A Family Apartment Connects All Design Elements Through Small Details

This week’s instalment of the Project of the Week series features a modern and functional family apartment design by 2022 SBID Awards Finalist, Bajer Sokol.

What was the client’s brief? 

The Black Apartment is located in the center of Warsaw. It’s a 220 m2 space for a married couple with an adult child and a guest room. The owners bought the apartment that at the time of purchase was an open space, without any partition walls inside. After we were provided with guidelines for the division of rooms, we created 7 versions of the functional layout. The apartment is named Black because it was supposed to be dominated by dark colors, but in the process of selecting materials, the interior has been slightly brightened and made warmer. However, dark materials still dominate inside it. The intention was to use materials of very high quality and to equip it with the best modern furniture brands. The budget closed at around £ 2,000 / m2. The project is very detailed, and its implementation shows high manufacturing quality in many details, such as handles, joining materials or stone finishes on furniture.

The implementation took 9 months and we managed to carry it out in accordance with the schedule. Customers expected a high-quality execution and us keeping to the set deadlines. They now enjoy spending time in an apartment already put into use.

What inspired the design of the project?

We had 7 versions of the functional design of the apartment. The clients really wanted to achieve the right balance between aesthetics and functionality, while also keeping huge windows and a view of the surrounding park, planning the rooms in a way that would not sacrifice the space. The final outcome was an apartment that was meticulously designed, where even the laundry room has hidden details proving a comprehensive approach to design.

What was the toughest hurdle your team overcame during the project?

The best thing about this project was the cooperation with the client! From the start they knew what they wanted to have in the apartment, and it was exactly the design we love. Therefore, we had no problems with the project and cooperation with the client.

What was your team’s highlight of the project?

The kitchen is the essence of the details in this apartment. All pieces of furniture, handles, shelves and lighting are the result of the collaboration of many contractors and our studio. Nothing here is ready made or coming from a catalog. Shelves are of 4mm veneered aluminum and the whole island, together with the fronts is made of solid stone plates, not sinter. Each handle has been designed in such a way to fit a drawer, dishwasher, refrigerator, or an ordinary cupboard. There are no visible cables or random sockets here. Wardrobes and doors are always the elements of a bigger structure of furniture. The wardrobes are embedded within large built-in panels, doors are always hidden in walls and marked only by door handles. The only doors that have a decorative function are glass Rimadesio built-in doors leading to the night area, or master bathrooms.

In 3 bathrooms of the apartment, you can see the same principle – nothing is accidental! The same stone was used on the floor, walls, or fronts of cabinets. Large format plates with planned divisions. Glass built-in furniture with hidden hinges or mounting profiles. Every visible element is supposed to decorate, be a part of the composition and not random. Equipment by Antonio Lupi, Gessi, Flos or Viega with the gunmetal or satin type finishes harmonize with ceramics and metal elements.

Why did you enter this project into the SBID Awards?

The SBID society is the biggest and best ID organisation in Europe, therefore, to receive an award from you is the biggest achievement for our company and a confirmation that it is of the best quality and approved by you.

Questions answered by Hanna Bajer, Main Architect, and Pawel Sokol, Architect, Bajer Sokol.

Photo credits: Tom Kurek

This week’s instalment of the Project of the Week series features a industrial artists’ house design by 2022 SBID Awards Finalist, Clara Lleal Interiorista.

House located in the historic centre of Badalona, a city near Barcelona. One of the challenges when it came to the layout of the project was to strategically place the sculptures created by the owner of the house himself, the artist and sculptor Juanma Noguera. In short, an Art Gallery house.

In terms of general aesthetics, the idea was to give the whole space an industrial atmosphere, maintaining and recovering the building’s original materials. The solid brick walls were uncovered, the vaulted iron-beamed ceilings were respected, and areas with the original hydraulic pavement were maintained. The materials used subsequently also follow this industrial premise, concrete, black iron sheet, herringbone floor of recovered wood, and teak wood furniture to break the cold of the greys.

Gaining maximum natural light was also one of the objectives of this project. Several skylights were opened in ceilings, and an inner courtyard was located at the back of the house.

What was the client’s brief? 

The main request of the client, who is the sculptor and painter Juanma Noguera, was that his sculptures and paintings would be part of the overall design of the house. In other words, when thinking about the layout and design, we also thought about placing the sculptures in strategic places so that they could be observed and at the same time beautify the space.

What inspired the design of the project?

The construction of the house dates back to the 19th century, coinciding with the industrial period in Catalonia. Therefore, the house has many architectural elements typical of that period, which we wanted to maintain and even restore. The walls were chipped to leave the brickwork exposed, the original cast iron columns were restored, the hydraulic mosaic floor tiles of Mediterranean origin were kept, and the Catalan vaulted ceilings were left exposed. In short, we wanted to recover the industrial essence of the house and give it value.

What was the toughest hurdle your team overcame during the project?

The spaces were very large and there was a risk that they would not be welcoming, which was of paramount importance to the client. With the combination of materials such as teak wood and dark colours, a cosy atmosphere was definitely achieved.

What was your team’s highlight of the project?

One of the main challenges was to gain natural light. It can be said that in an area of 200 square meters there was only one window. Skylights were opened in the roof and in the inner courtyards, as many openings as possible were made so that the house would be bathed in light. We wanted to convey the feeling of well-being and warmth that natural light provides. In addition, from the beginning we wanted to include a lot of natural vegetation that can only live with light.

Why did you enter this project into the SBID Awards?

Because I had seen SBID award-winning projects that really seemed high level to me, so I thought it would be good to participate.

Questions answered by Clara Lleal, Creative Director, Clara Lleal Interiorista.

Can you describe your current job?

My current job is Creative Director at Pia Design – my own design studio. Our studio is currently myself and two full time interior designers. I oversee all the projects and present designs to our clients and set the creative direction of each project – my team are super talented at creating 3D visuals and detailed specification documents to deliver our ideas to the client.

What is your background and how did you get into interior design?

I had quite an academic start to my education and career – I completed the International Baccalaureate and then did a Foundation course in Art & Design and then a degree in Interior Architecture at Kingston University. I knew from my teens that I wanted to be an interior designer – my family moved country every two years throughout my childhood so I quickly learnt the importance of ‘making a house a home’. I was also interested in psychology, and interior design allows me to combine my creative passion with my interest in understanding people. One of my favourite parts of the project is interpreting the brief and developing a design tailored to the client’s taste.

Describe an average day in your job role.

My days can be varied but typically I start the day with a team call to review project progress and our to-do lists for the day. I’ll then catch up on my emails and urgent payments / invoices before heading out to site visits – sometimes I have two or even three site visits in a row. Then it’s back to the studio to review the work of my design team from the day, catching up on more emails, and occasionally I’ll have evening calls with my clients who are in different time zones or too busy to speak during the day time. After dinner, I’ll usually sit down with my iPad and browse Instagram or Pinterest or read magazines for an hour or two, saving inspiration ideas for our current projects.

Which elements of your profession do you enjoy the most and/or find the most rewarding?

I love the conceptual part of the project the most – working out who our client is and what they like, often reading between the lines or drawing inspiration from what they already own or from their artwork. It’s great to see their reactions to the initial concepts and then build the designs up from there – the most rewarding part is of course seeing the finished result of our designs and a happy client!

Is there anything new you are excited to be working on?

What do you find the most challenging aspects of your job?

Keeping all the plates spinning! We typically have between 10-15 projects at any one time, all at various stages, and we take on project coordination for many of our projects as well… so a lot of what we do is organising and keeping on top of timelines to make sure projects run efficiently and on time. There can be a lot of unknowns during the building works stage so often we have to be quick to rethink ideas and find solutions on the spot if things don’t pan out how we intended on site.

What do you wish you knew before working in the field?

What would you tell your younger self if you had the chance?

Trust your intuition and knowledge, don’t be discouraged by disagreements and stand up for yourself! There are a lot of big egos in this industry and it’s important to believe in your vision and sometimes you have to stand your ground to see your vision through.

What has been your favourite project to work on?

We recently worked on the redecoration of a large country manor in the North Downs which was in dire need of updating. The client owned a lot of heirloom furniture pieces that they wanted to bring back to life and was excited to work with us from a sustainability perspective. We were careful not to rip out anything that was still in good condition, choosing instead to repair, reupholster and rejuvenate everything from existing joinery to the furniture. The client was so happy when she saw her home of many years and inherited furniture pieces lovingly restored that she cried tears of joy.

What do you think is the biggest problem the interior design industry faces?

Construction is one of the most polluting industries in the world and interior design is unfortunately a guilty party to the waste created. I think the industry needs to adapt and change quickly to focus on more sustainable ways to refurbish and I believe that designers are not only responsible for implementing this change but that we have the power to set the direction of change by helping our clients make more planet-friendly decisions during their renovation project.

Which people do you admire the most in the industry and why?

I am a huge admirer of the Finnish Architect / Designer Joanna Laajisto – I love the way her designs are a contemporary take on classic Scandinavian design and her focus on sustainability in her material selection. I am also in awe of Sophie Asbhy and how she has built a successful brand and business, as well as her involvement in setting up the United in Design initiative.

Why did you decide to join the SBID?

I decided to join the SBID to feel a sense of community within the interiors world and to be involved and connected with new suppliers and trade events. It’s also really important for the types of clients that we work with that we can demonstrate a high level of professionalism, which being a member of the SBID’s international community provides.

Questions answered by Pia Pelkonen, Founder and Creative Director, Pia Design.

If you’d like to feature your product news here, get in touch to find out more. 

If you’d like to become SBID Accredited, click here for more information.

This week’s instalment of the Project of the Week series features a modern and minimalistic family house design by 2022 SBID Awards Finalist, ND Studios.

Natascha Dartnall, Founder & Director of ND Studios: We completely reconfigured an existing property, retaining only the listed front façade while building a modern house behind. It was important that we had lots of options when it came to marbles, stones and woods. For our client, the materials were just as important as the furniture, fixtures and fittings themselves.

Our clients shared our own commitment to sustainability and wanted to, where possible, make environmentally conscious decisions during the design, build and install. ND Studios will always seek to employ sustainable practises where possible. One of the main ways we achieved this on this project was to install a ground-source heat pump which is more environmentally friendly than alternative options because it recycles heat between seasons and it releases fewer carbon emissions.

What was the client’s brief? 

Our client wanted their new house to be a family home suitable for both relaxation and entertaining – with a spa, cinema room and home café all on the client’s shopping list. We were asked to create fresh and contemporary interiors with a nod to minimalism. Our clients were keen that we embraced an aesthetic that had longevity and that would age well while also ensuring that it was as sustainable as possible.

What inspired the design of the project?

Given that this was to be family home but with a modern, minimalist aesthetic a main priority was to ensure the house would work, practically speaking. How could we ensure there was a sense of home while staying true to the very pared back concept?

The bedrooms are an ode to modern comfort: clean lines, muted shades and plenty of light thanks to floor to ceiling windows. The guest bedroom includes a plump, fabric headboard which extends all the way across one of the walls, serving as a backdrop to the nightstands as well as the bed itself. This adds some softness to the room. The abstract paintings above the bed with vivid cerulean blue and scarlet red markings also adds vibrancy – just another example of how we made this modern house a family home.

What was the toughest hurdle your team overcame during the project?

The first hurdle for us was ensuring we had planning in place to knock down much of the existing property and build its modern replacement. The façade of the original property was listed and as a result it had to remain intact. This didn’t jeopardise our client’s vision or our execution of the project: we all felt it added character and a sense of history to the new home. While this held us back, it was only a matter of time before we got the go-ahead. It was a chasing and waiting game.

What was your team’s highlight of the project?

One of the most exciting spaces to work on was the home café which has an industrial vibe with a sculpted slab of White Fantasy marble serving as the bar area. We kept it neutral but monochrome with lots of angles and lines which made for a contemporary socialising space you’d expect to see in a busy metropolis but is a brilliant surprise to find within a leafy suburban home.

The cinema room was another exercise in making a space both relaxing, physically comfortable but also chic. There is plenty of softness thanks to the silk carpet by Loomah and the abundance of cushions, but we ensured the space has plenty of hard lines and angles too, so that the room has a sense of structure.

Why did you enter this project into the SBID Awards?

To have recognition for our work from an established industry body is an honour, and one which we hold in high regard.

Questions answered by Natascha Dartnall, Founder & Director, ND Studios.

This week’s instalment of the Project of the Week series features a residential design by 2021 SBID Awards Finalist, Ana Engelhorn Interior Design.

St George’s Hill is a 964-acre (3.9 km2) private estate in Weybridge, Surrey, UK, with golf and tennis clubs and approximately 420 houses. The Hill became a leisure location and home to celebrities and entrepreneurs when the land was divided into lots in the 1910s and 1920s and Walter George Tarrant built its first homes. Ringo Star, John Lennon and Sir Cliff Richard are a few of the notable people who have lived there.

Harwood House is one of the original homes; at just under 500 square metres, it sits on about 1.77 acres of land. Late Victorian in style, the house was last renovated 20 years ago and was not done to a very high standard. New rooms were added, like the conservatory; the kitchen and lounge area were opened up; and the use of rooms was changed.

What was the client’s brief? 

Prior to our renovation, it was empty for three years, which meant that damp and other issues where left unattended. The main issues to sort out before moving on to the interior design were the electrics, the plumbing and the building works.

The clients wanted to use the existing floor plan, with some changes to door openings and a new kitchen and bathrooms. The old library was turned into a girl’s bedroom – we were able to use existing carpentry and change door openings. The house had five bedrooms, but we turned one into a shower room as the master bathroom didn’t have a shower. All bedrooms except one have their own bathrooms and there are two guest toilets on the ground floor.

What inspired the design of the project?

Interior design-wise, in line with the Ana Engelhorn signature style, we aimed to achieve a perfectly imperfect mix of antiques and contemporary pieces that suited the clients and the house. The clients had a lot of eclectic art, as well their own pieces from Africa, which complemented the design perfectly.

We were given free rein to choose colour and, fortunately, the clients were happy with our suggestions. Two of our main paint suppliers were Francesca’s Paints from the UK, who make bold and strong colours, and Bauwerk from Germany, who use a more washed-out, uneven look.

What was the toughest hurdle your team overcame during the project?

The biggest job was the kitchen. We overhauled it completely as the owners are avid cooks and wanted to have adequate cooking and prep areas. The two outbuildings were converted into a gym and an office, with the same style flowing from the house to the outside rooms.

There was extensive work to do with curtains and upholstery. Some of the older pieces we were able to reupholster and reuse. The furniture was a mix of what the client brought from previous homes and what we supplied from the UK and abroad.

All the lighting was new and signed off by a trusted lighting supplier to ensure that, with the daring colour scheme, the lighting effects inside the house were effective.

What was your team’s highlight of the project?

Overall, the project went smoothly, without too many hiccups. Amazingly, considering the renovation took place during the first Covid lockdown, the clients were able to move in on time and everyone was happy with the final result.

Why did you enter this project into the SBID Awards?

We entered the awards to see people’s reaction and shine a light on our work. We loved doing this project and are very proud of it. Sharing it with other interior designers hopefully inspires them in their own projects or homes.

Questions answered by Ana Engelhorn, Founder, Ana Engelhorn Interior Design.

This week’s instalment of the Project of the Week series features a colourful and design-led kitchen design by 2021 SBID Awards Finalist, Pikcells.

What was the client’s brief? 

To create a ‘Kitchen of the Year’ focusing on current trends such as working from home. With the kitchen space being the hub of the home and centre of different social activities, it must be suitable for not only cooking, but the kids doing homework and serving as a multifunctional entertainment space.

What inspired the design of the project?

We did research into the current use of kitchen space, how work from home areas are being adapted from other spaces (in our case we used what would have been a boot room). Colour and pattern trends also inspired the design using green and pink hues, chequered terrazzo tiles, marble worktops and backsplashes, as well as internal crittall doors creating a ‘broken-plan’ space and pantries.

What was the toughest hurdle your team overcame during the project?

Working within a more attainable size setting whilst still being able to incorporate all of the design features we just mentioned.

What was your team’s highlight of the project?

Creating a bold, impactful colour palette for the scheme, and also successfully incorporating a functional desk area into the design to improve the client’s lifestyle and use of their kitchen space.

Why did you enter this project into the SBID Awards?

We felt the design was strongly influenced by current trends and consumer needs for kitchen environments, designed for modern living. Also it showcases that luxury-looking bespoke kitchens can still be attainable and affordable.

Questions answered by Tanya Bailey, Senior Interior Designer, Pikcells.

Charlie Smallbone of Ledbury Studio has unveiled the Marquetry Collection. This stunning new bespoke kitchen has its debut in the studio of interior design and architectural practice, Hill House Interiors. Charlie is renowned for his luxurious design style, razor-like attention to detail and commitment to innovation – and the Marquetry Collection is no exception to this. Here Charlie reveals all about Ledbury Studio’s latest offering.

What was the project brief?

The brief was an interesting one! We were asked to conceal the conventional elements of the kitchen behind beautiful cupboard doors so that the generous open-plan space can instantly switch from living to dining to cooking.

To achieve this, we specified two sets of pocket doors that slide back to reveal appliances and a wealth of storage. Particularly savvy are the walnut veneer larder pull-outs that we installed either side of the bank of ovens. Although narrow, they are great for stashing all the cooking essentials you’ll need to access at a moment’s notice.

What is unique about the cupboard design in The Marquetry Collection?

In keeping with Ledbury Studio’s signature aesthetic, The Marquetry Collection is a contemporary take on traditional artisanal skills. Directional veneers were applied by hand to form a decorative pattern and inlaid with aged bronze. Bespoke handles, also in aged bronze, add the finishing touch.

The island is spectacular, what was your thinking here?

The front of the island is clad in solid brass which has been distressed by hand, then aged and patinated. As a design feature, it injects texture and provides a contrast with the smooth marquetry panels. A porcelain surface wraps round the solid brass panel, chosen for its combination of stylish good looks and hardwearing properties. Non-porous porcelain is also a practical choice for the integrated sink, and creates a beautiful backdrop to the open shelving.

By locating the hob on the island, we have maximised the sociability of the space. While preparing dinner, the designated chef can carry on a conversation with whoever is perched at the breakfast bar or sitting at the dining table.

What does the open storage add to this kitchen?

Open storage never fails to inject a generous dose of personality into a kitchen. Although our brief was to hide the majority of the kitchen, it was important the design shouldn’t just be a blank canvas. So, by adding bespoke walnut shelves above the kitchen sink we provided space to express some individual style.

Ledbury Studio kitchens start from £50,000.

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We are all increasingly aware of the importance of sustainability in every aspect of our lives – and lifestyles. Sustainable development in design is no exception. So, we asked the team at Mark Taylor Design to discuss this further:

The concept can be interpreted in many different ways. But we like the clarity of the Brundtland Report’s definition: “Sustainable development is development that meets the needs of the present, without compromising the ability of future generations to meet their own needs.” To achieve this, planning and preparation is key. Accordingly, we are seeing a huge demand for sustainable design services, as more and more clients prioritise sustainable development goals for their homes.

The rise of sustainable design

There are many reasons why sustainable development/design has become so important. First and foremost, it helps to lower negative impacts on the environment, and improves building performance. It minimises waste. It improves the value of your property – and, crucially, creates a healthy and productive environment. The COVID-19 pandemic has certainly shone a spotlight on the importance of being more thoughtful about ourselves and our environment. It has also transformed how we view our homes – and what we want from them. Fortunately, this sea of change has coincided with an increase in the quality and quantity of sustainable designs available, both inside and out.

New expectations

The events of the past 18 months or so have had a profound effect on home design. There’s no doubt we have changed the way we live – and the way we want to live. After all, they say that necessity is the mother of invention. “I think that people have learnt to become more self-sufficient, largely because they have had to!”, explains our director Mark Taylor. “People have also reallocated their budgets. Foreign holidays might not have been possible, yet renovations have skyrocketed. Then, of course, there’s the working from home phenomenon. This has prompted people to use their properties very differently; this is not just in terms of adding another room or a home office in the garden.”

Working from home has definitely made us much more aware of the space we have, and how best to use it. It has prompted many people to finally get round to home improvements which have long been languishing on the back-burner. In turn, trades have become so busy it’s now difficult to get renovation projects complete without booking well in advance.

Family and wellbeing

Done properly, sustainable development isn’t just good for the environment, it enhances personal wellbeing too. Spending so much more time at home and with loved ones during the pandemic has led to a marked recalibration of priorities. Many people have reassessed the importance of family life, health and happiness and have made changes to their home accordingly. This might include creating space to decompress, and changing lighting and colours. Another key development is the rise in pet ownership. This had led to the creation of more/different spaces in which to accommodate them, such as boot rooms and utility areas.

Sustainable development is a win for the environment, your personal and professional lifestyle – and your wallet. Updating your interiors, installing a new kitchen or bathroom, or even adding another room such as a properly insulated orangery, can all add significant value to your property. Before you proceed, however, it’s important to identify your key objectives. For some people, a sustainable design project is all about ‘opening up’ existing space. For others, the priority is to create more rooms, to accommodate multi-generational living and working from home. Design professionals can best advise how to do both, for example, by creating hidden break-out spaces, sliding doors, and so on.

Sustainable materials

Many synergistic elements combine when creating and implementing a successful sustainable development interiors project. These include factors such as size, location, layout, insulation, lighting and energy. The use of sustainable materials has also become increasingly popular, as clients become more aware of the environment and climate change – which has been hugely publicised throughout the pandemic. With so many of us working from home over the past 18 months, there was a considerable decrease in global emissions. This in turn has made us all question what else we can do to help. Popular design trends include carpets made from recycled plastics, concrete work surfaces, large sheets of recycled ocean plastics converted into work surfaces and wall coverings, and eco paints.

Graphenstone has a great range of ‘green’ paints and coatings. This eco-friendly range of products includes natural elements that help to purify the air we breathe inside our homes. It’s recommended for indoor enclosures, hospitals, nurseries, retirement homes, hotels, environments and rooms for babies and children. It’s also suitable for people suffering from chemical intolerances. Their paints even help limit pathogens derived from Sick Building Syndrome and prevent the growth of mould, fungi and bacteria.

High quality, recycled and recyclable plastic is another sustainable material we are incorporating into many of our new kitchen designs. The Good Plastic Company aims to transform waste into beauty. In fact, its unique technology re-uses up to 75% of existing types of plastic. It uses post-industrial and post-consumer plastic waste to create stylish, modern wall panels, shelving and storage.

Back to the future

Looking ahead, we think sustainability will continue to be a key theme within home décor. Recycling has become far more popular and prominent. Many people are now thinking of clever and unusual ways to upcycle and recycle, in order to minimise waste and be kinder to the environment. We also think smart homes will go much further than simply featuring stand-alone devices. They will provide greater insights into energy use that will allow us to become more energy-efficient and mindful of ecological factors.

All the senses will become increasingly important. Clients are becoming more conscious of how sound, textures and lighting affect mood and productivity. It was interesting to see that designing for wellbeing was a common theme at Decorex. We noticed nature and biophilic design principles have inspired many companies and brands. Wallpapering a whole room – as opposed to a token feature wall – seems to be back on-trend. Also, beautiful texture wallpapers are now featuring eye-catching pops of colour. There is definitely a shift towards warmer and more welcoming textures and patterns. Gone are the days of grey schemes. Colour is definitely back and here to stay.

If you’d like to feature your product news here, get in touch to find out more. 

If you’d like to become SBID Accredited, click here for more information.

Arteriors is delighted to introduce its latest collaboration collection with renowned US interior designer, Celerie Kemble. The collection debuted at London Design Week as part of Arteriors’ Spring Summer 2022 launch. As part of the brand’s successful Guest Designer programme, the collection features a series of furniture, lighting and tabletop accessories, with pops of wonderful, whimsical colour and repeated use of natural materials.

“Great design is at the core of who we are, which is why we’ve tapped some of the most prolific interior designers with whom to collaborate as part of our guest designer program. Each designer brings a new perspective that marries their unique design philosophy with the Arteriors aesthetic” – Arteriors Design Team.

As Celerie’s second collection for Arteriors, the range is built upon a desire to blend a range of materials, texture, soft colour and different finishes to create a playful collection for spring.

Taking inspiration in both colour and material from nature, and particularly the warmer climates of the tropics, the range is filled with playfully textured ceramic vases and lamps, polished rattan tables, mirrors, trays, and other statement pieces, in natural hues and luxe materials that lend a traditional-meets-tropical allure. The palette incorporates muted hues, pale woods, and shell motifs to mimic sandy beaches, and pastel skylines of a springtime abroad.

Celerie Kemble on the collection:

“In most of my work, I’m trying to find ways to add levity and sweetness, each piece I have designed as part of the collection is very functional, but adds a note of whimsy to your décor. I believe that it is in the quirks that things become distinctive, that interiors become animated by life and nourished by their inhabitants.”

Browse items from the collaboration online at www.arteriorshome.com or visit the London showroom to see the designs first hand.

If you’d like to feature your product news here, get in touch to find out more. 

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This week’s instalment of Project of the Week series features a residential home design by 2021 SBID Awards Finalist, The Furniture Union.

What was the client’s brief? 

The client approached us with a sentimental and emotive brief, to refurbish and redesign her mother’s house – the home she grew up in. The home is steeped in family history and fond memories.  Situated on a beautiful and rural winding country road in Dorset, ‘Dorset Place’ stands opposite a picturesque village church. What looks from the front of the property to be a detached, red brick two storey home deceives the eye.

The objective was to create a family home, suited to entertaining and building on the family ethos of memories and quality time spent together. It was also a fabulous example of self-expression; the client who themselves was the founder of an interior design practice. Her keen eye for design and naturally explorative nature made this project an exceptional example of design meets functionality. Toying with adventurous and modern finishes, technology and sumptuous furnishings an entire space was formed with a collective concept.

What inspired the design of the project?

What can only be described as a visual “Tardis”, the front door leads to an extended open plan living space; divided from the exquisite garden with sliding, full height glazed doors. The glazed doors to the garden completely slide back onto return flanks, allowing the first floor to hang in space! The first floor is cantilevered over the living space, kitchen and terrace. We took inspiration from Le Corbusier’s open plan approach, bringing the outdoors inside. The poured concrete floor finish runs seamlessly throughout the property and extends into the garden to form the terrace space outdoors.

What was the toughest hurdle your team overcame during the project?

The staircase proved to be the toughest hurdle getting the position right In the centre of the floor plan, we positioned a floating staircase, casting the first few treads in poured concrete, the rest of the staircase transcends into black veneered treads and wall panelling to tie in the black wooden floor that runs fluidly through the first floor. We created a sculptural chandelier arrangement to hand down from a raft ceiling with an ambient glow around the perimeter.

What was your team’s highlight of the project?

The clients en suite was completely clad in Dekton Laurent, with brushed copper brassware and black glass basins, which float on a black and walnut wall hung unit. With a range of suppliers such as Antonio Lupi, Geberit and Gessi the key design element here ties in the darker aesthetic found on the first floor.

Why did you enter this project into the SBID Awards?

This exceptional home is contemporary with flare, personality and built on family values. We believe the house expresses our company values and showcases our teams skill in everyway.

Questions answered by Bella Gough, Design Director, The Furniture Union.