With 'renew, repurpose and replenish' at the heart of her work, award-winning interior design consultant and SBID Accredited Designer, Rachel McLane has just completed the Bike & Boot – Scarborough’s newest hotel. As well as the design and fit-out of the 65 bedrooms, Rachel's Yorkshire-based designers have created eye-catching common areas including the bar, residents’ lounge, film club and restaurant.
"We were fortunate with the Bike & Boot as the building was once a row of Georgian terrace houses and retains much of the original architecture. Even now, the envelope of the building remains true to its heritage," said Rachel, who heads up a close-knit team of specialist designers experienced in concept design, design detailing and space planning for the hotel, residential, retail and leisure industries.
"It made no commercial sense to strip back and re-plaster the walls. Rather than hiding the faded grandeur of the original building, we have worked with it and given it a new lease of life."
"My attitude is not to be overly precious; interior design is not about me forcing my ideas onto a client and their customers. Instead, it is about creating something that works for them and enhances their business. It is about producing the best solution we can, for the budget – but that does not mean holding back on quality or design. And good design does not have to cost the earth."
Striving to be local as far as possible, Rachel employed craftsmen and suppliers from the area who were passionate about harnessing their skills to revitalise this once grand feature of the Scarborough seafront. This work has included bespoke case goods, re-upholstering furniture, sourcing local photographs for bedroom doors, creating graphic blinds using original railway poster designs and producing wall mounts featuring bicycle seats and handlebars instead of the traditional taxidermy heads. Other bespoke items in the hotel on Cliff Bridge Terrace include clocks made of brightly coloured bicycle bells and flip flops. Bespoke lighting was created from old bike wheels and crates, and a bespoke handle for the residents’ lounge is based on the ampersand between the 'Bike' and 'Boot'.
A Georgian inspired colour palette was used to paint over the old anaglypta wallpaper giving the rooms a new identity and feel, and the team also designed and commissioned wallpaper based on activity maps of the area and recreated posters of original postcards of Scarborough from its heyday as a fashionable spa resort.
The design and installation of the Bike & Boot's new hotel bar shows all of the company's green, recycling values coming through by giving a second life to the metal back-bar of an old venue in Leeds at the same time as commissioning a Harrogate based company to produce the joinery elements to Rachel McLane's designs.
"If you have been walking or cycling all day, you want to be able to relax and feel at home," said Rachel. "The team sourced the bar furniture with that in mind - some of it was new and some of it was pre-loved and repurposed. An old chair can be upholstered by a skilled tradesman, and by choosing fabric of the right quality and design, the result looks great and provides the luxury of comfort.
"Renew, repurpose and replenish is an ethos at the heart of our work. I believe in avoiding sending things to landfill or bonfires whenever possible, and I am glad to say we have done our little bit with some of the bar and restaurant furniture at The Bike & Boot. This has also helped to reduce our carbon footprint in shipping in new products," added Rachel, who worked on the concept of the Bike & Boot for two years with its directors Simon Kershaw and Simon Rhatigan, and for the last nine months with the local refurbishment contractor Infiniti Roofing & Construction.
About the Author
Rachel McLane developed a wealth of experience designing for the retail sector for eight years in London and York before setting up her practice, Rachel McLane Ltd specialising in the design of interiors for professional clients with commercial interests.
If you'd like to become SBID Accredited, click here to find out more.
Finding the right builder for a project can seem like a daunting task, however, it doesn’t need to be difficult. SBID Accredited Designer, Katie Malik, founder and creative director of Katie Malik Interiors talks us through her tips for deciding which builder to work with. Most reputable contractors will be quite happy to show off their previous work and provide all of the things she recommends below...
In the studio, we never ask for any quotes unless we have a detailed Schedule of Work (SOW) and a drawing package ready. This ensures everything that we want a contractor to do is going to be quoted for and executed. Also, this gives us and the client a chance to compare the quotes like for like. If you’re going to execute the project by yourself, we strongly recommend preparing a list of jobs by yourself instead of leaving it to the builder to interpret. This means you won’t have to check each quote for what’s included and what’s excluded, making the final decision much easier.
There’s a common belief that there is nothing better than a recommendation from a friend or a family member, and in most cases, this is true. Nevertheless, it’s also useful to do your own research by reading reviews, checking previous projects and references of builders whose work you like. A contractor should offer you a contract, guarantees, proof of insurance, and a clear schedule of payment. All of this combined with a recommendation from someone you know who’s used this builder, such as your architect and/or interior designer, will put your mind at rest.
We recommend taking similar steps when choosing a builder to those when choosing an interior designer. Since you’ll be engaging your builder to work on/in your home for an extended period of time, you want to ensure you like their previous work and you like them as a person.
The new Ask the Expert blog series invites you submit the questions about interior design you want help finding answers to, whether you're a consumer looking to redecorate your home or professional looking for expert business advice. Please submit your questions to [email protected]
Katie Malik, founder & creative director of Katie Malik Interiors built her career in residential interior design, assisting on projects in New York, Chicago and London before setting up her practice in 2014. Inspired by colours, the interplay between symmetry and asymmetry and wellbeing, Katie’s aim is to bring authenticity to each project.
This week's instalment of the #SBIDinspire interior design series features a custom furniture design of a villa with a strong Italian vocation. Martini Interiors added essential Italian-inspired details for the luxurious kitchen, bathrooms and custom furniture.
Company: Martini Interiors
Project: Italian Style Villa
Location: Washington, DC
What was the client's brief?
In this case the client of the interior design was the builder of the villa. The intent was clear from the beginning: to seek details of Italianisms to be applied to the entire villa. For this reason the famous Lecce stone has been imported for the cladding and the entrance has a reproduction of the vault of the Pantheon in Rome. Nothing can be more exciting than being able to express your being Italian in this context.
What inspired the interior design of the project?
Italy, in form and substance. We wanted to give this residence all that Italy could offer through a meticulous attention to detail and a targeted insertion of classic Italian decorations.
What was the toughest hurdle your team overcame during the project?
If on the one hand we felt honoured to represent Italy in the capital of the united states in this villa, on the other hand we deeply felt its weight.
What was your team’s highlight of the project?
In our opinion, the bathroom and kitchen are elegant and sober, as well as showing unequivocally the idea of Italianity of the entire villa.
Questions answered by Roberto Guiotto, sales manager of Martini Interiors.
We hope you feel inspired by this week's villa design! Let us know what inspired you #SBIDinspire
If you missed last week's Project of the Week, featuring a residential design, click here to see more.
SpeakEasy with Patrick Folkes
In this episode of the SBID podcast, host Grant Pierrus talks business and sustainability in interior design with entrepreneur and founder of The Graphene Company, trading an innovative and ground breaking line of natural paint.
Patrick explains the origins of the Graphene Company and how the process of combining Graphene and minerals developed to create this new healthy and high-tech range of ecological paints.
As a globally certified sustainable paints company with credentials in environmental performance, cradle to cradle practices and social responsibility, Patrick shares his approach to achieving genuine sustainability throughout the entire product lifecycle.
Shedding light into the concept of what "eco paint" really is - he talks green washing in the industry, how levels of VOC impact biophilic design and the integral role of lime in air purification. Discussing the future of the paint sector for interior design, he explores the importance of health considerations, ecological characteristics and indoor air quality in the industry.
Tune in to the whole conversation to discover more.
Patrick Folkes
Patrick Folkes has focused his career on a range of financial and entrepreneurial activities. He began in 1980 when he was involved in derivatives broking and gold and silver bullion market-making in London and New York. In 1990, he founded his own fund marketing and advisory firm, Folkes Asset Management. Later, in 2016, he founded The Graphene Company, trading Graphenstone Paint UK with its innovative range of sustainable, healthy and high-tech ecological coatings that are air-purifying and free of plastic and VOC.
Your home should reflect your personality and taste and be attuned to your unique needs. However, achieving this on our own can be a real challenge, especially when your work and family commitments place so many demands on your time. When investing both time and money into a project, it’s important to know how to choose the best designer for it. You want your designer to unlock the space's full potential by doing this in a creative yet practical manner. So how do you choose the right interior designer for you? SBID Accredited Designer, Katie Malik, founder and creative director of Katie Malik Interiors outlines some important considerations.
It’s absolutely essential that you research the designer’s portfolio to see whether you like their style and completed projects. Don’t approach designer’s based solely on their proximity to you or how high they come up in google search. You have to like what you see, so number one criterion when choosing a designer is the style match.
A good interior designer will have the perfect balance between focusing on the bigger picture ultimately leading up to the final outcome, whilst also focusing on the immediate jobs which need to be done. Therefore, look for reviews and recommendations of the company. It's important to understand the quality of work and the team you're hiring before you fully commit.
Also, check whether the designer is accredited by or a member of a professional body, such as SBID - this would give you an added security that the work will be completed to the highest industry standards.
A good brief and a full and open discussion about what the job entails is the best way for your designer to work out a fee and a project timeline. Experienced interior designers have an abundance of planning experience when it comes to undergoing a design project, and they can provide a step by step plan of action with a start and end date. This takes the stress away from you, so you don’t have to this about the logistics so when choosing an interior designer, ask whether they can provide a detailed plan of the project and the space.
An experienced designer will have a wealth of knowledge and contacts that they’ve built up over their career to enable them to collaborate with other professionals, such as lighting designers, landscape and garden designers, and architects. A good interior designer will take an interest in the architect’s vision for the building too.
You want a designer who is fully invested in the project - someone who's passionate and willing to ensure your project is complete to the highest quality possible. You want someone who will take all of your own ideas on board and develop them in the best possible way, adding their own professional opinion. Look for an interior designer who will push you completely out of your own comfort zone, encouraging you to go for an original and refreshing design.
Click here to discover how to choose the right builder for a project.
This week's instalment of the #SBIDinspire interior design series features a residential kitchen design by Ledbury Studio. The brief was to design a kitchen for a large new-build property on the edge of the Peak District. The clients had been in their previous home for more than 30 years and retained strong ideas as to how they would require the design to work for them at their new home.
Company: Ledbury Studio
Project: Cheshire kitchen
Location: Cheshire, United Kingdom
The fundamental requirement was to create a relaxing and comfortable space that would instantly be the heart of their home. Our clients wanted a kitchen that could just as readily accommodate a relaxed evening for husband and wife, as play host to the regular charity events that form part of their extremely busy social lives. So, the brief was about incorporating multiple ‘cherished items’ into the design, whilst maintaining impeccable functionality and achieving a unique aesthetic.
The inspiration was actually quite complex. Firstly, the finish on the cupboard doors was inspired by our client’s extensive collection of antique pewter-ware. Working with 1.5mm-thick pewter, we created an aged finish which directly empathised with the pewter pieces. We also had to incorporate display areas into the design so these treasured items could be placed on show within the kitchen.
Our second major point of inspiration was to create a kitchen with a proper furniture feel. Of course, we needed all the functionality of the best-fitted kitchen, but we also needed to integrate several pieces of antique furniture – including a sizeable Georgian mahogany break-fronted display cupboard. I decided that I could best balance my design by focussing on the freestanding credentials of my furniture.
There were two main ones – the island and the breakfast store cupboard. The island was 3.6m long, and so required joins. We had chosen a Bianco Macaubas quartzite and it took two attempts to create the best joint. On the second, we were able to achieve an extremely precise match on the unique and complex veining of the stone. We did this by photographing the slabs digitally and then generating the best match via our software program before actually executing the cut. This was made at a slight diagonal to achieve minimum open joint – it’s less than 1mm finished.
Then on the breakfast store cupboard, the large all-pewter doors opened into pockets. Each of these doors weighs over 80kg, and the fact that we achieved smoothly opening doors in this situation is a testimony to the calibre of our design and our craftsmen. The doors look amazing and work beautifully.
This was the first project sold by Ledbury Studio, so it was a massive positive for us to pitch our designs and our product against the most established high-end kitchen brands in the UK, and to win our client’s trust to carry out their project. This high stayed with us throughout the project, right to the point when the client moved in.
Questions answered by Charlie Smallbone, founder of Ledbury Studio.
We hope you feel inspired by this week's residential design! Let us know what inspired you #SBIDinspire
If you missed last week's Project of the Week, featuring a modern kitchen remodel, click here to see more.
Achieving industry recognition through prestigious honours like awards can be extremely beneficial for business. Not only can it generate awareness, increase brand exposure and of course, boost employee morale in a celebration of their hard work and success, awards are a great way to differentiate your brand, product or service from the competition! Independent acknowledgement of a company’s skills, value or competence within your sector also offers additional reassurances and credibility for potential clients and customers.
Even if you don’t clinch the coveted ‘Winner’ trophy on the night, just being shortlisted for an award can still bring your business substantial benefits. With this in mind, we’re sharing 5 essential ways that awards can enhance your business!
Put your brand in the spotlight! Association with relevant, industry-specific awards that add value to your brand offering can raise your business profile and provide a host of marketing and PR opportunities, so the chance to publicise, and ultimately capitalise, on your achievements within an award programme (whether a winner or a finalist) should not be overlooked! Utilising the promotion of your involvement before, during and after the ceremony through your marketing channels is a cost-effective way to increase brand awareness, share your company’s success and become a real marketing asset. And that doesn’t even include the additional exposure you would gain from the event organiser!
Awards are designed to endorse a company’s calibre of skill and success in a particular field, making them a key indicator of trust-worthiness. Entering and winning an award therefore demonstrates to your customers that your business is operating at the highest level within your profession, acting as a powerful selling point for potential prospects (or perhaps reinforcing their reasons for doing business with you in the first place!).
As a result, this can develop brand loyalty and improve client retention, as customers are often inclined to stay with businesses who are succeeding at what they do – as well as give them more excuses to tell their friends about you. And we all know how valuable word of mouth is as an effective marketing tool!
Using the awards branding on your website and in your marketing materials is another way you’ll be able to showcase these credentials to your target audience.
Partaking in awards is a public way of acknowledging the hard work and achievements of your employees, giving your team members an additional sense of appreciation, purpose and motivation in their work, as well as a stronger desire and confidence to continue to perform for your company. Attending the awards ceremony also offers a great chance to reward your staff by celebrating together as a team – who doesn’t love a chance to get dressed up for a fancy three-course meal and rub shoulders with top tier professionals in your industry?
Achieving an award also validates your employees work as a direct contributor to wider company success which can also generate company pride, increase work satisfaction and can play a positive role in future recruitment too by enticing new talent who want to work for successful, award-winning companies.
Serving as an excellent platform to wine and dine with the best of the best within your profession, award ceremonies provide the perfect opportunity to network with key players in your industry so you can make new industry connections, bond with potential business partners, reach new customers, and build better relationships with your peers. Winning an award goes one step further in recognising the value and expertise you bring to your sector in front of this captive audience, meaning your peers will look more favourably on your business and you will gain a deeper level of credibility and respect within your industry as a whole.
Most awards judging panels consist of distinguished industry experts, so entering them also presents a unique opportunity to put your business in front of specialist stakeholders, industry-leaders and influential experts in your field.
Whether you are a small or large company, awards offer the ability to stand side-by-side and compete against some of the biggest names in your professional pool, allowing you to take stock of your achievements in comparison to your peers and benchmark your work against the industry – this will help to see how you measure up against your competitors and refine your business goals and aspirations.
And of course, if you’re successful in becoming an award-winning business, it is a surefire way to differentiate your brand and stand out from the competition with that all-important, industry-recognised seal of approval, giving you an esteemed third-party endorsement from an independent body.
While entering awards can bring a host of promotional benefits for your brand, enhance industry positioning, and increase credibility - it's important to know which awards you should be entering! So before jumping in with both feet, do your research!
Are they a credible organisation? Do they have industry recognition? Do they really understand and represent your industry sector? And finally, do the previous winners embody what you want to be known for? Why win a vanity trophy when you could collect a prize that really resonates in your industry!
Look out for hidden fees in the application process! Some Awards charge successful entrants extra fees for exposure - some even require the winner to pay for their own award! Attending the ceremony can be a caveat of ‘winning’ too. If this is the case, the awards are likely to be given to the highest bidder so you know it's not really about outstanding achievement, excellence or creative merit...
The SBID Awards programme is designed to recognise, reward and celebrate the profession of interior design from the interior designer’s projects and the products they specify, to the specialist contractors that install the final fit out.
If you’re a designer, product manufacturer or contractor, click here to find out more.
SBID Accredited members also receive exclusive entry discounts.
The question that immediately arises is: how could our homes change following the emergency from Covid-19? This "change" doesn't exclusively come from the need of adopting higher hygiene precautions, but also from the search for home wellness and from the will of maximising the functionality of our internal spaces.
"Staying at home" and "working from home" has given rise to new needs but also favoured the recovery of spaces that seemed to have gone out of fashion. The new total home project therefore starts from the need to exploit even small spaces to bring together various ways of living, starting with the re-evaluation of the entrances. These are the main areas to consider:
1. Entrance 2. Home workspace 3. Kitchen as an extension of the living area 4. Outdoor area 5. Relaxation and wellness area
An example of this shift is evident in the concept for one of my latest projects, showcasing how I was required to update an interior design scheme to suit clients changing requirements due to Covid-19. The first draft was made in January but, after the lockdown, the users needs have changed and consequently, so has the design criteria. Here were the design proposals:
First of all, in this design it was necessary to reconsider the entrance / hallway as a filter room between the outside and the home. In the second proposal made to the client, we designed a dividing wall before entering the living area. This space now offers a place to store everything we bring in from outside (such as shoes, masks, coats, telephone, keys, etc.). The insertion of a table top serves to store hand sanitiser, with the option of a cupboard to install a Samsung AirDresser for antibacterial treatments.
The kitchen returns to offer more functional storage spaces. The 3 fundamental areas, such as the one dedicated to storage (fridge and pantry), cooking and washing/preparation have been zoned, offering each area more operating space. The client also felt the need to separate the kitchen from the rest of the house without oppressing the space.
Sliding glass doors have been inserted to maintain visual contact with the dining room and at the same time contain any kitchen odours but, if necessary, the environment becomes open plan - making it easy to control the use of space for children who may study and play in the living area.
The need to have a private home studio was a must-have request since the very beginning with exclusive access to the studio. An adjoining reception room, where to wait in complete safety, has now been provided. The separation with the rest of the environment is represented by a plasterboard wall with a glass door inserted to let the light filter from the outside, as well as enjoying the views of the garden.
A small intervention was also made in the sleeping area. More and more concerns arise regarding how long the coronavirus can survive on clothes and how to properly sanitise them. Since the clothes we travel into the city in are the same we will return home in, we have also proposed a system for sanitising and cleaning clothes and shoes in this area. By slightly reducing the square meters of the walk-in closet and the private bathroom, a niche has been created in the hallway of the sleeping area, where the Lema wardrobe with Air Cleaning System will be installed.
This post is part of a series exploring the ways that the health emergency of Covid-19 has changed the way we conceive public and private spaces. Click here to read the previous post about public spaces.
Elisabetta de Strobel is an internationally acclaimed Interior Designer and Art Director, originally from Rome. Her studio offers expert consultation services for interior design, product design, branding and strategic market analysis.
This week's instalment of the #SBIDinspire interior design series features a residential kitchen design. The client wanted a space that seemed large and really easy to move around in, without feeling too empty, and definitely not too grand. Mark Taylor Design worked on this project for 12 weeks, inserting beams, building a glass wall, moving all plumbing and fitting a kitchen. This included designing, building and fitting a mobile island as well as flooring. The end result transformed the existing, dark kitchen into a light, open-plan area fit for entertaining and relaxing.
2019 SBID Awards Category: KBB Design Sponsored by: Vitra UK
Practice: Mark Taylor Design
Project: Skinny Shaker-style Kitchen
Location: Buckinghamshire
The clients wanted a space that seemed large and really easy to move around in, without feeling too empty, and definitely not too grand; a modern look, but not flat, or minimalist. They also wanted an island, but one for many people to stand around, not something small. It should almost create a showpiece for the kitchen. There was some debate about exactly where this should be. They wanted a table that would seat 8 to 10 people max, near the patio garden at the back of the kitchen. It was important to create a sense of light in what was a really dark space, with low ceilings and not a lot of sun. They wanted a pantry, to avoid food in cupboards, and if possible, wanted a french larder fridge, if it would fit. Ultimately, they wanted to use a combination of paint in the kitchen area and wallpaper in the sitting area, to differentiate the spaces.
A couple of things; a photograph of a 150-year-old french furniture piece which the client fell in love with, and which formed the basis of the moveable island, and the feeling of space and cleanness that a flat, concrete style floor provides in good industrial working kitchens. Just these 2 elements set us off. We had also recently designed a skinny shaker door and wanted to include this on the base units. Finally, to try and create different spaces that complimented each other. We looked at the romantic nature of a Welsh dresser, dating back 250 years, that was already in place in the old kitchen and created a warm, wallpapered area around that.
What was the toughest hurdle you/your team faced during the project?
Poor light and different, low ceiling heights made lighting a challenge. We put in place 5 different levels of lighting; floor lights to illuminate the walls and reflect off the white ceiling, mid-level lighting on the walls for creating a warm, soft ambience, task lighting placed in the ceiling above the work surface, LED linear lighting recessed into ceiling lighting channels to cast an even light across the ceiling, and; a window wall comprising 2 sets of bifold doors at the back of the kitchen, where the maximum amount of natural light could be brought into the dining space.
We were also tasked with positioning the french larder fridge in an under-stairs recess which was slightly too shallow. Our builders cleverly removed a small portion of the stair winder to accommodate this and it looks made-to-measure as a result. Another challenge was getting light into and through the walk-in pantry, so that it would feel separate from, but connected to the main kitchen was achieved by using two porthole windows in the swing doors.
What was your highlight of the project?
Completing the project, including building work to insert beams and build a glass wall, moving all plumbing to create a new utility room and larder, building a snug, designing, building and fitting a kitchen, including a mobile island and flooring – all in 12 weeks, ready for Christmas!
Did you enter the project into the SBID International Design Awards? If so, why?
Yes. Our Skinny Shaker-style kitchen is the newest addition to our MeThD custom kitchen collection and it features a beautifully modern take on a Shaker-style door. Opting for base units along one wall without any wall units created a stylish kitchen with clean lines and a more modern look. To add to the look, we designed and created a bespoke movable island unit. The end result transformed the existing, dark kitchen into a light, open-plan area where entertaining and relaxing would be key.
Questions answered by Mark Taylor, Director at Mark Taylor Design.
If you missed last week's Project of the Week, featuring a Parisian-inspired hotel public space, click here to see more.
Lockdown measures are slowly easing across all aspects of work and social life as the hospitality industry is given the green light to begin re-opening to the public this July. For many of us, the concept of travelling seems like a distant memory; dreaming of the day you can book that weekend away or arrange for a long, relaxing week abroad. As society braces itself to resume holiday planning and commence those halted travel plans in a Covid-19 world - we're sharing some of the inspiring hotel bedroom designs from last year's SBID Awards finalists that we'd love to be paying a visit this Summer!
CaberlonCaroppi Architetti - Hilton Molino Stucky
Once an efficient flourmill, Hilton Molino Stucky is today one of the most important international hotels in Venice. Curated by CaberlonCaroppi, the renewal of the common areas and the first 90 rooms reflects the soul of the industrial building and the one of Venice and its wonders. The design narrative starts from decorative and graphic details with special attention paid to figurative elements, introducing the theme of gears and grain, main elements that characterize rooms. Along the corridors, the soft colours of the walls, the elegant lamps and the geometrically textured carpet blend perfectly with the cast iron pillars that characterise the architectural structure. A particular attention has been paid to all the lightening elements, designed or modified specifically for the setting of the Molino, so as to obtain a product that is not only functional but also in line with the entire mood.
Concorde BGW Group - The Bedford
A pub that helped launch the careers of Ed Sheeran and Michael McIntyre has reopened after Concorde BGW carried out its multi-million-pound refurbishment. The extensive renovations to the 22,000 square foot pub, grass-roots music venue and London’s longest running comedy club were carried out across its five bars, restaurant, four private rooms, ballroom and 250-capacity live music club. The Grade II Listed building is utterly unique in terms of character and strategies were developed to ensure much of its age-old charm was maintained. Once planning permission was obtained, 15 new, individually designed ensuite bedrooms were built on the second and third floors. The bedrooms add another layer of luxury to a truly unique building. Designed with the history of the building in mind, the rooms allow you to drift back to bygone ages.
Celia Chu Design & Associates - Luxury Is Personal
Located in the central heart of Taipei, the twin towers building was designed by Richard Rogers and has reached a new level of high-end residential living. CCDA was inspired by the lifestyle of the modern British gentlemen, believing true luxury not only manifests itself in the physical space but is also reflected in interests, habits, collections and art. Bespoke crystal light fixtures from the Czech Republic, commissioned silver glass panel art by the fireplace, a wine display room, spa-like bathroom and other details were designed to shape a vision of personalised luxury.
LW - Zabeel House
Zabeel House is a new lifestyle hotel by Jumeirah, catering for families, travellers and businessmen alike, with all the familiarities of the Jumeirah brand, in an afforded luxury way. This combination of Arabic culture and urban finishes comes together in the health club and spa. Reclaimed timber slats, concrete flooring and exposed ceilings are complimented and softened by Arabic rugs from the local souq and quirky artwork that continue down the corridor, into the changing rooms and treatment experience. Personal interaction is a key feature that runs through this hotel, seen through the recessed pops of seating down the health club corridor that allow for guests to pause a moment, relax and interact.
Roth Architecture - Aqua Villa
Located in the most private area of Azulik Tulum, the Aqua Villa was designed in harmony with the environment, respecting nature and making it part of the project. Water is the main design composition element inside the villa, fusing with the blue Caribbean Sea view. The contrast in colours, textures and use of the local materials allows the villa to become part of the landscape thanks to the natural materials. Exterior massage decks, Jacuzzi and netting allows guests to enjoy the space and the view in this unique environment which flows naturally into its surroundings. The interior design fosters a quiet and relaxing atmosphere, using reflection as an element; the mirrors and water in the floor give guests the sensation of space and serenity so they can enjoy the sounds of the sea and the wildlife that interact within the space constantly.
Dexter Moren Associates - Clayton Hotel, London
Clayton Hotel City of London redefines the concept of a destination hotel. The 212-key, four-star hotel is located in the vibrant Aldgate area of London, on the edge of the City of London, near to the Whitechapel Art Gallery and historic markets of Spitalfields, Petticoat Lane and Brick Lane. The hotel’s bespoke interiors reflect the history and charm of the area through the mix of materials, ceramics and furniture. The choice of lighting, colour palette and artwork visually reference elements from the culture of the area, including the Freedom Press, the Bell Foundry, warehouse metal and fabric trades and the diverse market culture. The designers at Dexter Moren Associates describe the concept as a ‘new order’: combining the old order and traditions of the East End with the future outlook of the City.
The Wall Design Corporation - The Shades of Clouds; the Valley of Hearts
This B&B is located in a mountainous region in the southern Zhejian Province. Given the unique geological environment, the south-facing location is wreathed in clouds. The area is known for its amazing natural scenery with clouds constantly passing by. The building was protected which posed a challenge however the remodelled building preserves 80% of the original architectural features. The interior is based on the Balinese lifestyle, in which the white colour symbolises the clouds. Windows have been replaced by the new larger versions, through which guests can truly appreciate the great views. In addition to the vintage decor, the preserved original yellow soil walls and doors further emphasise the spirit of simplicity.
Virserius Studio - Guest Rooms & Suites, W Atlanta Midtown
Arthur is a fictional character, conceived as a native Atlantan who was born and raised in Ainsley Park, located right behind W Atlanta Midtown. Virserius Studio’s concept for the hotel is the recreation of Arthur’s estate and secret garden, decorated with his awe-inspiring collection of art and other items obtained during his extensive world travels. He takes great pride in these collections and wants to share the stories behind these possessions. He also hopes they will make great conversational pieces, inspiring special moments among friends during their visit.
Goddard Littlefair - The Lowry Presidential Suite
The Lowry Hotel’s five-star, luxury Presidential Suite, is the largest in Greater Manchester, having undergone a complete revamp including a reconfiguration of the space and a newly enlarged dressing room. Beautiful, fitted joinery screens create a series of distinct but linked spaces, including a living area, dining area, bedroom, bathroom, dressing room, pantry and powder room. Drawing inspiration from Manchester’s rich industrial history, the suite makes reference to the city’s industrial forms, geometry and heritage, as well as the hotel's namesake, L.S Lowry. Accompanied by a colour palette inspired by Lowry’s five colours, the new design has a luxurious residential feel, with light and bright tonal colours used for the walls, curtains and carpets, offset by darker joinery, with painterly or geometric-patterned fabrics.
The 2020 edition of the SBID International Design Awards is open for entries.
Entries close on Friday 14 August. Visit sbidawards.com to enter now!
Join SBID
Find out more about our flexible membership structure.
By subscribing, you agree to be added to SBID’s mailing list. As an industry’s standard bearer organisation, we strive to bring you the most up to date news and access to exclusive industry content through our various newsletters.
First Name
Last Name
Email Address
I accept the SBID Terms of Use