Interior design studio manager of SBID Accredited Design Practice, Rigby & Rigby, James Ashfield highlights what he believes to be the two biggest challenges the interior industry faces today, and tells us how he forged his successful career in interior design.
What is your current job?
I manage the interior design studio at Rigby & Rigby, overseeing all interior design projects and the creative vision for the studio.
What is your background and how did you get into interior design?
I always had a passion for art and technology, so architecture and interior design was a great fit for my creative and practical interests, which led me to study Interior Architecture.
I now have 15 years industry experience. My first role was for a small architecture, interior and development practice and I’ve since held positions at leading London architecture and interior design practices including the Harrods Interior Design Studio.
Describe an average day in your job role..
A typical day consists of multiple client meetings and presentations with our team across many disciplines. There might be a site visit to a Prime Central London site to inspect progress or a coordination meeting for a landmark residence Rigby & Rigby are developing in Knightsbridge.
Sometimes my job takes me overseas if clients are based outside of the UK. For example, I worked in the Middle East for two and a half years where I acted as a client advisor on all architecture, interior and development projects for an UHNWI who was based there.
Which elements of your profession do you enjoy the most and/or find the most rewarding?
The most rewarding element is the design journey with the client, whose lifestyle we try to facilitate through the delivery of creative solutions and beautiful interiors.
I also have the pleasure to work on some of the finest and most incredible homes, with the multi-disciplinary support from our architectural, construction and marketing teams and a young and energetic interior design team. It’s always exciting to see a project come to life.
Is there anything new you are excited to be working on?
I love the scope of what I do and where it can take me. Currently I am working on a 17,000 sq ft landmark private residence in Knightsbridge, a 50,000 sq ft private development in Asia, and a 300sq ft Chairman’s office in Central London.
What do you find the most challenging aspects of your job?
The most challenging aspects of my job are the logistics. Our suppliers come from all over the world, and sometimes there are unavoidable delays which can create challenges caused by anything from the weather to an international event. To combat this, we have to create contingency plans.
What do you wish you knew before working in the field?
I think it’s useful to know that success can be found in all ways, not necessarily the obvious routes. I think it’s important to also have an understanding of growth opportunities in your chosen career, and evaluate these against your skills and values.
What would you tell your younger self if you had the chance?
That working hard and putting in the hours does pay off.
What has been your favourite project to work on?
The landmark residence in Knightsbridge and a modern ski chalet on a remote island in Japan.
What do you think is the biggest problem the interior design industry faces?
I think the two biggest issues are sustainability and quality. We are very conscious of our impact to the environment and should make sure our materials are sustainably-sourced as much as possible.
There are many re-purposed materials that can be used in interior design. I think designers need to look at alternatives very carefully while ensuring they are giving the best to their clients, particularly when there are trade-offs to consider.
As for quality, our construction team are often asked to turnaround another contractor or designer’s project that has not been satisfactorily completed. I find it very reassuring to be part of a design and construction business where you can fully rely on the project team.
Which people do you admire the most in the industry and why?
As a practice we admire the French interior designer Jean Louis Deniot who delivers elegant, minimal and sophisticated interiors. We are also fans of the Japanese architect Kengo Kuma with whom we’ve had the pleasure of collaborating together on two overseas projects.
If you were inspired by James' story, click here to learn more about the role of an interior designer.
Want to become SBID Accredited? Click here to find out more.
Taking into account that the average employee spends 3,515 full days in the office in their lifetime – not to mention an additional 188 days of overtime – it’s no wonder that top firms are reviewing the ways that their headquarters feel, function and flow. Now Midlands-based aquarium design company and SBID Accredited Industry Partner, ViDERE, has developed a remedy in the form of interacting with fish-tanks and it hopes the discovery will help more employees keep their heads above water.
Poor mental and physical health diminishes an employee’s ability to function and perform well at work and can also negatively impact their wider social community. It is also common knowledge, through both research and anecdotal evidence that humans experience physiological, emotional and cognitive benefits from interacting with nature (Ulrich, 1984; van den Berg et al, 2003). Thus, the correlation between connections with nature and improved wellbeing has led to a cultural shift in the way we design buildings and public spaces.
Nature as a key design element
This cultural shift has been a driving force behind occupational psychologists and designers taking a holistic approach in incorporating different elements of nature into the structure, furnishings and operational activities of businesses and corporations. The approach of ‘Human Centred Design’ encapsulates a multitude of disciplines and expertise, to enable companies to positively shape the working environment of their employees both physically and culturally.
One important component of this approach is the introduction of nature as a key design element to create greater appeal and improve wellbeing. Research has shown that on average, humans instinctively prefer to be surrounded by elements of nature (Ulrich, R. S., 1981). Our perception of what is ‘beautiful’ is greatly skewed towards landscapes, and areas that are rich in biodiversity (Dennis Dutton, 2009). The extensive body of research in this subject area has made the integration of nature as a corner stone in the approach of design that improves the human experience.
At a time when workplace stress is on the rise, with recent research showing that it costs UK employers over £43bn a year, ViDERE dove deeply into researching the effect that interacting with aquariums has upon key stress indicators. This study was carried out during the summer and autumn of 2019 and specifically, looked at the impact of spending time looking into an aquarium and how this affected the stress and anxiety levels of employees working in a web development agency, Lightbox Digital, who are based in Birmingham.
Studying the therapeutic impact of aquariums
Individuals working in the digital marketing sector often experience prolonged periods of workplace anxiety and stress, partly due to heavy workloads and extended periods in front of a screen. Therefore, the focal point of the study was collecting data on each employees’ heart rate and blood pressure before and after each individual looked into their office fish-tank for ten minutes and looking at how this data varied.
Overall, the results across the board show that looking into the office’s planted aquarium for 10 minutes led to an average drop in blood pressure by 15.6% and an average drop in heart rate by 3%, reinforcing ViDERE’s initial theory that fish-tanks have a positive effect on mental wellbeing in the workplace. It’s also notable that all but two participants’ blood pressure fell into the NHS’s recommended blood pressure range for a healthy adult of between 90/60mmHg and 120/80mmHg, after the 10-minute therapy.
The correlation between lower stress levels and biophilic design elements highlighted by the study is a factor that more businesses should consider as they expand both their teams and workspaces. From this pilot study, we can draw some preliminary conclusions and inferences about the potential benefits associated with having an aquarium in a business interior for the staff and management teams that work there. The findings from this study also suggest that an aquarium not only has a positive impact on the appeal of a space with its high biophilic value, but can be used as a therapy for stress recovery. Thus, the more businesses invest in their office infrastructure and multi-functional design features, ultimately, the more they will improve their employees’ well-being within their workplace; which in turn, enhances productivity.
What does this mean for employers?
Discussing the results, ViDERE founder and pioneer of the study, Akil Beckford, commented: "The research into biophilia and the impact that the natural world has on our human emotions has risen in recent years and has shown staggering results. While our own study was on a small scale, the universal impact that it had on our individual test subjects is testament to the impact that simple changes can make to the bigger picture for businesses. All companies are made up of teams of people, and if they are feeling better, the business performs better… it’s simple!"
"The world seems to be constantly pushing high-tech boundaries and striving for smarter homes, offices, and community areas; but we are in danger of losing touch with nature, with potentially catastrophic results on our own health and wellbeing. Of course, we aren’t saying that technology is bad – quite the opposite in fact! – but it does serve as a warning that if we don’t start thinking about the way that the two can co-exist symbiotically, and designing our spaces to reflect that, then our wellbeing may well suffer."
Akil and his team at ViDERE intend to continue educating people in the business community about how they can better facilitate wellbeing at work. Having already worked with the likes of Interface, Poggenpohl, and Clements and Church, seeing first-hand the impact that aquariums have had, Akil is confident that he can continue to lead the way as an advocate for biophilia in the Midlands.
Click here to read the full report.
About the Author
Akil Beckford is an aquarist and designer who is passionate about connecting people to nature. For over 15 years, Akil has been designing and installing aquariums into peoples homes and business's, creating globally recognised designs and displays.
This article was written by Akil Gordon-Beckford, Founder & Director of ViDERE Aquariums
If you'd like to become SBID Accredited, click here to find out more.
This week's instalment of the #SBIDinspire interior design series features a cool, clean and industrial-inspired residential design located in a conservation area in leafy Balham, South West London. SBID Accredited Designer, Richard Dewhurst Interior Architecture was tasked with fully refurbishing, re-configuring and extending the five-bedroom Victorian family house. The project involved adding a large open plan ground floor extension to the rear of the property, whilst configuring the rest of the ground floor to include a formal sitting room, utility room, ground floor guest toilet and extra storage. The rest of the house was sensitively restored and redecorated with one bedroom being converted to a study and both bathrooms redesigned.
Practice: Richard Dewhurst Interior Architecture
Project: Balham House
Location: London, United Kingdom
What was the client's brief?
The brief was to completely transform a much loved (but very tired) family home into a place suited to modern living, without losing that feeling of belonging. Being very keen gardeners, I was also asked to make the garden more of a feature from within the house.
What inspired the interior design of the project?
My clients love for their house was clearly a driving factor in my approach and their new found enthusiasm for the industrial aesthetic allowed me to explore the use of exciting elements and materials such as the metal framed windows, glazed brick slips, polished concrete flooring and engineered brickwork.
Wrap around windows were used to form the connection to the garden and a living sedum roof was installed to give a verdant view from the bedroom windows. I also used crazy paving for the patio, substituting the mortar with moss to soften the transition.
Other interesting touches were to re-use salvaged Victorian tiles from the original demolished conservatory floor and installing a custom made mural of a vintage map showing the local area when the house was first built.
What was the toughest hurdle your team overcame during the project?
Due to initial delays caused by bad weather and because of a very long supply lead time, the windows had to be ordered before the openings were formed meaning that all of the responsibility was on my shoulders if they didn't fit, but thankfully they did!
The decision to re-use hundreds of the original Victorian floor tiles salvaged from the old conservatory seemed like a good idea at the time, but it turned out to be a complex, challenging and time consuming process as there were so many different shapes, sizes and colours to contend with. They all had to be labelled and sorted before the jigsaw puzzle could begin.
What was your team’s highlight of the project?
Seeing my clients move back in and immediately feel settled and at home, even though everything had changed!
Questions answered by Richard Dewhurst, Founder of Richard Dewhurst Interior Architecture
We hope you feel inspired by this week's Residential design! Let us know what inspired you #SBIDinspire
If you missed last week's Project of the Week featuring a comforting, patient-focused healthcare design, click here to see more.
We delved behind the scenes with SBID Accredited Interior Designer, Annette Frommer, Founder of Israeli-based design studio, Annette Frommer Interior Design. Serving an international client base and specialising in interior design in Jerusalem, Annette stresses the importance of staying inspired to keep designs fresh and original, and shares how essential our smart phones have become when it comes to doing business!
Can you describe your current job?
I am an interior designer based in Tel-Aviv, Israel. My clients are from abroad and looking to have a second home in Israel whether in Jerusalem or Tel Aviv.
I was born and raised in Belgium and have been living in Israel for the past 35 years. I am fluent in six languages which certainly helps when interacting with my international clients. I always knew that I was going to somehow be involved in a creative profession and admired beauty and design, whether in architecture, art, or fashion.
Luckily I do not need too many hours of sleep in order to function, and I can honestly say that I spend most of my day working. Yes, I am a workaholic. I get up very early, prepare my coffee and then straight to the computer. I receive many mails at every hour imaginable since my clients, and some suppliers, are located in many different time zones. I like to feel that I start the day with a relatively clean slate.
I then go to my office, another cup of coffee, and meet with the team. We go over projects and other matters at hand. Next is the field. I am a great believer in being hands on in every project, so I visit all my projects on a weekly basis meeting with the builder, other professionals, etc. There are days of course dedicated to “shopping” and “choosing” – those I love the most.
I usually return home at about 7pm and after a quick bite, it is back to work. Again I answer mails, go over plans and documents, gather samples, and prepare all that is necessary for the next day. I don’t know how we once worked without a computer and without a smart phone.
The world today moves at an incredible pace. We are bombarded with an overwhelming amount of information. I believe that most of us wish for homes that are serene, tranquil and that provide a sense of safety. Rewarding to me is seeing my clients happy with the result of my work – with the way I planned the space, chose the colour palette, textiles, lighting etc. Often times I am given ‘carte blanche’ and make all the decisions on behalf of the client. So it is definitely rewarding to see a big smile on their face.
No matter what the style, I always endeavor to achieve beauty, harmony and elegance. Elegance is key and it is achieved when there is cohesion, softness, subtlety, so that the final result appears to be effortless.
Yes. There is one project where I am planning and designing 5 apartments with the same layout for 5 siblings. It is a challenge designing each apartment unlike the other and making sure each sibling feels that his apartment is unique and designed especially for him!
Another project is a 1,000sq townhouse for a single family - with many bedrooms. The challenge here will be to make this vast space with so many bedrooms feel like a home, and not a hotel.
Coming across problems in the field, and coming up with solutions that are exceptional and actually make the space look even better.
We were commissioned to review the plans and bring a halted project (a stunning mansion located in the suburbs of Jerusalem) to completion utilising the existing layout and partitions. The basement was especially problematic as the space was long, narrow, dreary and windowless with very low ceilings, and we had to transform it to be a prominent billiard room with facilities.
The final result includes an elegant billiard room, an inviting and relaxing bar/ lounge area complemented by an adjoining decorative wrought iron cellar door that leads to a state-of-the-art wine cellar, with walls covered in authentic old bricks and floors with reclaimed ancient stones.
The Italian woodwork is finely designed and crafted with onyx backlit ceiling panels cleverly disguising a maze of pipes and ducts; creating the illusion of height.
As for the mansion: the result is characterised by ornate and neoclassical décor that is opulent and lavish. The rich woodwork, the gold and silver gilt-accented furniture, the layered textures in muted pinks, light blue and aqua hues define the formal ambience of this home. The grand entrance with refined marble flooring embodies elegance and romance.
I think that as a designer, it is extremely important to continuously be inspired, be creative, and to strive for quality and distinction. The biggest problem is when I see more of the same, when I see copy/paste designs. It is challenging to remain fresh, original and timeless.
There are a few which stand out to me! Andree Putman; a scion of her time, her projects are very classical and designed to perfection. India Mahdavi, for her creative use of colours and shapes; and lastly, Peter Marino whose work is fearless, bold and non-conformist!
If you were inspired by Annette’s story, click here to learn more about the role of an interior designer.
Our smart home assistants must do more than play our favourite playlists and tell us the weather. In many ways they are becoming our life assistants; planning our days, telling us the news and controlling our home appliances. For years, homeowners have been able to customise the temperatures of their home using their smart devices. So what’s next?
As homes become smarter, bringing greater benefits, so too will heating systems. By adopting smarter features, heat will be generated only when and where its required to the exact temperature that is optimal for every square foot. Simple upgrades to homes across the country will have a huge impact on comfort, convenience and energy bills. Homes will provide more control and improved thermal comfort of occupants by enabling the personalisation of each room.
Smarter choices
Smart heating systems are designed so users can easily control their thermostat directly from an app on their phone – whether you’re out, on the sofa or having a lie-in. This is an altogether better and smarter choice for people to keep out the cold this winter.
With homes and heating systems becoming increasingly connected, the benefits are continuing to grow. With the Internet of Things (IoT) powering technology, users can control their heating wherever and whenever they want to. They can easily regulate temperatures when they need to, allowing you to schedule the house to warm up as you wake up and for your arrival. Not only this, but it allows you to save on heating when you’re away. These benefits demonstrate why smart heating devices have become so crucial to homes in 2019.
For those who would like to do more to reduce their energy consumption and their heating bill, they must take into account reliability and overall performance when choosing the right heating solutions for their home. The good news is that heating products currently on the market are more efficient than ever thanks to innovations resulting from research and development. The right heating system will be one that adapts to your everyday home routine and begins saving you money. By setting your home to certain temperatures as quickly as possible, the app will help you to do just that.
Take control of your energy consumption
With the explosion of apps, it’s now possible to take control of at home appliances including heating, lighting and entertainment systems. Not only does this make it easier for individuals to control their appliances for heating in particular, it allows individuals to take control of their energy on the go to reduce their long-term energy consumption. With smart home assistants such as Google Assistant and Alexa joining the band wagon, it makes it easier than ever to control your heating. You can ask them to set your heating at a certain temperature, increase/decrease the heating and check what temperature your home is at.
Smart heating systems will enable users to personalise their home environment according to their needs by allowing them to control the temperature and schedule in their home completely independently. By starting with a smart room thermostat and building a full multi-room system over time, this simple upgrade to heating appliances will have a huge impact on overall comfort, convenience and energy bills.
Wiser Heat, a smart heating system by Schneider Electric, is one such solution. Wiser links radiator thermostats through the Internet of Things (IoT), while a phone app provides users convenient and complete control over home heating. This kind of IoT solution allows users to monitor the temperatures of individual rooms and change them remotely via their smartphone, wherever they are.
Home improvers may now be striving for smarter, more connected homes, but they want something that’s plug and play. Smart heating systems fit the bill as they have no wires, no installation and no mess and of course, are better for the environment. Adopting technology like this is necessary if people want to reduce their energy consumption in the future. The most modern heating solutions will be key in facilitating smarter, more energy efficient homes for the benefit of our wallets and our planet.
SBID Accredited Industry Partner, Schneider Electric is a global specialist in energy management and automation providing energy technologies, software and digital automation solutions for efficiency and sustainability in the home, buildings, data centres and more.
This article was written by Nico van der Merwe, Vice President of Home & Distribution at Schneider Electric.
Surprisingly, there is no current UK legislation to control the composition of quartz work surfaces, nor set a minimum material performance standard for the quartz materials marketed and sold in the UK. SBID Accredited Industry Partner, Italian Luxury Surfaces expresses concerns over consumer safety and the importance of proper material certification as the Sales & Marketing Director, Phil Winter tells us more.
The quartz manufacturers who currently hold independent verification of their material quality, do so voluntarily or because consumer protection legislation in other markets demands it. There are three recognised dangers posed by untested & uncertified quartz materials. These are the potentially harmful levels of VOC emissions (Volatile Organic Compounds), the micro porosity that can make the surface difficult to clean or sanitise and most importantly, the surface finish leaching of toxic chemicals that can contaminate food.
The Risk of VOC
The VOC risk within quartz comes from the ‘resin’ element, the composition of which is often unknown, and it can vary hugely from manufacturer to manufacturer. Typically, the resin content when measured by weight, represents between 7% - 15% of the material. By volume, the resin proportion is much higher. Because VOC’s are volatile, these compounds vaporize and emit gasses, even long after the quartz has been formed and fabricated. Paint, for example, emits only half of its VOCs in the first year after application.
Marc Lallanilla, a sustainable living and green design expert, and Member of the Society of Environmental Journalists, summarized the issue in stark language in his recent article, ‘VOCs are linked to a range of health problems, including some very serious diseases. Benzene, for example, is one of several VOCs that's known to cause cancer. It's not suspected, it's known, beyond any doubt. Other health effects besides cancer include kidney damage, liver damage, damage to the central nervous system (including the brain), as well as minor complaints like headaches and eye, throat, and nose irritation’.
Consumer Misconception
An understandable misconception made by consumers, designers and interior architects alike is to assume that ‘country of origin’ or familiarity of a brand name provides a guarantee on a specific quartz material’s test and certification status. It does not. Fully certified quartz surfaces originate from all parts of the globe and worryingly, so do many currently uncertified and therefore potentially harmful quartz materials.
Thankfully, responsible counterparts within the kitchen industry are now starting to act, insisting that their sales and design teams are communicating the importance of only specifying independently tested and certified worktops to their customers. But many continue to place their customers at potential risk.
The only way to be 100% sure that your own quartz work surface is not placing the users at risk is to check if your quartz brand is certified for low VOC emissions by visiting www.greenguard.org. For material composition and food contact suitability, you can also check www.nsf.org.
Sadly, there are those within the kitchen industry who choose to hide behind the consumers’ ignorance of the very real health risks posed by poor quality quartz materials, with excuses such as, ‘no one has ever asked me for it’ when referring to material certifications or worse still ‘they won’t pay for it’, inferring that somehow a low price absolves the specifier from a professional duty of care towards their clients.
How are quartz surfaces certified?
When a surface is tested and certified by NSF International for food contact, they verify the composition of the material and they certify that the finish will not leach toxic chemicals that could contaminate food. Since quite literally anyone could mix their own blend of random materials, ‘bake it’ and sell it as ‘quartz’ in the UK.
Materials certified for specification in a ‘Food Zone’ are also evaluated for the temperature they can withstand before degradation occurs. High temperature resistance being an indicator of resin stability and therefore material quality and safety.
NSF’s testing is less stringent for materials designed to be specified and used in ‘Splash Zones’, where the focus is on durability, construction and clean-ability. Here micro porosity of quartz has practical issues as well as health risks. Materials with porosity are more susceptible to staining as the (relatively) open structure creates pockets that fluids can fill, discolouring the surface.
It would be incorrect to say that all untested and uncertified quartz materials are definitely dangerous. Until they are tested that is of course unknown. Equally, unless regulators insist that the quartz brand owners, importers and manufacturers submit their products to suitably qualified and independent agencies for testing, it is not possible to say with any certainty that they are 100% safe.
Verifying Certification Claims
Worryingly, the growing trend of unscrupulous manufacturers claiming certification they do not have has forced NSF to issue a warning on their website as they are “concerned about fraudulent downloading and manipulation of website text." Encouraging consumers to always confirm this information by obtaining accurate information, here.
No doubt there will be manufacturers and agents of other consumer product groups reading this article with a degree of disbelief. Most likely, reflecting on the rigorous R&D work and testing that they will have done. Quite rightly, they will be wondering how this vital element of a 21st century kitchen has escaped regulation!
Do the right thing, protect your family and clients by only using NSF 51 and GREENGUARD certified quartz.
Phil Winter is the Sales & Marketing Director at Italian Luxury Surfaces, the sole UK Distributor of Stone Italiana. Previously, Phil has had the privilege of working with some of the most respected brands in the Kitchen & Interiors industry, such as Poggenpohl, bulthaup, Gaggenau and Bosch.
This article was written by Phil Winter, Sales & Marketing Director at Italian Luxury Surfaces.
SBID Accredited Industry Partner, RAK Ceramics will be exhibiting its exclusive designer collections, RAK-Cloud and RAK-Variant at the upcoming KBB Exhibition in Birmingham from 1 to 4 March. With the prestigious product designers set to attend, we wanted to find out more about the collections and what inspired them. Read our interview with Giuseppe Maurizio Scutellà, Daniel Debiasi and Federico Sandri to discover what makes their designs so unique.
Giuseppe Maurizio Scutellà was born in Alcamo, Sicily. His collaboration with RAK Ceramics begins with RAK-Cloud, a project that continues the creative thinking of the Italian designer and that integrates perfectly with his other projects such as the collection of lamps “Pirce” by Artemide (Good_Design 2008, Red Dot Award 2009, IF Design Award 2010) and the “Metropolis” collection of crystal and ceramic tables by Tonelli Design.
What inspired the collections? RAK-Cloud, born from my love for sculpture, soft and organic and sensual lines, and marries with a speech that I have been carrying on for some time, in fact I designed a tap for Gessi, which is called Equilibrio and is inspired by the stones and nature. Identical process for my perhaps most famous project, in the world of light, with the Pirce suspension lamp, made for Artemide. While RAK-Petit is a specific request addressed to the architectural world, the need to combine washbasins in confined spaces, which do not renounce glamour, and the elegance of solutions that can be developed in larger spaces.
What was the design process? All my projects are born on paper. I like to explore different solutions quickly and instinctively. On paper I already imagine the finished volumes, identify the solutions that convince me most, 3D model the whole collection in order to have a coherent overall picture. I submit it for technical verification, from which I receive the feedback that I transfer to the collection. Then we proceed to 1:1 scale prototypes and if everything works, it goes to final production.
What is unique with these designs? There is a word in English, which does not have an exact equivalent in Italian, and it is understatement, which for me means creating a proposal, made of elegant but not screamed details, to give rise to unobtrusive, timeless proposals. A careful search for volumes and proportions, combined with cuts in the surfaces to create dynamism and at the same time sensuality, in an environment such as the bathroom increasingly inserted in a modern and contemporary living context, completes the number of projects.
Daniel Debiasi and Federico Sandri founded their own design studio in 2010 and work within various fields of design, ranging from objects to spaces. Multiple experiments and the relationship between manufacture and craftsmanship form the basis for a much broader thinking. They have created work for Antoniolupi, Lema, Ligne Roset, Normann Copenha-gen, Offecct, Rosenthal, Stelton, Villeroy & Boch among others. Together with Rak Ceramics, Daniel Debiasi and Federico Sandri present the project RAK-Variant (2019).
What inspired the collections?
RAK-Variant, like many of our projects, was born on the basis of a specific material. In this case, ceramics, a material, whose production must combine two supposedly distant worlds: the serial production, precise and standardized; but also a need for manual sensitivity, which cannot be ignored.
What was the design process?
Designing is never a linear path and very often, in one single project we have to process, bring order and translate all the different thoughts that flow together into actual products. In the specific case of RAK-Variant, we set ourselves the goal of achieving a formal synthesis that would allow the collection’s various elements to be easily integrated into different types of interior. In order to achieve this, we played around with the balance between the expressiveness of a product and its attribute of being consciously silent.
At the same time, we focused on some details that convey the quality while enhancing the intrinsic beauty of the ceramic material itself. The result is a collection of 25 basins in different shapes and dimensional variations that offer multiple installation possibilities.
What’s unique with these designs?
The top views of the washbasins, with a geometric and controlled matrix, interact with the very thin edges evoking, in this way, the delicacy of the material while creating a new timeless three-dimensionality, well suited to any interior context.
It's time to talk toilets. Are you wondering what to do with your next guest loo? As the old saying goes, big things come in small packages - and in this case, the toilet! Usually the smallest room of a residential project, SBID Accredited Designer, Richard Dewhurst of Richard Dewhurst Interior Architecture has much bigger ideas. Who said the guest lavatory can't be just as lavish as the rest of the house? Richard explains why guest washrooms deserve their time to shine and how he has designed these small, often overlooked spaces with maximum impact - making a statement that will leave a lasting impression on any visitor!
Having worked on many residential refurbishment projects over the years, I’ve come to realise that the smallest room in the house can offer one of the best opportunities to get creative and interestingly, it seems that even the most conservative of clients can be convinced that the guest loo is a wonderful way of showing friends and family that they not only have a fun side, but are willing to push the design boundaries, giving them a bit of added kudos to boot.
On many occasions I’ve been able to spend a disproportionally larger budget on this room than anywhere else in the house, allowing myself to try out new ideas, use interesting materials or simply to specify an item I haven’t had the chance to use before. With the seemingly unending supply of new and exciting products coming to market, this room provides a perfect platform to let one’s creativity shine.
Here are three guest loos I’ve recently designed, which incidentally, are in different but identical houses on the same side of the same street, creating a touch of loo envy between the neighbours!
In this room I decided to go for a strong monochrome look, creating a bold and powerful statement by using different versions of the same hex tile from a range by Mandarin Stone. I further accentuated the geometric feel by using Duravit Vero Sanitaryware and a facetted, brushed & pierced brass ceiling light from Tom Dixon. The moody and sultry atmosphere was further enhanced by painting the walls and ceiling matt black and by using a matt black tap by Dornbracht.
My clients wanted a more traditional look in their loo so I lined the room with new tongue and groove panelling painted in Farrow & Ball Off Black, complimented by a fun but sophisticated Fornasetti feature wallpaper from Cole & Son. The floor was covered in wonderfully patinated Victorian floor tiles salvaged from a recently demolished conservatory and laid in a pattern of my design. I sourced the Victorian sink & stand from English Salvage and after a light restoration, it looked amazing! A pair of lovely art deco taps supplied by Architectural Antiques, a vintage mirror and articulated wall lights by Dowsing and Reynolds completed the look.
Sometimes it’s fun to design a completely unexpected space and I certainly had the opportunity to on this project. The stunning backlit stretch ceiling by Barisol created a perfectly uniform light spread, and the seamless curved polished plaster walls gave a feeling of spatial infinity. This was offset by the handmade turquoise Czech tiles; adding a burst of deep colour and lushness to the room. The concrete sink was by Kast and space-age looking wall-mounted toilet from CP Hart.
Award-winning designer, Richard Dewhurst of Richard Dewhurst Interior Architecture specialises in quality interiors for the residential and commercial sector. After recently relocating his practice to Portsmouth, Richard is now taking project enquiries in the South Coast.
This article was written by Richard Dewhurst of Richard Dewhurst Interior Architecture.
SBID Accredited Interior Designer, Ana Engelhorn of Ana Engelhorn Interior Design reveals how her interest in interior design evolved into a professional career after starting her journey with a background in business administration and hospitality. Now running her own design practice, she shares her thoughts on the challenges the industry faces when it comes to perception - and Pinterest!
I run an interior design studio in London, working on residential and commercial projects across the UK and Europe. Taking a ‘perfectly imperfect’ approach, we celebrate imperfections found in natural building materials, antiques or pieces of furniture, mixing old with new pieces to create a fresh, timeless look. We also love introducing art and colour into our clients’ interiors.
I grew up in Switzerland but with a Spanish mother and German father, I was influenced by many different cultures. My parents bought distinctive properties and turned them into hotels and restaurants, so I always surrounded by beautiful, unique interiors. Watching these transformations unfold, I valued, above everything else, the authenticity that came through. My father has always been very traditional style-wise. If something was originally designed or made to be in a certain style, he wanted it to remain that. Therefore, if previous owners had modernised a building, he restored it, returning it to its origins. One of the hotels they bought and redid had no heating, so in winter the pipes have to be drained (so they didn’t freeze) and the hotel closed – he really took ‘original features’ to the extreme!
I knew I wanted to run a business but wasn’t sure what, so I initially studied Business Administration and worked in hospitality. However, I was buying and refurbishing and redecorating houses on the side, even gaining critical acclaim in the industry for some of the work I did. Therefore, when I became pregnant with my second child, it felt like the right time to go back to school to become an interior designer and turn my passion into my profession.
My days constantly change depending on the projects I have on and the people I am working with. Interior design involves a lot of admin, but if you run your own business, there is even more. With a background in business administration, however, I actually enjoy looking after all aspects of the business, ensuring that what I am doing benefits the whole.
I love the process of discovery I go through with clients. It starts from the moment we meet, form impressions, create a rapport and go through their brief. For me, it’s important to make a real connection with clients and to be honest and open – keeping open lines of communication. I then go away and create an interior design that brings their vision to life. I live for that magic moment where I’ve presented my design to the client and (if all goes to plan!) I can see that I have understood what they want. That amazing feeling I get when they love how I’ve designed their space is what makes my job so rewarding!
I have a full house renovation planned in Chiswick. It is very exciting as it is my first full house project in the UK (the others have been mostly in Spain). The CDM, Fire and Environmental steps you have to take here are much more involved than where I’ve worked before, and it’s a great learning experience for me. I’ve realised I don’t always need to be the expert. It’s led me to work with some very talented people who have enriched my knowledge in a way I had never imagined.
The most challenging aspect for me has been to make myself known in the UK, getting the word of mouth recommendations rolling here. Even though I work as an interior designer internationally, I am interested in having clients close to home too – my dream project would be a period building in London. I sometimes find it hard to go out and actively draw a specific client towards me, instead of waiting for them to find me.
I believe we are who we are because of our experiences, so I hesitate whenever I’m asked what I wish I had known. It probably would have been ideal to study interior design at the innocent age of 19 at University, doing the full 4 years and then have the opportunity to cut my teeth at an interior design studio before launching my own. However, that would have meant I wouldn’t have studied Business Administration or worked in hospitality; running a restaurant and working at a hotel, and I wouldn’t want to have missed that. I think it has shaped what I’m doing now in a positive way.
Choose what you want to do and stick to it, regardless of what other people think. It’s best to pave your own way and make your own mistakes rather than listening to others and regretting lost time because of it.
A 16th century farmhouse in Spain. It was a project where we reused everything we could, bringing the house back to its origins. All new materials that were brought in were natural building materials. The project took two years in total – it was slow going, but an enriching and satisfying project.
On one hand, the industry needs to combat the old-fashioned view that interior design is the domain of the ‘bored housewife’ and can essentially be done well by anyone who takes an interest in it. It needs to educate the general public about the knowledge and skill that goes into designing an interior space professionally. And especially, in the internet age, to get across the point that professionals can improve (and save time and money!) on what people can find and source through Pinterest, Instagram or other online platforms, and that they can help when it comes to the project management side as well.
On the other hand, the industry itself needs to open up to best support and encourage new interior designers and really help them to be successful. It’s worth remembering that interior design is also an art. You have to be organised, you have to know how to do industry-specific admin and be familiar with certain concepts and ways of working, but you also have to have intuition and imagination, to be able to envision how pieces will fit, what colours might go together and how a space can be transformed. You have to see, for example, how two potentially opposing objects could put together and, finally, you have to have taste. All of the more intangible qualities to do with artistic vision can’t be taught – you either have it or you don’t. This artistic side should be respected.
There is no lack of potential clients out there – the challenge is to find and convince them that their interior can really be improved by a professional interior designer!
I admire people who have not only been interior designers but have also created a business, employed others and grown from their small beginning. I also admire interior designers who share their knowledge, wanting to help others start up on their own. One such person is Katherine Pooley. She has been in interior design for 30 years, has grown a large business and now, on top of her business, gives talks and helps designers pave their way.
If you were inspired by Ana’s story, click here to learn more about the role of an interior designer.
SBID interviewed Mark Robinson, the Managing Director of Alexander Joseph about his journey into the field of product design. We uncover how his brand of luxury lighting solutions came to life; how he got there and what he does to stay abreast of current industry challenges, whilst running a business!
As Managing Director of Alexander Joseph Lighting, my job is to develop the design ethic and culture in a way that establishes our young luxury brand. A significant part of this role is to ensure our designs are relevant to today’s interiors market by fostering collaborations with interior designers, artists, sculptors, and product designers to grow our range of cordless lighting products. I also take responsibility for the quality of the pieces we make and sell.
My background represents the antithesis of the normal road to working within the sector! I’ve spent most of my adult life inventing first-to-market technologies and products across many sectors. After discovering I couldn’t buy decorative cordless lamps, I decided to make my own, this journey brought me into contact with interior and product designers who exhibited a passion and enthusiasm I’d never really been exposed to. After a little research I realised the sector was likely to be the ideal place to launch products.
My natural inclination to be organised helps to moderate the ever-changing pressures associated with working on dozens of projects at the same time. In addition to curating and developing our permanent range, I also attend daily design meetings for commission pieces we are making for clients. Each project must be taken from a sketch to a CAD model to CGI, before it is made by hand in our workshops. Marketing, customer, planning and staff meetings take up the rest of the day. I generally leave administrative and financial matters until everyone else has left for the evening, I find it easier to concentrate then.
We are currently working on the launch of our first ever floor lamp and we have some marvellous collaborations to announce...
Everything we do must deliver the highest quality. So, keeping abreast of live projects and progress is time consuming and a constant challenge. Motivating myself to keep on top of admin would be a close second.
Pretty much everything I’ve learned over the last 12 months!
The most rewarding component of my job is creating finished pieces from scratch, I love problem solving so the more complex or challenging the design the more I tend to enjoy it.
I think it would be; decide what you want to do, then do it. Don’t procrastinate, it saps self confidence and tends to be an expensive lesson in futility. Spending time to-ing and fro-ing over decisions costs money – at the end of the day you are paying your rent, wages and other overheads whilst you introspectively analyse what you are doing.
Producing a lamp for a charity auction. It was a 1 metre tall table lamp in the charity's colours, finished in sterling silver. It took over 100 hours to complete.
Engagement with other sectors and industries. As a creating sector it is clearly design led, but this can be at the expense of all else. Other sectors tend to spend more time looking at how they can borrow or adapt techniques in other markets, before it is critical to do so. This enables them to ‘design in’ what they are adapting. Rather than incur the cost associated with adopting something at project delivery stage.
I think this would have to be anyone who has spent more than 20 years as an interior designer. Being able to remain passionate and inspired over such a long time period is truly admirable.
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