This week's instalment of the #SBIDinspire interior design series features the playful charm and intoxicating narrative of Torno Subito for Massimo Bottura; the Italian restaurateur's latest venture in Dubai. Vibrantly captured by Bishop Design by Paul Bishop, the SBID Award winning project for the Restaurant Design category is an explosion of utterly beautiful reminiscence.
Ultimately la dolce vita, with colour-bombs and beachside terrace, Torno Subito is situated within the latest W Hotel offering upon The Palm Jumeirah Dubai. The venue beautifully fuses design, food and influences from the golden days in one harmonious offering, through an intoxicating reflection of Massimo’s affection with the past; also mirroring his culinary approach of ‘tradition in evolution’. With its distinctive storyline, Torno Subito brings a playful charm to the UAE as it completely immerses guests within its narrative; infused with sunshine-yellow tiles, Italian-punk inspired artworks and a Polaroid photo feature ceiling. Entirely ahead of its time, Torno Subito revolutionises the F&B (food and beverage) landscape as a pioneer of immersive dining.
SBID Awards: Restaurant Design winner sponsored by Perennials and Sutherland
Company: Bishop Design by Paul Bishop
Project: Torno Subito
Location: Dubai, United Arab Emirates
Photos by Alex Jeffries
What was the client's brief?
Torno Subito, situated within the latest W Hotel upon the Palm Jumeirah Dubai, is a visual celebration for famed World’s number one chef and 3-star Michelin Holder Massimo Bottura. The chef known for passion, creativity and even his quirkiness saw a unique opportunity with this venture, in that he could recreate his childhood memories through intelligent design and an innovative food offering. The brief was simply to realize the sentiment of Massimo having fun. A metaphysical manifestation of beachside days reminiscent of Rimini’s coastal playground in the 1950s/60s - fun-filled days enjoying amazing food, drinks and ultimate relaxation. The interiors were to transport you to destinations beyond imagination through an intoxicating reflection of Massimo’s affection with the past. Film was to be an integral expression throughout as inspiration from Fellini films took precedent. The venue was to be a beautiful fusion, bringing together design, food and influences from the golden days into one harmonious offering.
What inspired the interior design of the project?
An intoxicating narrative of bygone days sets Torno Subito far beyond alternate offerings in the region, elevating the design as one of the most revolutionary in the country. Ultimately La Dolce Vita, with colour-bombs and beachside terrace, “Torno Subito” is an explosion of utterly beautiful reminiscence. Massimo’s “tradition in evolution” approach to food enticed the design direction to inherit the best of the past and carry it forward to the future. Days of Italian pop culture were to be relived in a bewitching series of pure memoirs, satisfying Dubai’s crave for an authentic experience in its absent nostalgia.
What was the toughest hurdle your team overcame during the project?
To capture a vision belonging to someone so passionate as Massimo was challenging, yet we superseded expectations by perfectly creating his desired narrative. So far beyond solely an F&B venue, the walls tell a beautiful story inspired by Massimo’s memories, enabling guests to relive Italian food markets and beachside days in 1950s/60s Rimini. Even the name itself “Torno Subito,” translating to “I’ll be back soon,” reflective of Italian shopkeeper window signs, perfectly captures the sentiments of the venues story, whilst playing a tongue-in-cheek reference to Massimo’s presence at the restaurant.
What was your team’s highlight of the project?
We had never worked to realize such an inspiring story as the one told Torno Subito. The narrative was enhanced through physically diversifying materials and installations evoking a recollection of memory and re-collection of object. Pastel tones compliment the bold color mélange; contrasting against a morphing monochromatic floor that seamlessly blends into a unique, three-dimensional sand-print flooring. An eclectic array of black and white Polaroid photos suspends from the ceiling, including films of Fellini and Massimo’s collection of nostalgic 1960s summers. Cinematic ideologies evolve through corrugated iron forms representative of cinema curtains, surrounding the WC entrance. Animated graphic-stamped ceiling panels float in irregular lines representing the canopies of old Italian food market tents that Massimo has been visiting since he was young.
Why did you enter the SBID Awards?
Showcasing projects of the highest calibre all over the world, the SBID Awards stand as a desirable platform for every designer to share their work. It truly is a privilege to be able to submit a selection of our projects and be crowned SBID Award winners, as we become inspired year on year with the unprecedented talent and expertise that the awards showcase.
Questions answered by Paul Bishop, Owner and Founder of Bishop Design by Paul Bishop
If you missed last week's Project of the Week featuring SBID Award winners for CGI & Visualisation with the stunning visualisations of their skyscraping penthouse project, click here to see more.
We hope you feel inspired by this week's Restaurant Design! Let us know what inspired you #SBIDinspire
SBID Awards 2019 | Restaurant Design Winner sponsored by Perennials and Sutherland
This week's instalment of the #SBIDinspire interior design series features stunning residential CGI visualisations from the SBID Award winners for the CGI & Visualisation category with their cool, skyscraping penthouse project in London. Straddling the border between the Square Mile and Old Street, the Atlas Building takes in the best bits of both the City and East London. At 152 metres tall, it is Tech City’s newest and tallest residential addition, towering over all its surrounds. Ken Shuttleworth’s award-winning architecture practice MAKE has designed the building around nine enormous architectural blades, with a staggered design which creates a series of balconies and terraces.
Angel O’Donnell were commissioned by their client to design the incredible penthouse on the 38th floor. The design needed to be art-deco inspired whilst remaining current and cool, fit for the tech-titans that would be living in the building and working nearby. The client requested that Angel O’Donnell create CGIs in order to visualise the design within the space that would then also serve for marketing the apartment for letting purposes. Teaming up with the tech geniuses at Intermarketing, the team created CGIs that were truly astonishing, completely realistic and then topped off with a 360 degree walk through the penthouse.
SBID Awards: CGI & Visualisation Winner sponsored by Vectorworks
Company: Angel O'Donnell
Project: The Atlas Building
Location: London, United Kingdom
Whilst the client had a very strong idea of their design aspirations, the penthouse was ultimately to be a rental investment, so AOD needed to use as much commercial insight into the designs that they were producing as possible, to ensure it was fitting of the penthouse setting but equally that the fit-out cost was affordable whilst commensurate to a high-value rental property.
Given the long lead time before the building’s construction was due to be finished, the client requested that Angel O’Donnell produce CGIs that would provide complete clarity on the designs AOD had produced, featuring the exact furniture, colour schemes and fabrics as they would need to serve for marketing purposes.
We started with the idea New York City and the Great Gatsby, inspired by our client's love of art deco and being a Shoreditch sky scraper, it really was London's answer to New York! The view is like no other in a tall building in London, you really can see an entire London cityscape, North, South, East and West, completely panoramic! So of course, if one thinks Gatsby design, they think retro Gatsby scales and we wanted to have this as a feature in the master bedroom headboard but how we could incorporate that in a modern sky scraper in East London was a challenge, to go all out art deco wouldn't be right and it very much had to be a modern interpretation. Then on a trip to South of France, we were inspired by the all-round arches of the Pont Du Gard bridge near Nimes and felt by rounding off the Gatesby scales into arches, it gave the more modern look we were after! From there the design flowed, mixing modern, art-deco inspired loft with edgy Shoreditch penthouse.
Builders! Once the client had seen the fabulous CGIs and 360 degree walk through we had produced on our virtual reality goggles, he wanted the project complete as soon as possible. The challenge, however, was the main contractor who was struggling to finish the building so they could handover to the client and in turn to ourselves. We ended up having to work around the contractors which had impacts on snagging, the number of people on site and of course damage to our very expensive FF&E. However, at Angel O’Donnell, we take the view that there is no such word as “can’t” and everything is resolvable, so we put in some long shifts finishing at gone 1am to get the project finished and meet the client’s high expectations.
The comparison between the CGIs and the real thing! The CGIs were so realistic, it was easy to think that they were actual photographs, and when wearing the goggles, to believe you were in the actual apartment! Everyone was thrilled with the result and Intermarketing were able to add finesse to the visualisations that you just wouldn’t achieve from a typical render.
Between Ed O’Donnell and myself, we’ve got 20 years’ experience within the design and real estate industry but always working for others. Having established Angel O’Donnell only a year ago, we wanted to enter an awards where just being shortlisted would be a huge honour and provide us with industry recognition of our own. We never imagined that in this short space of time we would be recognised for our talent and being shortlisted (let alone actually winning!) is testament to the hard work and long hours we’ve been putting in over the last 12 months!
Questions answered by Richard Angel, Co-Founder of Angel O'Donnell
If you missed last week's Project of the Week featuring the SBID Awards' Overall Winner 2019 with the non-invasive and nature-inspired property in Mexico, click here to see more.
We hope you feel inspired by this week's CGI & Visualisation design! Let us know what inspired you #SBIDinspire
SBID Awards 2019 | CGI & Visualisation Winner sponsored by Vectorworks
This week's instalment of the #SBIDinspire interior design series features a nature-inspired property in Quintana Roo, Mexico which claimed the SBID Award for Overall Winner 2019. Centric to this award-winning design was the drive to redefine life in the jungle, promoting a non-invasive dialogue between architecture and its natural surroundings. Roth Architecture crafted this unique residence to harmoniously blend in with the environment, respecting and honouring the natural habitat that hosts it.
The use of ferro-cement was specifically chosen to avoid the introduction of heavy machinery into the jungle, thus preventing the felling of 250 trees. The finish, carefully crafted with local materials, makes this a unique space of purely organic forms.
SBID Awards: Overall Winner
Sector: Residential Design
Company: Roth Architecture
Project: Uh May Residence
Location: Quintana Roo, Mexico
The client’s request was to achieve a harmonious way of cohabiting with the idiosyncratic ecosystem. The main instruction was to have the least possible interference with nature by not cutting any trees and leaving the surface of the soil intact. The fundamental precept to preserve the curvature of the earth and not to cut any trees in the 10 hectares guided every step of the project. Our intention is to show that we can build by learning from nature and integrating and building on its teachings.
The project was inspired by the shape of the Fibonacci spiral. The house unfolds akin to the shell of a snail, respecting the golden cut while effortlessly meandering through the network of trees.
The purpose that guided the construction of the project was the integration of the intelligence of nature’s networking, specifically the information contained in the shape of the surface of the earth and conveyed through the network of trees. The intelligence of Earth’s ecosystem has evolved over millions of years, gradually becoming more accurate. Connected through mycelium, a complex fungus network that is still being researched, trees communicate, help and protect each other.
The toughest hurdle was, precisely, to not sacrifice any trees. We had to develop new construction techniques to preserve the natural fabric of the surroundings. Everything had to be done manually and in an artisanal manner, which resulted in fostering the collaborative spirit and consolidating our tribe akin to the experience Mayans would have had at the time the pyramids were built.
For this project I worked for the first time with trained architects which was a new experience, especially since I never followed a formal curriculum myself. When I would trace the outline of the construction in the air with my hand, and the architects would first transpose it into drawings on paper.
Whereas the Mayan members of the team would immediately process the outline, almost like through a photographic process, and start building without previously translating the vision into a concept.
In the course of the project we could observe a cross pollination between the two approaches which was a highly rewarding experience.
We are at a point in human evolution where it is necessary to redefine man’s place in the world through projects activating three fundamental pillars: art, nature and ancestral wisdom.
These three pillars inform not only each and every of our projects but also our organisational structure and the way we connect as a tribe.
Our architecture shows how human creation can harmoniously coexist with the natural world, a concept which was well understood by the original cultures who lived under these precepts and expressed them in a plastic way, with art and architecture operating as a bridge to the source.
Questions answered by Roth, Founder of Roth Architecture
If you missed last week's Project of the Week featuring the first photography exhibit for famed Toronto photographer, click here to see more.
We hope you feel inspired by this week's Residential design! Let us know what inspired you #SBIDinspire
SBID Awards 2019 | Overall Winner
The highly anticipated winners of the SBID International Design Awards 2019 have been revealed today (Friday 25 October 2019) at a dazzling ceremony at the Grosvenor House in London’s Mayfair. With more entries than ever before, this year’s awards have been one of the most globally represented editions to date, with industry talent from over 48 countries across the globe. The competition this year was as inspiring as ever, with winning projects from the United Kingdom, Switzerland, Qatar, Poland, Barbados, Monaco, Japan, Indonesia, Brazil, Australia and more. Click here to see the full list of winners.
Winning a SBID International Design Award is truly a high achievement; all 15 categories are assessed by a technical panel, a public vote and a panel of leading industry experts, who look for outstanding examples of technical content and aesthetic creativity which ensures that all projects are assessed strictly on quality. Now in its ninth year, the SBID Awards are regarded as the most prestigious accolades for interior design. The SBID Awards were recently accredited as the first interior design awards scheme to achieve GOLD standard by The Independent Awards Standards Council and were commended as “exemplar in how awards should be operated”. As a proudly independent contest, the SBID awards are driven purely by a desire to recognise talent and creativity, with every entry fairly and equally considered. The annual event continues to reward and celebrate outstanding projects and products from the industry at large.
Judges this year included Directors and CEO’s from global design corporations such as Nike, MAC Cosmetics, Universal Studios and Soloman R. Guggenheim Museum and Foundation.
The Overall Winner Award is presented to the project that received the highest score after both tiers of judging and the public votes considered. This year the overall award was given to Mexican-based practice Roth Architects for their Uh May Residence in Mexico.
Uh May residence is a habitable sculpture of 3,7502, located in a property of 10 hectares in the middle of the jungle, only 30 minutes away from the iconic town of Tulum, in the Yucatán Peninsula. The house harmoniously blends in with the environment of AZULIK Uh May whilst also respecting and honouring the natural habitat that hosts it. With no straight lines or sharp angles, it respects the organic shapes of the ground on which it was built. There is real purpose in its design: to force us to be present, paying attention and observing our every step.
The use of ferro-cement was specifically chosen to avoid the introduction of heavy machinery into the jungle, thus preventing the felling of 250 trees. Moreover, the material gives the space a cozy feeling. The finish, carefully crafted with local materials, makes this a unique space of purely organic forms. Meticulously conceived thorough attention to detail and amenities for entertainment, this property redefines life in the jungle, promoting a non-invasive dialogue between architecture and its natural surroundings.
SBID Founder and CEO, Dr Vanessa Brady OBE said: “Each year the SBID International Design Awards continue to grow from strength to strength. With a sell-out ceremony and more countries represented this year than any other, it truly is held as the premier interior design awards by the global industry and SBID is proud to present it each year. This year’s Overall Winner demonstrates the seriousness in which the design industry at large is taking in the environmental conservation and project procurement”.
All winners for each category received a bespoke crystal trophy crafted by Sans Souci glass deco. They have also been featured in the SBID Global Interior Design 2019 coffee table book which is available to purchase online at www.sbidawards.com.
CGI & Visualisation sponsored by Vectorworks
Angel O'Donnell for The Atlas Building
Club and Bar Design sponsored by Oxley's Furniture
House of Design by Suzy Habre for Iris
Development Sales Centre sponsored by Vessel Gallery
Matrix Design for Gemdale Fenghua International Sales Center NanJing
Healthcare & Wellness Design sponsored by The Stone Federation
Diana Interiors Group for The Salt Room
Hotel Bedrooms & Suites Design sponsored by Yves Delorme
G.A Group for Belmond Cadogan London
Hotel Public Space Design sponsored by Viva Lagoon
CCD / Cheng Chung Design for InterContinental Shanghai Wonderland
KBB Design sponsored by VitrA UK
Masterwood Joinery for Slopehill Road
Office Design sponsored by KI Europe
ADP Architects for Axon Office - “Work-Space-Ship”
Public Space Design sponsored by Sans Souci
Tengyuan Design for China Railway Qingdao World Expo City Conference Center
Residential Apartment under £1M sponsored by Lalique
Kolomoiets-Project for Apartment with History
Residential Design over £1M sponsored by THG Paris
STA Architectural Group for Palazzo del Cielo
Residential House Design under £1M sponsored by Kassavello
LEIVARS for Esher Contemporary Open Plan Family Home
Restaurant Design sponsored by Perennials & Sutherland
Bishop Design by Paul Bishop for Torno Subito
Retail Design sponsored by Blooms Art
Hyphen and Portview Fit-Out for LUSH Liverpool
Show Flats and Development sponsored by Foglie D’oro
II BY IV DESIGN for Ten York
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