Pedrali, Italian manufacturer of contemporary design furniture for contract and residential environments, took part in the 64th Salone del Mobile.Milano from 21 to 26 April, the leading international event for the design industry.
At its 37th participation, Pedrali unveiled nine indoor and outdoor collections, the result of in-depth research and close collaboration with renowned Italian and international designers. A family business story that began 63 years ago has led Pedrali to develop a 100% Made in Italy philosophy, embodied in the control of the entire production chain across its Headquarters in Mornico al Serio (Bergamo) and its production unit in Manzano (Udine).
#PedraliGentleHabitat (Hall 24, Stand C27, C35), designed by the Milan-based DWA Design Studio, arises from the interplay between colour, material and light, taking shape as a pure and recognisable architecture that openly reveals its constructive nature. The result is an essential yet welcoming space that guides visitors through an emotional and multi-sensory experience.
The 900 sqm stand unfolds as a volume with a strong architectural identity, defined by visible structural elements and a clear design language. A grid of exposed beams and pillars shapes the space, while a sloped ceiling that introduces a sense of dynamism to the overall composition.
The outer shell becomes a large neutral surface a painter's blank canvas on which the entire project unfolds - creating a harmonious atmosphere. A uniform colour, applied across different materials, generates an apparent visual continuity that, upon closer inspection, reveals a layered material identity shaped through textural variations.
The poplar wood structure, chosen for its visual lightness and pale tone, is combined with textile surfaces that respond to variations in light, contributing to a dynamic and nuanced experience of the space. This dialogue between natural materials and daylight generates a delicate, vibrant texture that gives depth to the environment, transforming it into an immersive setting that envelops visitors in an immersive sensory experience.
On this balanced and essential backdrop, the project comes to life through touches of colour: the settings featuring Pedrali novelties emerge as intentional and controlled presences, capable of defining atmospheres, functions and identities.
The undulating canvas - clad walls introduce a variation in material and form, enhancing spatial perception by adding depth, volume and refined plays of light and shadow, becoming an architectural focal point around which the stand is organised.
The space unfolds as a fluid and dynamic layout, where architectural elements define different areas without ever interrupting the perceptual continuity of the environment. The interplay between indoor and outdoor spaces creates a gentle rhythm, generating a sense of hospitality and overall well-being.
Semi-transparent canvas panels distributed along the stand appear to filter day light, creating a soft transition that reinforces spatial continuity. This approach perfectly lines up with Pedrali vision, which has always been a promoter of design that blend aesthetics, functionality and well-being through families of products designed to seamlessly furnish both indoor and outdoor spaces, creating fluid and continuous harmony. In 1963, open spaces inspired Mario Pedrali to produce his first wrought iron collections for outdoor use. With a view to pursuing and guaranteeing the mixture of environments, Pedrali outdoor collections have the ultimate goal of bringing the same quality and care to the outdoor as indoor environments.
Nature is integrated into the stand through a dual narrative that reinforces its relationship between people and architecture: on one hand, real nature is represented by tall trees that become architectural elements. These vertical elements articulate the space and establish a dialogue between nature and architecture, between memory and innovation. On the other hand, a reinterpreted nature emerges through artistic photography integrated within the different settings, acting as visual openings onto natural landscapes.
The images, by Milan-based photographer Alecio Ferrari, alternate wide panoramas with close-up details in which textures and colours emerge vividly, taking on an almost painterly quality, like abstract compositions that conceptually extend the perimeter of the stand and amplify the perception of space.
Balancing structure and colour, neutrality and emphasis, the #PedraliGentleHabitat stand is conceived as a carefully designed ecosystem — a space where materials, light and hues interact in a calibrated way, offering an experience that celebrates design as an act of composition.
Within this setting, people’s well-being is central: the quality of light, the permeability of space, the presence of greenery and the use of natural materials create a sense of harmony and comfort, fostering a more conscious relationship with the surrounding environment. The relationship between architecture, nature and living quality becomes fundamental, together with the selection of materials and products designed to last over time, supporting everyday life with enduring quality.
In order to pursue the sustainable philosophy that has always guided the company, attention was paid to the selected materials, the optimisation of raw material consumption, resource rationalisation, material reuse/recycling, and disassemblability in the design phase of the stand. Furthermore, all elements used within the stand were designed to be disassembled and reused, thereby maximising the durability and sustainability.
This year, Pedrali inaugurates two new collaborations : with the design duo Formafantasma and with AMDL CIRCLE, the multidisciplinary studio founded by architect Michele De Lucchi.
The work of Andrea Trimarchi and Simone Farresin – founders of Formafantasma – is rooted in a design approach that goes beyond the object itself to express a way of thinking, building and inhabiting space. The design partnership between Pedrali and the studio has led to the development of Estratto, a collection of mono-material coffee tables and consoles in aluminium. The designers’ interest in materials with a genuine potential for circularity, combined with Pedrali manufacturing expertise, has given rise to a family defined by a strong material identity, exploring the technical and narrative potential of aluminium extrusion as a continuous and potentially infinite process.
Aluminium extrusion is a core competence rooted in the history of the industrial district in which Pedrali production facilities are based, a context where this process represents a long-standing tradition. Aluminium is also a recycled and recyclable material, resistant and durable, ensuring long product lifespan.
The base of Estratto is composed of three concave aluminium extrusions that, when joined together, ensure structural stability while leaving the internal cavity empty, creating an elegant interplay of solids and voids. The joint between the elements generates a visual rhythm that highlights the transition between surfaces and contributes to the overall design of the collection. The concave shape modulates and reflects light, enhancing depth and three-dimensionality, while also allowing for easy and functional combinations. The extruded aluminium section allow to create coffee tables or consoles using one or more bases depending on the size of the tabletop.
Pedrali collaborates with AMDL CIRCLE to design their first collection together. A significant step following the collaboration established in 2023 for the company’s 60th anniversary. On the occasion of the 64th edition of Salone del Mobile.Milano, this synergy takes shape in an outdoor collection conceived to bring outdoors the same sophistication, warmth and attention to detail that characterise indoor furniture. The result is Fibra, a collection of daybeds that, thanks to its clean design, enhances the space in which it is placed while engaging harmoniously with the surrounding natural environment.
The key element of Fibra is the solid wood legs. Their shape – almost like a large wooden peg – fits sculpturally into the extruded aluminium frame. The faceted leg and the frame are connected through a die-cast aluminium joint, designed to be almost invisible yet extremely strong, ensuring stability while becoming the structural core of the daybed. The combination of the powder-coated aluminium frame, which guarantees visual lightness and outdoor resistance and the natural FSC® C114358 certified teak wood lends warmth and a sense of connection with the ground. Comfort has a key role in the design of Fibra. More than a simple sun lounger, it is a true daybed that can transform from a single into a double version. The dry-feel polyurethane foam cushion rests on a waterproof textile mesh surface and stands out for its generous thickness, providing a soft, cosy feel. The use of new-generation technical outdoor fabrics that reproduce the appearance and tactile richness of textiles typically used indoors – such as bouclé or more textured weaves – gives the collection a refined look. The concealed reclining backrest allows an easy transition from a semi-reclined position, suitable for reading or conversation, to a fully reclined position for maximum comfort.
The double configuration can be provided with a multifunctional teak slatted top positioned in the centre. When equipped with rear wheels in teak, the sun lounger can be moved more easily, making it even morepractical.
The collection is completed by a set of coffee tables in different sizes, characterised by the same wooden leg of the daybed, positioned externally to the top so that it remains fully visible. The solid aluminium top is available in round, square or rectangular shapes. Fibra evokes a sense of calm and understated elegance — whether by the pool of a Mediterranean villa in natural stone, in the solarium of a contemporary boutique hotel or on an urban terrace — and becomes the protagonist of the first setting that welcomes visitors: an immersive outdoor scenario defined by water reflections, lush greenery and soft tones that invite relaxation. The light brick flooring enhances brightness, while an undulating wall acts as a screen, shaping a more intimate and secluded area.
Filicudi table lamps, by Andrea Pedrali help to create a relaxed atmosphere. Suitable for indoor and outdoor environments, Filicudi is a practical and functional rechargeable table lamp made of an extruded aluminium column and a polycarbonate diffuser, distinguished by compact proportions and minimalistic style. The lamp can be easily separated into two parts: while the diffuser is charging, the column transforms into a watertight flower vase, enhancing the product’s versatility and making it a refined and flexible accessory.
The scene is completed by Twiny rug, designed by DWA Design Studio. Twiny rugs are made from cord obtained by weaving a polypropylene yarn, which is strong yet soft and completely recyclable, ensuring a very high level of performance when placed outdoors, guaranteeing resistance to sunlight and weather, easy cleaning and maintenance. The collection includes two different patterns, both in twill and defined by a discreet graphic sign, one striped and one diagonal. The rug background in neutral shades of sand is divided into two tone-on-tone sections, one lighter and one darker.
The second setting evokes an elegant residential environment, where the poplar wood flooring and the furnishings reflect the quality of contemporary living. Opale collection, designed by Patrick Jouin, runs through the space, introducing two new versions: a side chair and a barstool with armrests.
Both recall the distinctive features of the armchair, where elegance and comfort engage in a thoughtful and balanced dialogue. Opale is characterised by soft, organic shapes in which every line is conceived to ensure continuity and aesthetic harmony. The solid ash wood or walnut legs integrate between the backrest and armrests, forming a subtle joint that defines the chair’s profile without interrupting the continuity of the line.
Their oval section gradually tapers downwards into a round, slender shape, adding a sense of lightness and elegance. The seat offers outstanding comfort thanks to the elastic belts. The feature of Opale is the functional handle integrated into the rear of the backrest, that blends into the armchair’s silhouette, enhancing its three-dimensional look. The backrest, seat and armrests are made of injected polyurethane foam. Lightweight and easy to handle, Opale is the perfect solution for elegant residential and hospitality spaces, thanks to its discrete yet eye-catching look. The introduction of the chair and barstool allows spaces to be structured coherently, alternating typologies and playing with heights and rhythms, while maintaining a shared identity.
Opale armchairs and side chairs are arranged around Frank table by Robin Rizzini, presented in a glossy finish and inspired by architectural shapes and industrial materials. The structure on which the top rests is made up of two slightly curved die-cast aluminium bases with variable thickness. The bases taper towards the bottom, reaching the ground in a less accentuated curve and are connected by a sturdy steel beam, placed under the top.
The horizontal pendant Kawara lighting by Yusuke Kawai illuminates the table.
Kawara is a lighting collection that takes its name from the traditional Japanese tile that adorns the triangular roofs of sacred buildings in Japan. Kawara is available as pendant, horizontal, or vertical, as well as floor version. What makes this product very versatile is the option to choose between a single continuous element in extruded aluminium — giving the product a technical, clean, and essential appearance — or adjustable modules connected by small joining rings to allow precise light direction creating a more playful effect. These combinations allow light to be directed towards the table, ceiling or angled at 45°, offering tailor-made solutions for any setting.
The space also features Blume Sideboard, designed by Sebastian Herkner, which echoes the sophisticated flower-shaped profile in extruded aluminium of the homonymous collection and combines storage capacity with the ability to define or divide spaces with elegance and versatility. The sideboard features four curved plywood ash wood or walnut veneered doors, rounded at the ends, combined with extruded aluminium legs in a variety of anodised or powder-coated finishes, in addition to a composite marble or high pressure laminate top. This year, Blume Sideboard is introduced in new versions with different dimensions and depths, designed to expand the range of possible uses: the lower versions are ideal as a TV stand or as a furnishing element to place behind the sofa to divide the space discreetly; the deeper versions, on the other hand, serve as storage units, offering greater capacity.
Along the route, the Pedrali Materioteca takes shape — a collection of materials that define the manufacturer’s identity, presented in their purest essence. Metal finishes, solid woods, textiles, stones, plastic materials and ropes are displayed as they are: each element becomes a geometric volume — prisms, cubes, cylinders — enhancing its material presence and revealing its intrinsic quality. Transformed into elementary forms, the materials take on an almost playful character: measured and essential elements arranged on tables like a large three-dimensional composition. Some are grouped by category, others organised by shape, while others are combined into tactile mood boards that suggest associations and design possibilities. Kawara pendant lighting and Filicudi table lamps illuminate the scene.
Nuova Guinea collection, designed by Cazzaniga Mandelli Pagliarulo, features in the third set, which presents an outdoor patio conceived for long, relaxed moments. Nuova Guinea represents the natural evolution of Guinea collection. A side chair and an armchair in aluminium for outdoor use defined by traditional and archetypical forms that suggest an idea of physical, visual and iconic lightness. The distinctive element of the collection is the weave of the seat and backrest, created as a separate element and subsequently applied to the frame thanks to zips. An innovative design solution conceived as a true covering fabric, making the collection more sustainable as it allows the woven parts to be easily removed and replaced. The polypropylene yarn belts, weather-resistant, are available in two different widths and interwoven to generate an original graphic pattern based on the alternation of a wider and a narrower band. This solution allows the creation of dynamic patterns and colour combinations in two or three colours. The result is a weave that combines maximum comfort with high technical performance. The presence of an elastic belt placed under the seat ensures strength and durability. The large, embracing aluminium frame ensures solidity and lightness. In the armchair version, the die-cast aluminium armrests, integrated and welded to the frame, introduce organic shapes with a pleasant tactile feel.
The collection is arranged around Alu table, featuring an extruded aluminium frame. Alu is the manufacturer’s first table with a solid aluminium top, conceived to combine contemporary aesthetics with functionality in versatile design suitable for a variety of settings — both outdoor and indoor, from residential spaces to contract environments. The elliptical-section extruded aluminium legs, set at a 45° angle, integrate seamlessly with the perimeter frame to ensure stability. Alu is available in fixed, square or rectangular versions, as well as in an extendable option up to 3.1 metres. The latter allows the top to be expanded by means of one or two extensions, stored in a central drawer beneath the top and easily attached when needed. Twiny rug adds a contemporary touch, while Filicudi table lamps light up the atmosphere.
Continuing on, the fourth scene leads indoors, where Anemos table by Pio & Tito Toso — distinguished by simple yet architectural shapes — takes centre stage. Its distinctive feature lies in the base, composed by two separate aluminium shells secured to the top, that take on a flexible and sinuous shape through a double curvature. The top is presented in a glossy blue finish which, matching the base, lends the table a refined and elegant appearance. Anemos is illuminated by Kawara pendant lighting, arranged in a multi-module configuration. Surrounding the table, Griante side chairs and armchairs by Cazzaniga Mandelli Pagliarulo, feature a handwoven seat and backrest made in Italy from a fully recyclable polypropylene yarn belt with a three-dimensional texture. The frame is made of FSC® C114358-certified ash wood. Blume Sideboard by Sebastian Herkner, presented here in a new height, adds a further touch of refinement to the setting.
A mirrored scene in the fifth setting presents two spacious living areas in dialogue with each other, distinguished by their colour palettes and their outlook onto the outdoors, creating two distinct yet complementary atmospheres. The protagonist here is Jeff by Patrick Norguet, a set of miniature architectures in polyurethane foam, skilfully combined to create a modular and reconfigurable sofa. The main feature of Jeff is its harmony of volumes: the squared backrest pairs with a delicate seat to soften and give balance to the whole structure. The layout also features the new Estratto coffee tables by Formafantasma. The different heights and shapes allow the coffee tables to be placed side by side to create dynamic compositions. Tops are available in round, square or rectangular versions. In the square and rectangular versions, two edges fold slightly downwards, creating a continuous bend that defines the perimeter and introduces a distinctive detail. The glossy lacquered or anodised finishes in different colours transform a technical and industrial material into a decorative element. The lightness of aluminium, both physical and visual, makes the collection versatile and adaptable to different settings, both indoor and outdoor.
The space extends into the sixth setting, opening onto the outdoors, where architectural elements create a sense of intimacy, from which lush nature emerges. The new outdoor seating collection Philía Mesh, by Odo Fioravanti, is paired with the new Ikon Twist table by Pio & Tito Toso. Philía Mesh evokes the shapes that have defined the identity of Philía collection, inspired by traditional Italian garden chairs and recalling the relaxed lifestyle in open air typical of the Italian “dolce vita” of the Sixties. With Philía Mesh, these forms are reinterpreted through new materials that echo Pedrali tradition, with its earliest garden chairs made of expanded metal sheet. A side chair and armchair featured by rational and geometric lines that blend with softer forms typical of the human body. The steel tubular frame ensures solidity and durability, while the seat and backrest in expanded metal sheet give visual lightness and a distinctive texture. The distinctive texture of the metal sheet ensures comfort, breathability and resistance, making Philía Mesh ideal for outdoor living. The signature element of the collection is defined by an opening that gently crosses the backrest, creating a generous and practical integrated handle. Ikon Twist is an outdoor table that evolves the conical base of the Ikon collection, reinterpreting it through a new material aesthetic that enhances its volume. The base is wrapped with a Ø 25 mm polypropylene rope, designed to withstand outdoor conditions while maintaining its aesthetic and performance over time. The texture and mélange colour of the rope, precisely wrapped around the base, create a tactile and sophisticated surface.
The final setting evokes the atmosphere of an urban garden and comes to life around the new Libre collection by Eugeni Quitllet , designed for both indoor and outdoor spaces. Libre is a collection of seating that interacts naturally with the human body and the surrounding space, thanks to an essential design shaped by a deeply human imprint. In Libre, form and function revolve around ergonomics, ensuring maximum comfort within a compact well-proportioned monoblock side chair and armchair. The seat and backrest appear as two distinct elements, precisely set within a fluid and harmonious frame that rises seamlessly from the legs and extends upwards in a continuous gesture, embracing them. The armrest reinforces this sense of continuity and visual balance. The rounded geometry of the seat and backrest recalls the softness of an upholstered pad, while maintaining the material honesty. Gas air moulding technology enables slim profiles while ensuring high structural strength. The soft shapes and organic lines of Libre recall the language of traditional bentwood seating, reinterpreted in a contemporary way. The integrated openings, while echoing this formal heritage, also ensure an easy grip from different angles and facilitate maintenance, making the collection suitable for both outdoor and indoor use. In line with Pedrali ongoing commitment to environmental sustainability, Libre is also available in a recycled polypropylene version derived from post-industrial material. The setting also includes Caementum monoblock coffee tables by Marco Merendi & Diego Vencato, presented in glossy brown, yellow, olive green and beige finishes, and also available in blue and bright green, as well as in matte terracotta or grey concrete options.
The settings come to life around a central courtyard , where several Pedrali collections are featured, including the new Coney barstool by Mandelli Pagliarulo, which introduces a new element to a collection that combines functionality, comfort and a highly graphical visual impact. Available in two different heights, the barstool is made of curved and strong tubular frame and it features clean lines and visual lightness. The seat and backrest create a three-dimensional support, ensuring structural solidity and ergonomy. The equally spaced vertical slats of the backrest, moulded and shaped from metal sheet, create a distinctive pattern together with the horizontal ones of the seat.
In this space, side chairs and armchairs from Coney collection are arranged around a large social table created by combining several Alu tables. Also by Mandelli Pagliarulo are the Nolita Sofa and Nolita Relax, alongside Philía collection designed by Odo Fioravanti.
Philía is characterised by a resistant steel tubular frame, while seat and backrest are wrapped in a PVC cord, textured with lines, that, thanks to horizontal direction weaving, intersects at the centre to ensure elasticity and high resistance.
The setting is completed by Griante and Nemea side chairs and armchairs , Lamorisse wood lounge&sofa — all designed by Cazzaniga Mandelli Pagliarulo — as well as Elliot coffee tables by Patrick Jouin and Blume tables by Sebastian Herkner.
About Pedrali
Pedrali is an Italian company that produces contemporary chairs, tables, furnishings and lamps for contract and residential. The collection is the result of a careful and accurate research aimed to create functional and versatile industrial design products made of metal, plastic materials, wood as well as upholstery. Furniture exclusively manufactured in Italy through a design process which combines tradition and innovation, engineering excellence and creative brilliance. The “100% Made in Italy” philosophy becomes real through the internal production in the headquarters of Mornico al Serio (Bergamo), where the automated warehouse designed by architect Cino Zucchi is based, and in the wooden furniture factory in Manzano (Udine).
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I started Homeplay 20 years ago because I love technology, in particular sound, and how it can change the way you feel at home. The business has grown into something much broader than that original passion, but what has remained constant is a belief that technology in a beautiful home should be thoughtfully designed to disappear into the design.
The best results happen when we are involved from the very beginning, before ceilings go in and joinery is specified. That is when technology becomes part of the design language of a room rather than an afterthought.
This June, for the first time, Homeplay has been invited to be part of WOW!house 2026, designing and integrating the complete technology experience for the Martin Moore Kitchen with Samantha Bartlett. Built within the Design Avenue at Design Centre, Chelsea Harbour, WOW!house is a one-of-a-kind event featuring 22 extraordinary rooms, each created by world-class designers and brands.
Samantha Bartlett has conceived the kitchen as the true heart of the home, shaped by nature, heritage and the rituals of everyday living. Designed as both a social hub and a place to retreat, it is a room that needs to feel layered, purposeful and deeply alive. Our role has been to bring the complete technology experience to life within that vision, and the way we do that is by drawing together the very best partners we have built relationships with over two decades and orchestrating them into a single, cohesive experience. For WOW!house that means Lutron control throughout, Lutron Ketra lighting and shading, lighting design by John Cullen and sound by Sonance. Each is exceptional on its own. Brought together with care, the result is something far greater than the sum of its parts, and that is really what Homeplay is about: using decades of experience to combine the right products with the right people to create experiences that simply could not exist any other way.
As always, the technology is there to be felt rather than seen.
The element we are very proud of is Ketra by Lutron, making its UK public debut at WOW!house. Homeplay is privileged to be the first integrator to bring it to the British public, following several months of beta testing in my own home. Ketra is a genuine step change in residential lighting, the kind of product that has to be experienced to be properly understood. It replicates the full spectrum of natural daylight throughout the day, shifting quietly as sunlight does, keeping a room connected to the world outside. Refined over years by Lutron's engineering team and proven across thousands of North American installations, it arrives in the UK as a mature, battle tested technology rather than a first-generation experiment. Just as importantly, Ketra needs no control wiring and no large lighting panels, which means far less cabling in the fabric of the house and none of the cupboard space that traditional lighting control systems demand. For interior designers it represents something genuinely new: lighting zones that can be redesigned and reprogrammed without rewiring, bringing a level of creative flexibility that has never previously been available in a residential setting.
"Our job is to quietly enrich everyday life, with thoughtfully designed technology that elevates interiors and transforms the way we feel at home." James Ratcliffe, Homeplay
Twenty years of working in close collaboration with interior designers to make technology invisible, and here we are at WOW!house, where the standard is set by the very best in the business.
WOW!house 2026 runs 2 June to 2 July at Design Centre Chelsea Harbour, London. Visit the Martin Moore Kitchen with Samantha Bartlett for the full experience.
About Homeplay
Homeplay partners with interior designers and architects to elevate everyday spaces into extraordinary experiences. Our intuitive technology solutions are crafted to complement your vision—effortlessly luxurious, seamlessly integrated, and tailored to the unique character of each project. We help you craft homes that uplift and inspire, working as a trusted collaborator to deliver technological solutions that enhance your designs—both aesthetically and experientially. Understanding that each space is a reflection of your client’s lifestyle and your creativity, we provide intelligent systems that blend form with function. Our team is thoughtful, responsive, and detail-oriented, supporting you from concept through to completion. Driven by design and powered by innovation, we continually evolve our offering to help you create homes that don’t just impress today, but remain flawless for the future.
At Clerkenwell Design Week 2026, Karndean Commercial will unveil a dedicated exploration of how flooring can enhance wellbeing, safety and comfort in contemporary spaces. Centred around the launch of the renewed Opus collection, the showcase demonstrates how material choice influences how people feel, move and behave in the built environment.
“Designing for wellbeing is about creating spaces that work with people, not against them,” said Richard Allen, VP of sales for commercial at Karndean Designflooring. “The new Opus collection brings natural calm, reliable safety performance and enduring style together in a way that directly supports healthier commercial environments. Across the design community there is a growing understanding that spaces actively influence stress levels, clarity and emotional balance, and Clerkenwell Design Week gives us the ideal opportunity to explore these ideas together.”
At the heart of the preview is the expanded Opus collection, featuring 31 wood and stone designs, including ten new additions. Each design has been carefully crafted to reflect the grounding, restorative qualities of nature while offering 36 plus wet PTV slip resistance for confidence in busy commercial settings. The palette introduces subtle textures, natural tonal shifts and flexible formats to support a wide range of applications, from hospitality and workplace to education and leisure.
As wellbeing becomes a central priority across commercial design, there is increasing awareness of how spaces shape emotional comfort, movement and sensory ease. Designers are placing new emphasis on materiality, flow and clarity, recognising that natural finishes, intuitive layouts and tactile surfaces can reduce stress, support focus and create environments that feel calm and effortless to navigate.
“Each new design started with a genuine material; from reclaimed oak and prime white oak to dolomite, marble and terrazzo,” added Richard. Every surface has been developed to capture authentic character while creating spaces that feel calm, comforting and emotionally supportive. The collection celebrates the role flooring plays in shaping atmosphere, encouraging clarity, relaxation and confidence in everyday environments.
A newly introduced sensory installation within the Karndean showroom at 20 Clerkenwell Green will allow visitors to experience how texture, tactility and product composition can influence emotional comfort, focus and ease of movement. The space highlights the growing role of sensory-led design in creating supportive, inclusive public environments and illustrates how flooring contributes to overall wellbeing.
Karndean will also host a series of wellbeing-led activities across the week at 20 Clerkenwell Green (by The Old Sessions House), encouraging visitors to explore the relationship between energy, creativity and restorative design. Each activity reflects the principles behind the new Opus collection, emphasising movement, sensory experience and the emotional benefits of thoughtful material choice.
Visitors can create their own nutritious smoothie using pedal-powered bikes. This energising, movement-focused experience connects to the way Opus supports natural flow and ease of movement through commercial spaces.
A mindful drop-in session inviting guests to blend their own scents and craft a personalised candle. This calming workshop mirrors the emotional warmth, sensory ease and restorative qualities found in the Opus palette.
A relaxed morning with barista coffee, pastries and the Karndean commercial team. Visitors can explore the new Opus collection, discover the brand’s approach to wellbeing and discuss how flooring contributes to comfort, clarity and the emotional tone of a space.
With the launch of the new Opus collection and the introduction of a sensory-led showroom experience, Karndean reinforces its position as a design partner focused on creating healthier, safer and more intuitive commercial spaces. The Clerkenwell showcase brings these principles to life, transforming product performance into an experience that designers can see, touch and feel.
About Karndean Designflooring
Karndean is a global supplier of commercial and residential luxury vinyl tile flooring. We’re an industry leader in flooring design, offering a wide range of colours, textures and finishes, helping you create unique looks that are both stylish and practical; guaranteed to last. We see flooring differently. We travel the world in our quest to bring you exceptional floors that inspire and delight. From the ancient forests of Europe, to the remote Australian outback, we seek out expressive and intriguing forms in the natural world to influence our unique floor designs. By combining original features with cutting edge design, we create beautiful floors that bring your vision to life and take our clients on an endless journey of design discovery.
The celebrated Kips Bay Decorator Show House in Dallas has now drawn to a close, and Katharine Pooley would like to take a moment to share more about the finer details behind their installation, “The Study.” For those new to Kips Bay, the Show House is an esteemed annual design event that brings together leading talents from across the industry to transform a home-each space a showcase of creativity-all in support of the remarkable Kips Bay Boys & Girls Club. From a bespoke rug designed in house, a magnificent one of a kind cabinet, our rich velvet sofa and of course the magnificent desk sitting in pride of place, the space was dotted with treasures and motifs that gave the room an incredible energy. It has been magnificent to hear such positive feedback on the scheme and it is fair to say I have left a piece of my soul in Dallas for the time being. Thank you again to our incredible suppliers, my team and all the patrons who came to visit – what an incredible event, all for the most wonderful cause.
I choose a refined palette of dark blues and warm ochres which came together to create a contemporary study interwoven with homages to classicism. The space was enveloped in a beautiful shade of ‘Van Deusen’ blue from Benjamin Moore and panelled walls finished with hand-painted Venetian plaster wallpaper by Studio E. Artwork in the setting was carefully curated to suggest the intimacy and intention of a collection assembled over a lifetime, and included compositions by Piero Centofanti, Quintessa Art and pieces from my own collection. These works were paired with some landscapes from one of my favourite artists, Deborah Tarr, and suspended on a distinctive chain hanging system, handcrafted by Collier Webb.
When planning the room, I wanted to draw the eye to the beautiful, original joinery so each shelf showcased a unique array of antique and contemporary finds. They came from a number of sources, including my London Boutique, my own private collection and some of our most beloved and trusted suppliers. Each thoughtfully chosen piece told a story and gave a glimpse into my style. The pieces were set against Etamine’s radiant Solaire fabric and my favourite detail was including a bronze bust of my Father, Robert Pooley.
At the heart of the room stood a bespoke desk made in a British style, but crafted in American walnut and walnut burr veneer by Parkway England. The piece intertwined British history beautifully with American timber, and is complemented by a deep blue Holly Hunt leather blotter. The desk was accessorised with treasures such as an El Casco gold-plated pencil sharpener, sourced from Abask’s distinctive collection, while an Alexander Lamont Geo table lamp provided the perfect soft glow. Behind the desk sat the striking ‘Quiver Klimos’ leather chair by Soane Britain. A bespoke sofa by Bray Design, upholstered in de Le Cuona’s Vienna Velvet in ‘Hula’ and a Samuel & Sons’ trim sat in a cosy corner of the room accented with striking blue cushions as well as Holland & Sherry’s newly launched ‘Pennant’ design. Flanking the sofa, a pair of Vaughan floor lamps with Heathfield & Co. ‘Sandstone’ linen shades cast a warm glow onto Alexander Lamont Portico Side Tables.
At the centre of the space, sat a handsome Chalon steamer trunk I found at Bentleys London, while a bespoke hand-tufted, New Zealand wool rug by Ice International anchored the scheme with geometric patterns in blues and oranges. Floor-to-ceiling windows were dressed in Holland & Sherry fabrics with a decorative ‘Argyle’ trim. These were expertly handcrafted by The Shade Store with de Le Cuona’s ‘Regatta’ linen sheers delicately layered behind.
Adding to the room’s allure was crowd-favourite, the freestanding ‘Fakir’ drinks cabinet from David Gill Gallery crafted in stainless steel and nickel. Inside I chose fine stemware by William Yeoward Crystal and barware from my own collection which included a vintage crystal pineapple showpiece alongside an extraordinary Art Deco-inspired, boat-tail shaped racing car silver cocktail shaker. To one side, the FBC London ‘Angelina’ lounge chair in wool bouclé was complemented by the ‘Column’ side table with striking Calacatta Viola top, while a de Gournay folding screen added further decoration. On the lounge chair, I placed a textured Toyine Sellers cushion to add contrast while overhead, the ceiling shimmered with metallic paper in ‘Smooth Sterling’ by Phillip Jeffries, crowned by a chandelier from Vaughan. The overall design of the study was absolutely brought to life by exquisite architectural lighting by John Cullen Lighting.
A big thank you to our incredible suppliers and sponsors, without whom this initiative simply wouldn’t have been possible. Also a thank you to the wonderful journalists and to every visitor who has walked through our space and explored the house. A special acknowledgement for the team at Gander and White, our exceptional shipping partner and true unsung heros, and finally of course, to my team: thank you for your dedication and creativity on this journey.
About Katharine Pooley London
Recently named ‘British Interior Designer of the Decade’, ‘International Designer of the Year in Asia’ and ‘Entrepreneur of the Year’ Katharine Pooley has in a short space of time become one of Europe's leading designers. Her portfolio encompasses a multitude of interior styles and architectural genres and her design ethos is one of luxurious eclecticism. No two projects are ever alike, but they are universally beautiful and timeless.
Pedrali, the Italian manufacturer leader in the production of contemporary design furniture for workspaces, hospitality and residential, returned to London for Workspace Design Show - the UK's leading event dedicated to the workspaces of the future. On 25 and 26 February, the 100% Italian brand, took part for the 4th time, presented its latest collections at stand B40 at the Business Design Centre in London. The fair represents one of the most significant appointments in the London design calendar, bringing together the country's top A&D community, co-working operators, real-estate professionals and investors to explore innovations in workspace design - not only through exhibitors' installations, but also through an engaging programme of talks, meetings and immersive experiences. This year's theme "Connected Realities" explored how hybrid models, immersive technologies and smart environments are reshaping the workplace, not just as spaces we use, but as environments we experience, engage with and feel part of.
Embracing the latest trends, Pedrali presented its vision of the workspace: an agile, interconnected and welcoming environment capable of reflecting contemporary lifestyles and evolving professional needs.
Flexibility is a key driver, influencing both the physical configuration of spaces through new layouts and experiences and new ways of working. Today, the office is conceived as a dynamic environment where people interact to enhance efficiency and focus on their goals while strengthening corporate culture. The intelligent integration of technology fosters interaction, creating responsive and interconnected environments. Nature becomes an integral part of everyday working life through the use of sustainable materials, daylight and abundant greenery, transforming interiors into inspiring and restorative settings. Outdoor spaces are increasingly central, offering areas in which to relax or work informally.
The contemporary workspace is no longer simply a place of work, but a cultural hub that encourages collaboration, creativity and learning. Designed to accommodate diverse specialisations and promote interconnection, these spaces keep people at the centre, offering opportunities to personalise, create and interact with a broader ecosystem. Conviviality therefore becomes a fundamental value: spaces are designed to encourage spontaneous interactions, moments of exchange and authentic relationships.
The workspace becomes a welcoming environment that supports people throughout the day, fostering longevity and generating a sense of belonging a place people wish to inhabit and return to, enhancing both physical and emotional comfort and promoting a healthy, regenerative working routine.
Pedrali products help to create inviting atmospheres thanks to the use of colour and the endless customisation options. Furthermore, ergonomics plays a key role: furniture must be adjustable and equipped with state-of-the-art mechanisms to adapt to the user, ensuring comfort and giving individuals control over their workspace. This not only enhances emotional well-being but also fosters creativity and teamwork. Together, these elements create environments that evolve over time alongside the people who use them.
Pedrali welcomed its visitors in an open space, defined by natural, earthy tones, a neutral palette that enhances the products. At the centre of the stand, a contemporary workspace is created around Rizz Workstation designed by Robin Rizzini a versatile and functional solution, adapting to different needs thanks to the system of two-, four- or eight-seater workstations. A structural strength concealed by clean lines distinguishes this table, which integrates the legs with an aluminium supporting frame hidden beneath the tabletop to ensure aesthetic lightness and maximum stability. To support large tabletops, a central rectangular steel column with rounded edges also serves as cable management. The die-cast aluminium legs are characterised by a triangular section that faces outwards and tapers into a round shape, resting elegantly on the floor. The sinuous curve shaping the leg is directed towards the centre of the table, to optimise seating capacity. A cable management system integrated into the tabletop is designed to accommodate sound-absorbing screens, making Rizz Workstation the perfect solution for modern and efficient workspaces. The table can also be complemented with an optional LED lighting system, whose central bridge structure recalls classic library tables. The upper section can be used to hold plants or small objects.
Encircling Rizz Workstation are Laja 2 armchairs by Alessandro Busana, distinguished by their soft, cosy forms and characterised by a blend of stylistic simplicity and organic lines. The collection includes a side chair and an armchair featuring an injected polyurethane foam seat with elastic belts and a flexible, welcoming backrest. A distinctive feature of the collection is its four die-cast aluminium legs, obtained from a single mould. The legs of Laja 2 are also available in solid ash wood, steel rod or cantilever steel tube frame. Here, they are presented with a die-cast aluminium five-spoke base with castors.
The multi-functional Blume Sideboard by Sebastian Herkner completes the scene and echoes the sophisticated flower-shaped profile in extruded aluminium of the homonymous collection. Blume Sideboard combines storage capacity with the ability to define or divide spaces with elegance and versatility. It features four curved plywood ash wood or walnut veneered doors combined with extruded aluminium legs in a variety of anodised or power coated finishes, in addition to a composite marble or high pressure laminate surfaces.
Outdoor areas are increasingly becoming an integral part of the workspace, offering places where people can work or unwind in the open air. The selected collections ensure comfort and are highly resistant to weather conditions, making them ideal for versatile and long-lasting use. Chairs, armchairs and lounge armchairs from Coney outdoor collection by Mandelli Pagliarulo are showcased on the stand, combining functionality, comfort and a highly graphical visual impact. The signature features of the collection are its clean lines and visual lightness: mono-material seating characterised by a curved tubular steel frame. The seat and backrest create a three-dimensional support, ensuring structural solidity and ergonomics. The vertical slats of the backrest, moulded and shaped from metal sheet, create a distinctive pattern together with the horizontal ones of the seat. Coney is ideal for both breakout areas in urban settings and terraces in modern workspaces.
With their elegant silhouette and minimal design, Elliot tables by Patrick Jouin complete the scene, combining soft lines with sinuous, natural forms. The setting also includes Caementum monoblock coffee tables by Marco Merendi & Diego Vencato, made of concrete with the addition of carefully selected additives to guarantee excellent technical performance. In this setting, they are presented in a glossy olive green finish, but are also available in yellow, brown, bright green, beige and blue, as well as in matte terracotta or grey concrete options.
Filicudi table lamps, designed by Andrea Pedrali, complete the setting, helping to create a relaxed atmosphere. Filicudi is a practical and functional rechargeable table lamp that can transform into a decorative object suited to different contexts of use. Made of an extruded aluminium column and a polycarbonate diffuser, Filicudi has compact proportions and minimalistic style. The column features subtle grooves that add depth and visual appeal. Filicudi is provided with a multi-charging system: the diffusers can be stacked using magnets to charge up to ten pieces at the same time, without the use of external cables. The LED light source can be dimmed to three brightness levels via a touch sensor control. The lamp easily separates into two parts; when the diffuser is charging, the column transforms into a watertight flower vase, enhancing its versatility.
The modular Jeff sofa, designed by Patrick Norguet, recreates a comfortable indoor environment for informal moments of sharing with colleagues. Jeff is a set of miniature architectures in polyurethane foam, skilfully combined to create a modular and reconfigurable sofa. The main feature of Jeff is its harmony of volumes: the squared backrest pairs with a delicate seat to soften and give balance to the whole structure. New, more compact modules for contemporary requirements were launched during 2025, still offering comfort and functionality: a linear module, a footstool and 90° corner unit. Distinguished by an oblique backrest, the corner unit harmoniously optimises the space. Twiny rug, designed by DWA Design Studio, adds a contemporary touch. Suitable for both indoor and outdoor use, the collection includes two different patterns, both in twill and defined by a discreet graphic sign, one striped and one diagonal. The rug background in neutral shades of sand is divided into two tone-on-tone sections, one lighter and one darker. The rugs are made from cord obtained by weaving a polypropylene yarn, which is strong yet soft and completely recyclable, ensuring a very high level of performance when placed outdoors, guaranteeing resistance to sunlight and weather, easy cleaning and maintenance.
The layout also features Caementum coffee tables by Marco Merendi & Diego Vencato in glossy beige finish, and Filicudi table lamps by Andrea Pedrali.
Even lounge and waiting areas are turning into spaces designed with care to ensure comfort and a warm welcome, contributing to people's well-being. A comfortable lounge area is defined by Ester lounge armchairs, designed by Patrick Jouin, presented alongside with Stiel lounge armchairs and Blume tables, both designed by Sebastian Herkner. Ester Lounge is made of injected polyurethane foam with elastic belts. Proportions have been conceived to gracefully accommodate a wider, cosy seat, on which rests a comfortable cushion, and a backrest with a curved, enveloping design, while retaining the collection's distinctive identity.
Stiel is a collection inspired by elegance and sophistication. A seating collection characterised by soft, rounded shapes in polyurethane foam on a curved round steel tube frame. Completing the scene, Blume tables, also by Sebastian Herkner, echo the fine lines of the collection, whose distinctive force emerges from the column in extruded aluminium with a sophisticated flower-shaped profile.
The stand also featured Nemea, designed by Cazzaniga Mandelli Pagliarulo and presented in an American walnut version, which thanks to its sophisticated grain and enveloping character, enriches the collection adding warmth and elegance. Nemea is a seating collection with solid wood legs and a plywood backrest, recalling the idea of classic gracefulness shaped by time and history. Its sinuous legs fit into the die-cast aluminium frame placed under the seat. Stiel side chair and armchair by Sebastian Herkner are also showcased, featuring a seat and backrest connected to the frame without visible fixing screws. Stiel collection is conceived for convivial settings, placing comfort and wellbeing at its centre. Chairs and armchairs are arranged around Blume tables by Sebastian Herkner, featuring the flower-shaped column and here proposed with a Palazzo white marble top.
The setting was completed by Twiny rug by DWA Design Studio in terracotta tones, while Filicudi lamps by Andrea Pedrali illuminated the entire set.
This free, virtual event gives users direct access to Vectorworks staff and product experts in an interactive, casual setting. This year’s event will take place over two live sessions, offering attendees from around the world flexible options to participate.
The Open House will begin with a keynote presentation on the Vectorworks Product Roadmap by senior leadership, followed by interactive Open Forum rooms where attendees can connect with peers and Vectorworks experts. Attendees can ask questions, explore the features used in daily workflows, and gain deeper insights into tools and upcoming developments.
Event sessions include: - Session 1: Monday, March 23, 2026, 7 – 10 pm ET (23 March 11 pm - 24 Mar 2 am GMT)
- Session 2: Tuesday, March 24, 2026, 10 am – 1 pm ET (24 March 2 pm - 5 pm GMT)
SBID Members earn 4 x CPD points for attending!
Attendees may join the session that best fits their schedule. Each session includes the keynote presentation followed by topic-based Open Forum rooms, allowing participants to choose conversations most relevant to their work.
Downtown Design Riyadh returns for its second edition 15 - 18 September 2026 at JAX District, a cultural hub set against the historic backdrop of Diriyah. As Saudi Arabia's first high-quality design fair, Downtown Design Riyadh continues to connect global design brands with the Kingdom's creative community, in strategic partnership with the Architecture and Design Commission of the Ministry of Culture. The fair showcases original, high-quality design and limited-edition works from both international and regional studios.
SBID Members earn 2 x CPD points for attending!
Discover autumn launches from a raft of leading brands and enjoy an essential programme of events that aims to inspire every visitor. Focus/26 on Design features top design brands that do not exhibit anywhere else in the UK – and this is the first place you'll be able to see their new launches.
Taking place in the showrooms, free Access All Areas events include meet-the-designer sessions and conversations with industry leaders. Expect more than 30 additional interior design brands to pop up in the Design Avenue, complementing the showrooms and offering even more to see.
Whether you're an industry professional or a design enthusiast, WOW!house is the place to find – and take home – some incredibly creative ideas. WOW!house is an immersive experience where you can see, touch and feel what it's like to inhabit amazing spaces created by a world-leading designers. Beyond the walls of WOW!house, the Design Centre's 135+ showrooms are just steps away: make a day of it with sourcing, lunch, a talk and a tour.
Sofa.com are proud to have welcomed many guests to their recently unveiled the House of sofa.com. Open for a limited period from 7th November to 19th December, the immersive, design-led townhouse in the heart of Chelsea brought to life the vision of Creative Director Nicky Emlick. Conceived as an inspiring destination for trade customers, the House of sofa.com served as an expression of the brand’s artistry, technical expertise and longstanding commitment to thoughtful collaboration.
Each space, from the tranquil bedroom suites to the elegant dining room, was carefully composed to showcase both sofa.com’s established collections and a series of bespoke pieces created exclusively for the house. The meticulously renovated residence demonstrated the full breadth of sofa.com’s made-to-order capabilities, inviting designers, retailers and specifiers to experience the collections within a beautifully curated, real-home environment.
Throughout the house, the versatility and creative freedom of sofa.com’s COM offering was brought to life. Signature house designs were reimagined in an extensive range of textiles, illustrating the limitless potential for personalisation and the ease with which designers could apply their own chosen fabrics to sofa.com’s frames.
sofa.com’s master upholsterers in Poznań, Poland, renowned for their exceptional craftsmanship and attention to detail, produced a series of custom headboards, mirrors, benches and stools, each exemplifying the highest standards of upholstery and finish.
The project was further elevated through the collaboration of distinguished brand partners. With inspiration rooted in her Welsh heritage, Kelly Jenkins brought a custom bench to life, layering it with symbols of love, comfort, and home to create a stunning, one-of-a-kind art piece. Phillip Jeffries wallcoverings enveloped the interiors in a sophisticated, tactile warmth, while GP & J Baker fabrics introduced expressive pattern and refined texture across key furniture pieces, reinforcing the house as a celebration of design, craftsmanship and collaboration.
About Sofa.com
Passionate about outstanding interiors, sofa.com offers a diverse and design led collection of made-to-order sofas, armchairs, beds, footstools and home accessories. With an extensive range of styles and over 100 fabrics to choose from, as well as the option to upholster in your own fabric, the customisable nature of sofa.com’s products make each piece easily adaptable to any interior style – perfect for interior designers and specifiers looking for stand-out pieces for upcoming projects.
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