Richard Angel, founder and managing director of SBID Accredited Design Practice, Angel O’Donnell reveals his unique perspective on managing an interior design studio. After making an award-winning comeback following a period of redundancy, he launched his own practice with co-founder and interior designer, Ed O'Donnell.
What is your current job?
I’m founder and managing director of Angel O’Donnell, a London based design house that I founded with Ed O’Donnell in October 2018. My role is the business generator, together with the overall running and strategy that we adopt as a studio. As the initial customer point of contact for AOD, my role is incredibly client facing and whilst Ed takes over the client management once a project is in the studio, I really like to maintain the interface with our clients at all times, even if that is for a coffee and a chat to check in and see how things are!
What is your background and how did you get into interior design?
I started life as a chartered surveyor but have always loved the creative industry. I was previously working for a major developer in London when I was asked to join an interior studio, whom I was a client of, and who were in the process of selling their business. The Private Equity buyers wanted to increase the firm’s presence in London and so were really looking for someone to spearhead that expansion. I joined as London MD which is where I met Ed and we got on fantastically well, and realised that our mindset was very much alike!
However, in April 2018, I was made redundant and after some soul searching and a lot of research, realised that I could offer a better, more commercially astute service within a crowded market - but needed a phenomenal designer to compliment my skillset. I approached Ed and in October 2018 the doors were open for business and we won our first commissions shortly thereafter. Then in October 2019, on our 1st anniversary, we won our award from the SBID International Design Awards. To be recognised globally by the industry professional body, with a hugely respected judging panel, as being one of the best at what we do, was a huge accolade and somewhat humbling, especially when we were up against competition from some of the industry greats internationally.
Describe an average day in your job role..
Well it’s slightly different now compared to prior to Covid-19. Before lockdown, it was always an early start! I like to kick start the day with a spin class or gym session, and then I’m on the train to make the commute from my cottage in West Sussex into our office in Soho. This is when I’m able to plough through my paperwork and emails that have come in overnight, together with catching up on my diary and to-do list! Once in London, I grab my regular flat white from Grind on Beak Street and have a catch up with Ed on projects, what’s happening and when, together with a creative review of designs that are in hand. From 12pm onwards, I’m out of the office, meeting new clients, catching up with existing ones and generating new business. Often, I’ll meet up with an old contact in the property industry for a light lunch. I tend to work a long day and will attend an evening event at least 3 times a week in London, networking or learning. I’m a member of Soho House and they put on some great professional talks which I find so interesting and inspiring, they’re not necessarily design related but do challenge the way I think!
However, since March my daily routine has changed somewhat! Now, it starts with a Joe Wicks exercise routine at 9am with my kids, catch up with Ed over Teams (which thankfully we’ve been using for about 18 months now so there is little change), updating our live blog (www.angelodonnell.com/blog) and then dealing with the tasks for the day, partaking in a number of webinars and coupled with some maths and English tutorials!! Quite a balancing act!!
We’ve had a big drive on social media recently, where we’ve been wanting to put our skills to use helping others, which has led to our ‘Wednesday Wisdom’ series on Instagram’s IGTV. The response to that has been great, helping our followers with a number of the burning design issues that they’ve been wanting to deal with, especially now that they’re spending so much time at home! I always, always finish each day with exercise and yoga or meditation, it’s so good to clear the mind and stay physically and mentally fit.
Lockdown has been an incredibly busy period for me, other than Angel O’Donnell, I co-own a hotel in Surrey which was obviously forced to shut, so that has been challenge unfortunately having to deal with the furloughing of all the staff and navigating a path in uncertain times. However, I always recognised that the hotel was not fit for purpose in its current form, even prior to the pandemic, and thankfully during lockdown, I’ve secured planning to convert part of the hotel into 18 residential units and another part that’s Grade II listed into a boutique restaurant with 12 bedrooms, which I have confidence will no doubt be hugely attractive in the future as we see an uptake in the ‘stay-cation’ market.
Which elements of your profession do you enjoy the most and/or find the most rewarding?
I love the excitement of bringing on a new client and turning an idea or a dream into a reality! I love people and being able to surround myself with great colleagues, and amazing clients is a dream! Many of our clients worry about not having the vision or are sometimes embarrassed to express their taste and style ideas and it’s incredibly rewarding when we’re able to find the thread that inspires them and to pull that into a design.
Furthermore, I love the creativity and drive of entrepreneurship, thinking of new ideas, testing them and making them happen! I’m so lucky to have Ed as a business partner, we get on fantastically and have completely complimentary skills, which makes for a brilliant fit and is incredibly rewarding!
Is there anything new you are excited to be working on?
Yes!!! We’ve just finished the tallest Build-to-Rent building in London for Canary Wharf Group, designing all their front of house and communal areas and the results are fantastic! We’re also on site on our second project for a particular client in Fitzrovia, having completed his first home in the summer of 2019 which he wanted to refurbish to sell. He’s now down-sizing into what will be the most fabulous pied-a-terre, so it’s great now bringing that to reality!
I’m also a little proud that Ed and I have managed to pitch for the work, secure the contract and design the most fabulous penthouse in a tower on the banks of the Thames in London, doing so entirely remotely during lockdown! This really will be the most phenomenal apartment and I can’t say much at this stage, other than it has a vast roof terrace with spectacular views of London, and we have plans for a sunken, outdoor lounge and a hot tub, it will be a pretty special place to sip champagne from when complete!!
What do you find the most challenging aspects of your job?
Lack of time!! Time is such a precious commodity and being a still relatively new business, it’s still very much Ed and I doing everything which is great on the one hand but means I’m working incredibly long hours on the other!! Nick Jenkins, founder of MoonPig, talks about working smart and not hard and I’m trying to embrace that, employing others where I can so I can delegate and really using technology to help make my life easier but it also takes time to know what tech is best to suit our needs and then learning how to use it!
More recently, it’s been lack of human, physical interaction when trying to develop business but we’ve secured two jobs during lockdown, which whilst they’ve been a challenge, they have also been the most rewarding, as we’ve really had to think creatively in how to secure the work.
What do you wish you knew before working in the field?
The secret to fee scales and how best to charge clients! If I knew that, then I’d be winning all the work I pitch for!!
What would you tell your younger self if you had the chance?
Tenacity is critical. Learn your craft, have the strength of your convictions, and don’t take no for an answer, and success will follow. There is also no such word as can’t!!
To those that are reading this, I would say that the coming months, and possibly years, are going to be very difficult for many both in and out of the industry. Sadly, we will see a lot of redundancies and many businesses will not survive. However, for those that can show tenacity, resilience, and an incredible work ethic in the face of adversity, they will come out stronger than ever. It was only two years ago that I was made redundant; I had huge concerns as to how I was going to cope financially and what the future had in store for me but I spent time thinking about how to create a business and drive success, 18 months later I was celebrating my win at the SBID 2019 Awards! You just need to believe in yourself!
What has been your favourite project to work on?
That is a tricky question, as they have all been great, with different challenges along the way but with fantastic results! However, if I had to choose one, it would be The Atlas Building penthouse in Shoreditch. The client had high expectations but was a dream to work for, we loved the collaboration between ourselves and our client, and the result was incredible!
What do you think is the biggest problem the interior design industry faces?
I think it needs to be recognised as a professional body, much the same as RIBA or RICS for architects and surveyors alike. Furthermore, is the issue with fees, it’s been spoken about numerous times at SBID events and in the wider press on fees not being paid and the challenges being faced, particularly around the final payment. There are now several online escrow account businesses, where provided there are cast iron terms of business between the client and the customer, monies can be held in escrow before a payment is due or a dispute arises.
Who do you admire the most in the industry and why?
I really admire those that are multi-faceted in their business interests, the likes of Kit Kemp being both interior designer and hotel owner, Chloe Macintosh for her work on Made.com and then creativity at Soho House, and in the same vain Vicky Charles for the Soho House ‘look’ she has been so fundamental in achieving and that people want to emanate, and of course my friend Edo Mapelli Mozzi who has created both a successful design studio and real estate development business.
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We spend about a third of our lives asleep. According to the Mental Health Foundation, it is as important to our bodies as eating, drinking and breathing, and is vital for maintaining good mental and physical health.
The bedroom is also one of the most important rooms of the home in feng shui philosophy. By incorporating certain elements into bedroom spaces, you can create harmony and comfort which can lead to improved wellbeing, better sleep and increased relaxation. Yves Delorme, specialists in luxury home linens and bedding, share key decoration tips for designers to maximise bedroom designs for the comfort and wellbeing of clients.
Choice of Bedlinen
To get the perfect bedding, first decide whether non-allergic filling is needed, then consider which tog rating is right for your client and appropriate for the time of the year. While thread count is a consideration, there are other important features to measure comfort, quality and value: the type of cotton, the feel of the fabric, and the nature of the finishing. The thread count of “standard” cotton or muslin is around 150; good-quality sheets start at 180-thread count; and a count of 200 and higher is considered ‘percale’.
Thread count also has to do with the yarn construction and quality of the yarn. With finer threads, like those produced with Egyptian cotton, more can be woven into each square inch, producing a finer, softer, more flexible fabric.
Choosing the right size duvet:
If the client in prone to toss and turn in their sleep, choose an overhang of 30-40 centimetres!
Bed Width (cm)
Recommended Duvet Size (cm)
Smells and Relaxation
Good interior design should appeal to all the senses: vision, hearing, touch and smell. Smell tends to be the most powerful link to emotions and feelings so should not be overlooked when it comes to the bedroom!
Whether you opt for fragrances in the form of candles, pillow mist, or room sprays, these soothing smells are proven to promote rest and relaxation. Another trick is to spray perfume on crystals; amethyst is a widely known as the sleep crystal - it provides a soothing and serene frequency. Perfect for placement on a bedside table!
According to feng shui, you should incorporate five elements in a home:
Fire elements are often considered the most powerful and can be represented through candles, or by incorporating the colour red!
Earth gives a sense of security and grounding. For this, using textiles in a granite or earthy colours, adding rock features, thick carpet and antique pottery can help to bring the earth element indoors.
Metal stimulates mental strength and intellectual abilities, making it easier to focus and think clearly; try incorporating metal elements with sculptures or bed frames for example.
Water helps promote calm energies in a room. Reflect this with additions like aquariums, water features, free-form artwork, or fluid glass statues.
Wood helps to develop creative energies such as inspiration, motivation and passion. This can be represented through wooden floors and furniture, as well as plants or trees.
Avoid Sharp Edges
Soften your space by adding more natural decor like plants, lamps, sculptures and other smooth edges to provide balance and fluidity.
Window Coverage
Daylight can disrupt sleep and influence our biological clock. Adding darker drapes or curtains along both sides of the window can create a cosier feel and keep light from the outside blocked out.
Minimise Electronics
EMFs are electric and magnetic fields created by electronic devices. They can be harmful and affect wellbeing, including influencing quality of sleep. Keep your smartphone at least three feet from where you rest your head.
Organise Your Bookshelf
Clutter is a low, stagnant and confusing energy that drains our energy, so organisation can make or break a room’s feng shui. Organise your books based on colour and weight - placing the heavier books at the bottom of the book case.
Adding a Headboard
A headboard represents stability and support in your life - adding a sturdy headboard to your bed creates a more secure feeling over a bare wall.
Bring Down Tall Ceilings
With a larger spaces, we can feel less in control of surroundings, causing us to sleep on high alert rather than fully relaxed. If you want to bring down the height, there are a few tactics like painting the ceiling a darker colour or adding visual interest to the lower half of the room with pillows, area rugs or vases. You can also hang crystals or use low hanging lights!
Keep Work Out
This is designed to be a restful space so if possible, resist the urge to convert some of this space into a small home office. Work associated items like laptops and phones create a distracting environment, making it more difficult to swtich off, de-stress and relax.
About the Author
SBID Accredited Industry Partner, Yves Delorme shares its passion for luxury home linens since 1845, with a sophisticated collection of quality bed and bath linens made of the finest Egyptian Cotton.
This article was written by Prune Allain des Beauvais, Head of Marketing at Yves Delorme.
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SBID Accredited Partner, Mark Taylor, managing director of Mark Taylor Design reveals his journey in the design profession, and shares the advice he would give his younger self before he began his career as a designer.
I’m the Managing Director of Mark Taylor Design, a British furniture design business, responsible for designing, manufacturing and fitting kitchens, bathrooms, studies, bedrooms, staircases and more.
The company was set up 20 years ago, because I was trained in both furniture production and management and was a keen designer. I also completed an MBA and wanted to apply all these skills to build a business doing something I loved in this industry.
I will get in by 8.30am most days, contact clients throughout the day to ensure everybody is happy. I have a meeting most days with my teams on various projects. I might be designing or sketching, liaising with suppliers, costing projects, sourcing materials, working with my interior design team and, depending on the day, there’s usually a site visit or two.
Winning really exciting projects at one end, and seeing great work installed and happy clients at the other. I get a real sense of achievement out of a problem cleverly solved.
We are about to work on a swimming pool and gym construction which is exciting, as it’s a ‘start from scratch’ project, in a beautiful setting, with a client I’ve worked with a great deal in the past. This is the next phase of turning his home into his perfect home, which is always very satisfying.
Finding enough hours!
Don’t be afraid to be bold in your designs. Use interesting materials and play with shape and colour. As I’ve become more experienced, I’ve learnt that the braver designs are the ones that the client remembers and enjoys most – they have a talking point and so do we! When I was starting out, I always worried that my simple designs wouldn’t be noticed. I’ve learnt that the opposite is true; simpler is often bolder and more stunning than complicated. Finally, having conviction in your ideas.
Working alongside Interior Design, Charlotte Jackson of Nice Brew Design, we fitted out a very large basement extension, with a bar, bowling alley, wine cellar and entertaining space. It was a great project because the space was large but dark. The lighting and ambience of every element of this space was so crucial to it feeling comfortable and exciting. We worked with different textures, materials and even screens to bring the space to life.
I’m not sure. It feels healthy to us at the moment. The world is quite fragile though with Covid-19, and I guess it might be about whether people have the funds to afford interior design. Hopefully, the economic recovery will be relatively swift and people will continue to see the value of investing in their homes.
Small artisan craftsmen are still my greatest source of admiration because of the enormous love they have for what they produce, and for the techniques and skills that are so precious to us. Those who are teaching younger manufacturers and designers these traditional skills, and who are adapting them to today’s market are fantastic examples of how our industry will stay relevant and desirable.
“Design is important because chaos is so hard.” Often quoted in the design community, this line from American satirist Jules Feiffer has never felt so relevant. We are living in a time of great uncertainty and we are all feeling overwhelmed and anxious. But this is only temporary. Eventually we will begin to reoccupy our shared spaces and start getting back to work and school, even visit museums and movie theatres.
As we move forward, the world is going to need the design community to help everyone feel safe and assured – particularly in our workspaces. “This isn’t going to last forever, but it will change the way we experience our built environment, in both the short and long term” says Inger Bartlett, founder of Toronto interiors studio Bartlett & Associates. “We need to be here to help our clients find effective ways to manage new expectations within their existing interiors. We also need to treat this as an opportunity to explore, innovate, and deliver even more adaptable workspace for the future.”
So what does the post-COVID 19 office look like?
Do we replace the ubiquitous water cooler with a hand-washing station? Will we gather (six feet apart) around the sanitiser dispenser to compare notes on the weekend? Perhaps. There are definitely changes on the horizon, but the good news is that we already have some highly favourable frameworks in place. Inger has long specialised in the design of workspace and is confident that the open office remains here to stay. “The recent trend towards Agile Workspace Design has left many of our clients with incredibly flexible open offices,” she explains. “These spaces are already built to adapt to constantly changing needs, to put people at ease and let them work in a way they feel comfortable.”
Providing Flexibility with Agile Workspaces
For example, the modular open breakouts and Town Hall gathering spaces that are essential elements in agile space will provide the flexibility to maintain physical distancing and still bring groups of employees together. And that interaction is something people will crave after weeks in isolation. In fact, an increased desire to connect and collaborate is one of the silver linings to be found in this crisis. Sharing this challenge is reminding us that we are strongest when we work together!
Mill St Offices
Edelman
Bartlett & Associates designed Agile Workspace for Edelman and Mill Street, both of which complement open office areas with small meeting rooms. Though these rooms will be ideal for accommodating virtual meetings, which we can expect to continue when we return to work.
Though we won’t be packing our existing meeting rooms to the same densities as before, they still have an important role to play. Workforces will emerge from isolation with improved technological capabilities. A higher level of comfort with using digital communication tools will mean these spaces are used as much for virtual meetings as face-to-face. They may also be used to accommodate small teams, as we look to distribute workforces.
Volaris
McCann
League
Breakout zones, such as the high-backed booths featured at McCann, the modular lounges at League and the cozy armchairs at Volaris, offer the option to maintain distance in small meetings. Alternatively, these can become temporary workstations when redistributing people in an open office.
New Ways of Zoning and Interacting
Free-desking or hotelling is likely to fall out of favour. As most clients emerge from this situation with new capabilities for remote work, the Bartlett team predicts this will lead to more rotating work-from-home systems, rather than more workstations, and new ways of zoning space. “Keeping teams that collaborate frequently together in a designated space is one preventative measure to limit the number of unnecessary interactions and potential spread of viruses,” Inger suggests. Should clients wish to define areas for these teams, B|A is ready to offer solutions to reallocate space, reorganise work groups, or introduce design tools such as partitions to modify interactions. We can develop design concepts that support individual corporate protocols for keeping workplaces safe. And by implementing visible changes we can help employees feel confident that their wellbeing is being protected.
While existing flex spaces will help us maintain some degree of distancing for as long as necessary, for the longer view six-foot-wide-by-36-inch-deep workstations could become a new standard for the open office; those dimensions would allow six feet of space between seated employees. Extendable partitions could also come into play for future preparedness: When issues rise, so does the screen.
Sage
Spacious lunchrooms, lounges, and Town Halls will also provide the flexibility to meet in groups and enable social interaction while still maintaining physical distancing.
Additional Health & Security Measures
Some of the biggest changes will be at the landlord level. Enhanced HVAC and air purification systems will be of interest and sanitation protocols will be of more concern to tenants. Entering an office tower could become a process akin to passing through airport security: some buildings will implement screening protocols that include temperature scans and ID checks. In order to prevent these processes from becoming too invasive, intimidating or time-consuming, designers will need to create dedicated spaces that are comfortable, inviting, attractive, and efficient.
Crown Lobby, 5255 Yonge St
The artful screen that defines Bartlett & Associates’ Crown Lobby project could help designate the elevator bay as a secure area. Entering an office tower such as this may become a process akin to passing through an airport. Flexible amenity space could be re-positioned as security zones, where temperature and ID checks occur before visitors and employees can access upper floors.
Utilising Hands-free Technology
New touch-free, voice-activated technologies could quickly replace current systems, particularly in reception areas–where we have already started to see digital systems take over–and in elevators. That’s not to say we anticipate losing the tactility of our spaces. An interior designer’s knowledge and understanding of finishes will be invaluable in creating safer workspaces that remain warm and inviting. Another positive outcome of this crisis is the innovation it is sure to inspire –we can expect new products, new materials and designers need to push for those and contribute to their development.
Selection of Materials and Surfaces
In the meantime, we must implement more seamless surfaces, antimicrobial fixtures and coatings, washable fabrics, and other finishes that are easy to maintain and durable enough to stand up to frequent sanitisation. “There are a lot of transferrable lessons to learn from healthcare design right now, in terms of surfaces, textiles and even furniture,” Inger says. “And that’s not a bad thing. Our offices are not going to end up looking like sterile hospitals. This situation presents a unique opportunity for different sectors to work together to find the best solutions. We are going to come out of this with stronger, more resilient communities and more beautiful projects.”
Bartlett & Associates is dedicated to innovation and excellence in interior design, incorporating creative design solutions across hospitality, workplace, retail, institutional and speciality projects.
Following the government's relaxation of lockdown restrictions for construction workers, leading fit-out specialists and SBID Accredited practice Portview Fit-Out began re-opening sites in preparation for returning to business. Portview shares details of the strict new health and safety measures being rolled out to help them adapt to this ‘new normal’ in the construction industry, shedding some light on what this might mean for the contractors in practice.
Whilst for many industries throughout lockdown the blanket delegation of essential or non-essential work was clear, however the construction industry was somewhat left in limbo. Contractors were left to make the call themselves on whether they should continue operations and if so, how this could be done safely and in a regulatory compliant way.
From the moment we took the unprecedented decision to close our sites on 24 March, we have continued to support our clients with all technical aspects of our projects. During that time, we have also been busy preparing for our return to site, with a robust programme of new health and safety provisions. After much deliberation, planning and preparation throughout lockdown at all levels of the company, we took the careful decision on the 27 April to phase the opening of our sites from 11 May. We welcomed the Prime Minister’s announcement, which gave further impetus for an active return to work for the construction and manufacturing industry.
The new health and safety measures we are implementing include:
A New COVID-19 Site Operating Procedure
We have developed a comprehensive COVID-19 Site Operating Procedure, alongside several site and task specific risk assessments. This was a collective effort by our entire team, who forensically examined construction tasks to see how they can safely operate whist maintaining physical distancing. Currently, we are supplying the updated documents to our contractors and are providing them with assistance to safely facilitate remobilisation.
Travel & Accommodation
We have made provisions to safeguard our team while commuting to and from London as much as feasibly possible. These include issuing all site staff with travel advice, FFP3 face masks and hand sanitisers, and providing hire cars and rental accommodation that is within walking distance of site. England-based Site Managers will also be remobilised ahead of those based in Northern Ireland as a means of reducing travel. In addition to our own safety precautions, we have checked to ensure airlines are stepping up to their responsibilities and improving their operating procedures to ensure the safety of all passengers who board their planes.
Cloud-based Induction
To help aid contactless induction training, we have invested in an online system to pre-induct contractors with key information before they arrive on site. The system is live 24/7, so people can log in remotely at a time that suits them and on any device.
Changes to inductions can be made instantly, with inductees being notified of any updates via the app and given their own unique site access code once they have passed training. Features will also include medical alerts, text notifications and document sharing.
Physical Distancing Marshals & Temperature Checks
Our Physical Distancing Marshals will be responsible for escorting and signing contractors on and off site, as well as ensuring everyone wears the correct PPE and is at least 2 meters apart. Where this distancing is essential, it will be controlled in accordance with an approved Risk Assessment / Method Statement and Permit to Work. We will also be rolling out daily temperature checks of anyone entering our sites before they are granted access.
Sanitation Stations & One-Way Systems
We have invested in mobile sanitation stations for each site. Contractors will be required to regularly wash their hands for a minimum of twenty seconds (such as on entry and exit) and to sanitise work tools and workstations. Each site will then be thoroughly cleaned and new distancing measures such as signage, floor markings, one-way systems, welfare and PPE storage areas will also be installed.
Staggered Start, Finish and Lunch Times
Start, finish and lunch times will be staggered to help avoid congestion on site and maintain distancing. This will be managed by our own Physical Distancing Marshals, who are responsible for monitoring numbers and coordinating schedules.
We know getting back to work is not going to be easy. It will be a new way of working for us all and we won’t be back to normal for a long time. However, with careful planning we can adapt to ‘the new normal’ and in a paradoxical twist - physical distancing will help to bring us together again, eventually.
Established in 1975, Portview is a fit-out specialist that works with the world’s leading brands in retail, hospitality, sport and business to create award-wining interiors.
Leading global kitchen and bathroom supplier GROHE has reported unprecedented demand for hygienic touchless taps in the wake of the coronavirus crisis. At a time when the pandemic has pushed the everyday necessity of hand washing into the spotlight, it would seem finding solutions to optimise hygiene in both the workplace and at home is spurring the demand.
Leading figures within the design community are also considering how hygiene will come to the fore in the interior spaces of the future. Coen van Oostrom, Founder and CEO of EDGE, a company that specialises in developing a new generation of buildings that focus on the health of people and the planet, predicts that new health measures will play a key role in a new generation of workplaces. “Together with sustainability, health will define the way we build and design homes, offices and places where people meet. Touchless products and speech-driven technology will play a key role in making healthy and safe offices. Consumers will want to minimise contact to surfaces as much as possible”.
Having specified the healthcare, hospitality and commercial sector for many years, where hygiene-optimised products are already far more commonplace, GROHE is braced for the vast changes ready to hit the mass marketplace. “With our wide range of touchless and hands-free products, we at GROHE have the right response to the increased need of hygiene in sensitive areas such as kitchens and bathrooms”, says Jonas Brennwald, CEO LIXIL Water Technology EMENA, Deputy CEO Grohe AG. “Currently, we can say that we are already experiencing a higher demand for our hygiene enhancing products – from both our private and business customers.”
In the UK market, the transition to a more hygiene-focused workplace and business environment has already been in motion since the beginning of the year. Elina Enqvist-Twomey, Category Manager at GROHE UK says: “Feedback from the commercial market in the last three months tells us that hygiene is top of the agenda for specification, with a large proportion of projects specifying more hygiene-focused products such as infra-red taps , infra-red flush plates, and shower toilets. In recent weeks, we have seen an increase in customers purchasing infra-red taps as a result. Likewise, in the kitchen, several of our tap designs which use advanced technologies to minimise physical interaction with the handle of the tap itself such as our SmartControl kitchen mixer and Zedra Touch range have also seen an increased interest. When the industry returns to a sense of normality, we expect the increasing scrutiny of hygiene in the workplace and public buildings to continue. This pandemic has encouraged all of us in some way to rethink our hygiene practises and consider new lengths to protecting ourselves and those around us.”
Why an infra-red touchless tap is more hygienic
In recent years, the property market has seen a shift to include more alternative housing settings such as grandparents living with their children and families, or groups of young professionals co-habiting together. This is when infra-red technology first began to be demanded in the residential sector and its benefits have continued to strengthen demand ever since. Infra-red taps require minimal, if any, human contact with the tap itself unlike standard taps where germs from unclean hands could linger on tap handles, unless continual thorough cleaning was carried out after each use. The GROHE Bau Cosmo E, a strong robust design made using composite polymer, uses motion sensors to detect movement, which then activates the water flow. A mixing valve on the side of the spout can be used to adjust the temperature if required and a temperature limiter can also be installed if desired. Once the user removes their hands from the basin, the sensors will detect this and stop the water flow.
SBID Accredited Industry Partner, GROHE is a leading global brand for complete bathroom solutions and kitchen fittings, with every product based on the brand values of quality, technology, design and sustainability.
SBID Accredited Designer and head of interior design at Knights of Beaconsfield, Gill Surman shares her journey into the interior design profession, and the importance of having a strong understanding of business from the outset.
I am Head of Interior Design at Knights of Beaconsfield which is one of the largest Interior Design and Retail Showrooms outside of London. I lead an expert team, specialising in luxury residences and developments in the UK and Europe.
I have an entrepreneurial background having had several of my own businesses in the past, but have always had a love and flair for design. My experience in all elements of business has been invaluable. I joined a luxury construction company to focus on their marketing and got side lined to the design of their show houses. I have been fortunate that my experience was very ‘hands on’ at the top end of the design market and have had roles as Senior Designer and now Head of Design over the past 14 years.
I am usually in the office by 7.30am as it provides quiet time for me answer emails, review the projects that we are working on and work on the administrative/financial side of my role. No two days are ever the same. On an average day I will discuss with the team our ongoing or upcoming projects, meet with furnishing or fabric suppliers, source new products for particular projects, meet with clients and try and find time to design! I rarely take a lunch break and usually finish my day by 5.30/6.00pm, although I am always available to my clients in the evenings if necessary.
For me, I really enjoy taking on an inspiring project that I can visualise immediately, a project that the client and I connect on at every level. Good design is about the relationship with the client and also the property, particularly in Residential design. It is also about the client having realistic expectations, particularly when you are working with fixed elements of an existing building or furnishings that the client wants to keep. The reward is the end result and exceeding the client’s expectations.
We have taken on a property in St-Legier-La Chiesaz in Switzerland that is set overlooking Lake Geneva. It is a beautiful location!
Managing multiple projects can be tricky. Projects often have issues as install dates are constantly moving and people let you down which has a knock on effect on everything else, resulting in pressure from clients. I am tough but fair with my suppliers, always professional and I have earned their respect over the years because of this. The trick is to use tried and tested trades that are used to overcoming issues on site and are familiar with the way our team work. You need to be good at managing stress!
Thankfully I had a good understanding of business before I entered the industry, which you wouldn’t automatically think was necessary. The job is a lot more physical than people perceive and time for design can sometimes be limited!
Have confidence in yourself and be prepared to keep learning - you can never know enough. Don’t expect to be good at everything, but excel at the things you are. Set yourself goals and strive to achieve them. Don’t assume that people know more than you do. A design degree is a good starting point but not always necessary. Experience, a good eye for colour and communication is everything.
A recent whole house residential project in Buckinghamshire - it was a delightful project for a delightful family!
Interior Design is a hugely undervalued profession and the perception is that it’s an easy career. It would help if the public were educated about the knowledge, skill and business acumen needed to design an interior space professionally and cost effectively. It is refreshing to see that Interior Design is becoming more regulated.
I admire longevity in this industry as it requires commitment, drive, passion and resilience. Anyone that survives the constant change in market trends and economic pressures deserve the success they have.
If you were inspired by Gill's story, click here to learn more about the role of an interior designer.
SBID delved behind the scenes with SBID Accredited Designer, Katie Malik, founder and creative director of Katie Malik Interiors to find out about her journey in the interior design industry, and how proper training and experience helped her get there.
I’m a creative director at Katie Malik Interiors. I manage a small team of passionate, dedicated design experts, who help me bring our clients dreams to the reality.
My background is in linguistics, but as a daughter of a very talented furniture designer and maker, design has always been a big part of my life, My career in interior design started in 2011 when I decided to retrain. I have always wanted to run my own business, but I knew I needed to train first and gain hands-on knowledge and experience, so important in the design industry. After I gained my qualifications at Chelsea College of Art, I was lucky to have my first internship in a high-end interior design studio based in Mayfair. After that, the door to other interior design studios opened to me, and I was offered the second internship and then a position at 1508London, which specialises in high end residential and hospitality interiors. Then, I was ready to move on to work on residential projects under my own brand: Katie Malik Interiors.
I typically start my day with a good breakfast at home, and of course with an Instagram flick through and Inbox check for anything requiring urgency or priority. I typically arrive in the studio quite early, as I like to make a head start. Then it’s the order of the day, setting tasks, checking the order of priorities, communicating with my team, and depending on the day, it could be a lot of very focused designing, building schemes, client meetings, site meetings, procurement etc.
I love everything that being an interior designer encompasses, but there are two parts I enjoy the most, one of them being designing, coming up with design solutions to meet and exceed clients’ expectations, and the second one being the final project installation, when the designs become the reality and our clients’ dreams come true.
We are working on a number of exciting projects at the moment, and each of them being very different, provides a lot of creative stimulation, but I am also very excited about finalising my first book ‘Love your space’ which I have been collecting the material for for the last 4 years.
I would say the job itself is quite challenging, which I enjoy, but one of the most challenging aspects is managing procurement aspect of the job, ensuing everything arrives on time, in the right condition, and is installed correctly; there’s a lot of time involved in this part of the process, and however wonderfully rewarding, it’s also one of the most challenging aspects for someone who is a perfectionist.
That being an interior designer is so much more than the design, and that in order to run a business, one must also learn about how to become a businessman/businesswoman.
Follow your path and what you love doing for hours without looking at the clock- that is your true calling.
I really don’t have a favourite one because all my projects make me genuinely proud and I enjoy working on all of them. However, if I had to chose one, I would say a redesign of a kitchen with dining and a conservatory which gained quite a lot of attention and landed its own editorial in the Ideal Home magazine in February 2016 and on Houzz in April 2017.
I also loved working on a costal redesign project, which was a refurbishment of the whole property located in Leigh-on-Sea in Essex. The project received a UK Property Award 2019 for the Best Interior Design Residence in the South East.
I think there’s a lot of misconception about the profession and what interior design experts can do for homeowners and business owners. Also, I believe there’s a lot of potential issues that can arise in connection with products that interior designers specify from trusted trade sources and which homeowners can find online for less.
If you were inspired by Katie's story, click here to learn more about the role of an interior designer.
When designing a room, the details can make all the difference, from the perfect paint colour to that dreamy flooring. It can be frustrating when essential fixtures and fittings, such as plastic light switches, affect the end result. Well, wouldn’t it be great if these electrical fittings were part of a solution and not the problem? Step forward innovative stylish switches that stand out for all the right reasons.
Check out four key styles for switches that are breaking all the rules and turning electrical accessories into cool interior must-haves.
Busy family homes are often packed full of colour, which changes on a daily basis depending on what toys are being played with or the latest craft project on display. So, wouldn’t it be great if you had versatile electrical switches that could mirror this playful vibe?
Opt for a light switch that has interchangeable cover plates and you’ll be able to change up the look every time the surroundings evolve.
Make it a feature. Turn a colourful switch into part of the backdrop by giving it a role in an exciting gallery wall display of prints and photographs. You could even include childrens’ artwork in clear frames for a humorous touch.
Often overlooked as a significant part of a room scheme, designers are now rethinking the role of the light switch as a stand-alone interior feature thanks to the many new styles and finishes available.
For example, if you’re looking to complement a classic, high-end interior, then an elegantly designed switch is a sleek and sophisticated solution. Featuring a chic metallic finish, a charcoal steel frame will team perfectly with dark tones and raw textures, while its sublime simplicity will ensure it melts away into the backdrop.
Encourage the simplicity. For added efficiency, this switch features a simple push-button operation for an extra streamlined finish.
Whether you choose to make a feature of an elegant switch, or give it a quieter role in your scheme, we guarantee it will still make a design statement in any space.
Take a super-sleek and simplistic design, for example. With clean lines, matt finish and LED-lit push buttons, it will fade into the backdrop of a soothing living space, yet will bring a designer elegance that a basic plastic switch just couldn’t match.
Show it off in a prominent position. Forget having to hide switches behind doors or curtains where they won’t be seen. With a sophisticated collection, you’ll be encouraged to fit them in eye-catching spots that not only pull focus but are also convenient to use.
The laidback look of a simple switch fits right in with a neutral palette of weathered timbers, natural linens and calming greys – perfect for a creative coastal interior.
And to encourage that easy-living vibe even more, the switch could feature pictograms that clearly indicate each operation, so you can go straight to the downlights, ceiling fan or room you want.
Design a bespoke switch layout. Before choosing any electrical accessories, consider how you use each room so you can pick the right combination of switches to suit the function of the space. For example, dimmer switches are great for living spaces where you may want mood lighting, while USB chargers are going to be essential in study spaces, bedrooms and above kitchen benches.
Create a coordinated look in every room. With a complete range of switches, outlets and electrical accessories, including fan controls and cooker switches, you can ensure your home is style-ready as well as future-ready.
SBID Accredited Industry Partner, Schneider Electric is a global specialist in energy management and automation providing energy technologies, software and digital automation solutions for efficiency and sustainability in the home, buildings, data centres and more.
This article was written by Louisa Buckley, Residential Segment Marketing Manager at Schneider Electric.
As we all adjust to a lifestyle of remote working amid the coronavirus outbreak, confined to our own homes, we begin re-evaluating our new working environments. SBID Accredited Designer, Katie Malik, founder and creative director of Katie Malik Interiors offers her expert advice for how to make home offices work for you or your clients, no matter the space or size.
Many of us face the challenge of the limited spaces we inhabit. In addition to this, our needs usually change with time as our jobs, likes and family life continues to evolve. This means we might need to transform an existing space to ensure it is suitable for new activities that have to take place there. This brings us to the current situation, while a lot of us are facing the reality of remote working. So, I'm sharing my tips for designers and homeowners, to help us create working spaces as efficient and as pleasant as possible, even without a dedicated 'office' room.
When planning a home office, we must consider a few important factors:
1) Position - where is the best place to make office space; consider distractions, surrounding noise etc.
2) Comfort - how to make the space as comfortable as possible.
3) Lighting - how should the space be lit; consider working hours and access to natural light.
4) Overall Look & Feel - how to make the space still look and feel like an extension of the home.
Ideally, you would have a separate dedicated space which you can lock at the end of the day. However, many of us, don’t have that luxury and need to think ‘outside of the box’. First of all, if there isn't a spare room we can convert into a home office, we need to be realistic about where we can fit everything we need in order to be able to work. Do we have a big screen or maybe even two? Can we work on a laptop? How much space are we going to realistically need? This is a number one question that’s going to determine a lot where you can or should position a home office.
The next big factor to take into consideration is where you can actually afford to ‘spare’ some space for a desk? By desk, I mean any form of desk, which doesn’t need to look like a traditional top with four legs. If you have any flexibility here, it's advisable to choose a place in the back of the house, or the place where people tend not to flock to all day long. This could be part of the living room or a corner of a bedroom. For some of us, it might be a guest bedroom or other part of the house. We’ll develop this point further, but whenever possible, chose a space with plenty of natural light; filling the space as much natural light as possible is better for your eyes and mental well-being. We have designed small home offices where they were either part of the joinery and disappeared when they had to, or were freestanding multi-functional pieces that blended in with the surroundings.
Asking questions will help you understand what is needed to make the space comfortable and fit for purpose. Ask questions like; Do you have a comfortable chair to sit in? Can you regulate the chair’s height? Does the chair have the armrests? Do you have enough space on your desk to put all the essentials out without being disrupted or creating the mess?
I would say planning and organising space is one of the most important factors. Make a list of everything your client needs and then think about what would make them happy working there. Is it having something on the desk, such as a photo that brings back nice memories? Or maybe you just a few pens and a coaster for a cup of tea? Do they need a pinning board to pin ideas/reminders etc? Knowing these things can help you plan and execute the right space for a home office.
Apart from ambient lighting, a task light and informed light selection is a must. Opting for a flexible energy efficient LED reading light is ideal for use as a task light for specific areas. A type of lamp with dimming features is also suggested, so the strength of light can be regulated for different purposes / times of day. Look for lamps which produce natural white light (especially if your access to daylight is limited). Another handy tip is to use a lamp with a base or shade that can rotate 360 degrees to facilitate more flexibility over the positioning of the light, allowing it to be directed wherever it is needed.
Especially if it’s part of a bigger space. In this case, consider blending the working area as much as possible with the existing design of the room; think similar finishes, colours, shapes etc. If you use completely different pieces style and colour wise, they will stand out more, and probably become an eye sore with time. Whenever we have designed a home office space, no matter how big or small, we would always blend it in as much as possible so it looks natural in its surroundings.
Solution 1:
The client purchased a beautiful one bedroom flat in Cambridge and wanted a space where he could occasionally work from. Due to space constraints, we proposed a small lean-on desk with shelves that blended in beautifully with the rest of the room.
Solution 2:
The clients didn’t want a home office, but still needed a desk space and a filing storage facility. We proposed a desk in the entertainment area, directly overlooking the views of the sea. Behind, we designed clever joinery for A4 files, that blends in with the kitchenette design. When not used for remote working, it’s a perfect entertainment room width adjacent terrace.
Solution 3:
The clients were in need of a multifunctional space, which would cater for many functions, one of them being able to work from home (doing homework to be more precise). Their daughter loved doing homework while her parents were watching TV or reading, and because the room we were designing was pretty small, we found a way to incorporate the desk into the built-in joinery with a clever solution; using a pull-out drawer, the desk could disappear completely when it was no longer needed.
Solution 4:
The client needed a space for working from home and for playing and studying music. The challenge was not only for this room to be designed in a way that caters for these activities, but also, not to feel as office. We suggested incorporating a foldable desk with clever built-in bookshelves to house a large book collection, and a seating bench which doubles up as housing for his amplifiers.
To support the community, Katie Malik Interiors are now offering FREE design consultations for those struggling with the design and organisation of their home office during the Coronavirus pandemic to help us find/create suitable spaces to work from home.
To arrange your consultation, drop an email to [email protected]
Katie Malik is the creative director and founder of Katie Malik Interiors; an award-winning Cambridge and London based interior design studio, specialising in private residential, developments & hospitality interiors. Katie’s aim is to bring authenticity to each project.
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