue range, built-in shelving provides a refined yet highly functional display, while to the right, a seamlessly integrated fridge is discreetly concealed behind bespoke stainless-steel cabinetry. Underneath, a double sink - sculpted from Carrara marble - makes a striking focal point and is usefully flanked by twin dishwashers.
On the opposite side, a row of fluted glass wall cabinets, elegantly framed in brass, offers both practical storage and a touch of glamour. A thoughtful finishing touch: a brushed stainless-steel frame encasing the brass details subtly links the wall units to the base units, ensuring a cohesive aesthetic.
Beyond the kitchen, there is a stylish dining area featuring custom banquette seating and a showstopping round table crafted from book-matched walnut. Then, framing the French doors to the garden, twin storage cupboards - clad in Ledbury Studio's signature 'Choppy Water' carved oak with brass detailing - offer both beauty and function. One serves as a discreet cocktail cabinet, complete with pocket doors and a mirrored back, while the other is a fully equipped larder cupboard.
"This kitchen is a true reflection of Ledbury Studio's dedication to innovative materials and meticulous craftsmanship," says Charlie Smallbone. "The blend of glamour and practicality is seamless, creating a space that is as stunning as it is functional. And what better testament to its success than the client hosting a 50-guest gathering just one week after installation - effortlessly entertaining in her spectacular new kitchen!"
Prices for a Ledbury Studio kitchen start from £70,000.
About Ledbury Studio Ltd
Charlie Smallbone needs little introduction. The founder of iconic brand Smallbone of Devizes, he has been pushing the boundaries of kitchen design for over 40 years. Charlie’s latest venture, Ledbury Studio, was born of his desire to harness the beauty of original materials whilst creating practical kitchens that exude style and elegance.
Vic Varney, Head of Interior Design at Richard Grafton Interiors, has given her insights into the industry.
I studied interior design at Huddersfield University whilst working part time in a soft furnishings company. I developed my love of fabrics and colour and pursued a career in interior design. I have worked alongside Richard for many years working for high end residential clients and I head up the full interior design team, managing and mentoring whilst still designing for my clients.
I have always been creative, whether it has been fashion related or drawing/painting I have always enjoyed being able to create unique pieces. I enjoy helping people create beautiful homes that reflect their individual personalities. I love the transformation you can make to a room whether it is through using colours and textures of fabric or marble and veneers on furniture.
I love two parts of my job the most, one being seeing the clients faces when they come in for the presentation and you have captured everything from inside their head and have it in front of them to see, touch and feel. The second part is when you are on an install, and you have physically watched the rooms transform. For some people it’s hard to visualise what the end result might look like so I love that I can make it reality for them and give them the confidence.
I have been working on a particularly large job which has involved a lot of build work, I have been onsite every week for the past year while the house has been stripped apart and put back together and now I get to watch the rooms come to completion as we finish off the installation, each element that gets completed whether it be the beautiful new mouldings or the roman blinds adds another layer and brings the rooms to life and I just love watching it happen.
I typically like working on bigger projects that might involve more then one room or a full house, because our help and expertise can make a huge difference to the property and have a big impact. Having said that I get a lot of joy from clients who love what we have done, even if it has been a small project.
I think it becomes more difficult and complex when you are working with very large external build teams, there are a lot of different trades you have to work around and it can make the coordination of a project more difficult when you have to factor in the time others might need to finish their part before we can then go in to complete a fit out. Other challengers could be working to a smaller budget or maximising the use of a small space. Each job is looked at with fresh eyes and tailored to suit whatever the brief calls for.
There is a lot more paperwork than I ever thought would be needed, at the beginning I thought it would be much more about the fabric side of things but in fact you need to be very structured in terms of project managing and organisation. Most of what we do contains a level of logistics in some way so you can’t solely focus on only the design side.
I think the most important part about designing is to be aware you are designing for other people, a lot of what you chose or need to look at will not be your taste. You must tune in to your clients wants and needs, you are there to advise and push them out of their comfort zone but at the same time they need to love the end result. I think all designers should have that as their goal. I have seen a lot of designer wannabes in my time, and I would say the biggest mistake of those that haven’t made it is they design for themselves not others.
The future of interior design scares me if I’m honest, the new generation are a throw away society. We live in a world where Google can find you a cheaper version of everything and I think that will have a big impact on bespoke interiors in the future. For me I love the bespoke nature of what I do, the craftmanship of furniture makers, a good quality fabric or piece of furniture, rather than somebody ‘copying’ because it is cheaper. I think it will become a luxury that many won’t be able to indulge in.
Being an SBID Accredited Interior Designer to me means, excellence and professionalism in the field of interior design. It is a recognised standard of design that give my clients assurance that I adhere to best practices and the highest standards of service.
View Richard Grafton Interiors project videos:
West Yorkshire Contemporary Design Project - Property Showcase North Yorkshire Barn Redesign - Property Showcase
About Richard Grafton Interiors
Established in 2012, our team can offer everything from planning the space in one room to a whole-house redesign. We offer our clients the complete turnkey solution from initial ideas right through to project completion, without compromising on quality interior design and attention to detail. Our approach focuses on creating something that is truly authentic to both the property’s original features and the personalities and lifestyles of its inhabitants. Our expert buyers work year-round to find and gather a wide portfolio of traditional and contemporary furniture for our customers to choose from as well as lighting, artwork and accessories to complete the job to the finest standard. We have design studios in Harrogate, Ilkley & Wetherby so please get in touch, pop in or call to make an appointment.
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