Timelessness Balanced with Modern Feel for a New Hotel

This week’s instalment of the Project of the Week series features a contemporary hotel’s public space design by 2022 SBID Awards Finalist, Paul Liu Design PLD.

Located in the core area of Dinghu New District, Zhaoqing City, this new Sheraton hotel is integrated with the beautiful landscape belt of Changli River, wetland park and other waterfront landscapes. It is designed to showcase new experiences, leading guests to work, relax and party in a comfortable social atmosphere during their stay. With 398 guest rooms, this hotel has 1,700 square meters of banquet and meeting space, including 1 grand ballroom, 6 conference rooms and 1 multi-function hall. All venues are equipped with high-speed Internet connections and modern audio-visual equipment. The 715 square meters column-free grand Ballroom can be flexibly divided into 2 independent Spaces. It is ideal for events of all sizes, such as large conferences, romantic weddings and social gatherings. It also offers a range of leisure facilities including a fitness center with cardio and fitness equipment, an indoor heated swimming pool and a jacuzzi and sauna.

What was the client’s brief? 

The interior designer is commissioned to convert an existing building and rebuild it into a new design Sheraton-branded contemporary hotel that can articulate Marriott International’s brand strategy, philosophy and globally consistent image while take the owner’s operational, budget, time schedule requirements and aesthetic issues into consideration.

Since 2018 Marriott International announced plans to reinvent its Sheraton brand for a new generation of travelers. Sheraton Hotels & Resorts have been transformed under new version that guests can appreciate a sense of timelessness balanced with a refresh, modern feel that’s ideal for working, meeting and relaxing during their stay. Beside the client’s requirement, this property design also needed to follow the Facility Criteria given by the Brand guideline.

What inspired the design of the project?

The Zhaoqing Sheraton Dinghu Hotel design details inspired from its unique geographical location. The designers also used Oriental Aesthetic Duan Inkstone as a nursery of ideas in style. The fundamental core values of Chinese cultural philosophy were applied to design technique to emphasize the unity and harmony.

What was the toughest hurdle your team overcame during the project?

Due to the diversity of functions within a hotel building, a large number of specialist consultants were required to coordinate with during each critical design stage that made the design process very complicate and challenging. Another challenge facing is how to make the most efficient floor plan configurations and energy intelligent within the limitations of the existing architectural condition.

What was your team’s highlight of the project?

The new Sheraton brand’s new design approach draws on the hotels’ roots as community hubs for locals and guests alike with aims to create an intuitive and holistic experience, integrating areas to connect, be productive and feel part of something special during their stay.

In the new design elements of Zhaoqing Sheraton hotel, the integration of work and enjoyment is at the heart of the design, using the concept of open shared space in the lobby of the hotel. The integrity of the space makes it vibrant and belonging, with open spaces for guests to socialize or spend time alone. Adhering to The Sheraton brand concept, Zhaoqing Sheraton incorporates many of the brand’s new signature elements, including a shared community table, that is compatible with form and function, it was designed for guests to work efficiently, and for flexible meeting space for team members to collaborate in a relaxed atmosphere. Add vitality to the entire public space, as well as small meetings and private dining. The hotel also has 3 original restaurants and a specialty bar, serving a range of local and international cuisines, that can let the guests enjoy the wonderful environment while focusing on their work.

Why did you enter this project into the SBID Awards?

SBID AWARDS is one of World’s most prestigious and influential design awards, which honors excellence and provide global recognition.

Questions answered by Bo Liu and Hank Xia, Founder & Chairman and Director, PLD.

4SPACE is celebrating its 10 year anniversary. Can you tell us how the company grew to this stage and what your visions are for the future? 

From humble beginnings, 4SPACE has grown from a small, humble office and a team of two to a buzzing design entity with over 20 employees with an expansive and vibrant office in the heart of Dubai.

Founders Firas Alsahin and Amjad Hourieh always dreamed big. They understand that dreams without goals are merely dreams. They set appropriate goals and put in place a comprehensive 10-year plan to provide a roadmap for the necessary steps to achieve success. By the tenth anniversary, Design Middle East Awards bestowed 4SPACE the prestigious boutique firm of the year award in 2022. 4SPACE continues to grow, and the team aims to be the top international architectural and interior design firm by 2032, with branches across Europe and Asia. They have various projects in the pipeline, including hype entertainment venues, government commercial spaces, unique food and beverage concepts and a hospitality project.

Within the next five years, 4SPACE intends to transform from a boutique design studio to a much larger design firm with at least 50 employees by 2027 and over 140 by 2032. They aspire to be one of the top five design firms within the region by 2027. They aim to have a sustainable business model and dynamic company structure so that the company can expand into new areas of business, clients and markets. 4SPACE targets companies and private clients seeking a one-of-a-kind design and superior service. They are adopting a new company structure, systems, workflow, techniques and a sophisticated hiring strategy to achieve these changes. They anticipate that 4SPACE will promote much of their team to take on additional responsibilities and be involved in managing this vision and development.

How have you found that projects, their requirements and client expectations have changed throughout your years in practice?

Client expectations and requirements vary depending on market trends. Pre-pandemic, clients wanted open and shared spaces for a collaborative environment. During the pandemic, privacy and partition-closed spaces became necessary, with the online market and cloud kitchen prevalent. Post-pandemic, clients want innovative and sustainable designs. 4SPACE created many mind-blowing ideas from various techniques and 3D software programmes. Because of these changes, the team at 4SPACE has adapted, followed trends, learned new softwares and techniques and explored a host of different materials and designs.

Do you think the Metaverse will impact the interior design profession? What opportunities could it present for interior designers?

The Metaverse is having an impressive impact on the design industry. Alsahin explains, “Brands and businesses will be more and more willing to be a part of the next big thing; they will need to exist where their customers exist and in order to achieve that, they need to invest in the virtual world”.

Alsahin believes that the Metaverse is a stepping stone to cultural evolution and a limitless capacity for art. There are many more opportunities for designers inclined to use 3D software programmes. They used to quote, “From sketch to reality” with the formation of Meta4SPACE, the mantra has changed to “From sketch to metaverse world”. Alsahin continues, “In the near future, users will be able to use augmented reality smart glasses, which are wearable computer-capable glasses that add extra information; ideally 3D images and information such as animations and videos, to the user’s real-world scenes by overlaying the computer-generated or digital information over the user’s real-world”. Now that everything is limitless and with the advent of various Metaverse environments, the industry will need skilled designers and architects who can master future virtual and AI technology. “Virtual, augmented, and mixed reality technology will become important not just to present a designed space as a visualization method, but rather to be a designed form of space itself”.

What are the most notable achievements 4SPACE has accomplished over the past decade?

It takes many years to create something special. Over the last decade, 4SPACE has created a great team, has access to better technology and creating new goals. The team has received numerous awards and recognitions from internationally acclaimed award-winning bodies, including the SBID overall winner in 2018 and Design Middle East Awards boutique firm of the year 2022. With project requirements increasing, there is a new wave of employment opportunities post-pandemic. The new office space is fully automated and includes a new architecture company and Meta4SPACE and increasing staff levels. Power 50 nominated Alsahin for fourth place in this coveted award.

What key advice would you give to emerging designers for building a successful interior design business? 

As the old saying goes, “no man is an island”. Building a company in a foreign land has its challenges. Success requires sound finances, and self and team trust are hugely important. 4SPACE has created a great team, ensures that no one is self-sufficient and encourages the team to rely on and support each other. Together, the team has various goals, ensuring they achieve them no matter what. Alsahin and Hourieh encourage their teams to succeed, be inspired, share insights and do better each day. They understand that physical and mental health is important and inspire their teams to have a healthy work-life balance, enjoy the fruits of their labour and pay it forward.

Questions answered by Firas Alsahin, Co-Founder, 4SPACE.

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This week’s instalment of the Project of the Week series features a dynamic and creative office design by 2022 SBID Awards Finalist, TT Interior Office Design.

What was the client’s brief? 

This is a mobile and social gaming company popular with young people domestically. The company has many subsidiary product brands and cultivates e-sports teams for mobile games. Its slogan that there is no lonely playmate in the world is also recognized by many post-90s and post-00s players or employees.

What inspired the design of the project?

The pronoun derived from Quwan is full of fashion, passion, youth, creativity and endless fun. The original idea of the design was to integrate these elements into a carrier, a planet that could fully express and carry the expectations of one billion players around the world instead of Quwan. The Planet of Quwan, the Planet of Happiness.

What was the toughest hurdle your team overcame during the project?

The toughest hurdle was the restriction of ceiling height that made it challenging to unify the lamp belt of the front desk ceiling. Another challenge was the installation and fixation of gypsum board ceiling, and relying on two fulcrum for support of the aluminum plate modeling of the spacecraft. Loading the stairs into the spacecraft and transporting the large modules to the site for assembly also brought about some troubles during the installation process.

What was your team’s highlight of the project?

The design of the space fits it’s story concept perfectly and the theme embodies technology, fashion and change, the colorful atmosphere seeping through unified aluminum plate material and electronic dynamic light belt.

Why did you enter this project into the SBID Awards?

Since we won the SBID award last year, we wanted to show more excellent work to everyone and we hope that the reputation of SBID can help improve the value of our brand.

Questions answered by Ruby Chou, Founder, TT Interior Office Design.

This week’s instalment of the Project of the Week series features a glamorous oak home design by 2022 SBID Awards Finalist, Space Studio.

What was the client’s brief? 

Our client loved the hotels that we have designed and wanted the same for the extensive renovation to the home that he had recently purchased. He said he loved raw oak, dark oak, marble and brass and asked us to just go for it!

What inspired the design of the project?

The house is located on the shores of Auckland’s beautiful Waitemata harbour, and sits amongst pohutakawa trees that tangle around the site. The house was quite a traditional brick bungalow, and the street is one of Auckland’s finest, positioned very close to the CBD. We sought to capture our client’s love of luxury hotels and urban glamour, with the raw desaturated colours and textures of the natural surroundings. We then looked to open up the planning of the rather boxed in original home, creating long sight lines across the living spaces.

What was the toughest hurdle your team overcame during the project?

There were no hurdles with this project. A clear vision, a motivated and trusting client and passionate builder kept the project running smoothly from start to finish.

What was your team’s highlight of the project?

The entry screen with the view through to the dining room, is as good as the photography portrays. It was such an effective device to provide a point of welcome at the entry and a filtered view through to the family life within.

Why did you enter this project into the SBID Awards?

We recognise how lucky we are to live in New Zealand, and we would like to share the work that we do down here more broadly. We also work in an international market, with many offshore clients, and we want to show them that we are leading a broader community of international designers.

Questions answered by David Sweatman, Associate Designer, Space Studio.

Luxury bath and kitchen brand GRAFF and prestigious American industrial designer Stephen Burks present Faucet Fantasy, an artistic installation drawing attention to the importance of water conservation. Burks, known for using artisan and handcrafted influences in his designs, will showcase nine GRAFF faucets in luxurious finishes, reimagined in his signature mix of bright colours with natural and manmade materials.

“Inspired by the graphic flow of water, Faucet Fantasy showcases nine luxurious faucets in a colorful array of handcrafted finishes, textures, and materials,” Burks said. The eye-catching installation generated considerable buzz among the attendees at the unveiling event.

Faucet Fantasy represents GRAFF’s Art of Bath sustainability program. GRAFF is an actively green brand, from using lead-free materials in its products to adhering to zero waste in its lean manufacturing system. The brand is inherently dedicated to water conservation, understanding our most valuable resource’s role in a healthy ecosystem. In 2012, GRAFF raised the bar on eco-standards by automatically including water-saving systems with all bathroom-sink and kitchen faucets, and showerheads. Partnering with sustainable projects worldwide, GRAFF strives to make luxury green.

Founder and President of GRAFF, Mr. Ziggy Kulig, commented: “For GRAFF, quality, design and sustainability, go hand in hand. We look to align with creatives whose own work embodies this same philosophy. We are pleased to partner with Stephen Burks for creating an exclusive sculpture installation. We hope his creation will inspire viewers to do their part in supporting water conservation initiatives.”

Burks’ installation also dovetails seamlessly with GRAFF’s rich heritage of artisanship and craftsmanship in production. “For Faucet Fantasy, we were looking at the idea of bringing the hand to industry and presenting a range of products that give the customer a sense of what’s possible,” said Burks. Together with his studio Stephen Burks Man Made, Burks has been commissioned by many of the world’s leading design-driven brands to develop collections that engage hand production as a strategy for innovation.

As a product development consultant, Burks has worked in close collaboration with artisans and craftspeople around the globe. His work has been exhibited internationally and he has been the recipient of several awards, including being the only African American to win the Smithsonian Cooper Hewitt National Design Award in Product Design. In 2019, he became the first Harvard Loeb Fellow in the discipline of product design and was recently an adjunct assistant professor of architecture at Columbia University’s GSAPP.

Following its unveiling at RNDD, the Faucet Fantasy installation will be on display at Chicago’s Studio 41 home design showroom from September 10th to September 30th and then at the GRAFF Design center at the Mart for Design Chicago.

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This week’s instalment of the Project of the Week series features a contemporary family home design by 2022 SBID Awards Finalist, Designck.

Designck was commissioned to design the interior for this large contemporary new build. Part of this project was the kitchen, wine room and powder room. Robin Caudwell wanted to keep a feeling of warmth throughout the home. His clients have a large extended family and friends and entertain regularly; it was essential to make the home stylish, inviting, and relaxing, that everyone could enjoy. Using a mixture of different textures and tones, with carefully placed statement pieces such as the Titanium Gold Granite Island top, he feels that he has achieved a remarkable outcome for the clients.

What was the client’s brief? 

I was engaged to design several areas of this luxury new build, which included the kitchen, outdoor kitchen, evening room, wine cellar, and powder room. The client is of Asian descent and have regular, large family gatherings, it was important to them that the kitchen was equipped with expansive storage for food, good prep areas and gas in the principal cooking area. Their wine collection needed to be showcased within their evening room. They wanted a warm and inviting powder room for their guests.

What inspired the design of the project?

The anchor for my design was the stunning Titanium Gold granite I chose for the island, and it has become a statement piece within the room. I used Lux board, which I reversed, and utilised the matte side that complements the Laminam in Moro that I picked for the expansive front door and a large fireplace.

What was the toughest hurdle your team overcame during the project?

On this particular project, there was a requirement for several air-conditioning return vents of which we didn’t want to put on show. I came up with a solution to conceal the vents above the cabinetry, extending the height of just the doors to  give the kitchen area a cleaner look without showing the numerous vents required.

What was your team’s highlight of the project?

For me, it was seeing how the different rooms come together with a common theme whilst keeping their individual identities. And as a bonus, when I told the clients that we have been shortlisted for the SBID Awards, they were over the moon.

Why did you enter this project into the SBID Awards?

The SBID Awards are renowned as the pinnacle of the design industry’s awards. It’s one of the few awards that becoming even a finalist is a mammoth effort, and if I was fortunate enough to win, it reinforces why I love this creative industry being recognised for my passion, and time that I have poured into this project.

Questions answered by Robin Caudwell, Principal Designer, DesignCK.

This week’s instalment of the Project of the Week series features a dark apartment design by 2022 SBID Awards Finalist, ID4U studio.

What was the client’s brief? 

Very unusual young woman owns this apartment. She is unique. So her brief was also untypical. She asked us to make her a “stylish and gloomy” apartment only for herself.

What inspired the design of the project?

Our magic client inspired us. We tried to create space which would reflect her a lot. We knew that our client would also appreciate some experiments, so we did it. At the same time we couldn’t ignore our fundamentals – comfort and cosiness. That’s why the interior concept was based on use of rich dark palette and concrete. But wooden walnut floors, different textiles, accents in gold and décor make this space very cozy.

What was the toughest hurdle your team overcame during the project?

We started this project before COVID. We created the whole concept. Everything was approved with the client. Covid quarantine came just before construction work started, so the project was paused. After few months we had to redo the whole concept and we had to remotely control the construction work.

The most complicated part of the project was the concrete staircase. We came up with the idea of it’s soft lines and rough material. Five people had been building it for two weeks.

What was your team’s highlight of the project?

For a long time we were dreaming to create an interior with dark walls. We were happy that finally we met a client who agreed with that idea. And not only with dark walls but also with dark ceilings! We love this dark green bedroom. It is amazing. Even though the floor is also dark, the room is full off light coming from a giant window.

Why did you enter this project into the SBID Awards?

By entering SBID Awards we want to share Ukrainian Interiors with the World. We want to show that our quality of work meets international standards and trends.

Questions answered by Viktoriya Moshchynska and Olga Griban, Co-Founders, ID4U Studio.

This week’s instalment of the Project of the Week series features a timeless restaurant design by 2022 SBID Awards Finalist, EDG Design.

What was the client’s brief? 

Singapore’s famed Orchard Road was once lined with fruit plantations, spice gardens and orchard groves (hence its name). But with the country’s modernization these plantations gave way to office towers and shopping malls that we see today. Our brief was to pay homage to this bygone era of the location’s Colonial past, agricultural history and the beauty of the tropics seamlessly merged for diners to enjoy morning, noon and night. Thus the concept of Estate was born, a series of three distinct dining rooms linked to open theatrical food kitchens that celebrate one of Singapore’s favourite pastimes…eating!

What inspired the design of the project?

Using the concept brief as a starting point, we developed a story of a 19^th Century plantation owner living in a grand estate surrounded by lush orchards growing crops of cinnamon, nutmeg, gambir and peppercorns. The architecture of these Colonial houses also served as inspiration. We utilized a similar approach of creating a series of intimate yet interconnected rooms for dining, kitchens and private areas which encourage exploration while creating an inviting and comfortable atmosphere. The restaurant thus became a modern interpretation of a grand colonial estate that celebrates its heritage through design, palette, intricate details and gastronomy.

What was the toughest hurdle your team overcame during the project?

This building is an iconic landmark on Orchard Road and although constructed in the 1970s, is considered old for Singapore. As such, the building has lower floor-to-floor heights seen in today’s towers; therefore we were challenged to maximize the interior ceiling heights and did so by streamlining mechanical services and adding visual tricks such as blackened mirrors on the ceiling which create the sense of height and depth in a subtle manner. We also found a hidden structural column in the middle of our buffet kitchen which was not on the original architectural drawings. We managed to re-plan the kitchen and dining rooms quickly whilst still maintaining the integrity of the design.

What was your team’s highlight of the project?

Seeing the total transformation from the old space into a beautiful and timeless restaurant and sharing in the positive energy and excitement of our client is what makes design so gratifying. Developing a strong design narrative told through design, overcoming a challenging building and unforeseen challenges, and adapting to a new working model of executing design and construction during the unpredictable heights of Covid-19, we feel especially proud that Estate has come out with the rest of the hotel as an exciting new venue for guests and visitors to enjoy.

Why did you enter this project into the SBID Awards?

SBID is one of the most well-known and prestigious design awards in our industry. As an international design and branding studio, we feel the opportunity to promote our work through SBID’s platform also helps EDG Design gain visibility and recognition from the voting public as we continue to create exciting and memorable guest experiences through design.

Questions answered by Simon McDonald, Design Director, EDG Design.

This week’s instalment of the Project of the Week series features a dining and late-night venue design by 2022 SBID Awards Finalist, Novo Design.

We were brought in as the design team to assist with the delivery of Inca, an exotic dining and late-night venue situated under the London Palladium at Oxford Circus. The turnaround on the project was unheard of for its scale but the project manager knew we were the right team to do this and would be able deliver an outstanding design under challenging time scales. And that we did. We worked through the specification process pragmatically with the client prioritising the longest lead items and bit by bit, and lots of late nights and specification meetings later we started on site with 90% of the design information signed off. The last elements were worked out easily as a team on site. After 16 weeks of possibly the most intense project we have ever worked on the final results were outstanding and it was credit to the client for putting their trust in us and being decisive with decisions and sign off, the contractor for working tirelessly through the build and offering pragmatic solutions to problems if they occurred whilst on site and a fantastic project and cost manager for keeping it all ticking and making sure everyone was where they should be.

What was the client’s brief? 

To create a high end, premium environment to act as a backdrop to world class Latin America shows and performance and an exceptional food and drink offer.

What inspired the design of the project?

A journey through Latin America. Colours, textures, landmarks and environment were all huge factors that inspired the design decisions.

What was the toughest hurdle your team overcame during the project?

Lead time, covid and Brexit. We were briefed in July and delivered the project at the end of October. We didn’t have the usual lead in to organically develop the design it had to be done on the fly so there were lots of intense meetings making decisions quickly to ensure contractors had information ahead of starting on site. Limited to selecting UK stocked items/materials as we didn’t have time for European transit times which was limiting and more challenging to create such a high-end premium feel with limited options.

What was your team’s highlight of the project?

Going to the launch event. It was amazing delivering such a unique design, but it really comes to life when the space is full of people, the performers are on stage and the food and drinks are theatrically delivered to your table. A dining experience like no other.

Why did you enter this project into the SBID Awards?

This was such an intense project due to the timing and tight turn around. The team were working on drawings and details until the early hours of the morning regularly and then heading to site the next day, they put so much into the project to ensure it was delivered perfectly and it would be great if they could get some recognition for the time and effort put in.

Questions answered by Abbie Smith, Founder and Creative Director, Novo Design.

Canadian luxury handmade furniture and lighting brand Gabriel Scott has launched its latest lighting collection, Welles Reimagined, in collaboration with six global designers and architects to celebrate Gabriel Scott’s tenth anniversary in 2022.

The established designers have reinterpreted the studio’s most iconic fixture, the Welles Chandelier. The six fixtures, first showcased at Milan Design Week 2022, have now been formalised into six capsule collections which include chandeliers, sconces and pendant lighting.

Scott Richler, Gabriel Scott’s Founder and CEO, explains: “The Gabriel Scott brand launched on a manifesto to furnish the architectural community with exactly what they needed, and we’re still doing this through material, size and form ten years later. Inspired by jewellery, the Welles Chandelier is a true representation of our design philosophy – to design and make modular products to custom specifications. The Welles Reimagined capsule collections celebrates our brand ethos and the collaborations we undertook with each designer perfectly demonstrate how we like to work together with our design and architecture clients to achieve something really special and tailored to their requirements.”

David Rockwell

The David Rockwell capsule collection celebrates the Welles Chandelier’s classic geometric form, while creating a contemporary light fixture inspired by clusters found in nature, such as crystals, chemical compounds, and clouds. Ultimately, Rockwell drew from botanic forms to create an organic assemblage. The hollowed glass polygons act as metallic light points that come together at varying heights and dimensions to form a floating light cluster. The feature chandelier is defined by its luxe volume and organic nature.

“The collaboration allowed us to create something very special that combines Gabriel Scott’s modular approach to lighting and expert craftsmanship with our focus on storytelling and materiality. We experimented with volume, color, texture, and scale to create organic assemblages of light that have a dramatic impact on the atmosphere and our perception of space.” – David Rockwell.

Kelly Hoppen

Crafted from white clay and inspired by a collection of ceramics she is currently designing, the Kelly Hoppen capsule collection comprises a single flush-mount sconce suitable for both wall and ceiling installation, a pendant light, a single sconce on a banded arm and the Welles Long Chandelier in three sizes. The overall form has been scaled down from its original size to create an elegantly delicate aesthetic.

“When I was asked to do it, obviously it’s a very iconic piece already, but instantly I knew I wanted it to be a chalk white, clay, very organic piece, because that would make it incredibly different from anything Gabriel Scott had done before.” – Kelly Hoppen, CBE.

Alessandro Munge

Alessandro’s capsule collection has a beautiful narrative infused with dynamic and bold fashion references inspired by rhythmic dance. It includes the 12-module central chandelier as seen in Milan, a scaled down 8-module chandelier, a larger 18-module chandelier and an arm sconce. While its volume is radically different, the modular qualities are still able to extend for extra tall ceilings and multiply for larger spaces. This flexibility makes it a truly versatile and playful product that invites designers to create bespoke configurations.

“One of the key features that inspired us was how architectural the Welles is, yet extremely detailed and jewellery-like – even the slightest of components like the bracket is beautifully designed. It felt like a sculptural piece of art. So, we drew inspiration from couture fashion, from dance, and when we immersed ourselves in this world, we thought about deconstructing the original piece and rebuilding it in a completely different way.” – Alessandro Munge.

Michelle Gerson

Michelle turned to nature to add a floral element that represents growth and bloom, alluding to a rebirth of a classic Gabriel Scott design. Uplifting and joyful, Michelle Gerson’s capsule collection includes a vertical sconce and small, medium and large versions of the chandelier first seen in Milan.

“The vision is nature. We tried to take a more geometric, modular, masculine type fixture and break it up and create what we thought would be blossoms, branches and leaves. We mixed up the materiality a little by using mesh to create a lightness, we wanted it to feel spacey, alive and happy.” – Michelle Gerson.

Sybille de Margerie

As a contrast to the sharp metal and glass silhouette of the original Welles, Sybille’s interpretation reveals the feminine side of her signature design style. Couture-inspired, elegant and smooth, the capsule collection shows a gradient composition from emptiness to full, with a variation of hollow and plain shapes. It comprises a sconce, cluster sconce, the standard chandelier as seen in Milan, and a smaller version. All fixtures include padded vegan leather to create a subtle 3D effect and rounded corners to add softness.

“We love leather because we find it’s a very elegant finish and combined with a soft bronze, this is our vision of luxury which is very understated.” – Sybille de Margerie.

Guan Lee

Guan’s design is a striking floor installation, illuminated by light bulbs and made from POLiROCK, a new material developed by Material Architecture Lab. The fired clay has unique characteristics, somewhere between ceramic and rock. It appears natural but is made by recycling manufacturing waste. Due to the nature of this design, it can be customised from the original form that was shown in Milan. For commissions, Guan and the Gabriel Scott’s design team will work with the client to deliver something bespoke.

“The first thing I thought was that it would be nice to have a contrasting material, so instead of something transparent something solid that allows light to go through in a very particular way.” – Guan Lee.

Cover image: Sybille de Margerie for Gabriel Scott

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