Sans Souci, Czech designer and creator of glass lighting installations, reveals a series of custom-made installations for Claridge’s hotel in London. 264 pendants were specially designed and produced to illuminate the world-famous art deco interiors.
The contemporary lighting refit was the vision of leading lighting designers L’Observatoire International with each installation designed by French architect Sylvain Dubuisson, well known for mixing classical style with cutting-edge lighting technologies. Each piece is made from opaque, sandblasted glass crafted into geometric patterns, which ensures unique light dispersion. This is further enhanced by fitting two-tone LED strips and one main light source to create a very special and sophisticated ambience.
“When I designed these pieces for Claridge’s, I wanted them to be both decorative and intriguing to fit with the elegance of the art deco interior design. This was achieved by combining two contrasting patterns – rectangular and circular – similar to Chesterfield sofas. The large, complicated designs were then produced in white glass, which embodies simple sophistication. Manufacturing large installations such as these is complicated but I am thrilled with the results, which stay true to my original designs.” said Sylvain Dubuisson, architect and designer.
“We were delighted to have the opportunity to work with L’Observatoire International and Sylvain Dubuisson, world leaders in lighting design. Dubuisson is always looking to work with new technologies and materials, which is something we are passionate about at Sans Souci. The development process took lots of time and resources to create these beautiful pendants in a colour that is entirely unique to this project. The final installations are elegant and one of a kind, just like Claridge’s.” added Dominik Cienciala, Managing Director for Sans Souci UK.
Hervé Descottes, renowned lighting designer and Co-founder of L’Observatoire International, explains the vision behind Claridge’s new lighting: “Claridges is an iconic building, with such a rich history. When I was asked to re-design the lighting for the guest circulation at the hotel, I wanted to create a series of beautiful iconic moments for guests, to perfectly connect the special experience of dining at the ground floor or first visiting, to the luxury of staying there and the rooms.”
“First, we brought an ambient layer of cove lights that accentuated the height and ornate detailing in the corridors, and introduced a system of tunable white fixtures that warm gradually from day to night. Secondly, we needed to design a light fixture that was iconic and completely unique; that fit perfectly in the design heritage of Claridges, but felt timeless. With longtime collaborator Sylvain Dubuisson, we designed a fixture that is both beautiful and functional- with many layers of light that allowed it to provide cooler, diffuse light in the day then transition to warm, more directional light at night. The realization of the design was made possible with the expertise of Sans Souci and their experience with cast glass- whose involvement throughout the process ensured that we were able to devise specific fabrication solutions for these very beautiful pendants, that transformed these spaces and became a beautiful addition to the hotel.”
A total of 264 pendants and 198 wall lights were made to illuminate Claridge’s interiors. This adds to the list of Sans Souci projects London, which includes the Southbank Spa, Connaught Patisserie, The Langham Hotel, 1 Blackfriars Tower Crown Plaza hotel, Royal Lancaster hotel, and Fortnum & Mason – the Parlour & the Fountain Restaurant.
About Sans Souci
Sans Souci is a Czech designer and producer of glass lighting and architectural installations. Expert glass-makers, Sans Souci combines high-quality heritage craftsmanship with innovation, using the cutting-edge nano-technologies to realise its unique designs. With an emphasis on precision and detail, the brand specialises in creating bespoke luxury lighting pieces and decorative glass features that highlight original architectural features. Production takes place in North Bohemia, Czech Republic, a world-renowned glass-making region.
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Newmor have introduced twelve new wallcovering designs for Spring 2022. The launch is all about wellness and biophilia, creating calming spaces inspired by the natural world to increase wellbeing and productivity. From tonal organic weaves and botanical prints to large scale digital wallcoverings of landscapes and nature.
Sanctuary is a collection of custom digitally printed designs that focus on creating a calm and serene space utilising the power of the natural world on our wellbeing. If you can’t get out into the wilderness then bringing it inside with wallcoverings is the next best thing. Ethereal clouds, inspiring seas, rolling landscapes and earthy stone effects.
Bali and Hessian is a beautifully coordinated collection inspired by the biophilic trend of bringing the outside in. The soft organic hessian texture with its imperfect rustic charm pairs perfectly with the delicate Bali print and will transport you to a chic idyllic retreat. The colour palette is underpinned by naturals of taupe, stone, grey and umber with accents of sage, vermillion and ocean blue.
Bali adds a soft palm print to the Hessian plain. The delicate transparent print allows the hessian texture to show through, creating the effect of a palm tree casting a shadow onto the wall. Hessian is a rustic woven texture is enhanced by a deep emboss to create an organic tactile design for interest and depth.
Zenith II is all about raw, organic surfaces – wood, stone and textured woven effects. The soothing palette is inspired by natural landscapes. Warm greys and chalky neutrals sit harmoniously alongside biophilic accent tones of copper ore and moody sea blues.
Visit newmor.com to see all of the new designs and order samples.
Cover image: Sanctuary – Horizon
About Newmor
Newmor specialise in commercial quality wide-width fabric-backed vinyl wallcoverings, which are manufactured in their own facility in Wales. Their products can be found all over the world in hotels, bars and restaurants, healthcare, education, cruise, and leisure installations. Newmor work in collaboration with a vast array of artists and designers to promote British design to an international audience. This includes painter and fashion designer, Iona Crawford; interior design duo 2LG; weaver Ptolemy Mann; artists Stephen Walter and Lois O’Hara; and design duo The Patternistas.
In this week’s interview with SBID Awards Product Design judge and Associate at SHH, Tony Duesbury discusses the nuances of designing for commercial and residential spaces. He shares his insights on designing guest experiences and how hybrid ways of working are changing the interior design scene.
Every hospitality project is unique and a distinct design narrative allows the opportunity to curate a guest experience. Interior design can help generate interest by creating “a narrative” that helps people engage with the space and learn more about where they arrived creating a ‘sense of place’. This placemaking curates the experience and makes the guest experience more personal.
We have done this in a recent brasserie where the details of the wall panelling took inspiration from the 1970’s façade of the building that was removed, enabling the staff and guests to talk about where the interior inspiration came from. This design curation helps discussion and the engagement between staff and customer to enable a unique personal experience.
Our priority when considering the future of the built environment is to look at all aspects of the environmental issues that may affect a particular project and determine what best fits the project. Whether it is creating more greening, checking the carbon footprint of materials procured or considering the MEP to be implemented. As a first step towards achieving that we will look into forming collaborations with consultants and suppliers who have a relevant approach that is beneficial to the process. We will look at individual suppliers and the principles they have in sourcing and manufacturing their materials. Buying local materials and finding unique local craftsmanship within the project vicinity is obviously a huge consideration in order to reduce the transportation carbon footprint.
The selection of materials will be different when it comes to addressing a residential project compared to a commercial project. This is due to two aspects, firstly, cost is a huge factor in. Residential schemes are led more by the heart, whereas commercial projects are led more by the purse. Secondly, it’s about the traffic of a space. Residential schemes can have more luxurious materials that don’t need to take the same wear and tear that commercial projects do. The high footfall in commercial projects, however, means that the durability of the base palette has to have longevity and accents that are easily replaced can have that more luxurious touch.
This is something like everyone we have been keeping an eye on as it is an evolving discussion that has yet to settle and likely to be a debate for years to come. Most recently the hybrid way of working has changed by introducing more technological elements that enable a seamless change from working at home and then back in the office. The largest shift is really going to be about creating staff retention by giving those unique offerings within the public office space to engage people to want to be in the office. For instance, in a recent project we have been looking at weaving in the local community and creating more opportunities for social interaction. Additional opportunities for offering amenities within communal space benefits peoples busy life styles and will have an increase in staff retention. As well as a way of attracting new talent.
My advice would be to remain very concise about their design proposal and communicate all aspects of the idea, story and design detail as clear as possible. It is important that the descriptive narrative conveys the same message as the visual design and both are coherent with each other.
Questions answered by Tony Duesbury, Associate, SHH.
Created in 1991 by David Spence, Graham Harris and Neil Hogan, SHH is an award winning Chartered Architectural and Interior Design practice working globally and based in London. SHH is vastly experienced at working across sectors – Residential, Hospitality and Commercial, and across disciplines – Architecture, Interior Design and FF&E. We offer a multifaceted, entirely bespoke design service, focused around achieving the best possible end result.
This week’s instalment of the Project of the Week series features a colourful and design-led kitchen design by 2021 SBID Awards Finalist, Pikcells.
SBID Awards Category: CGI & Visualisation
Practice: Pikcells
Project: Forest Green Shaker Family Kitchen
Location: West Yorkshire, United Kingdom
To create a ‘Kitchen of the Year’ focusing on current trends such as working from home. With the kitchen space being the hub of the home and centre of different social activities, it must be suitable for not only cooking, but the kids doing homework and serving as a multifunctional entertainment space.
We did research into the current use of kitchen space, how work from home areas are being adapted from other spaces (in our case we used what would have been a boot room). Colour and pattern trends also inspired the design using green and pink hues, chequered terrazzo tiles, marble worktops and backsplashes, as well as internal crittall doors creating a ‘broken-plan’ space and pantries.
Working within a more attainable size setting whilst still being able to incorporate all of the design features we just mentioned.
Creating a bold, impactful colour palette for the scheme, and also successfully incorporating a functional desk area into the design to improve the client’s lifestyle and use of their kitchen space.
We felt the design was strongly influenced by current trends and consumer needs for kitchen environments, designed for modern living. Also it showcases that luxury-looking bespoke kitchens can still be attainable and affordable.
Questions answered by Tanya Bailey, Senior Interior Designer, Pikcells.
We hope you feel inspired by this week’s design!
If you missed the last instalment of Project of the Week, featuring a dual café design by 4SPACE Design, click here to read it.
Charlie Smallbone of Ledbury Studio has unveiled the Marquetry Collection. This stunning new bespoke kitchen has its debut in the studio of interior design and architectural practice, Hill House Interiors. Charlie is renowned for his luxurious design style, razor-like attention to detail and commitment to innovation – and the Marquetry Collection is no exception to this. Here Charlie reveals all about Ledbury Studio’s latest offering.
The brief was an interesting one! We were asked to conceal the conventional elements of the kitchen behind beautiful cupboard doors so that the generous open-plan space can instantly switch from living to dining to cooking.
To achieve this, we specified two sets of pocket doors that slide back to reveal appliances and a wealth of storage. Particularly savvy are the walnut veneer larder pull-outs that we installed either side of the bank of ovens. Although narrow, they are great for stashing all the cooking essentials you’ll need to access at a moment’s notice.
In keeping with Ledbury Studio’s signature aesthetic, The Marquetry Collection is a contemporary take on traditional artisanal skills. Directional veneers were applied by hand to form a decorative pattern and inlaid with aged bronze. Bespoke handles, also in aged bronze, add the finishing touch.
The front of the island is clad in solid brass which has been distressed by hand, then aged and patinated. As a design feature, it injects texture and provides a contrast with the smooth marquetry panels. A porcelain surface wraps round the solid brass panel, chosen for its combination of stylish good looks and hardwearing properties. Non-porous porcelain is also a practical choice for the integrated sink, and creates a beautiful backdrop to the open shelving.
By locating the hob on the island, we have maximised the sociability of the space. While preparing dinner, the designated chef can carry on a conversation with whoever is perched at the breakfast bar or sitting at the dining table.
Open storage never fails to inject a generous dose of personality into a kitchen. Although our brief was to hide the majority of the kitchen, it was important the design shouldn’t just be a blank canvas. So, by adding bespoke walnut shelves above the kitchen sink we provided space to express some individual style.
Ledbury Studio kitchens start from £50,000.
About Ledbury Studio
Charlie Smallbone needs little introduction. The founder of iconic brand Smallbone of Devizes, he has been pushing the boundaries of kitchen design for over 40 years. Charlie’s latest venture, Ledbury Studio, was born of his desire to harness the beauty of original materials whilst creating practical kitchens that exude style and elegance.
We are all increasingly aware of the importance of sustainability in every aspect of our lives – and lifestyles. Sustainable development in design is no exception. So, we asked the team at Mark Taylor Design to discuss this further:
The concept can be interpreted in many different ways. But we like the clarity of the Brundtland Report’s definition: “Sustainable development is development that meets the needs of the present, without compromising the ability of future generations to meet their own needs.” To achieve this, planning and preparation is key. Accordingly, we are seeing a huge demand for sustainable design services, as more and more clients prioritise sustainable development goals for their homes.
There are many reasons why sustainable development/design has become so important. First and foremost, it helps to lower negative impacts on the environment, and improves building performance. It minimises waste. It improves the value of your property – and, crucially, creates a healthy and productive environment. The COVID-19 pandemic has certainly shone a spotlight on the importance of being more thoughtful about ourselves and our environment. It has also transformed how we view our homes – and what we want from them. Fortunately, this sea of change has coincided with an increase in the quality and quantity of sustainable designs available, both inside and out.
The events of the past 18 months or so have had a profound effect on home design. There’s no doubt we have changed the way we live – and the way we want to live. After all, they say that necessity is the mother of invention. “I think that people have learnt to become more self-sufficient, largely because they have had to!”, explains our director Mark Taylor. “People have also reallocated their budgets. Foreign holidays might not have been possible, yet renovations have skyrocketed. Then, of course, there’s the working from home phenomenon. This has prompted people to use their properties very differently; this is not just in terms of adding another room or a home office in the garden.”
Working from home has definitely made us much more aware of the space we have, and how best to use it. It has prompted many people to finally get round to home improvements which have long been languishing on the back-burner. In turn, trades have become so busy it’s now difficult to get renovation projects complete without booking well in advance.
Done properly, sustainable development isn’t just good for the environment, it enhances personal wellbeing too. Spending so much more time at home and with loved ones during the pandemic has led to a marked recalibration of priorities. Many people have reassessed the importance of family life, health and happiness and have made changes to their home accordingly. This might include creating space to decompress, and changing lighting and colours. Another key development is the rise in pet ownership. This had led to the creation of more/different spaces in which to accommodate them, such as boot rooms and utility areas.
Sustainable development is a win for the environment, your personal and professional lifestyle – and your wallet. Updating your interiors, installing a new kitchen or bathroom, or even adding another room such as a properly insulated orangery, can all add significant value to your property. Before you proceed, however, it’s important to identify your key objectives. For some people, a sustainable design project is all about ‘opening up’ existing space. For others, the priority is to create more rooms, to accommodate multi-generational living and working from home. Design professionals can best advise how to do both, for example, by creating hidden break-out spaces, sliding doors, and so on.
Many synergistic elements combine when creating and implementing a successful sustainable development interiors project. These include factors such as size, location, layout, insulation, lighting and energy. The use of sustainable materials has also become increasingly popular, as clients become more aware of the environment and climate change – which has been hugely publicised throughout the pandemic. With so many of us working from home over the past 18 months, there was a considerable decrease in global emissions. This in turn has made us all question what else we can do to help. Popular design trends include carpets made from recycled plastics, concrete work surfaces, large sheets of recycled ocean plastics converted into work surfaces and wall coverings, and eco paints.
Graphenstone has a great range of ‘green’ paints and coatings. This eco-friendly range of products includes natural elements that help to purify the air we breathe inside our homes. It’s recommended for indoor enclosures, hospitals, nurseries, retirement homes, hotels, environments and rooms for babies and children. It’s also suitable for people suffering from chemical intolerances. Their paints even help limit pathogens derived from Sick Building Syndrome and prevent the growth of mould, fungi and bacteria.
High quality, recycled and recyclable plastic is another sustainable material we are incorporating into many of our new kitchen designs. The Good Plastic Company aims to transform waste into beauty. In fact, its unique technology re-uses up to 75% of existing types of plastic. It uses post-industrial and post-consumer plastic waste to create stylish, modern wall panels, shelving and storage.
Looking ahead, we think sustainability will continue to be a key theme within home décor. Recycling has become far more popular and prominent. Many people are now thinking of clever and unusual ways to upcycle and recycle, in order to minimise waste and be kinder to the environment. We also think smart homes will go much further than simply featuring stand-alone devices. They will provide greater insights into energy use that will allow us to become more energy-efficient and mindful of ecological factors.
All the senses will become increasingly important. Clients are becoming more conscious of how sound, textures and lighting affect mood and productivity. It was interesting to see that designing for wellbeing was a common theme at Decorex. We noticed nature and biophilic design principles have inspired many companies and brands. Wallpapering a whole room – as opposed to a token feature wall – seems to be back on-trend. Also, beautiful texture wallpapers are now featuring eye-catching pops of colour. There is definitely a shift towards warmer and more welcoming textures and patterns. Gone are the days of grey schemes. Colour is definitely back and here to stay.
About Mark Taylor Design
Mark Taylor Design is a British manufacturer of superlative bespoke furniture, cabinetry, specialist joinery and Interior Design. Our passion is to make spaces work – to create extraordinary spaces which are as personally relevant to their users as possible.
Arteriors is delighted to introduce its latest collaboration collection with renowned US interior designer, Celerie Kemble. The collection debuted at London Design Week as part of Arteriors’ Spring Summer 2022 launch. As part of the brand’s successful Guest Designer programme, the collection features a series of furniture, lighting and tabletop accessories, with pops of wonderful, whimsical colour and repeated use of natural materials.
“Great design is at the core of who we are, which is why we’ve tapped some of the most prolific interior designers with whom to collaborate as part of our guest designer program. Each designer brings a new perspective that marries their unique design philosophy with the Arteriors aesthetic” – Arteriors Design Team.
As Celerie’s second collection for Arteriors, the range is built upon a desire to blend a range of materials, texture, soft colour and different finishes to create a playful collection for spring.
Taking inspiration in both colour and material from nature, and particularly the warmer climates of the tropics, the range is filled with playfully textured ceramic vases and lamps, polished rattan tables, mirrors, trays, and other statement pieces, in natural hues and luxe materials that lend a traditional-meets-tropical allure. The palette incorporates muted hues, pale woods, and shell motifs to mimic sandy beaches, and pastel skylines of a springtime abroad.
Celerie Kemble on the collection:
“In most of my work, I’m trying to find ways to add levity and sweetness, each piece I have designed as part of the collection is very functional, but adds a note of whimsy to your décor. I believe that it is in the quirks that things become distinctive, that interiors become animated by life and nourished by their inhabitants.”
Browse items from the collaboration online at www.arteriorshome.com or visit the London showroom to see the designs first hand.
About Arteriors
For over 30 years, Arteriors delivers impeccable style and artisanal quality craftsmanship within the lighting, furniture, wall décor and home accessory categories to discerning customers worldwide. This three-decade journey in pursuit of extraordinary product – from the understated to the unexpected – had been and remain at the core of what Arteriors do each day. Arteriors’ business has matured and expanded into a timeless lifestyle brand that has become premier resource for interior designers and retailers worldwide.
Today, Arteriors continues to reinterpret materials, forming objects of perfect proportions and scale, resulting in bold interiors that bring ease to everyday luxury.
In this week’s interview with SBID Awards Product Design judge and Director of Design at IHG, Henry Reeve talks about the most important design and functional aspects of hotel interiors, key product specifications that influence choice and shares his personal sources of inspiration.
Good Interior Design I feel can make or break a guest experience. You need both form and function, yes of course we want to wow our guests with incredible atmospheres rich in detail and finesse but there is little point creating a spectacular environment if the space just doesn’t ‘work’. It’s easy to create that spaces that impress but are poorly equipped or ill-thought through and don’t accommodate guests needs and functions. I think one of the most important aspects of hospitality interior design is to ensure our guest don’t ever feel stupid. Our guests are in an unfamiliar environment, and we want them to feel at home, to relax and unwind. Designs must be intuitive, how many times has one had to desperately search for the light switch, or struggle to find a plug socket or worse cant find the wardrobe!
Specifying product particularly recently has become even more tricky, there is a wealth of options out there but so many factors go towards influencing choice, yes of course shape and form but external factors are now more than ever influencing specification, lead times, environmental impact, over-use and of course cost are playing a huge role.
Constant innovation is mandatory in this sector, the world is moving fast and constantly looking to what’s next. Environmental factors are becoming ever more influential on both consumer choices and economic too. I feel this will become in time a far more important aspect of specification than it perhaps once was. Product life-cycle too is something I am interested to see how the wider industry addresses, how is product recycled/re-used when coming to the end of its life?
Inspiration comes from anywhere, but I must admit that Travel is certainly one source of inspiration to me that I am thrilled is now possible once again. To experience how different cultures use spaces opens ones eyes to new possibilities.
Put your best work forward, ensure photography is exemplar and try to explain your work in a succinct way. I look forward to seeing some wonderful entries!
Questions answered by Henry Reeve, Director of Design, IHG.
I’m Director of Design at InterContinental Hotels Group focusing on Kimpton and Hotel Indigo. Previously I was Associate Director at forpeople, and a Creative Director and Designer at a number of guest experience, retail, and event agencies based across London. I have worked for clients as diverse as Nike, Lotus, Peugeot, Mulberry, Bollinger, Pfizer, Coca-Cola & McDonalds. I trained as a Mechanical Engineer at Bristol University and as a Designer at Central Saint Martins, in my spare time I love to make things.
This week’s instalment of Project of the Week series features a dual café design by 2021 SBID Awards Finalist, 4SPACE Design.
SBID Awards Category: Restaurant Design
Practice: 4SPACE Design
Project: Coffeetea
Location: Dubai, United Arab Emirates
The client wants to elevate the interiors of Coffeetea’s new branch in Dubai International Financial Center (DIFC) that will reflect its branding identity and the story behind the name “Coffeetea”.
Coffee, tea, or both? Give it a gentle stir and get ready to indulge your taste buds in a unique blend of taste and flavors. This unique perspective gave 4SPACE an idea on how to elevate the interiors of the new branch of Coffeetea located at the financial hub of Dubai, DIFC.
This 200 sqm café has a split concept that is derived from having a split personality between a coffee lover or a tea lover. The green represents tea and the brown represents coffee. It’s a very literal translation but the result is outstanding. A distinctive visual style that creates an inviting destination and international appeal. This café is designed to offer an experience that disconnects customers from the hustle and bustle of everyday life. The ceiling design was inspired by the coffee bean in its original form while it’s on the Arabica Tree; the green preserved moss replicates the leaves while the red glass characterizes raw coffee beans. On the floor, we used a German Technology called Stein Art, an exclusive sandstone that gives the space a distinctive mood.
Aside from the tight deadline, the client has a tight budget as well. As designers, it is our responsibility to look for alternative solutions that will suit the client’s budget but are still aesthetically appealing and functional.
We sourced materials which are available locally and are sustainable (with low VOC). We made sure that all the materials being installed are durable and as per the original design intent.
The symmetrical pattern of arches on the wall and the floor provides layers and design features that are very minimalist and refreshing. The façade projects a sense of grandeur welcoming the customers with a vivid and nostalgic color palette. There’s a feature for brick walls with recessed plants in the shape of a tree that promotes a biophilic approach. To add the feeling of an outdoor backyard, a window with droplets was created to deliver a cozy ambiance. The contrasting hard and soft colors and design details reflect the characters enhanced by the branding integrated into the café through the signage.
We’ve been participating SBID awards for 7 years, and our Co-founders are both SBID Members. We believe on its vision and so we are always proud to share our projects to the SBID audience, this time it is “Coffeetea”. 4SPACE have designed and created an imaginative and evocative space that has a relaxed and indulgent atmosphere; a hospitality experience infused with local café culture.
Questions answered by Firas Alsahin, Co-Founder, 4SPACE Design.
If you missed the last instalment of Project of the Week, featuring a residential home design by The Furniture Union, click here to read it.
Opening in the heart of Clerkenwell’s design quarter during Design Week 2022, RAK Ceramics is launching their inaugural Design Hub – a go-to destination for designers, architects and developers looking to explore the possibilities of choosing RAK Ceramics products for their projects.
The Design hub will feature the first UK display of a brand-new collaboration with renowned fashion designer Elie Saab which will feature a range of edits from the Elie Saab Maison collection.
To mark the opening several renowned European designers will provide their Design Insight in a series of inspirational talks and seminars during Clerkenwell Design Week.
These include Giuseppe Scutella, who collaborated with RAK Ceramics on its luxurious RAK-Cloud and RAK-Petit collections and Federico Sandri, one half of the design duo behind the beautiful RAK-Variant collection. Guests at the Design Hub opening events can also hear from Patrick Norguet, on the thinking behind the RAK-Valet sanitaryware range.
Tours of the Design Hub will take place during the launch party on Tuesday 24 May, with guests invited to enjoy a cocktail and evening entertainment to mark the opening ceremony.
For a full list of events and to book visit the Clerkenwell Design Week website.
About RAK Ceramics
RAK Ceramics is one of the largest ceramics’ brands in the world. Specialising in ceramic and grès porcelain wall and floor tiles, tableware, sanitaryware and faucets, the company has the capacity to produce 123 million square metres of tiles, 5 million pieces of sanitaryware, 24 million pieces of porcelain tableware and 1 million pieces of faucets per year at its 22 state-of-the-art plants across the United Arab Emirates, India and Bangladesh. Founded in 1989 and headquartered in the United Arab Emirates, RAK Ceramics serves clients in more than 150 countries through its network of operational hubs in Europe, Middle East and North Africa, Asia, North and South America and Australia.
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