This week's instalment of the #SBIDinspire interior design series features the beautifully bespoke, authentic and consciously curated interiors for the re-design of Miramonti; a luxury boutique hotel in Brescia, Italy. Located just over two hours away from Milan, the hotel is surrounded by stunning natural beauty and is popular for seasonal activities including: skiing, ice climbing, hiking, fly fishing, porcini mushroom picking and wine-tasting at the vineyards nearby.
The London-based, proactive and purposeful design studio, Boxx Creative completed a timeless design for the hotel’s new minimalist contemporary interiors. Inspired by the scenic Italian mountains, the interior design provides a tranquil place where guests can experience total relaxation, reconnect with nature and re-balance.
Defining a new standard of boutique hotel design for the local area and beyond, Miramonti celebrates the achievements of conscious design, showcasing the spectacular results that can be achieved when design is fully considered from all aspects; aesthetics, functionality, innovation, social and environment impact.
Practice: Boxx Creative
Project: Miramonti
Location: Brescia, Italy
Image credits: Mariell Lind Hansen
What was the client's brief?
Originally built in 1958, Miramonti is a family-owned hotel that had recently passed onto the third-generation. The hotel’s new owners had a clear vision for what they wished to achieve, great design style and taste, an appreciation for quality, timelessness and longevity, as well as a desire to support the local community and minimise the environmental impact of the project.
The hotel was to be totally transformed, with space maximised to increase bedroom numbers, flexibility of room use and defined room types created for couples and spacious suites with connecting bunk-bed rooms for families with children. The existing bedrooms provided for self-catering with kitchenettes and dining tables, which were to be removed. In the ensuites, small shower cubicles and bidets were to be replaced with walk-in showers.
The hotel was to be fully modernised, offering guests something completely different in terms of room layout, furnishings, lighting and materials. The design had to be a real game changer and ensure that Miramonti could continue its proud legacy and be enjoyed by future generations of guests and locals.
What inspired the interior design of the project?
Miramonti, meaning mountain view, draws its name from nature. Its holistic design was also inspired by the beauty of its surroundings and every design detail was thoughtfully considered to reflect this connection, including the colour palette, hard finishes, bespoke furniture, textiles, artwork and accessories.
The deep terracotta facade evokes the changing seasons and rich natural Italian colour palette. In the twenty-one guest bedrooms, the complementary green and blue colour schemes are both balanced and calming.
The design concept draws on the natural elements of earth, fire, air, water, wood and metal. Materials were selected for their authentic properties and link to the surrounding environment and feature in the natural stone wash basins, solid trunk coffee tables, round metal bedsides and soft natural fabrics of the sheer linen blinds and cotton bed throws.
Consideration was also given to all elements of the hotel’s design to ensure quality, longevity and minimising environmental impact. Everything was designed and built-to-last. Locally sourced, sustainable materials were used wherever possible and carpet made from recycled fibres line the corridors.
The majority of the furnishings were made completely bespoke by the contractor and his team of talented artisans in his local Tirano-based workshop. The bedrooms feature headboard panelling and wooden beds, metal framed open cabinetry storage and sturdy desks, wooden flooring, panelled doors and shuttered windows, each thoughtfully hand-crafted.
The build contractor was chosen for his energy saving principles and employment of workers within the area. All the wood chips left-over from his workshop were burnt in a furnace to heat houses in the village.
Lighting was a key part of the project where the clients wished to make an impressive statement. Layers of lighting with iconic FLOS feature pendants and Scandi-inspired statement wall lights make strong visual impact and create focal points in the guest bedrooms and ensuites. For the light switches, electrical sockets and ironmongery, Buster+Punch’s architectural hardware was the perfect companion with its strong design edge.
What was the toughest hurdle your team overcame during the project?
We experienced three main challenges with the project - time, distance and language barrier.
Time: The project had a quick turnaround, once the project got the go ahead, we had just over one month to do all the design work and produce all the technical drawings. The build work had to be completed within a 3-month time frame during the low season and finish on time for the start of the busy December ski season. We flew out in the final week to snag the build, install the furniture and artwork, then dress and style all the rooms for the professional photoshoot, before the hotel opened its doors to welcome guests. It was an extremely tight schedule, however the project was successfully completed and delivered on time.
Distance and Language Barrier: Unlike all our other projects where do regular site visits during the build phase, for Miramonti we worked remotely from London. Unfortunately, we can’t speak Italian and the Italian contractor couldn’t speak English, so we developed different ways of working and communicating. We setup a WhatsApp group, which was great for quick questions and sending pictures and used GoogleTranslate to translate each other’s messages. These smart phone apps were invaluable to us working together on the projects.
What was your team’s highlight of the project?
In the guest bedrooms, one of the highlights for us is the intricate details of the wooden furniture and joinery hand-crafted from our bespoke designs by the contractor and his team of skilled local artisans. Two of our favourite design details are the elegant curves of the wooden bed frames and the rippled effect of the under-sink cabinets, which are replicated in the ensuite pocket doors with reeded glass panes. These small, thoughtfully considered and beautifully made details may easily go unnoticed, however for us these are a great delight to see and experience.
Questions answered by Nicola Keenan, Co-Founder and Co-Director of Boxx Creative
We hope you feel inspired by this week's Hotel design! Let us know what inspired you #SBIDinspire
If you missed last week's Project of the Week featuring a memorable hotel public space with playful and immersive design, click here to see more.
This week's instalment of the #SBIDinspire interior design series features a vibrant, cinematic inspired design for a memorable hotel experience in Dubai. Unleashing an unprecedented dimension to Studio City in Dubai, the aptly named Studio One Hotel sits perfectly within its demographic as its entire narrative plays tribute to nostalgic touches and cinematic expressions. Bishop Design crafted a dynamic interior scheme, boasting an intoxicating arrival experience where guests are greeted with playful features such as an old-school vintage TV installation and unique lighting solutions in the form of figurines carrying umbrellas. Along with an eclectic mélange of loose and fixed furniture and vivid artworks, the hotel lobby and public space reinvents people’s expectations of how a hotel should feel, look, and function, while complying with local standards; casual, comfortable, ultimately stylish, somewhat provocative, memorable to all and a hybrid between art and function through its visually striking interior and subliminal messaging.
SBID Awards: Hotel Public Space finalist sponsored by Viva Lagoon
Practice: Bishop Design
Project: Studio One Hotel
Location: Dubai, United Arab Emirates
Image credits: Alex Jeffries
The Studio One Hotel as prescribed in the Client Brief was to create and establish a new language and philosophical approach to a modern, current, 4-star hotel environment. The hotel was to feature 5 different room types, which would include a selection of extended stay studios and apartments. Creating a comfortable and homely environment was at the heart of the projects conception with careful consideration dedicated to self-service pantries on each floor, in-house launderette and a grab & go counter. Space allocation was paramount to best utilise the area available still adhering to DTCM standards and guidelines, however, playful, cheeky and diverse in its application and design styling. The clients desired to create a fresh hotel offering unique to the region and to the star offering in spirit yet establishing an individual identity as a home-grown brand that would set the precedent of subsequent future outlets to follow. The approach taken was to create something fresh, original, multi-faceted in its function allowing the guest to stay either on a short-term or long-term basis. We were also commissioned to design two F&B units within the hotel.
Encompassing guests in its strong narrative, Studio One has become a real home-from-home environment through its immersive cinematic character, naturally enforcing an authentic connection to every guest. The narrative has resulted in a cozy space that everyone can relate to and feel comfortable within. Nostalgic senses exude from the entity’s cinematic expressions right from the old school TV feature that greets guests from the onset of their experience through to the playful “on air” lighting features that illuminate whenever a room is occupied. This thematic continuity enhances an effortlessly loveable charm between guests and the hotel, and is what sets the guest experience far beyond other hotels in the region.
The desired design direction was to be ultimately cost-effective, considering materials which were unique, recycled with a strong use of graphic and visual connectivity throughout, thoughtfully provocative however synonymous with its demographic yet also possessing the versatility to be rolled out within different regions on a global level.
Studio One was designed to unleash an unprecedented dimension to the city’s DNA which would eagerly entice residents and tourists alike, from surrounding residential areas and Dubai as a whole. Now fully established, Studio One compliments yet stands out from its surroundings through its cinematic context and striking personality, instantly becoming a desirable hotel and F&B hotspot in Studio City, which was somewhat previously absent from many alluring traits. It is an honour to have introduced something so unique and vibrant to the region that brings the community together.
Why did you enter the SBID Awards?
Showcasing projects of the highest calibre all over the world, the SBID Awards stand as a desirable platform for every designer to share their work. It truly is a privilege to be able to submit a selection of our projects, as we become inspired year on year with the unprecedented talent and expertise that that the awards influence.
Questions answered by Pail Bishop, owner & founder, Bishop Design by Paul Bishop
If you missed last week's Project of the Week featuring decorative details and oriental architecture for an innovative Chinese classical style, click here to see more.
SBID Awards 2019 | Hotel Public Space finalist sponsored by Viva Lagoon
This week's instalment of the #SBIDinspire interior design series features a striking yet stylish boutique hotel design in Germany's fifth largest city; Moxy Frankfurt City Center emulates the exciting nightlife and eclectic scene of downtown Frankfurt with neon play area, modern guest lounge, urban aesthetic, vibrant wall murals and cool, artistic flair.
JOI-Design created Moxy’s new European guestroom brand standards and implemented them into this new-build project. This rethink led JOI-Design to also develop Moxy’s next generation of public areas featuring clean-lined, industrial architecture with a more “grown-up” vibe than previous locales. Multi-functional public areas fuse the urban with the urbane, picking up on the street culture and warehouse aesthetic prevalent downtown. Visible ceiling pipes and exposed concrete walls create “industrial chic” with a coordinated mix of stylish furniture, loud beats, humorous touches and textured details discovered upon second glance. Typeset artwork along with bear and bull references allude to the nearby stock exchange and the site’s former life as newspaper Frankfurter Rundschau‘s headquarters.
SBID Awards: Hotel Public Space Design finalist sponsored by Viva Lagoon
Practice: JOI-Design
Project: Moxy Frankfurt City Centre
Location: Hessen, Germany
Moxy Frankfurt City Centre, Germany. Image credits: SV Hotel
Our brief was to fully understand the Moxy spirit and create a world that would allow it to flourish. We were initially commissioned to develop new guestroom brand standards for Moxy hotels in Europe, and then also to bring these to life through the Frankfurt property. It was important that our design would let guests soak up local culture.
Image credits: Courtesy of Christian Kretschmar for JOI-Design
Many things! Moxy’s target market is moving towards a digital nomadic lifestyle. The flexibility of mobile working has led to a greater mix between work with play, with short stays lasting one or two nights. These are travellers who fit everything into carry-on luggage and make the most of travel adventures with party nights out. At the same time, they also remain conscious of their health and wellbeing. As a result, the guestrooms are a relaxing retreat for sociable guests, places where they can rebalance with calm and organized interiors designed for maximum efficiency and minimal wastage. Closets aren’t needed, since travelling light means minimal storage is required, so we designed the latticed “functionality wall”.
In the public areas, influences from the site’s former life as newspaper Frankfurter Rundschaut’s headquarters appear through allusions to typography and journals. The nearby stock exchange also comes into play with bull and bear motifs referencing the rise and fall of market shares. A geometric bull sculpture hangs on a bare concrete wall, while a gigantic teddy bear welcomes guests with a wink. Located at the hotel entrance to attract the attention of passersby is a graffiti mural by Herakut, an internationally acclaimed artist duo with roots in Frankfurt.
Marriott initially asked us to design guestrooms in line with the existing brand standards. As the project progressed, they asked us to develop the new Moxy identity, which of course we were very happy to do. The challenge came when they asked us to apply it to the new-build Frankfurt hotel at a very late stage in the project. The building was already under construction with the layout, power points, etc… for our first design, so we needed to work around these restrictions and make the guestrooms function as best possible with the new guidelines.
Also, the public areas floor area is not actually very large, but we needed to accommodate four zones as specified in Moxy’s standards: the library/work space; the welcome section; the F&B facilities; and the lounge. We created a layout with a natural, open feel that flows well from one space to the next.
Creating a new destination in a style that is different for Frankfurt hotels, and within the exciting building designed by the respected Hamburg-based architect Hadi Teherani, was inspiring.
Herakut’s graffiti mural is one of our team’ favourite parts of the interiors. We specified the art should relate to the bull and bear theme and the stock exchange, while also instilling an impression of the locale. The result is a street art-styled mural that shows two children playing in bear and bull costumes – a young-spirited approach that hints at German fairytales and helps establish the lively, light-hearted atmosphere that attracts not only guests, but also locals wishing to work, relax or meet others.
The SBID International Design Awards celebrate imagination, talent and commitment to interior design excellence across many types of projects around the world. It’s an honour to have our creativity and passion recognised by a highly respected professional organisation, the impressive award judges and our colleagues in the global design community.
Questions answered by Corinna Kretschmar-Joehnk and Peter Joehnk, Co-managing Directors of JOI-Design
If you missed last week's Project of the Week featuring fluid architectural curves with the V Line Cosmetic Center in Hong Kong, click here to see more.
SBID Awards 2019 | Hotel Public Space Design finalist sponsored by Viva Lagoon
This week's instalment of the #SBIDinspire interior design series features a timeless hotel design that has been created through quality details and distinctive furniture. Designed around a contemporary interpretation of Arabic patterns, calligraphy and Omani culture, the Mysk Al Mouj is an internationally branded hotel operated by Shaza Hotels Group. Godwin Austen Johnson designed the hotel public spaces with a sense of location as the main theme. By distilling the essence of the surroundings, the aim was to create a contemporary four-star hotel with a sense of belonging. The sights, sounds, light and materials of the marina together with the Muscat coastline were studied and referenced throughout the interior design.
Practice: Godwin Austen Johnson
Project: Mysk Al Mouj
Location: Muscat, Oman
The operator’s development objective was to help in the activation of the Central Plaza District of Al Mouj in Muscat and our approach was to create a highly attractive destination point in the heart of this contemporary mixed-use development. Mysk Al Mouj is the flagship hotel for the Mysk by Shaza hotel group and the brief was clear – to design a contemporary hotel that would appeal to both business travellers and leisure guests.
The local Omani culture was the main inspiration for this hotel design and we drew on the country’s rich traditions and tastes; ornate jewellery, elaborate embroidery and traditional dress to guide the design. These enduring traditions have been thoughtfully translated into a number of elements throughout the hotel, from authentic floor coverings inspired by the patterns of local dress, to artwork on the walls featuring imposing forts and woven textiles. We have taken these inspirations and implemented them into the design narrative in a contemporary approach to create unique and appealing public spaces.
During the design development the challenges we faced were largely positive and constructive creating opportunities for design improvement. Trying to source materials and furniture locally was testing but the outcome was successful with the acquisition of a number of pieces and a selection of materials to complete the design intent. Most of the furniture pieces had been manufactured locally and many of the fabrics, where possible, were selected from a local mill to help reduce the carbon footprint.
The feature chandeliers located in the hotel lobby atrium were designed as a unique, custom made and timeless design featyre inspired by Omani jewellery. The aim was to celebrate local artefacts in a contemporary way where humble materials such as brass, opal and rare stones were chosen and displayed in the magnificent double height atrium. The effects of the lighting fixtures reflecting on the vertical atrium panels were expressed in a perforated geometrical pattern.
This was the first year we entered the SBID Awards and we chose to do so because we believe this is an important opportunity to not only highlight our projects but also, celebrate our team’s talent and accomplishments.
The SBID Awards are highly respected within the design industry because they set a standard for design excellence internationally - inspiring design professionals to continue to raise the bar. Thus the finalists are recognised as the very best in the world of interior design.
Questions answered by Rochelle Mojica-Beligon, Associate at Godwin Austen Johnson
If you missed last week's Project of the Week featuring a luxurious, open-plan entertainment space, click here to see more.
This week's instalment of the #SBIDinspire interior design series features the timeless explorer's lodge which beats with the pulse of wild Africa. Lying on the edge of Botswana’s mysterious Savute Channel and within Chobe National Park - where the big five roam, the skies are large and the land is washed with the muted colours of the Savute - the Belmond Savute Elephant Lodge has undergone a full redesign and has since become a tented retreat infused with the romance of a bush camp. This is the result of a robust collaboration among Belmond (owner/operator), Luxury Frontiers (project manager and architectural, infrastructure and back of house design), and Inge Moore of Muza Lab (interior design). Together, the team designed entirely new public areas including an arrival lobby, dining room, lounge and bar, library, pool, spa and game-viewing hide - while also refurbishing the guest accommodation suites. The resulting design is a contemporary tribute to the golden age of exploration. And while the design rightfully evokes a sense of adventure and discovery, guests are also drawn to connect with the natural world and slow down to the rhythm of the land that surrounds them.
Practice: Luxury Frontiers
Project: Belmond Savute Elephant Lodge
Location: Chobe, Botswana
The Belmond Savute Elephant Lodge has long enjoyed a beautiful location within Chobe National Park, Botswana’s most biologically diverse park with one of Africa’s largest concentrations of game. However, the lodge had become tired, it was not engaged with its location as an experience and it did not reflect Belmond’s commitment to sustainable development and practices.
In addition to design responsibilities, as Lead Consultant and Project Manager for the project, Luxury Frontiers was responsible for the full coordination and contracting of the professional team, bringing on board the local expertise of general contractor Lodge Builders of Botswana and the hotel interiors talent of international designer Inge Moore. With the lodge’s state of affairs, Muza Lab and Luxury Frontiers were tasked with reinvigorating the resort not only to reflect Belmond’s principles, but to also engage guests through curated spaces and to showcase the natural beauty of the locale.
The goal was to create spaces which both reflect the greatest sense of place and are where people can embrace their surroundings, all while paying the highest respect to the environment through sustainable design. Materials are simple and natural, including limed and white painted saligna wood floors, rattan furniture and fabrics combining bright geometric prints with earthy tones. The tented public areas which include an arrival lobby, dining room, lounge and bar, and library are a collection of tented rooms which flow outdoors onto large terraces with magnificent views. The public areas have been designed to lend a comfortable, lived-in feeling with layers of collected artefacts, yet bring in plenty of local context with clusters of carved poles recalling the sticks used by the indigenous people, traditional decorative screening details and locally crafted lights inspired by the region’s clay pots.
Befitting to Belmond Savute Elephant Lodge’s location within an unadulterated wilderness area, all structures were designed to celebrate the great African bush, frame spectacular views and have a truly experiential function. Take for instance the game-viewing hide which allows guests to inconspicuously watch the area’s beloved herds of elephants and other exotic animals which gather around the lodge’s watering hole. Added to that are the hide’s beautifully simple design and its composite bamboo walls, which cast striking, spindly shadows throughout the space.
A real point of pride for the team was the fact that the project was devoted to minimising environmental impact to the lodge’s stunning site and to supporting local businesses and organisations. All of the lodge’s structures were constructed on suspended, timber-based platforms and made of composite boarding and canvas. The previous lodge’s timber was recycled and reused, and the lodge’s decks were rebuilt using composite bamboo - one of today’s highest green timber alternative products. In the guestrooms, local thatching grass purchased from communities in Northern Botswana was chosen to cover the roofs. In fact, all the furniture, fixings and equipment at the lodge was sourced locally in Southern Africa, including gorgeously crafted pieces produced by The Blind Society of South Africa.
A design challenge - but one which was embraced - was the team’s commitment to making the lodge completely self-sufficient. As a specialist in infrastructure and back of house design in off-the-grid locales, Luxury Frontiers was excited to think outside the box and come up with efficient, cutting-edge solutions. Previously, the whole lodge was run on generators, which could consume up to 300 liters of diesel daily. This was replaced with a state-of-the-art solar farm of 665 panels and a Tesla battery system (one of the first in Botswana), and this has cut fossil fuel consumption by approximately 90%. Luxury Frontiers had installed a new anaerobic Sewage Treatment Plant, replaced the gas-fired hot water heaters with power-efficient thermodynamic geysers for each of the guestrooms, and put in an automated biodigester (the first of its kind in Botswana). The machine processes five tons of kitchen food waste monthly and turns this into compost, which is then bagged and used in local community-based farming initiatives.
The Belmond Savute Elephant Lodge project team was excited to enter the SBID Awards to give credit to the complexity of the project, which was further heightened by the sensitivity of the project’s site (an unadulterated wilderness site within a national park). As projects are judged by SBID on both aesthetic creativity and technical merit, we knew the work done at Belmond Savute Elephant Lodge needed to be highlighted and heralded in the design community as world-class interior design was thoughtfully married to the utmost sustainable design considerations. Through our work here, we hope the design community (and the hospitality world) witness and strive to further the push the boundaries in sustainable design.
Questions answered by Graeme Labe, Principal & Managing Director at Luxury Frontiers with support from Inge Moore, Principal at Muza Lab
If you missed last week's Project of the Week featuring Art Déco inspired interiors for a luxury residence, click here to see more.
We hope you feel inspired by this week's sustainable Hotel design! Let us know what inspired you #SBIDinspire
This week's instalment of the #SBIDinspire interior design series features luxurious, golden age glamour for the Hilton's Imperial Hotel design in Dubrovnik. The Hilton Imperial Dubrovnik was originally built in the 1890's, situated just above the UNESCO World Heritage site of Dubrovnik’s old town. Originally named ‘The Grand Hotel Imperial’, it was an immediate hit with a French Riviera feel and the glamorous cachet of an international clientele. The hotel was shelled during the Yugoslav war and subsequently brought back to life in 2005, when it was rebuilt in its original style. However, costly building works meant that the interiors weren’t the main priority at that time and were primed for a completely new treatment this time round.
When Goddard Littlefair was first commissioned, the hotel was already very well established and incredibly popular, with a wonderful location overlooking the old fort and the Adriatic. Drawing inspiration from the romance of the hotel’s former glories, the new design scheme sought to re-inject golden age glamour into one of Europe’s most historic hotels.
SBID Awards: Hotel Public Space / Bedrooms & Suites finalist sponsored by Viva Lagoon & Yves Delorme
Company: Goddard Littlefair
Project: Hilton Imperial Dubrovnik
Location: Dubrovnik, Croatia
The brief was to unlock the true potential of the four-storey hotel’s spectacular location, architecture, reputation and history, in order to appeal to today’s sophisticated and cosmopolitan traveller. Goddard Littlefair was initially commissioned towards the end of 2016 for a phased set of redesign works, with the first two now completed and including the reception and lobby, The Lobby Lounge, The Imperial Bar, The Executive Lounge, all connecting and guest-room corridors and all of the hotel’s 149 standard and executive rooms and 9 suites. A refurbishment of the hotel’s existing restaurant, Porat, on the lower-ground floor, will follow in late 2019.
Inspiration for the new interiors was drawn from the hotel’s incredible history, in both alluding to and recreating its glamorous heritage, whilst also ensuring it had a thoroughly contemporary sophistication. This was achieved by honouring the hotel’s existing architecture and romance throughout, layering glamour into each individual space via a Riviera palette, soft detailing and a 1920's yachting influence, whilst at the same time balancing this with clean and contemporary lines.
The toughest hurdle was dealing with the missing architectural quality of the existing interiors that didn’t do justice to the charming exterior. The former Lobby Lounge and Bar were connected as one continuous and vast space that lacked warmth and intimacy. By breaking up the space with the use of a bespoke see-through brass shelving unit we have created a cosier transition between the two spaces. The double-height and long Reception was also addressed with regards to the lack of a solid architectural language by breaking up the height and length of the space with painted mouldings and timber panellings.
It felt like everyone was proud to be working on such a prestigious and well known historic building. From the local contractors to the joinery manufacturers, everyone involved on the project was very communicative and responsive whenever the deadlines were pressing. The quality of materials and skills involved were very high throughout the process.
As well as respecting the industry standing of the SBID and the reputation of the SBID International Design Awards, it’s also a real pleasure to have our designs recognised and admired by peers!
Questions answered by Jo Littlefair, Director of Goddard Littlefair.
If you missed last week's Project of the Week featuring a sleek, clean-lined kitchen design, click here to see more.
SBID Awards 2019 | Hotel Public Space / Bedrooms & Suites finalist sponsored by Viva Lagoon and Yves Delorme
This week's instalment of the #SBIDinspire interior design series features a sustainable and luxuriously designed African lodge for Wilderness Safaris' Premier Camp, Mombo. The spacious tent-like lodges afford sweeping views over a floodplain teeming with wildlife, so curating an authentic design scheme that combined traditional elements with modern elegance was essential to truly embrace the essence of Mombo. Deconstructed furniture in classic styles, antique brass finishing, vintage leathers, copper lighting combined with marble and oak floors were all used. A tonal colour palette throughout reiterates the longevity of the interior design. A mix of mismatched – yet complementary – wooden furniture all works together to feature a collection of pieces sourced over the years, resulting in a personalised feel. Space was also a key factor in creating the new design, with each tented suite now comprising an expansive entrance, a sitting room with a bar unit, a separate bedroom and bathroom with a dressing area, indoor and outdoor showers and a bathtub that creates a sense of indulgence.
Company: Artichoke
Project: Mombo
Project Location: Moremi Game Reserve, Botswana
Wilderness Safaris wanted the lodge to have longevity and to rebuild a camp in such a way to maintain the Mombo traditions and history stretching back nearly 30 years, yet rebuilding to the highest and most innovative standards. The client's brief was to create an environment within the camp where nothing of the stylish, traditional appeal is lost as this Lodge became the flagship of the Premier Facilities of this camp. It was important to continue to offer repeat guests a level of uniqueness to which they had become accustom, but at the same time introduce features that brings the Lodge up to date.
The history of this prestigious Lodge was a great source of inspiration where an existing blueprint called for the revival of the prestigious structure. This enabled me to make my mark on this iconic camp whilst remaining sympathetic to the essence and nature of the surrounding areas.
The location of the camp caused difficulties particularly relating to the logistics of transporting solid marble bathroom vanities on rudimentary roads through Africa, so this become a significant hurdle we had to overcome. Delivering furnishing items is always a challenge in the Delta. In the re-appointment of Mombo, there were many natural geographic obstacles which arose! The curved structure of this Lodge was also a project element which presented some interesting challenges.
Simply just to have had the opportunity to complete a historian rebuild of not only one of the oldest lodges in Botswana, but also one of the most iconic facilities constructed in the African Wilderness. Working on the client's flagship property was a privilege.
Why did you enter the SBID International Design Awards?
It is well known that participation in the prestigious SBID Award programme is a privilege as one’s team is considered to be amongst the finest on the planet.
Questions answered by Caline Williams-Wynn owner of Artichoke
If you missed last week's Project of the Week featuring a bold and striking pavilion designed to mark the launch of a make-up collection by II Makiage, click here to see more.
We hope you feel inspired! Let us know what inspired you #SBIDinspire
SBID International Design Awards 2018
This week's instalment of the #SBIDinspire interior design series features the refurbishment of a historic hotel, located in Bristol, boasting 71 bedrooms and six suites. Offering spectacular views of the famous Grade I listed Clifton Suspension Bridge, the project aimed to enhance the unique character shaped by the architecture, history and location of the building as well as providing comfort, relaxation and a sense of luxury for guests to experience. Classic period features are retained yet interpreted in a contemporary manner to offer a unique twist on timeless interiors with an intriguing story inspired by the location’s history alongside the Hotel du Vin brand, with touches of irreverent British humour.
Company: Dexter Moren Associates
Project: The Avon Gorge Hotel
Project Location: Bristol, United Kingdom
Dexter Moren Associates were selected for the refurbishment and interior design of the Avon Gorge hotel, including the 72 bedrooms and 6 suites. The historic hotel, set above the site of a listed pump room and spa, first opened in 1898. Located in Bristol, it has spectacular views of the famous Grade I listed Clifton Suspension Bridge. The client, Hotel du Vin, requested a design that would enhance the unique character shaped by the architecture, history and location of the building that would also subtly incorporate the essence of the Hotel du Vin brand while giving the hotel an identity of its own. Bedrooms and suites should have a residential feel: comfortable, relaxing and luxurious. Classic existing features should be retained yet interpreted in a contemporary manner and provide a timeless interior and intriguing story.
The initial concept was inspired by the building itself and the surrounding areas: the intention being to bridge the old and the new, the brand story and the locale. Dexter Moren Associates took the central concept of wine inspired by the Hotel du Vin brand and looked at the factors involved in making it: nature, represented by flora and fauna such as local birds, and time. Inspiration came from the views of the Gorge, the history of the Clifton suspension bridge and modern Bristol city.
An understanding of the hotel’s clientele was of utmost importance to the design. Hotel guests include business travellers, meeting attendees and those on weekend getaways. The hotel is also popular as a wedding venue so it was also important that the guestrooms and suites were designed with this in mind.
Nine different schemes were designed for the guestrooms: six standard and three suites. Dark-coloured walls act as a backdrop for feature wall coverings and bright splashes of colour in headboards and upholstery. All metal work is in slick satin brass or matt black. The bathrooms have bright white metro tiles lifted by a flash of turquoise green. Many rooms feature a luxury roll top bath either in the room or ensuite; the Laurent Perrier suite has two baths within the bedroom, ideal as a bridal or honeymoon suite. Workable desks in all rooms lend themselves well to the business traveller while tourists will be charmed by the retention and highlighting of the original architecture. Lighting is used as a practical tool to enhance the guest experience - as the lighting changes so too do the focal points of each space. The inside of each wardrobe is painted a feature colour to add an element of surprise for guests. The pièce de résistance is the artwork adorning the walls. Beautiful classical paintings at first glance, upon closer inspection they reveal irreverent modern elements: a man dressed for a formal occasion holds an iPod; a well-dressed lady wears a heavy gold chain adorned with a dollar sign instead of more typical diamond or pearls. These give the rooms a finishing touch of quirky British humour to appeal to locals and tourists alike.
In terms of designing it was a challenge to bridge the old with the new. The intent was to maintain existing features wherever possible in order to celebrate the building's history, and this created challenges along the way as they were discovered during opening up. The concept of time was translated by way of laying contemporary design over a classic backdrop.
Memorable moments include discovering original stained glass in the reception, grand stair and basement areas which we managed to restore and incorporate into our design. Another highlight was the successful opening of the White Lion Bar which has been received really well by the local residents.
SBID Awards are prestigious, world renowned, and enable global recognition among our peers and the design industry as a whole. Recognition for the team on the project for their talent, passion and hard work.
Questions answered by Neil Andrew, interior designer and Partner of Dexter Moren Associates
If you missed last week's Project of the Week featuring a modern-day luxury home that combines both old-school opulence and contemporary cosiness, click here to see more.
Dexter Moren Associates | SBID International Design Awards 2018
This week's instalment of the #SBIDinspire interior design series features an urban resort that offers sweeping lake views, located on the shore of Lake Chao; one of the largest lakes in China. The hotel is a hillside building in the Neo-Huizhou-style with 206 guestrooms. Each room has a balcony from which guests may enjoy 180-degree views of the beautiful lake. The interior design features white walls, black tiles and grey bricks, all of which are typical of Hui-style architecture. Respect is also paid to Huizhou's aesthetic style of order and symmetry. A core design feature of the guestrooms embraces the ideas of the 'Four treasuries of the Chinese Study' including study space with writing brush, ink stick, ink slab and paper. This has great local and cultural significance in expressing the 'Impressions of Huizhou' design theme.
Company: Wanda Hotel Design Institute
Project:Wanda Vista Hefei
Project Location: Hefei, China
Our client is our parent company, Wanda Hotels & Resorts. Founded in 2007, Wanda Hotels & Resorts has been achieved through integrated business resources including hotel design, hotel construction and hotel management.
As the capital of Anhui province, Hefei is the economic and cultural centre with a profound history. Our purpose is to build the most luxurious and high-end urban resort in Hefei, which can meet both business and vacation demand. That’s why we choose Wanda Vista, the highest brand among Hefei hotels group. As the hotel is located near city, it owns the convenient traffic without too much noise and disturbance from city centre. We hope Wanda Vista has complete supporting facilities, breath-taking landscape scenery as well as high-quality service. In addition, we wish the cultural elements of Anhui is embodied in the interior design of the hotel, to give our guests deeper understanding of Anhui culture during their stay here. Also, as Vista brand is not commonly seen the east area of China, we hope Vista Hefei has stronger characteristics.
What inspired the design of the project?
Anhui is situated next to Huizhou, which is renowned for Hui-style architecture - a school of Chinese architecture. For another, Anhui is a combination of exquisite scenery and distinctive cultural features. In short, the above two factors - architecture and cultural characteristics - are our inspirations for this project. Other inspirational resources derive from the white wall, black tiles and grey bricks of Hui-style architecture, the order and symmetrical aesthetics, local decorative materials and the art of Huizhou carving (e.g. Brick carving, wood carving and stone carving).
Well, the greatest difficulty lies in how to express classic aesthetics using modern techniques. If we adopt traditional techniques to manifest these Hui-style characteristics, we will be confronted with great difficulty when it comes to spatial considerations; especially with a large space like the hotel lobby. Interior spaces were not as expansive as this in the past, so all the architectural components such as brick carving, roof overhang and folding screens were produced according to their actual dimension. It would therefore be impossible for us to enlarge the past material and craft it to today’s space, that’s why we needed to think about the kinds of modern materials and techniques which could be used for these creations. For instance, we designed four screens of 12 metres high to increase the levels of layer. When investigating the folk embroidery craft, our designers were inspired to replace the base fabric of embroidery with metal, and embroider Huizhou scenery on the metal net. In this way, we were able to realise the same effect with the same impact, which wouldn’t be achieved by using traditional metal or other metal materials.
Well, I think the highlight for me is the hotel lobby. The spatial vastness of the area integrates the exquisite features of Hui-style architecture and strong sense of decoration manifested through modern techniques. The lobby covers an area of 700 square meters, preserving the top structure of the original building with the highest height of near 20 metres. For the interior design, we embodied the traditional Hui-style wood carving technique into the decoration of wooden circular columns, beam and wall surfaces, focusing on the design theme; 'Huizhou Impression'. For colour use, the combination of grey brick, black tile and white wall from Hui-style architecture which represent the nature is put into use in the whole colour adoption. The lintel decorated with hanging flowers is made from bronze, and it implements with the wharf wall harmoniously.
Also, speaking of Huizhou culture, what first comes into our mind must be the Chinese 'Four Treasures of the Study', which includes writing brush, ink stick, ink slab and paper, which are expressed by different techniques in the hotel space. For example, we designed a 20-metre high Chandelier in the shape of a writing brush, to give the appearance of it pouring down from the roof; the pool carved from black stone is the integration of ink and ink stone; the ten-metre high scroll painting 'Huangshan Scenery' looks like wash painting on Chinese Xuan paper. Through the design of a ten-metre high ground glass window, the hotel lobby connects with a borderless lake view perfectly, inviting the glorious views and lake scenery into the hotel.
SBID is a renowned international award. Participating in the award is a test on our design ability. We will be more thankful and honoured if we were to win an award because it will be an honour both for the design team and for a single designer. On the other hand, if we unfortunately fail in winning an award, it still offers us a precious opportunity to compete with other design teams in the world and allows us to learn from each other.
Questions answered by Haonan Zhen, Design Director at Wanda Hotel Design Institute
If you missed last week's Project of the Week featuring a private luxury oasis comprising of villa and pool house in southeastern France, click here to see more.
Wanda Hotel Design Institute | SBID International Design Awards 2018
This week's instalment of the #SBIDinspire interior design series features a boutique hotel which juxtaposes the austere beauty and fiery drama of Iceland’s natural wonders with the City Center district by using natural materials in their most organic form and monochromatic colour schemes that mirror Icelandic nature and culture. Sustainable materials native to Iceland provide the perfect touch for this unique and eco-conscious hotel. Conveniently located in the heart of Reykjavík, Iceland, the hotel was originally a hostel for Reykjavík backpackers which was renovated to offer a sustainable and tranquil refuge to its guests.
Inside one instantly feels transported to the pristine countryside of this otherworldly isle of fire and ice. In the lobby sits a glacier-like front desk and infinity hallways connecting guest quarters mimic hot lava floes zigzagging across a vast blackened field. Each private bath even features geothermal hot water, sourced from the surrounding natural springs. Design elements are also oriented to take maximal advantage of natural light and ventilation. A profusion of natural light streams through the expansive guestroom windows with sweeping views of the North Atlantic sea and snow-capped mountains to the North. Sustainable heating was introduced and LED lighting is utilised throughout to decrease electricity usage by up to 75%, with hallways using motion detection. Not only does the guest feel a sense of magic when the lights turn on, but the hotel saves energy when there are no guests in the hallways!
Company: Minarc Inc
Project: Ion City
Project Location: Reykjavík, Iceland
To design a functional, urban, aesthetically pleasing space that would accommodate all amenities necessary for a great experience for future guests.
Icelandic nature was the main influence to the interior design of the hotel. The concept story of the hotel design was to bring the nature inside, in the form of materials and colour schemes to experience and get the sense of the austere Icelandic nature, without getting out of the city. We wanted to create an experience for the guests that will live in their memory.
The challenges to work with the existing building, local regulations along with the essential amenities needed to accommodate a happy stay for the hotel guests. The hallways were a challenge as they were short and small so we wanted to utilise them to their full potential. The design is inspired by the countryside’s rugged terrain, with cuts of light illuminating to the guest rooms and mirrors on each end of the short hallway, they play with perspective creating a memorable experience like walking through infinitive lava fields.
There are many items and elements of the interior design we are especially proud of and have personal meaning to us, including the bathroom works on the walls, which are custom handmade by Erla. The illuminating hallway connecting the guestrooms imitate the flowing lava fields; the white Corian lobby desk inspired by the surrounding glaciers; the Dropi chair in the lobby that suspends from the ceiling in the intentional shape of a raindrop; the Nest chandelier hanging above diffusing light through it’s intertwined form along, with the overall cohesion and outcome of the design as a whole.
The SBID International Design Awards is one of the most prestigious awards celebrating interior design and architecture today, we consider it an achievement to receive an SBID International Design Award and we would be honoured to win one for our designs. We have previously won for a house we designed in Iceland, Big Little Rock and nominated for our Ion Adventure Hotel.
Questions answered by Tryggvi Thorsteinsson and Erla Dögg Ingjaldsdóttir, Principal Designers at Minarc Inc
If you missed last week's Project of the Week featuring an American neoclassical design concept with comfort and function, click here to see more.
Minarc Inc | SBID International Design Awards 2018
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