This week’s instalment of the #SBIDinspire interior design series features a lakeside residence designed for an active couple approaching retirement. The client sought to create a home that celebrated the environmentally protected nature surrounding them, where they could enjoy aging in place while granting space for another generation to visit and entertain around lake life. Nature is brought indoors through the extensive glass and is emphasised by the mixed material palette including reclaimed wood, granite, and earth-toned walls. The home’s incorporation of sustainable and accessible design elements ensures that Arcadia House will be the heart of the family for generations to come.
SBID Awards Category: Residential Design Over £1 Million Sponsored by THG Paris
Practice: Visnick & Caulfield
Project: Arcadia House
Location: Massachusetts, United States
What was the client’s brief?
The client wanted a home that would act as a gathering place for family and close friends. They felt the home should celebrate its natural surroundings and experience nature indoors. Most importantly, the clients, an active couple, are nearing retirement and wanted their space to accommodate aging in place.
What inspired the interior design of the project?
The space is inspired by its immediate surroundings, by being immersed in nature, and by the site’s relationship to the water.
What was the toughest hurdle your team overcame during the project?
Working within the constraints of the environment proved challenging. The design and construction of the home contended with multiple setbacks surrounding the water, undeveloped land, and sloping topography throughout its uniquely shaped lot. The team overcame the environmental protections in place by using them as interest-driving constraints to derive the form and placement of the house.
What was your highlight of the project?
Seeing the client fully immersed in their home is immensely rewarding. The highlight of the project is seeing it become a setting that we as designers envisioned – one which brings together family and friends.
Why did you enter the SBID Awards?
We were inspired by the variety and quality of work at the SBID Awards, and hope to take part in the field with such international talent.
Questions answered by Cora Visnick, Architect at Visnick & Caulfield.
We hope you feel inspired by this week’s residential design! Let us know what inspired you #SBIDinspire
If you missed last week’s Project of the Week, featuring a 1960’s inspired hotel, click here to see more.
This week’s instalment of the #SBIDinspire interior design series features a 1960’s inspired Hotel Public Space. 2019 SBID Awards Finalist, Smallwood, had the challenge of ensuring a strong arrival moment for guests, given that the hotel entrance shares a lobby with the office tower and the residences. It was therefore important to give the guest a strong visual impact and to zone the arrival experience of a Waldorf Astoria that could easily compete against the multiple design languages of the adjacent office and residential lobby spaces.
SBID Awards Category: Hotel Public Space Sponsored by Viva Lagoon
Practice: Smallwood
Project: Waldorf Astoria Dubai International Financial Centre
Location: Dubai, United Arab Emirates (UAE)
The client’s brief called for a mid-modern approach, and unusually for Dubai, without any cultural references to the locale but a design that reflected the styling of the exterior architecture.
The client gave the styling of the American television series “Mad Men” as the design direction, so a strong New York sixties feel to the interior architecture and FF&E was used throughout.
To create a series of zoned spaces across Level 18 that prevented square meterage from being lost to circulation. With a total interior width of 25metres and a length of over 80m, Smallwood created ‘rooms within rooms’ so that the spaces interconnected, obviating the need for multiple circulation routes.
The opportunity to design an interior of a hotel in the Middle East with a cool aesthetic very different from the more typical hotel projects in the region.
We believe SBID is a highly prestigious design awards competition and it is a great way to showcase our new projects across the region to both operators and developers.
Questions answered by Joshua Rayner Roger Judd, Interior Design Director at Smallwood.
We hope you feel inspired by this week’s Hotel Design! Let us know what inspired you #SBIDinspire
If you missed last week’s Project of the Week, featuring a charming Chicago Hotel, click here to see more.
This week’s instalment of the #SBIDinspire interior design series features a hotel public space designed by Studio K Creative to feel like a beautiful, private estate. Hotel Zachary is inspired by Wrigley Field’s original architect, Zachary Taylor Davis. The charming floor plan includes a central bar, which creates an intuitive path that takes guests on a walk reminiscent of Davis’ own home by incorporating his family heirlooms, repurposing his architectural sketches into key art pieces and paying homage to his love story with details that honour his wife, Alma, and their children. Hotel Zachary is an authentic design that represents a piece of Chicago history.
Practice: Studio K Creative
Project: Hotel Zachary
Location: Illinois, United States
With a location across the street from Wrigley Field, the client envisioned a hotel inspired by the original architect of the ballpark, Zachary Taylor Davis. They approached Studio K with the desire to create a lobby that would act as a warm and inviting community space that felt authentic to Chicago’s history. The goal was to establish an approachable, versatile home base for visitors looking for a classic Chicago neighbourhood experience.
Hotel Zachary is inspired by Wrigley Field’s original architect, Zachary Taylor Davis.
The greatest design challenge was creating a space adaptable enough for guests to enjoy a cozy breakfast, important business lunch or hip happy hour all within the same central area. The lobby had to move seamlessly from day to night. To achieve this transition, we worked meticulously with lighting designers to get the levels correct for different hours and functions, effectively creating varying atmospheres depending on the time of day.
Since this was a legacy project, our team worked very closely with Zachary’s family to ensure the design was genuine and deeply personal. It was very touching working on a project that involved a person with historical significance.
We met with his family descendants, went through their photographs, his original sketches, his original blueprints and assorted artefacts that were passed down, including love letters between Zachary and his wife, Alma. All of these pieces were either incorporated into key art through the space or inspired various design choices. There was a lot of storytelling weaved through the process which made the outcome truly authentic.
Hotel Zachary means a great deal to the city of Chicago since it celebrates a piece of history and elevated the neighbourhood around it. We are very proud that our first completed public space in a hotel has received such an overwhelmingly positive reaction from locals and visitors alike, and wanted to bring it into an international market.
Questions answered by Karen Herold, Principal and Alicia Kelly, Senior Designer at Studio K Creative.
If you missed last week’s Project of the Week, featuring a luxurious Italian Villa, click here to see more.
This week’s instalment of the #SBIDinspire interior design series features a luxury interior design which reflects the elegance and exclusiveness of its location. Since the end of the 19th Century, Gardone has been one of the most exclusive places on Lake Garda. Landau + Kindelbacher, used a range of colours rich in contrast, drawing influence from traditional stimuli: the aquamarine of Lake Garda, the painted timbers of the elegant Riva boats as well as the lemon-yellow touches from the surrounding lemon orchards.
The high-class furnishings and fittings and the incomparable setting beside Lake Garda, assure the attraction of the project. From everywhere on the site, one has a fantastic view of the lake. Both the architecture and the interior design have succeeded, with their individual designs for the luxury villas, in meeting the highest demands of the future owners.
Practice: Landau + Kindelbacher Architekten – Innenarchitekten
Project: Villa at Lake Garda
Location: Brescia, Italy
The brief was to design a modern luxury Villa on this breathtaking building site at Gardone Sopra overlooking the Lake Garda catching in all those beautiful views over the landscape. The goal was to fuse interior design, architecture and landscape design into one consistent Project.
The inspiration came from all the southern colors you will find around the Lake Garda, the lemon trees with their Limonaia structures and the mahogany RIVA Yachts and finally the color of the water and the sky.
The very short timeline and just to get the design team physically on the building site, taking the James Bond proven Gardesana route on the east bank of Lake Garda.
The whole design team was invited to join the Grand Opening Party of the Villa and we could see that all our ideas had worked out perfectly.
The quality of the SBID Awards is really outstanding and we think it is one of the most prestigious awards within the interior design community.
Questions answered by Gerhard Landau, Managing Partner, Landau + Kindelbacher.
We hope you feel inspired by this week’s luxury design! Let us know what inspired you #SBIDinspire
If you missed last week’s Project of the Week, featuring a minimalist residential extension, click here to see more.
This week’s instalment of the #SBIDinspire interior design series features a light and airy residential design. This large and comfortable house had already been extended 10 years earlier, but this was demolished to provide an even larger replacement, featuring a study area, extra living space and a small service kitchen hidden behind a full-height sliding door.
In keeping with the calm and minimal tone requested by the client, SBID Accredited Design Practise, Richard Dewhurst Interior Architecture chose a muted colour palette was used throughout the house. The odd burst of colour was, however, tactfully used in the smaller spaces of the house, such as the bathroom and study.
Practice: Richard Dewhurst Interior Architecture
Project: Balham House Extension
Location: Balham, United Kingdom
The brief was to design a light and airy rear extension that didn’t simply feel like a white box grafted onto the back of the house and that was both calming and minimal. She also wanted a very impressive and modern kitchen, but one that was easy to use and could hide the mess as she readily admitted that cooking wasn’t really her thing!
In general, my client had quite a conservative approach to the project, but thankfully she was very happy for me to get creative with the guest loo, which proved to be fun.
The main driving factor behind this design was my enthusiasm for clerestory windows and the calmness and clarity of light they bring to a space. Having seen plenty of them in other buildings, I was excited to finally get the opportunity to build one.
The clerestory window feature was more complex to design and detail than I’d originally thought, meaning that I had to work closely with the window manufacturer and structural engineer to ensure that it functioned well and looked good.
Also, I desperately tried to convince my client that she should replace her sixty-foot long fake grass lawn with the real thing, as I’m getting increasingly frustrated and upset by the environmental damage this stuff causes to the local ecology, especially when considering the role city back gardens play in creating wildlife corridors in urban areas. Unfortunately, this was a battle I couldn’t win.
I was so pleased that my client loved the clerestory window and the guest loo as it always surprises her guests; they simply don’t expect to see the stretch ceiling and seamless walls!
Questions answered by Richard Dewhurst, founder, Richard Dewhurst Interior Architecture.
If you missed last week’s Project of the Week, featuring a unique facility designed to surpass all expectations of a traditional care home, click here to see more.
Frazer Macdonald Hay is an expert on the re-use of buildings and their impact on society. His experiences have helped him evolve from an apprentice glazier after leaving school at 16, to working on renowned architectural projects such as the new Scottish parliament and the Zonnestraalin in the Netherlands. Later becoming a successful published academic and the founder of Glasgow School of Art in Singapore.
In the last eight years he has focused on politics and international relations, working with the Orang Suku Laut in Indonesia and a UN agency in Iraq whilst researching everyday sites of violence in Mosul and Belfast; developing his own consultancy, Uniform November, specialising in Place, Peace and Political Violence.
When asked to describe his work, Frazer explained that he was primarily a person who works with the meaning and memories the built environment can resonate in communities. “I’m interested in how the places society creates, evolve and impact on people and their behaviour”.
Our lifeworld and the places therein are established reflecting our relationship with memory, either consciously or subconsciously. I believe these places that we experience are hugely important factors in the development of a sense of self or society, a sense of belonging and how people identify with themselves and others. These places are where lifeworlds are framed and contested. There is nothing that we do on this ‘mortal coil’, that is un-placed. Therefore, place and the memories it orchestrates are hugely important to you and me, and always will be.
Well, without memory we could not function even in the most simple ways. We wouldn’t remember where we live, our past, how to read, write or even walk, so in that way, memory tends to be honest and help us conduct our lives well. That said, it can betray us too, especially in times of stress and trauma. We often take memory and memories for granted, only realising their significance when they let us down.
It goes far beyond just forgetfulness or absentmindedness. They can lead us to remember things differently – we can be manipulated to remember things in another ways and with bias. According to psychologists, there are at least seven ways memory might betray us. Generally, it is important to understand that memory is not passive like a PC or video camera which reproduces the information in its original context; they are fragile, reflective, malleable and susceptible to a range of influences within and outside the brain. I have spent years working with the built environment and studying how people attribute buildings with memories and how these memories help to develop a sense of place.
If you consider that nothing we do is unplaced, in other words we were born in a place, in fact we were conceived in a place; we can’t experience or remember something which isn’t ‘placed’. You might therefore ask yourself, why aren’t we more conscious of the places we create and the impact of those we have created?
In 1943, whilst addressing the nation with regards the rebuilding of the parliament building, Winston Churchill said, “First we shape our buildings, then they shape us”. Aristotle also explained that, “Whatever is true for space and time, this much is true for place: we are immersed in it and could not do without it. To be at all – to exist in any way – is to be somewhere, and to be somewhere is to be in some kind of place”. Finally, Hobbs wrote, “No man therefore can conceive anything, but he must conceive it in some place”.
Quite simply an authentic, skilled and mindful use of ‘place’ can help address climate change, migration, poverty, urban development and social cohesion – the list goes on…
For example, the re-use of existing buildings will maintain a community’s sense of place, orientation and a feeling of home, not to mention the ecological sense of retaining a building and its embodied energy. Even if the building has ethical and environmental intentions, it will take decades to repay the embodied energy lost in the process. By embodied energy, I mean the amount of labour and energy consumed in the fabrication of the building; from the harvesting of natural resources and the manufacture and delivery of materials, to the installation of these materials and products within. It also includes the energy required to demolish and remove building components. Working to manage the embodied energy reflects a cradle-to-grave philosophy and is critical to any sustainable approach in managing and conserving our culturally significant built environment.
Another example might be the work I have done in Iraq, highlighting the importance of place in war torn communities full of emotional entanglement and trauma. Reporting to the United Nations how certain everyday buildings in Mosul can perpetuate hostility and amplify trauma. Surfacing the dangers of top down reconciliation through redevelopment, whilst local communities contend with places full of the memories of violence…
If we don’t take place more seriously, I feel we risk living in homogenous surroundings, dictated by economics and technocratic means. There are exciting aspects of the future. The virtual place is growing, the cyber place, the intangible places created by social media which connect communities around the world and inform so many people will evolve as our current interests in knowledge, technology and science seems limitless. I worry though, just like memory, place is only really considered properly ‘once the wheels fall off’. In times of adversity, ‘place’ reveals its integral importance to positive living, as critical in framing social and mental condition, promoting social cohesion and belonging. In many ways place is a rare and precious phenomenon, common to all, a bonding vocabulary which begins as home.
Therefore, the future needs a revolution, a change in how we conceive and manage our places and the conditions they create.
Home – or perhaps, more randomly, the rainbow café in Eilat. I doubt it’s there now, but when I was there in the 90s, it was ‘the’ place where you would go in the morning to line up against its rubble wall and tout for labouring work before the day warmed up. Other builders would drive by and select healthy specimens to do a hard day labouring for them on site! In the evening, once dropped off back at the wall, exhausted, content and dirty, the warm café would be the place to sit with comrades, watch the sunset and share stories.
This week’s instalment of the #SBIDinspire interior design series features Interior design that synthesises Eastern and Western styles. The interior design plan of this luxury property unites the Eastern and Western classical elements, giving it a bold and alluring character. The captivating Roman vault structure built at the entrance creates impact thanks to its remarkable detail and decor. The achromatic colours soften the visual impact, the soft whites, which serves the main colours, blend with oriental natural landscape scenes. YZ Environment Design used decorative details diversely to incorporate elements from the oriental architectural while infusing the Western design style with ink-based art, creating a blended and innovative Chinese classical style.
SBID Awards: Residential Design Over £1M finalist sponsored by THG Paris
Practice: YZ Environment Design
Project: Synthesis of Eastern-and-Western Classical Styles
Location: Beijing, China
The proprietor is China Resources Group, a respected developer in China. This case is a model room of high-end luxury apartments, located near Beijing Medical University – which is an excellent location. The main customers have rich wealth and knowledge. The proprietor’s request is to make the clients feel elegant and to provide a unique experience.
Chinoiserie is a decorative style in Western art, furniture, and architecture, especially in the 18th century, characterised by the use of Chinese motifs and techniques. European countries absorbed the Chinese culture; particularly the symbols and cultural elements, however, the meaning and value of the elements are often ignored. Such surface-level cultural input made “Chinoiserie” not able to be widely applied and it eventually disappeared into the history of design. Although the Chinoiserie style represents the Europeans’ yearning for China, the imitation of Chinese art crafts and the shallow understanding of the culture make it hard to get deep into and extend the Chinese culture. People just see what they want to see about Chinese culture instead of the whole picture of it. Capturing the essence of Chinoiserie therefore was a key inspiration for this project’s design scheme.
The toughest challenging was how to let the engineers and product processing staff understand the concept of the theme and intrinsic classic detail to create a transformation which is great enough to compete with the classics. The design involved many important craft processes such as hand-printed wallpaper, stairs, and mosaic with a large number of sketches and 3D drawings to develop.
What was your team’s highlight of the project?
Visitors are introduced to classics from different periods and different regions when they enter the property. There are design distinctions and differences among the classic features, but they have been curated to blend so naturally and elegantly they are not noticeable. It gives people a whole new feeling. At the same time, exquisite and rigorous technologies have helped provide technical support to creating these new classics.
We found SBID Award is a high-quality competition when we entered the award in 2015 for the first time. The judges are concerned not only about technology, materials and the undergoing changes in them, but also value highly culture and art and human spirit.
Questions answered by YZ Environment Design
We hope you feel inspired by this week’s Residential design! Let us know what inspired you #SBIDinspire
If you missed last week’s Project of the Week featuring a Victorian family home with modern, industrial aesthetic & open plan living, click here to see more.
SBID Awards 2019 | Residential Design Over £1M finalist sponsored by THG Paris
From 4th to 8th November 2019, Le Mondial du Bâtiment returns to Paris-Nord Villepinte with INTERCLIMA, IDÉOBAIN and BATIMAT coming together as the leading international event for the architecture, building and construction industries. It is a one stop shop for all industry players to get a 360º view on the newest products in the sector and help them rise up to the challenges of today and tomorrow.
BATIMAT will occupy four halls. In Hall 4, Interior and Outdoor fittings will take centre stage, while Hall 5A will host the Workshop Machinery and Joinery/Closures sectors. Hall 5B will be home to Tools, Site Equipment and – for the first time – commercial vehicles, including outdoor areas for demonstrations. Set up right between Halls 5A and 6, the new Construction Tech® sector will present digital solutions for buildings and will host the largest gathering of sector-specific start-ups. Finally, in Hall 6 visitors will find the “Building Structure and Envelope solutions” area together with all the sector’s main trade organisations. For the first time in France, BATIMAT has given the popular Offsite area its own dedicated sector.
BATIMAT more than ever is the place to be for industry professionals, offering a wide range of activities to help them prepare today to face the major challenges of tomorrow. With exhibition spaces and talk tracks entirely focused on what’s hot in construction, trade visitors to BATIMAT will find everything they need to make sense of developments in the building sector. With over 1,000 exhibitors registered, coming from every sector of the industry, the show will bring together all the major players.
Featuring alongside the exhibitors’ presentations and the show regulars, there will be a number of unmissable features at this year’s event:
1. City of tomorrow
The city of tomorrow is being built today. At the interface between buildings and mobility, the city is evolving and changing, and technological and technical breakthroughs have brought about new interactions which directly impact construction. The industry needs to reinvent itself, and BATIMAT offers visitors the innovative solutions required to make this happen.
2. Understand the expectations of new residents
Users and residents want better lives, and to play a part in the design of their homes. With one special day devoted to the topic, BATIMAT will question players from the Architecture and Construction sectors about this new trend – Wednesday 6 November.
3. Inventing new homes
Housing is reinventing itself and adapting to new forms of use. Primarily a place for us to live, the home is also becoming a place of work. It’s a functional space which evolves over the years to accommodate lifestyle changes. BATIMAT shines the spotlight on these new homes to better understand them.
“Smart living and smart working”: a full half-day track with the SBA (Forum Hall 6) – Wednesday 6 November:
4. Deciphering the future of construction
Connectivity and new technologies increasingly are core to forms of use. BATIMAT highlights the different technologies (voice, AI, 3D, etc.) which are changing the world of construction and how homes are used. In partnership with Gimélec (the federation of electro-digital companies), BATIMAT launched a major initiative to help professionals with digital transformation and industrialisation. The new area, CONSTRUCTION TECH® has the largest and most comprehensive range of building digitalisation solutions.
5. Wood, material for every challenge
Widely used in construction, wood naturally features strongly at BATIMAT. More generally however the sector is also increasingly promoting renewable and no-waste solutions.
6. Proven renovation and decarbonisation solutions
Reducing the carbon footprint of buildings during both their construction and use is a major environmental challenge for the sector. During the 5-day event BATIMAT will be presenting existing solutions, both with the products and solutions of our exhibitors and through a plethora of highlights.
7. Intelligent energy-production in the commercial sector Optimising, storing and sharing energy and services are key energy transition concepts. BATIMAT revisits all the solutions for improving energy efficiency, offering financial savings and enabling responsible consumption.
8. Discover MMC: the concept revolutionising the building industry BATIMAT 2019 sees the launch of a 1,000 m2 space devoted to Off-Site construction and events relating to this new building method. It will also go even further by touching on topical issues such as the ELAN act, BIM technologies and 3D construction.
9. Experience the building site of the future
Visitors to BATIMAT can try out COBATY’s new site digitalisation solutions at the Building Site of the Future space in Hall 6:
This week’s instalment of the #SBIDinspire interior design series features a 90 square metre apartment, set on the Mediterranean Sea, not far from Alicante. This quirky holiday home is located in an apartment block surrounded by lush greenery; the formidable foliage appropriately inspired the distinctive tropical-style interior design scheme used throughout the property. During the early design stages, the client was open to all creative and out-of-the-box ideas which lead them to using a bold and striking green as the apartment’s signature colour theme. The palette evolved to include a sunrise shade of pink, together with luxurious brass elements and earthy wood tones. This apartment truly comes to life with an eccentric blend of palm prints, tropical leaves and exotic birds on the wallpaper!
Company: INTRO by Chak
Project: Power of the Colour
Project Location: Altea, Spain
The apartment block is surrounded by lush greenery; prompting the designer to propose a daring tropical-style solution for the interior design. In the process of design planning, the client was open to all ideas and absolutely loved the suggestion of using green as the main feature colour. Initially the client wanted to refresh the walls and renovate the kitchen; in the end the project turned into a significant reconstruction.
What inspired the design of the project?
The client did not want to change the doors. This set the start of the project. If we are not going to change them, let’s have them painted. A bright shade of green was suggested. It fascinated and inspired the client. From then on the project could not be limited to simple repainting of the walls. The green doors called out for more. And so a sunrise shade of pink appeared, together with the luxurious brass, tropical leaves and birds on the wallpaper.
It was our first project in Spain. Being a Russian design studio, it was difficult initially to start and build communication with the suppliers and local workers. We are familiar with working using mostly English and Russian languages, so to work in the Spanish language was a big challenge for us! That’s why at the beginning of the constitution, it was difficult to avoid misunderstanding so naturally, some errors arose because of it. Finally, we got through these communication issues and we couldn’t be happier with the result – and now we are fluent in all specific construction, architecture and design lexis in Spanish!
We did run into some technical / construction difficulty during the build; fixing the 6-sided tiles in the bathroom called for very careful work. Also, the owner of the flat only wanted to renovate the apartment, so in some instances we couldn’t touch or structurally change some aspects of the property (e.g heating in the floor and air-conditioning) which we could probably have moved to develop the design further.
Working on this project gave us a lot of pleasure and overall we didn’t meet too many difficulties. The owner of the apartment was participating with enthusiasm at every stage of the working process!
Our idea was to use the mirrors to create the feeling of more space. We can see the best example of this in one of the bedrooms, where the entire wall behind the bed is made of mirror. We were happy with the visual impact of this, and how effectively it seemed to generate the illusion of space. There is a portal in the living room which is also made of mirrors which is used to separate the living room area from the dinning room area. In the middle of this portal there is a painted green column; visually, this gives the impression that it levitates above the table! Additionally, this portal offers the opportunity to create geometrical proportions of the space in which is very pleasant and comfortable to spend time in.
Why did you enter the SBID International Design Awards?
It was an honour for us to take the chance and participate in the SBID Awards 2018. We are very happy to have been listed as a Finalist in these Awards!
Questions answered by Nadya Chak, the Founder and designer of the design studio, INTRO by Chak
If you missed last week’s Project of the Week featuring a fabulous family apartment merging luxury design with elegant simplicity by the River Nile, click here to see more.
We hope you feel inspired! Let us know what inspired you #SBIDinspire
INTRO by Chak | SBID International Design Awards 2018
This week’s instalment of the #SBIDinspire interior design series features a fabulous family apartment situated by the River Nile, the lifeblood of Egypt. The young family of four desired a luxurious, yet simple and practical space. The property, around 290 square metres, is divided into a reception area with clear glass windows, drawing the sight line outside and capitalising on the expansive Nile views. A customised bar cabinet with brass sheets welcomes guests as they enter and is complemented by Nihal Zaki’s masterpiece; the Magnet Banquette which separates into four mini banquettes, only to regroup again using hidden magnets. The sofas, all the furniture and Asian fusion wall panels have been tailored to match the pièce de résistance of the house; the Golden Tibet Panel. The dining room adopts a subtle Art Deco concept in black and white, featuring paintings by contemporary Egyptian artists and a Murano-glass chandelier.
Company: Nihal Zaki Interiors
Project: Apartment by the Nile
Project Location: Cairo, Egypt
My clients were a young couple with two toddlers and they were very keen on an elegant contemporary house with elegant interiors, functional use and a safe environment for their children. They wanted cheerful colours but mostly, big glass windows in order to showcase the breathtaking view of the River Nile.
The River Nile, Cairo’s vein and pulse is one of the most beautiful features of this city and this lovely apartment was situated right on the banks of the river.. My clients wanted to capture the serenity of the lovely views and the Cairo sunlight shining throughout the day…
Another pièce de résistance was the vintage Tibet, gold leaf engraved paravan my client had inherited from her family. We were smitten by that piece and transformed it into a wall-hanging mounted on the wall of the main reception area right above the octane blue sofa.
My client was pregnant with her second child and couldn’t move out of the house! As a result we had to work strategically on a strict time schedule, ensuring we caused minimal noise, pollution and chemical hazards. Ensuring safety throughout the project being a top priority.
A collection of priceless paintings by some of the most prominent 1950’s Egyptian artists hung on the walls of the dining room hence our selection of subtle Art Deco black and white wallpaper.
The SBID have become the most lucrative and prestigious Design Awards in the region! Entering, let alone being nominated as a Finalist is quite an honour. The SBID Awards have become a hub for internationally renowned designers to meet and exchange ideas, business contacts and drive future innovations.
Questions answered by Nihal Zaki, CEO at Nihal Zaki Interiors
If you missed last week’s Project of the Week featuring an urban resort that offers sweeping lake views located on the shore of Lake Chao, click here to see more.
Nihal Zaki Interiors | SBID International Design Awards 2018
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