An excellent example of paint being a more adaptable choice than wallpaper occurred when the owner of a Grade I listed Mayfair Mansion wanted a very elegant, expensive, handmade wallpaper applied in the 44 foot stairwell, which had sweeping vertiginous curves.
Applying wallpaper would have proved to be an impossible task, due to the curves and the irregular surface. In the skilled hands of SBID accredited Glaze artists a pattern was created, inspired by paper found in the Victoria and Albert archive. The result was simply stunning. All the motifs, each one a 22 stage process, fit the 2,500 feet perfectly with not a join in sight.
Glaze Specialist Decoration have recently completed a fabulous project at The Dorchester Hotel in Park Lane, London. Ten highly skilled specialist decorators worked throughout the summer to bring the historic Gold Room back to its 1930’s glory.
Glaze artists recreated a beautiful summer sky using a fresh palate; this involved soft clouds, birds, and vines twisting around the gilded moon gold fretwork. The ruched curtains are in fact a trick of the eye, all painstakingly hand painted by one of their talented team. To complete the effect the cornice and pillar mouldings were decorated using moon gold leaf after a faux Verde Borgogna Lastra marble effect had been painted onto the original surfaces. The interior designer Alex Kravetz said at the end of the project: ‘Amazing work – I am very happy indeed and I hope to be working with the Glaze team again soon’.
One service that Glaze Specialist Decoration offers is historic conservation. One of their artists was responsible for recreating Queen Victoria’s hand painted Chinese silk wall paper. Needless to say this was a very unique request and they are more likely to be working on projects such as the Mayfair Mansion and the Dorchester Hotel.
As well as completing grand projects such as the Mayfair Mansion, Glaze have also had some amusing and slightly unusual requests. Recently, an artist was commissioned to disguise a bicycle shed in a stylish Westbourne Park Villa – a beautiful bamboo tree with falling leaves now disguises the bike shed, which is hidden beneath a set of stairs, creating a unique yet functional piece of art. This just goes to show that with the right product specification, all kinds of problems can be solved.
Glaze Specialist Decoration offer a first class service to Interior Designers, for both traditional and contemporary finishes as well as polished plaster.
The Building Centre, whose Chairman Michael Rose is on the SBID Board of Directors, is launching a new series of talks to examine how a growing body of scientific research can inform interior design practice to promote human wellbeing.
Evidence Based Design (EBD), now well accepted in healthcare architecture, analyses how a well conceived physical environment can promote wellbeing. Designers both in the healthcare sector and beyond now have an opportunity to implement this research to provide long term benefits for their end users. By applying EBD to our schools, homes and places of work, designers have the chance to increase and sustain wellbeing for all.
Many design factors – colour and lighting, acoustics, air quality and furnishings can have a calculable impact on building occupants. Job satisfaction, increased productivity, higher occupancy/lower absenteeism can result from applying an increasing body of research in this field.
The Building Centre has teamed up with Grigoriou Interiors and Gardiner & Theobald to produce a series of morning seminars to examine the calculable benefits of intelligent interior design. The seminars aim to attract developers, architects, interior designers, owner/occupiers, landlords, specifiers, engineers, agents and environmental/sustainability consultants looking to add value to their designs by improving the wellbeing of occupants and increasing productivity and profitability for their clients.
The Feeling Good seminars will raise awareness of environmental wellbeing issues and effects to human health, employee productivity and social prosperity.
Speakers
Dr Bridget Juniper Bridget Juniper’s PhD examined the measurement of employee well-being. She is highly experienced in employee health and wellness matters and continues her award-winning research at Cranfield University where she is also a guest lecturer.
Professor Derek Clements-Croome Derek is an established academic on the design and operation of intelligent buildings. His research interests include intelligent buildings; design of workplaces; environmental design for human needs and environmental issues for the construction industry.
Dr Derrick Crump Derrick has over 30 years experience of research, consultancy and government policy work concerning environmental pollution. At Cranfeild University he leads a team of scientists concerned with the adverse impacts of pollution on human health and the environment.
Andrew Parkin Andrew established and leads Cundall’s acoustic engineering specialism. He is well known and respected within the acoustics industry and is a regular conference speaker and technical author.
Elina Grigoriou – Chairing Elina Grigoriou is an Interior Designer and Sustainability Specialist with particular expertise in the commercial sector. Elina is a leading industry figure in interior design environmental change, who passionately believes that “fashionable” and “green” need not be mutually exclusive. Grigoriou Interiors is a RICS Ska Rating Development Partner and Elina Chairs the Technical Committee.
Richard Francis – Closing Statement Richard leads a global team of sustainability advisors at Gardiner & Theobald. He is a trusted strategic advisor who has helped blue chip companies and government leaders develop and implement cost-effective, performance-based solutions. For the last ten years he has focused on emerging sustainability issues in the construction and property sectors in an effort to advance the business and human case for better buildings.
Britain was represented at the European Council of Interior Architects (ECIA) by the official representative, The Society of British Interior Design (SBID), among sixteen other member countries at this year’s annual meeting. Each member country shares an interest to promote standards through a unilateral agreement on education requirements, competence skills and the EU code of conduct.
This year, the ECIA’s Annual General Meeting was held in Valencia on Saturday 24 September. Frazer McDonald Hay, Chair of SBID’s Education Panel, attended with SBID President Vanessa Brady, and gave a presentation about his activities and experiences after being appointed as representative for the ECIA Educational Recognition Program. Frazer will serve as the liaison between educational institutions and ECIA.
The French National Association had unfortunately reported bankruptcy and was represented in observer status only. An application was received by a French Federation and will be considered for membership in wp-content/2012. Malta has now met the ECIA standard and their application to become an ECIA member was approved; Malta will be represented and inducted into the European Council at Brussels in wp-content/2012 among all other member country organisations.
The annual general meeting was represented by the President of the leading organisations of each of the 16 member countries in Europe and was chaired by the ECIA President Joke van Hengstum. The outgoing Secretary General Gerrit Schilder said goodbye after his official six year term (constitutionally this is the time limit on holding a position). Germany proposed Elke Kaiser, member of the German national organisation BDIA, as the successor Secretary General and the vote was passed.
Next year the European Council will celebrate its twentieth year and the AGM will be held in Brussels where its headquarters are registered.
During the constitutional six year term of her post as Founding President of SBID, Vanessa Brady also put forward Britain as a hosting country for 2014 before her departure as President of SBID in 2015. In 2013 the AGM will be hosted in Amsterdam.
This year the continuing importance of London on the world design stage was very much brought to the fore at 100% Design, and SBID was pleased to partner in its promotion of innovation and quality showcased by so many of its members.
It was the first time SBID had exhibited (stand A50) at the show taking full opportunity to educate stakeholders (designers, architects, manufacturers, students and consumers) on what the organisation does: our plans for the future as well as our achievements over our first two years of existence.
We also displayed some of our members’ latest products; including a Villiers Console table, a Lasvit lamp, a DecoFlame Ellipse fireplace, flooring from KarndeanDesign Flooring from Van Gogh range, and a pair of Natuzzi Vani vases.
Over 500 visitors registered for membership information to join SBID at the four day event.
Our stand was also the venue for a breakfast talk on Saturday by The Times’s Style Editor, Dr Richard Dixon, to a group of American interiors bloggers (pictured below).
Vanessa Brady, SBID President, opened the seminar session on Thursday 22 September with a talk on ‘Design Law and Order,’ addressing issues such as designer fee rates, intellectual property and qualification criteria.
SBID also organised a networking event in conjunction with Prato Chamber of Commerce and the Italian Chamber of Commerce and Industry for the UK – over 170 guests attended the Made in Italy evening, supported by MP Mike Weatherley.
As the UK’s first and leading contemporary design show, 100% Design outdid itself this time round and remains a hub of creative talent from the UK and around the world and a key event in the international design calendar. It brought together three inspiring exhibitions under one roof: world-class interiors show 100% Design, innovative surfaces at 100% Materials plus emerging talent showcase 100% Futures.
Our Education Panel Chairman, Frazer Macdonald Hay, recommends a few of his favourite books on Interior Design and Architecture – with one written by Ro Spankie, also on the SBID Education Panel!
“Drawing out the Interior by Ro Spankie from AVA’s Series ‘Basics Interior Design & Interior Architecture’ is easily the best academic book of its kind, I haven’t enjoyed or been inspired this much since reading Ed Hollis’s book titled The Secret Lives of Buildings.
Ro Spankie’s book is beautifully structured and written with the right balance between text and image to engage the reader visually and intellectually. The book will, in my view, be a big hit with students but strangely, I also feel, it should be an even bigger hit in the realm of professional practice.
I have lost count of the amount of colleagues which have voiced an insecurity and/or a frustration about drawing without CAD. It’s this type of book which will inspire and rekindle a lost love for some, and for others it will inspire and energise their learning and practice.
I am very relieved to see Ro Spankie has written and researched this book with rigor and depth. I am so tired of seeing publications of so called authors, who just catalogue their past students’ work. Although this is at times interesting, it’s one dimensional and shallow, with little impact value to student’s education in my opinion. Ro Spankie on the other hand has written a document with authenticity and integrity, which works on many levels.
The AVA series in general is well worth a look, I feel their range of Design Topics and their authors are excellent. I was fortunate enough to read yet another book from the same range earlier this year, by Graeme Brooker and Sally Stone, the book is titled Context and Environment and I immediately recommended it to my students…”
Frazer is also Director of the Big Stone Collective ltd.
Susanna Cots, of the Estudi de disseny in Barcelona, is an SBID member whose philosophy in work revolves around the colour white. Below, read her thoughts about the implications of one single colour in the world of design.
“White, as a colour and concept, has been related to cleanliness and light. To purity and quietness. To all those holes of air that surround typography. To get right on the spot. To sol-fa and the white quaver. Nevertheless, sometimes white is related to a creative block, the fear of the white paper. That’s it: white is more than a colour, is a concept that goes through all the artistic disciplines in both positive and negative ways.
As a colour, white is the base and the union of all colours and it’s the starting point of any creative process. That’s why, as a designer, I’m not scared of working with it, because I believe that in the authenticity of its purity and brightness. I believe in its simplicity and sensibility and the stimulation that it provokes in our senses.
White is the colour of the solar light, that’s why gives width to all spaces. We use white as the base of all our interior design projects, because over it we can apply any other colours and we create great contrasts. We like specially combining it with black, which means “the absence of all the colours” and it helps us to create atmospheres with pure colours.
Nowadays, trends are one-colour based and it gives birth to a new style. For instance, the use of golden makes us think of baroque style. There’s no arguing about taste. That’s why people use colours depending on trends. I don’t follow this way of working: using different colours in one space don’t get to a visual harmony. I firmly believe that we need to search for a chromatic continuity to create long-term projects.
The way I understand white is very similar in other disciplines. White is the base of a painting. White in graphic design gives importance to every single space. White in fashion means freshness and happiness and make us think of good weather. Imagine the typical summer: white houses, blue sky, white linen dresses… Isn’t that enough to imagine the power of white? Gastronomy is also absorbed by white colour: cheese, cream… means sensuality. There’s even a white diet, which helps to reduce cholesterol. Apart from that, white is associated to hygiene and we prefer white towels, cloths, and kitchen apron, doctors’ uniform…
I don’t want to finish without mentioning white colours infinity of applications: not only in tonalities, as beige, grey white, dirty white, bone white… but also in textures where white can be the perfect star. White has been one of the motivations that made me design Blancollection for Camamilla Design (www.camamilladesign.com and www.facebook.com/camamilladesgin) : a collection where everything is from and for the white colours, using white lacquered wood, aluminium or dalian.”
More information: www.suinterioristes.com www.facebook.com/susannacots www.twitter.com/susannacots [email protected]
Alan Crawford, architect and director of Crawford Partnership, tells us about building regulations in the event of major internal changes to a house.
“Building regulation approval will normally be required for any major internal changes to a house, such as removing or partly removing a load-bearing wall, beam or chimney breast, or if creating an open plan layout which would affect fire precautions or escape routes.
A load-bearing wall supports other elements of the building, such as the roof, floor joists or a wall above. Seek professional advice from a structural engineer (www.istructe.org.uk), architect (www.ribafind.org) or building surveyor (www.rics.org.uk) before attempting any structural work. A structural engineer or surveyor can be employed to determine if a wall is load-bearing and then design a beam which will cater for the loads that the wall was originally taking.
If any new beams bear onto a wall shared with a neighbouring property, then, by law, you will also need to engage the services of a Party Wall Surveyor to agree the works with your neighbour.
You also need approval if, in altering a house, work is necessary to the drainage system.
If you intend removing a wall between the main house and a conservatory then calculations for heat loss may be required.
As the home owner it is up to you to contact your local building control officer before starting any work. They can explain current building regulations. If you go on to sell the house your buyer’s solicitor will require a report which will include a date when walls were removed. The good news is that planning permission probably won’t be required for purely internal works, unless the building is listed – in which case listed building consent will be needed.”
www.crawfordpartnership.co.uk
As the clock slowly ticks by and your once steaming coffee begins to get cold you can hardly disguise your anticipation, because this morning you are having your new kitchen fitted. Then slowly in the distance you see a lorry turn the corner. Inside this delivery truck is months of thought, planning and anticipation; a quiet voice in the back of your head asks; “I hope it looks okay” but you find reassurance in knowing that the designer you worked with was a professional, inspiring you and offering quiet reassuring confidence in equal measure. So how is it that in the past so many kitchen and bathroom designers have been under appreciated and overlooked by clients, other design professionals and even the very industry in which they work? But is this historical undervaluation of good design now turning the corner?
In many ways it is unbelievable that the designer of any product could be simply seen as a consequence of the actual product their employer is trying to sell. An underappreciated by-product of the bigger picture; kitchen and bathroom sales! In many ways the KBB industry has systematically turned things on their head, bypassing the source of inspiration and focusing solely on selling as quickly and as cheaply as possible, and because of this the kitchen and bathroom industry is riddled with holes. It is ironic that many companies choose to fill these holes with salespeople, in the guise of designers and wearing a name badge.
In a capitalist economy it is only right that manufacturers and retailers search for more efficient ways of delivering cost effective style solutions to the public, allowing the conveyer belt of product to keep trundling forwards.
But at what cost?
You cannot underestimate the power of product anticipation as each client, from whichever price bracket will undergo a personal journey leading up to having a new kitchen or bathroom installed. Clients may have made personal and economic sacrifices in order to afford their new installation which brings with it an overt expression of who they are and what they aspire to be. It is unfortunate therefore that in some instances, both in the multiples and the privately owned retailer, that the basic human connection between client and designer is overlooked, and because of this, things start to go wrong. Kitchen and bathroom design is about communication, empathy and experience and it is combining these tools with an understanding of function, design and architecture that one can truly be confident of delivering a good, client specific design.
It is important for the industry to understand that design is the source of everything, every kitchen, every worktop, every sink and that without the connection between consumer and designer the industry would have nothing to sell, because there would be no-one to sell to!
The kitchen and bathroom designer works on many levels. Some designers have the knowledge and experience to combine multiple, constantly changing components to create functionally astute and aesthetically pleasing products which will not break the bank. Creating a complex product like a kitchen on a budget is a skill that needs to be appreciated more. Other designers will be presented with the unique opportunity to be flamboyant, to reshape our expectations and deliver fantastic functional art installations that will have magazine editors clambering for a pen in order to get the unique, first hand insight into the vision of the designer. In a situation like this there is a desire to tap into the individual’s inspiration and suddenly the lowly kitchen or bathroom designer is allowed to step from the shadows onto the bigger and greatly more appreciated design stage. And so cometh a change! The pace of change has been slow and could be likened to water dripping on a stone, but just like the water, kitchen and bathroom designers are beginning to make a hole just big enough to let in some light. Some large multiple retailers are now advertising the fact that they employ good designers exploiting the personal connection and the reassurances that a good designer can offer. However it could be argued that some of the bigger names in the industry did not value the designer at all, instead they promoted a campaign of destructive discounting which damaged the industry and ultimately consigned their own names to the history books. But just as in any blockbuster movie depicting apocalyptic scenes of self destruction the KBB industry has been offered an opportunity for re-birth, a new avenue to explore, a faint light at the end of the tunnel. A small band of mavericks have broken away from the traditional retail model choosing to offer kitchen design on a “design only” basis. These “design only” companies are offering a new way of buying a kitchen and presenting a new opportunity to manufacturers to source clients from places they had never dreamt of. Design is flexible and not geographically restricted therefore the possibilities offered from these “design only” companies must be explored by manufacturers, retailers and even other design disciplines.
Remember, design is the source of every product, and the kitchen and bathroom designer is fast becoming the gate keeper between client and manufacturer. Independent designers can offer flexibility and clarity to the buying process, acting as industry translators and as an easy source of new clientele for manufacturers. Independent designers also offer the industry a comprehensive range of design solutions on a pay and go basis allowing struggling businesses to stay open and more celebrated enterprises to flourish.
Independent designers should not be feared, they should be celebrated! Kitchen and bathroom design is changing!
www.designer-kitchen.com
Talent, whether it is established or new, is what makes the very essence of our being as interior designers. In a world where undertaking your own pillow puffing appears to allow the title of ‘interior designer’, it is up to us to identify and nurture true and raw talent. But the challenge remains that age-old one: How do we find it? This is why I am a firm believer and supporter of SBID and its ethos. As dedicated interior designers, we strive for fresh ideas, styles and indeed, look for inspiration from fellow designers to continue to raise the bar. SBID is a key driver in the all important search for the elusive true talent that I am talking about, someone who can go further than buying a roll of wallpaper from John Lewis to match the new curtains. I am talking about the rare talent that brings with it originality, flair and a deep-rooted desire to invent and to lead the way. I began my career over 30 years ago. As you can imagine I have crossed paths with many industry experts and many more who claim to be experts! These have, on some occasions misguided me, but mainly have inspired and encouraged me with their passion and individuality. I consider it an honour if I could help inspire a new breed of original and inventive talent waiting to break in to the interior design world. How can I, and other established designers, do this successfully? Well, we, that is the SBID, are firm believers in nurturing creativity and this is how we are guiding the latest aspirants. We know, from experience, that design goes much deeper than throwing together some paint colours and a matching throw. It is within a person. Saying that though, education and having a solid grounding is a vital component. Artists often have a strong desire to produce those creations they see in their minds eye. However, it takes time to refine a style, like in any industry, skills need to be nurtured and developed. While to those outside of the industry, it may appear that creating a desired interior is an easy task, we all know that this is not the case? I am a huge advocate of getting the foundations in place for any project. Working alongside SBID, we are guiding and mentoring talent across the world to cultivate imaginative and original ideas whilst teaching control and the ability to temper creativity to satisfy a brief. I, like many other experienced SBID members, feel strongly that our years in the industry can help direct the future designers of the world. Hands-on experience is priceless. Back in 2009 I began to mentor a capable student named Raymond Watkin, he is now a trusted member of my team and has a bright future ahead of him.
So believe me, combining the groundings of a solid education in design with first hand industry know-how will help many more talented designers to break in to a market that is characteristically difficult to make a name in. As a committed designer and devoted SBID member, I am not here to just design interiors, or to simply mentor prospective designers but to help maintain our industry’s great profile among the other artistic and design-led industries. We want, and need, brave, astute and creative men and women to continue to push the boundaries. Let’s go out and find them!!
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