CHIL Interior Design Creates an Immersive Experience Through Bespoke Art and Design

This week’s instalment of the Project of the Week series features a luxury rental building design by 2024 SBID Awards Finalist, CHIL Interior Design.

CHIL Interior Design was tasked with crafting REN, in Seattle's South Lake Union. Inspired by exploration and the fusion of humanity with technology, REN offers an immersive experience through bespoke art and design. Custom artwork and installations adorn the public areas, catering to the vibrant tech industry professionals seeking originality. Amenities include a fully functional lobby bar, state-of-the-art fitness facilities, and interconnected top-floor lounges boasting panoramic city views. Designed to meet the evolving needs of its residents, REN offers flexible workspaces and immersive art galleries, creating a dynamic and stimulating living environment.

What was the client's brief?

REN was our chance to make a bold statement in the US luxury rental market, specifically for the creative minds in Seattle’s tech scene. The brief was all about creating spaces that felt alive, with art and tech merging to spark a sense of exploration. We wanted tenants to feel inspired as soon as they walked through the door.

What inspired the design of the project?

Inspired by the concept of exploration and merging humanity with technology, we wanted every corner to feel like it had a story to tell, where humanity and technology collide in unexpected ways creating a residential space that feels like a journey.

What was the toughest hurdle your team overcame during the project?

Building REN during the pandemic was a wild ride as everything had to adapt as we went. With remote work becoming the new norm, we had to rethink how the space would support hybrid professionals. Flexible co-working areas, private pods, and meeting rooms that feel as functional as they do inspiring. Plus, immersive art galleries and a lobby bar that’s more than just a spot to grab a drink. REN is a place to work, socialise, and unwind, all in one, blurring the lines between home, work, and play.

What was your team’s highlight of the project?

Our biggest highlight was watching the vision of exploration come to life through art. From hanging wood sculptures to glowing astronauts and graffiti-inspired murals, every piece was designed to blur the line between humanity and technology. Walking through the finished space was a surreal moment for our team.

Why did you enter the SBID Awards?

We entered the SBID Awards because it’s a globally recognised benchmark for excellence in design. We invest in awards that hold prestige and celebrates work that pushes creative boundaries and sets new standards in the industry.

What has being an Award Finalist meant to you and your business?

Being an SBID Award Finalist feels like a huge win for our whole team. It’s a validation of all the hard work, creativity, and passion we put into every project. It’s not just about the recognition, but a reminder that we’re on the right track to keep pushing boundaries and creating spaces that inspire.

Questions answered by Carolyn Kaczmarek, Director of Residential Design at CHIL Interior Design.

This week’s instalment of the Project of the Week series features a cosy, woodland home design by 2024 SBID Awards Finalist, The Vawdrey House.

The Vawdrey House was engaged to inject some soul and personality into a client’s country home. The refurbished house is a retreat in the true sense of the word. A life-enriching counterpoint to the client’s London home. As comfortable for the couple to cosy up in on a winters afternoon as it is for hosting hordes of extended family. Spaces are impeccably styled for relaxed, everyday living. The interiors now live-up to the beautiful woodland setting, with rich textures, clever design and exceptional craftsmanship.

What was the client's brief?

Nestled deep in the New Forest National Park, Forest House was originally a mid-century bungalow, extended and reconfigured by a previous owner. But this is no country cottage. The generous scale of the interior spaces presented a particular challenge. The open plan kitchen and living space is an impressive 14mx9m, with a four-metre ceiling. It was cold, echoey and dwarfed any furniture the client had placed there. As the new owners, our client engaged us to inject some soul and personality.

What inspired the design of the project?

Our response to the brief was to make minimal structural alterations, instead focussing on adding built-in joinery and injecting new texture, colour and finishes. Such a large-scale space necessitated bold, architectural-scale interventions.

We retained the existing double-sided wood burning stove in the centre of the room, wrapping it in a new, wider chimney breast clad in beautiful, glazed three-dimensional tiles. At the base we commissioned a polished concrete hearth, large enough to sit on, and reminiscent of a feature within the client’s mid-century childhood home. This created an architectural separation between the living area and kitchen / dining area; open enough to allow the spaces to flow but closed enough to make the reorientated living area more intimate.

We added curtains across the expansive glazing, not only to make the space cosy but also to reduce the echo in the room.

Across the rear wall that stretches from the kitchen to the living area we created a 14 metre-long joinery installation, designed unify the series of spaces. This accommodates aspects of the kitchen, a hidden door to the boot room, a cocktail bar, tableware storage and a library. A sliding ladder is a fun, but also very practical addition.

Within this wall is a new opening leading to a snug room with a huge sliding oak door, enabling this room to become a much cosier space with its Obsidian Green walls, thick velvet curtains and a pallet of accent colours inspired a much-loved oil painting.

We enriched what was previously a long, dark corridor by over-cladding one side in black oak concealing doors leading to ancillary rooms. Opposite we added new mouldings, a warm paint scheme and created focal points for yet more of the client’s art collection.

Behind one of the hidden doors lies the dramatic powder room, with black terrazzo floor and statement terracotta-coloured concrete basin.

What was the toughest hurdle your team overcame during the project?

From the outset, it was clear that our biggest challenge to overcome would be the unusually large scale of the space.

With high, four-metre ceilings and an open plan kitchen and living space measuring 14m x 9m, our biggest hurdle was finding a way to bring character, soul and personality into a space that felt cold and echoey.

What was your team’s highlight of the project?

Undoubtedly the highlight of the project was working with such an openminded client and a relatively free brief. The end result is a true collaboration of such passionate and highly specialist craftspeople. Matched as it was by the passion of the client for the design, materials and finishes, the entire project felt truly meaningful and full of purpose.

More specifically, the enormous, double-sided fireplace with lustrous tiles and bespoke polished concrete hearth was a real highlight in terms of the design of the finished project.

The interiors now live-up to the beautiful woodland setting but with personality reflective of our truly fabulous and trusting clients.

Why did you enter the SBID Awards?

This was our first time entering the SBID awards. We decided to enter ourselves and this project as we were excited by the programme’s international outlook, and the variety of categories for the nominations.

What has being an Award Finalist meant to you and your business?

Bring an Award Finalist has meant an enormous amount to us. After all the hard work, it is always nice to take a moment to properly celebrate a project, especially with so many brilliant industry friends and contemporaries. The recognition from the SBID is the cherry on top of what has been a really fantastic project/cake!

Questions answered by Ian Chapman, Director of The Vawdrey House.

This week’s instalment of the Project of the Week series features a unique use of lighting in a residential design by 2024 SBID Awards Finalist, Chains Interior.

The project is more than a simple residential space but was also planned to serve as a banquet and event space, so we wanted to use visual tension to impress guests rather than a timeless style. In response to the owner's request for functional needs, the designer deliberately enlarged the scale of the public domain. The entrance is bounded by a glass screen with light track lines, and the reflection effect brought by the light hints at directing the circulation. Hand-blown glass artwork on the side is illuminated by the marble back wall and lighting, suggesting the upcoming lively scene.

What was the client's brief?

Residential spaces should not only be comfortable but also reflect the unique characteristics of the homeowners. In this case, the male homeowner has a passion for photography, particularly focusing on capturing natural light. Meanwhile, the female homeowner, as their children have grown up, has shifted her efforts towards social welfare volunteering, hoping for a place to host charitable lectures and discussions. The couple's pursuit of light and their spirit of conveying love inspired the concept of this project, themed around the "sun."

What inspired the design of the project?

Transforming the shape, colour, characteristics, and movement of the sun into a design language, this project incorporates four key solar features: the halo formed by sunlight refraction, the dazzling radiance of solar rays, the changing colour temperature of daylight throughout the day, and the sun’s trajectory over the course of a year. These elements are embodied in the design through the imagery of "halo," "radiance," "spectrum," and "trajectory."

What was the toughest hurdle your team overcame during the project?

During the COVID-19 pandemic, coordinating raw materials and labor faced many challenges. In the early stages of design discussions, importing various materials from overseas became more time-consuming and labor-intensive than before. Additionally, regulations for residential construction became significantly stricter, limiting the number of workers allowed on-site. The extended construction timeline also led to an increase in renovation costs.

What was your team’s highlight of the project?

"Live like a beam of light, for you never know who, by your light, has found their way out of the darkness."

This quote from Rabindranath Tagore's "Impacting Lives with Life" serves as an inspiration—perhaps design, too, can influence lives. Through thoughtful creation, a space can become more than just a structure; it can be a source of light and passion, helping its inhabitants discover warmth and meaning in their lives.

Why did you enter the SBID Awards?

SBID is a highly prestigious recognition, and it holds special significance for us because the homeowner discovered our work through award-winning projects from the SBID Awards. This makes the achievement even more meaningful to us.

What has being an Award Finalist meant to you and your business?

For us, this is a great opportunity for exposure, allowing more clients who value design quality to discover our work and recognise the exceptional creations we can bring to life.

Questions answered by Flora mao, Director at Chains Interior.

This week’s instalment of the Project of the Week series features a contemporary ski house design by 2024 SBID Awards Finalist, McLeod Bovell.

Designed for a family of avid skiers, Crisscross Ski House affords the convenience of ski-in/ski-out access to the nearby mountain while providing a hotel-like experience for the occupants when they are not on the slopes. The architecture and interiors of the house reference its immediate geological context and British Columbia’s regional building traditions. Copper tones in the site’s exposed bedrock is reflected in the material palette of woods and metals. Massive stacked timber elements—reminiscent of the area’s ubiquitous timber trestle bridges and log cabins—delineate interior spaces, imparting the feeling of being in a rural retreat.

What was the client's brief?

The clients—two brothers—are avid skiers who love heli-skiing in particular. They wanted a house that would have the convenience of ski-in/ski-out access while providing a resort-like experience when they are not on the slopes. The architecture and interiors of the house reinterpret the immediate geological context and British Columbia’s regional building traditions. Copper veins in the site’s exposed bedrock are reflected in the interior and exterior material palettes. Massive stacked timber elements—reminiscent of the area’s ubiquitous wood trestle bridges and log cabins—delineate interior spaces and impart the feeling of a rural retreat.

What inspired the design of the project?

Because the house is set along a densely forested mountain ridge overlooking a river valley, the building spreads itself along the north-south contours of the steep site. Upper and main floors “twist” about the centre to form intersecting volumes that are alternately roofs overhangs and floors. These cantilevered roofs create porches at both ends of the house: a covered entry from the helicopter landing / ski-in access terrace at the south, and a sheltered terrace surrounded by trees at the north. Similarly, the main floor rotates relative to the basement below to provide cover at the garage door and entry to the mudroom. Nestled on a hill 23 meters above the bottom of the driveway, we considered the building’s appearance from this unusually low vantage point on vehicular approach. The wood soffits—as they reveal themselves from below—read as the 5th elevation. The formal articulation of twisting floors and roofs in plan generates spaces that are legible from the low viewing angle. This plan rotation helps minimize the building’s massing, varying the perception of vertical surfaces from different perspectives. As a result, the massing of the building appears as a series of single storey volumes whose projections and recesses create visual interest.

What was the toughest hurdle your team overcame during the project?

One of the biggest challenges—which is actually a recurring aspect in much of our prior work—was designing a house on steep terrain while at the same time respecting the site's existing natural topographic and climatic conditions. We tried to position the house so that mature trees were all retained; the existing contours and rock faces were respected to eliminate blasting; and creeks, water outflows, snow accumulation, and snow melt were properly considered.

What was your team’s highlight of the project?

The highlight of this project is its unique program and amazing location. It was a fantastic opportunity for us to design a house "in the round" where all parts of the house can engage with the landscape in such an immediate way. This house is able to have an intimate relationship with the forested mountain on which it perches.

Why did you enter the SBID Awards?

Due to the long timelines between initial design and photographing the built project, we submit conceptual designs into awards to share our work with the others sooner.

What has being an Award Finalist meant to you and your business?

Being an Award Finalist is crucial for our business as it gives potential clients, especially those new to British Columbia, confidence in our ability to undertake holistic residential projects on complex natural sites.

Questions answered by Lisa Bovell and Matt McLeod, Principals at McLeod Bovell.

This week’s instalment of the Project of the Week series features a soft and welcoming family home design by 2024 SBID Awards Finalist, Studio 95 Interiors.

Studio 95 Interiors was commissioned to help a client and his family who had moved into a recently refurbished four bedroom three storey modern home in Chiswick, West London. Although the property was in great condition, the décor felt quite sterile and bland. The focus of the project was therefore to add much needed colour, pattern and texture to create interesting, warm and elegant spaces.

What was the client's brief?

The client and his family had recently moved into this new four bedroom modern home in Chiswick. Although the property was in great condition, the décor felt quite sterile and cold and had a lot of hard surfaces. It needed a considerable injection of colour, softness, pattern and texture. The client brief was as follows:
- To create an elegant, calm space for relaxing and entertaining.
- To use eco-paints where possible.
- To update the lighting throughout and in particular soften the lighting in the kitchen/dining area where there was an excess of ceiling downlights.
- To retain elements such as the kitchen units, timber flooring and bathrooms as they were in great condition and relatively new.
- To create a bespoke joinery unit for the TV in the first floor reception room along with providing new furniture for this room.
- To use existing pieces of furniture and artwork where possible.

What inspired the design of the project?

The overall inspiration for this renovation project was to add a feeling of comfort and warmth. We needed to add colour and softness as well as adding a tactile and luxurious quality to create a warm and welcoming space to live in.

We added calm colours throughout that created interest and softness. In the ground floor dining and living areas we added pattern by way of slatted walls and patterned wallpaper to add texture and visual interest. We also added interest to the guest WC by adding walnut slats to the cistern unit along with rich coloured tiles around the vanity which also went with the existing marble floor. We added new brass tapware, accessories and artwork to give a lux and warm atmosphere.

In the kitchen/diner/living area we changed the ceiling lighting and took out excess downlights which made the space too bright and also had an unpleasant airport runway effect. We set about creating a warmer more inviting space and added three feature pendant lights over the dining table (which were dimmable) to create a focus in that area and make it more intimate and atmospheric. We also added other occasional lighting such as the floor lamp. For sustainability and budget reasons, we retained the existing white kitchen and existing timber flooring but we re-worked the furniture layout and created an inviting seating area in front of the wall mounted tv with upholstered footstool and side table. We added a much-needed large area rug to add softness. To add texture and visual interest we added an oak slat wall behind the TV and put an interesting geometric vinyl wallcovering on one of the walls in the dining area. This room now works as the hub of the home.

For the first floor reception room, we wanted to make it an elegant and luxurious space to work as a second living room/TV room or to entertain guests. It was a completely blank and featureless room. We added bespoke media wall joinery with integrated lighting (on remote control dimmer) at one end of the room. This immediately created an interesting focus and the lower cupboards also provided useful storage to hide all clutter. A bespoke velvet L-shaped sofa was added for lounging and entertaining along with a leather deep buttoned ottoman to put your feet up or to act as a coffee table when used with a tray when entertaining guests. Two swivel armchairs were placed opposite the sofa. This created a cosy seating arrangement – just perfect for chatting or watching TV.

We re-used all of the client’s mahogany furniture and two antique side chairs in the master bedroom and built the scheme around these which created a really rich and pleasing scheme. For added sustainability we used Edward Bulmer paints throughout which are natural and toxin free.

The clients are very happy with their new home. It now feels like a warm hug each time they come back home. It now gives them the warmth, colour and tactile qualities that they had been looking for.

What was the toughest hurdle your team overcame during the project?

There were a number of hurdles in this project, the main one was working within the budget that had been allowed. It was a large home and the client was replacing the heating system at the same time as we were doing the interior refurbishment. So, with clever and imaginative use of existing elements like the existing kitchen units, flooring and some furniture within the home, we were able to make the budget stretch to achieve the thoughtfully curated look throughout, making existing pieces work with the new.

What was your team’s highlight of the project?

The sustainability of this project was our highlight. We retained elements of the home that were in really good condition such as the kitchen units, timber flooring throughout, and bathrooms. We also retained a good deal of the ground floor guest WC such as the beautiful marble floor and sanitary-ware but updated the tapware and accessories and re-clad the existing tiled cistern unit with walnut slat panels. We also predominantly used Edward Bulmer paints for added eco-credentials.

Why did you enter the SBID Awards?

I think it is always a good thing to push yourself and by entering the SBID awards it can propel your work to a larger audience. It is also an honour to have your studio’s work judged by highly respected industry experts and for them to think of it as worthy enough to shortlist is indeed a boost to morale. The awards offer a means of benchmarking and you can clearly measure your studio’s work against your peers. It also offers great marketing opportunities, particularly if you are shortlisted, as we were lucky enough to be.

What has being an Award Finalist meant to you and your business?

Being shortlisted for the SBID award has meant a great deal to me and the business. The SBID 2024 Awards has been the second year running that one of our projects has been shortlisted in a residential category so I guess this is confirmation, if it were needed, that we are doing something right. Not surprisingly, being shortlisted is a great showcase for the studio and it gathers a lot of attention both from fellow peers in the interiors industry and also from prospective clients. It builds better awareness of our brand and confirms to all that our business is trustworthy, reliable and reputable and capable of the highest of professional standards. It has helped to build deeper relationships with clients, investors, suppliers and the media. On a personal note, the awards have helped to shine a light on many aspects of my business - where it started, how it has grown, what has changed, challenges it has overcome, and the little successes along the way. It has definitely been a worthwhile and rewarding process.

Questions answered by Stephanie Gilsenan, Founder of Studio 95 Interiors.

This week’s instalment of the Project of the Week series features a calm and serene apartment design by 2024 SBID Awards Finalist, Beoto Design.

Beoto Design was appointed to design and deliver the interior design of a duplex apartment located within the iconic Battersea Power Station. The brief was to provide a sanctuary for the residents and instil their home with calmness to provide an escape from the bustling urban world outside. Beoto Design’s interior provides luxury without the traditional formalities, whilst encouraging relaxation, and provides flexibility for entertaining, and working without the need for prescribed, sub-divided rooms. Biophilic design and the careful selection of warm, earthy materials and fabrics were key to softening the raw aesthetic, in harmony with the existing historic facade.

What was the client's brief?

With the once brownfield site now a thriving mixed-use urban quarter drawing millions of people from around the world to visit, the client’s brief was to create a sanctuary for the residents and provide an escape from the bustling metropolis outside.

There was a strong desire from the client also to resolve the stark acoustics and humanise the scale of the apartment, to support a feeling of warmth, intimacy and cosiness. Whilst the vast double height space is impressive, since it links the two levels via the mezzanine, it was imperative that noise was dampened throughout to minimise interference.

These requirements and challenges called for an interior that instils the space with calmness; provides luxury without the traditional formalities, whilst encouraging relaxation; and enables flexibility for entertaining and working without the need for prescribed, sub-divided rooms.

The base-build had many inspiring features to draw from, most notably the incredible exposed brickwork and magnificent 21ft tall, industrial window. These were complimented by oak chevron floors, brassware and dark metalwork. However, there were several areas where MEP concealment strongly imposed itself on the space. This was deemed unsightly by the client; but provided an opportunity to incorporate much needed additional storage throughout.

What inspired the design of the project?

Located within the iconic Grade II* Listed Battersea Power Station, the design celebrates the building’s rich history in synergy with a modern, dynamic and adaptable urban lifestyle.

Although the interior design is not a like-for-like replica of 1920’s Art Deco, it does recognise this aspect of the power station’s heritage throughout. For example, the headboard takes inspiration from the scalloped chimneys, divided by four vertical brass trims. The existing balustrade on the upper level provides a datum that wraps around the joinery, subtly tying the space together. The artwork and loose accessories all make a contemporary reference to Art Deco or the building.

Biophilic design and the careful selection of warm, earthy materials and fabrics were key to softening the raw aesthetic, whilst being in harmony with the existing historic facade of the building. Soft furnishings and the introduction of the enormous curtains to the full height of the window achieved significant sound dampening. The curtain stack was carefully considered so that it did not conceal any of the existing façade steelwork or listed brickwork, and appears subtle despite the grand scale.

What was the toughest hurdle your team overcame during the project?

The client and Beoto Design agreed and ensured that no existing features should be removed and put into landfill – which is sadly far too common a practice when base-build residential developments are fitted-out by their end users. Instead, we fully incorporated the entire base build into the new interior design, lifting it to a level of sophistication and luxury far beyond its initial presentation.

Dealing with the existing geometry was complex and required Beoto Design to carefully 3D scan and model in detail the entire unit, creating a one-to-one digital twin of the space. This allowed all of the joinery and furniture to be digitally tested and visualised prior to manufacture, to ensure it fitted both physically and aesthetically, achieving a high level of tolerance in manufacture and fitting, and eliminating any unnecessary returns or wasted materials.

What was your team’s highlight of the project?

We care deeply about the story and identity of a place, its history and heritage. Diving into research and thoroughly understanding the context in which we are working is one of the first tasks we undertake on any project. Being able to work on a unique apartment in such an iconic building was truly a joy. We thoroughly enjoyed looking into the rich history of the Power Station as a whole and learnt many interesting facts that make the development so unique. This in turn fed into our design process for the project.

Within the apartment, there were many historical quirks that delighted the client and made the place feel unique and special to its setting: from the original numerical markings on the brick work, to some of the existing electrical drawings from the 1950s.

When we first saw the completed space, we were struck by the low winter sun dancing around the space, casting a variety of shadows on the various finishes, most notably the scalloped headboard design.

Why did you enter the SBID Awards?

At Beoto Design, we are committed to making conscious design decisions that harmonise both sustainability and quality from the outset. We entered the duplex apartment into the SBID Awards to demonstrate this uncompromised fusion, which utilises an existing base build and elevates it to suit the needs of a client without having to remove anything to landfill.

What has being an Award Finalist meant to you and your business?

Being named a Finalist for the 2024 SBID Awards was a great honour for Beoto Design and felt like recognition and a celebration of our alternative approach to delivering a high-quality project infused with our sustainable ethos.

This recognition would not have been possible without a fantastic project team, with highly skilled craftsmen and women, consultants and suppliers as equally as responsible for its success. The project was a truly collaborative endeavour between the client, designers, suppliers and installers. We love working in this way and were grateful that this approach was also recognised by the judging panel.

The nomination has given us the confidence to continue developing this approach, further scrutinising our material choices and furniture-sourcing to ensure that the design and installation can have minimal impacts on the environment, whilst achieving an elevated level of quality.

Questions answered by Jake Warrington, Founder and Director at Beoto Design.

This week’s instalment of the Project of the Week series features a luxurious and sophisticated apartment design by 2024 SBID Awards Finalist, Isabel Gómez Studio.

Located in the heart of the European district in Brussels, this 200m2 apartment won over the owner with its location and spacious volumes. The redesign of this space was a real challenge as it was thoroughly studied down to the smallest details. Upon entering, we are greeted by an exceptional custom-made metal coating from Italy. Horizontally oriented, it features a bronze colour palette. It's surprising because it conceals numerous storage spaces and provides access to the spa.

What was the client's brief?

The client had just purchased the flat and initially reached out to us for some decorative updates. However, once we presented the hidden potential of the space, they became very excited about the possibilities. We also took the time to question them about how they live and entertain, which allowed us to come up with an unexpected yet stunning proposal they simply could not refuse. This led them to give us complete "carte blanche" to fully transform the flat.

What inspired the design of the project?

The inspiration for the design came from both the architecture of the building and the open layout of the apartment, as well as the clients' personal interests. The clients are passionate about sports and wellness, and they enjoy playing games when hosting friends. We also paid special attention to the 180-degree terrace, which became a significant feature of the project. To create a luxurious and sophisticated atmosphere, we chose Natural Stone Patagonia Quartzite and Bronze metallic finishes, which brought a timeless elegance and warmth to the space.

What was the toughest hurdle your team overcame during the project?

This project was not only very demanding design-wise, but it also involved a high level of technical complexity. The integration of a new air conditioning system, the automation of all electrical fittings, new heating, and the spa required careful coordination. Assembling such a large team of specialists and ensuring they worked together seamlessly was also quite challenging. The project required countless on-site visits. However, the most important aspect for me was ensuring that the final result would meet our client's expectations, which kept the team and I fully focused throughout the process.

What was your team’s highlight of the project?

The highlight of the project was the level of bespoke design involved. So many elements were custom created specifically for this space, including the stairs, all the carpentry, the doors, the wallpapers, the carpets, and even the switches, which were designed using the typography the client told us was her favourite. It was incredibly rewarding to see all these pieces come to life and to witness how satisfied our clients were with the final result.

Why did you enter the SBID Awards?

We entered the SBID Awards because it provides an excellent platform to showcase our work to a broader audience, particularly within the interior design community. We are passionate about our projects, and being part of such a prestigious award recognises the level of craftsmanship and thoughtful design that goes into each of our projects.

What has being an Award Finalist meant to you and your business?

Being selected as an Award Finalist has been a tremendous honour for both myself and my team. It strengthens our commitment to excellence and affirms the dedication and creativity we pour into every project. We shared the exciting news with our audience, especially our clients, who were thrilled by the recognition.

Questions answered by Isabel Gómez Tinoco, Founder and Creative Director at Isabel Gómez Studio.

This week’s instalment of the Project of the Week series features a warm and colourful family home design by 2024 SBID Awards Finalist, Louise Misell Interiors.

Louise Misell Interiors was asked to prepare this unusual family home for the family to relocate to, with the clients wanting to add warmth, a cohesive colour palette, and bespoke and unique touches throughout. The team reconfigured layouts to make sense of the home, and decorated, added bespoke carpentry, window dressings, furniture and lighting, and a one of a kind chandelier which was designed in house. The studio also completely renovated the main bedroom ensuite and converted a garage into a home gym.

What was the client's brief?

The client's brief was to add warmth and interest to the home, with touches of the unexpected and pieces which would make the home unique. They were seeking a cohesive colour palette, with a range of wood finishes to be used throughout the home and have a particular fondness for living edge wood. Our studio touched every area of the home, including a complete renovation of the main bedroom's ensuite, creating a playroom, and turning a garage into a home gym. We also designed many bespoke and unique pieces of carpentry, and a showstopping one of a kind chandelier for the double height hallway space.

What inspired the design of the project?

The design of the home was led by the client's taste for something a little quirky and unique, and inspired by the shapes and forms already present in the home. The previous owners ran a carpentry business and had used wood in interesting applications, which our clients loved and wanted to expand upon. Our approach was to use what was already present as inspiration and add some rich colour to the existing natural wood palette, and to streamline some of the shapes used to avoid the home becoming visually too busy. The pieces we added were functional and safe for a young family to use, but we wanted each piece to add its own style whilst blending beautifully into the home. Our clients loved blues and greens so we used varying warm tones of those two colours throughout the home but felt that the central hallway and mezzanine space should be decorated in shades of terracotta, to add contrast and to welcome the family warmly into their home.

What was the toughest hurdle your team overcame during the project?

Our clients were relocating from California and were bringing nothing with them, so we needed to decorate, furnish and add window dressings and lighting before they arrived. This was just after lockdown restrictions had been lifted, so it was a challenge to make sure that all pieces arrived and were in place within a tight timeline of four months. This was when furniture lead times had risen dramatically and could be over a yearlong - there were a lot of phone calls to our suppliers! Once the family had moved in, we continued to work on the home, so the challenges didn't end there. After we converted the garage into a luxury home gym, we discovered a leak coming from the existing ensuite above, which threatened to damage the whole space below. Luckily, we managed to act fast and avoid disaster, but it did mean the decision to renovate the ensuite was brought forward, and we completed that part of this project early last year.

What was your team’s highlight of the project?

The highlight of the project for us was the installation of the bespoke chandelier. This was designed in house, and we asked Mullan Lighting to make it for us. They are located in Ireland and have never seen the house, so we had to make sure the measurements were correct! It was shipped in smaller pieces, but when assembled weighed over 50 kg, so we engaged a structural engineer to make sure its weight could be supported. We had to install it in stages as the ceiling height required scaffolding to reach, but as the chandelier was being installed, we removed levels of scaffolding to make way for the chandelier itself. The whole thing took some planning, but the piece is stunning, and we are very proud of everyone who helped to make it happen.

Why did you enter the SBID Awards?

The SBID awards are known for having entries of a very high standard and are very well respected in our industry, and their commitment to promoting the work of talented interior designers globally is admirable. We felt it would be an honour to enter the awards and were absolutely delighted to become finalists and to see our project alongside some very impressive work.

What has being an Award Finalist meant to you and your business?

Becoming an SBID award finalist has meant so much to our studio - to be recognised by an industry body with a reputation for excellence has boosted our visibility and reassured potential clients that they will be working with a studio of a certain calibre.

Questions answered by Louise Misell, Owner of Louise Misell Interiors.

This week’s instalment of the Project of the Week series features an earthy and timeless villa design by 2024 SBID Awards Finalist, Diachok Architects.

Vacay Villa for a large family is a project by the Diachok Architects team. The ground floor is given over to common areas that flow smoothly into each other, merging with the courtyard. There are cosy "pockets" for each functional area. Natural stones were used to decorate the space, and the smooth shapes of the columns, decorated with liquid metal, give them monolithicity and elegance. Earthy shades and natural ornaments in the textures of fabrics create a luxurious and harmonious style. Bronzed glass hides the technological elements of the space while maintaining the elegance of the design.

What was the client's brief?

The primary objective of the 9000 sq.ft house project was to design the ground floor in the format of an open space comprising common areas. All units had to be accessible from the courtyard with a view to the north. The street side would provide privacy and protection from the direct sun. The house should contain numerous common areas to accommodate various scenarios and groups of people with varying interests. The design must be functional, with space for every member of the family and their guests to find their own area and something to occupy themselves with. At the same time, all zones should remain one space, without the formation of additional closed rooms. The house should be designed to be filled with technological functions, but this should not be conspicuous. Above all, the goal was harmony - between materials, light, and form - to craft an atmosphere that feels timeless, intimate, and effortlessly refined.

What inspired the design of the project?

The design draws inspiration from the serenity of nature and the refined aesthetics of modern minimalism. Earthy tones, organic textures, and sculptural forms reflect a harmonious balance between raw elegance and contemporary sophistication. The bespoke wine display and circular dining arrangement take cues from intimate gatherings, reinforcing the idea of connection and timeless luxury.

What was the toughest hurdle your team overcame during the project?

One of the biggest challenges was achieving the perfect balance between minimalism and warmth. The client desired a space that felt refined yet inviting, and ensuring that the neutral palette didn’t become too stark was a key focus. We meticulously layered textures- soft suede, natural stone, and brushed metals - to create depth without overwhelming the simplicity of the design. Another hurdle was integrating the bespoke wine display seamlessly into the space without making it feel too dominant. Precision lighting and custom millwork helped us turn it into an elegant feature rather than just a functional element.

What was your team’s highlight of the project?

The true highlight of this project was witnessing the seamless fusion of form and function come to life. Seeing the sculptural dining space take shape - where every element, from the custom stone table to the floating pendant light, felt perfectly in sync - was incredibly rewarding. The bespoke wine display became more than just a storage feature; it transformed into an artful focal point, subtly illuminated to enhance its presence without overpowering the room.

Why did you enter the SBID Awards?

We entered the SBID Awards because we believe this project embodies the essence of thoughtful, refined interior design. The awards celebrate innovation, craftsmanship, and excellence in design, all of which were at the core of this project. Beyond the design itself, this project represents our commitment to creating interiors that evoke emotion and enhance daily living. Being recognised on such a prestigious platform would be an incredible honour, allowing us to share our vision with a global audience of design enthusiasts and industry leaders.

What has being an Award Finalist meant to you and your business?

Being an SBID Award Finalist is a tremendous honour and a testament to our team’s dedication to pushing the boundaries of design. It validates our commitment to crafting spaces that are not just visually striking but also deeply functional and emotionally resonant. This recognition has strengthened our presence within the global design community, opening new doors for collaborations and inspiring us to continue innovating. Most importantly, it’s a celebration of the passion, creativity, and meticulous craftsmanship that went into this project. It fuels our drive to keep delivering exceptional, timeless interiors that elevate the way people experience their spaces.

Questions answered by Vlad & Karina Diachok, Founders of Diachok Architects.

This week’s instalment of the Project of the Week series features a bold and modern home design by 2024 SBID Awards Finalist, Renata Drumond Interior Design.

Renata Drumond Interior Design was entrusted with "Project Open Skies", a venture that navigates the duality of a modern architectural masterpiece set within the idyllic Cambridgeshire countryside. Designed for cosmopolitan clients, this project harmonises bold colours and audacious design with the tranquility of its rural setting. Emphasising cutting-edge technology and a vibrant aesthetic, "Project Open Skies" encapsulates the essence of modern luxury against a serene backdrop, embodying the clients' dynamic lifestyle and preference for innovative, standout interiors. This residence is a testament to the successful integration of contemporary living within the timeless beauty of the countryside.

What was the client's brief?

The clients wanted a home that reflected their bold, cosmopolitan lifestyle—something visually striking with bold shapes and vibrant colours. They valued cutting-edge technology and open, flexible spaces where comfort and creativity could coexist seamlessly.

What inspired the design of the project?

The clients themselves were our key inspiration. Their love for modernity, unique design choices, and desire for connection to the surrounding environment guided the design. Large windows, bold materials, and custom details reflected this blend of innovation and personal taste.

What was the toughest hurdle your team overcame during the project?

Integrating advanced technology while maintaining warmth and comfort was a challenge. We also worked closely with artisans to ensure custom elements, like bespoke resin panels and plaster finishes, were executed exactly as envisioned.

What was your team’s highlight of the project?

Seeing the clients feel “at home” was the most rewarding part. The glass-domed entrance, which floods the interiors with natural light, stood out as a key highlight, along with custom details that made the design uniquely theirs.

Why did you enter the SBID Awards?

The SBID Awards showcase projects that tell meaningful design stories. Project Open Skies is deeply personal, and we felt it deserved to be shared with a wider audience for its thoughtful balance of bold design and practical living.

What has being an Award Finalist meant to you and your business?

It’s been an incredible milestone, providing industry recognition and opening new opportunities. Most importantly, it reaffirmed the importance of designing homes that reflect the clients’ individual needs and personalities.

Questions answered by Renata Drumond, Founder and Lead Designer at Renata Drumond Interior Design.