A new resource book celebrating design and best practice has been published by the Guild of Architectural Ironmongers (GAI) for anyone involved in specifying or designing with architectural ironmongery and hardware.
The book, available as a free download at www.gai.org.uk/specifier, showcases award-winning architectural ironmongery projects and products from this year’s GAI/RIBA AI Specification Awards. As an SBID Accredited CPD learning opportunity, it also provides a source of information and reference for specifiers and designers, with articles, best practice advice, and latest updates on competence, standards, and legislation.
Among the feature articles, RIBA past President Alan Jones discusses meeting the challenges of fire performance, life safety, acoustic separation, security and user requirements in today’s ‘more for less’ construction culture.
The guide discusses the value of working with a Registered Architectural Ironmonger (RegAI) to achieve world-class project delivery, compliance, and outcomes. And there is information to help specifiers find fully qualified architectural ironmongery professionals, including a full RegAI and GAI member directory.
GAI Technical Manager Douglas Masterson said: “The GAI Specifier’s Resource Book is not just a celebration of design excellence and best practice, but a guide to some of the key issues impacting on today’s AI and wider construction sectors.
“The aim has been to produce and distribute a resource which helps architects, architectural technicians and technologists, interior designers, M&E consultants and others involved in the design and specification processes to better understand some of these issues, and underlines the importance and value of engaging with high-quality AI professionals and companies from the very earliest stages of their projects.”
The new GAI Specifier’s Resource Book 2022 is available as a free download at the link below, and also available is a series of free GAI technical specifier guides focusing on the legislation, standards and best practice involved in key areas of AI specification, from fire safety, fire and escape doors to accessibility, security and access control.
About GAI
Working as a not-for-profit professional association, the GAI supports, assures and represents architectural ironmongers, wholesalers, and manufacturers around the world. They promote the highest standards of education, technical excellence and professionalism in the sector, and promote these standards to the wider construction industry and its clients.
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AkzoNobel is one of the biggest Decorative Coating companies in the world, with a rich history. Our brand, Dulux, began its origins way back in 1919. At the end of the First World War a long-established firm of varnish makers called Naylor Brothers extended its activities into paint production and moved out of central London to set up a factory in Slough on a 30 acre site.
Jumping forward to 1931 the first ‘Dulux’ alkyd-based synthetic finish was produced, based on a new formulation and the brand name ‘Dulux’ was established (a combination of ‘Durable’ and ‘Luxury’).
In 2021, we proudly celebrated our 90th birthday!
Drawing on 90yrs of experience, we help provide the tools Interior Designers require to support them in completing their projects. Distilling how colours and other materials work together, we understand that colour, in isolation, is only one part of the story. We work with the Interior Designer to carefully curate a palette of colours which tells a story, creates a desired outcome, and unlocks the potential of their project.
Our Commercial Colour Consultants are experienced in working with Contractors, Specifiers and end users. Using insights gained from these relationships, and a wealth or colour experience, our Commercial Colour Consultants can support Interior designers with their projects, across a range of sectors and working environments.
Paint has the power to pull the final design together, marrying up all elements of a space or aid as a backdrop for other elements to take centre stage. We can help you to win client confidence and underline your professionalism with brave design transformations and achieve comfortable yet functional spaces that surpass expectations.
Working with our Commercial Colour Services team ensures that your final design serves not only to provide a beautiful place to live or work but can promote better outcomes for the people using the space, as well as helping you to deliver on the organisation’s wellbeing and sustainability goals too.
There is a vast array of building specification requirements to also be aware of and each space presents its own challenges and requirements in terms of design. Our team of expert colour consultants are on hand to support Interior Designers to meet those challenges. We support Interior Designers to deliver colour designs that optimise commercial spaces efficiently and support the occupants’ needs. We guide you through our colours & colour coding system to ensure best choice of paint colour to work with your design.
Clients are looking for more and more ways to improve people’s lives. Delivering better living and working outcomes is now an everyday expectation for building owners. The effective use of colour in a building can markedly improve how occupants feel in that building. Whether the goal is to improve wayfinding in hospitals, support the visually impaired in a care home, or create a calming space conductive to learning in schools, great colour schemes can help enhance building design.
Questions answered by Martha Dunican, Commercial Colour Services Operations Manager, Dulux.
About Dulux Trade, AkzoNobel
Dulux is the UK’s leading paint brand, with a wealth of products and services designed to help you find the colours that will suit your project, and give you the expert knowledge you’ll need to achieve great results.
In an increasingly competitive post-COVID, more financially cautious Interior Design market, it is important more than ever to have a USP that sets your business out from the crowd, and creates more opportunities to gain contracts based on something offered that is greater than a simulacrum of the previous project. The increasing reliance on fully bespoke work or ranges designed either for commercial roll-out or for a specific project is becoming well-trodden. Clients are increasingly knowledgeable but also demanding in terms of the quality-to-cost ratio, which as we all know can really start to eat into margins. While manufacturing in the far East or more obscure parts of Europe can certainly help to protect the profits, there is also another way, certainly not as frequently used as it might be.
Eco-friendly, Green, Renewable, Socially conscious – these are all phrases that more and more come into the planning of a build or a fit-out, and the environmentally astute designer will understand that many clients will be now building this into their considerations (though by no means all of them - to whom these concepts would be entirely alien..). One of the easiest and quickest fixes to this is to use antique, classic design, vintage and “retro” furnishings, underlining your green credentials but also opening up a world of other opportunities and ultimately, greater profitability. After all, no new materials are being used or manufactured, and items that already exist are being re-employed, repurposed and in many examples, aesthetically reconsidered and reaccommodated.
While the phraseology and terminology surrounding this concept can often sound trite and a marketing nightmare (“upcycled”, “preloved”, “retrostyle”) it is just the other side of a coin that has on the obverse “fine art”, “design” and “antique”. With over 30 years dealing in both new and old furniture and art, I would postulate that in general the quality of manufacture in particular of older furniture and design objects is considerably higher than that of today. As an additional bonus, many things were made in small or even unique numbers – equivalent to the dream phrase “Limited Edition” that is a gilt-edged chance to increase sales.
The very best classic design and antique pieces carry unique possibilities to the curious and canny Interior Designer – the layer of intangible “softness” that comes from years of patina on wood or glass for example, is almost impossible to reproduce with newer items. Who can resist a pier mirror of old mercury glass compared to a harsh modern example – it’s even more flattering in soft lighting. Finding and placing quirky, unusual or unique items opens up a world of choices, as well as adding a story to each individual item, at the higher end of the market, even remarkable provenance on occasion. These are the kind of objects that invite conversation, not just act as a backdrop or support.
With the rise of identikit interiors with a restricted palette and furniture and accessories that seem to disappear into the background, the bold and individualistic client will revel in this concept of “uniqueness” and this is most certainly a selling point for certain types of customer. The well-curated interior will speak of the owner’s intelligence, taste (if such a thing exists) and idiosyncratic approach. More often than not though, they will need some assistance with this, or certainly a collegiate approach.
Best of all for the canny client though, is the huge investment potential for their interior choices to become a sure-fire investment. The area of Fine Art is well covered and well-evidenced, but increasingly, Design and Decorative Arts are becoming (or already are!) a rich seam of capital gain. A case in point for example is the famous Jean Prouvé Chaise “Tout Bois”- a set of four in 2019 sold at Christie’s for 23,750 Euro, but in 2021 a similar set sold for 50,000 Euro – doubling the value in only two years. The joy of investments like this is that the individual items carry great value but lend themselves collectively to creating stunning and meaningful interiors.
Many Designers are cautious about introducing these elements into their schemes as they often lack the knowledge or confidence to utilise items from eras unfamiliar to them or are unsure of the market. I don’t believe that they are not employed simply because they are inappropriate. The subject is large and potentially complex, and it is absolutely possible to make errors. However, perhaps the biggest problem of all is knowing where to find these items and at the right price for the business and the client.
I would argue that there is actually huge potential to make greater margins or certainly to protect margins, by introducing a higher percentage of such items into a project, whether it is residential or hospitality. The integration of reclaimed or salvaged architectural elements is seen frequently in hospitality, and many of the very best projects in Europe and the USA at the highest level of residential are populated with exceptional examples of classic design – it must be impossible to move in California now without bumping into a Corbusier Chandigargh chair (original of course!!).
It is possible to create large margins with informed and intelligent purchasing, while also offering the client the possibility of a return on investment, something that is impossible with a bespoke site-specific sofa for example. Older pieces can even be bespoked of course, through reupholstery, readjustment and gentle intervention. Clients will be aware of the market prices of brand new standard items but won’t necessarily know the price of classic design, and in certain instances may be pleasantly surprised. There are rich pickings in the market still for undiscovered gems and unappreciated designers to become household names. The value for instance of Eames, Wegner, Juul has all absolutely rocketed as they take their place in the Pantheon (or “Premier League”) of design stars, but there are plenty who are brilliant but considered “1st Division” It's important to find new avenues for increasing profitability and a few well-sourced items will add character and interest to a project as well as increasing value to both the client and the business.
All images courtesy of Modernforms.
About Theo Mance Consultancy
Theo Mance was the antique buyer for Liberty and has 30 years of furniture experience in the UK industry with Interior Designers, Architects and Developers. Freelance with Roberto Cavalli Home Interiors in the UK, his consultancy offers investment advice & sourcing of antiques and Classic Design to Interior Designers.
Italian design is matchless, its inventiveness legendary. Signature and Tosca are the latest additions to premium bathroom retailer, C.P. Hart’s portfolio of exclusive furniture.
Sourced from inspirational makers in Tuscany, Italy and renowned for its high-quality and chic designs, Signature and Tosca are created for bathrooms of all sizes.
Carefully selected by C.P. Hart, Signature is a highly versatile range, making it the perfect storage solution for both large and small bathrooms. The collection of clean-lined and contemporary wall-hung vanity units and wall cabinets come in various shapes, allowing you to configure your bathroom furniture to optimise space.
The Signature range is crafted with exceptional attention to detail. Vanity drawers are internally painted in Anthracite Gray and come equipped with soft-close and push-pull mechanisms, accessible through recessed handles that are subtle yet practical, offering a comfortable and secure grip.
Cabinet tops and finishes are available in natural and timeless shades, including glossy and matt lacquers and wood finishes. A range of stunning marble stoneware tops with integrated basins or countertop ceramic basins are also included in the collection.
The Signature range offers a selection of sleek LED mirrors and towel holders to complement the furniture, all available to purchase from C.P. Hart.
The Tosca range, designed by Italian architectural designer Enzo Berti and hand-picked by C.P. Hart, breathes its classical heritage in a thoroughly contemporary way. The collection showcases a statement display of modular wall-hung and floor-standing vanity units, cabinets, and benches, available in various sizes allowing you to configure your optimal bathroom set-up.
The units feature simple, elegant lines enhanced by an Anthracite Grey frame and spacious, soft-close drawers. The front panels and tops can be crafted from wood or stone for a natural textured effect, or they can be lacquered or made of glass for a sophisticated feel. Please speak to a C.P. Hart sales consultant to discover the breadth of finishes available.
The Tosca range comes with washbasin options for maximum customisation, including blown glass countertop designs, integrated basins, undermounted or countertop solutions, and freestanding designs for an eye-catching and highly individual result.
“The use of age-old Tuscan materials, such as traditional terracotta, blown glass, and marble, introduces a timeless appeal to these collections, while the natural colour palette adds softness to minimalist design.” Yousef Mansuri, C.P. Hart director of design.
Signature and Tosca are currently displayed in C.P. Hart’s flagship Waterloo showroom.
Visit A C.P. Hart Showroom here.
About C.P. Hart
Leading bathroom retailer C.P. Hart has an outstanding reputation for the best in design and innovation, with products sourced from designers and manufacturers worldwide, many exclusive to C.P. Hart and unable to be purchased elsewhere. C.P. Hart has 16 showrooms across the UK, including its impressive flagship at London's Waterloo.
Some spaces lend themselves particularly well to a generous injection of moody hues and this kitchen in Hackney, London, is one of them. Wall-to-wall bi-fold doors drench the space in natural light, allowing designer Charlie Smallbone of Ledbury Studio to dabble in a decadent mix of dark materials and bring a sense of drama to the bright space.
Typically for Ledbury Studio, metal punctuates the design, most notably on the front of the tall fridge-freezer, which is clad in aged verdigris copper panels. Subtler touches range from a strip of aged brass that runs along the top of the stained oak cupboard doors on the base run to a brass undermounted sink and aged brass handles on the island cupboards. Bringing the metallic elements together is a Stone Italiana Ambra worktop that combines the beauty of natural stone with the performance of hard-wearing quartz.
Continuity is essential when a kitchen is part of an open-plan space, and to strengthen this kitchen’s connection with the adjacent dining area, Charlie’s distinctive Choppy Water design is hand-carved onto the end panel of the island and on the cupboard in the dining area. As a side note, the cupboard comes complete with a built-in wine cooler, wine rack and a fluted-glass cupboard for glassware, making it a super-handy addition.
Storage is a crucial aspect of all Ledbury Studio kitchens. In this one, a large larder cupboard fitted with doors, racks, shelves and drawers offers a wealth of space for everyday cooking essentials. Open shelves above the sink serve a more decorative purpose, letting the homeowner showcase some of her favourite accessories to personalise the space.
Ledbury Studio kitchens start from £50,000.
About Ledbury Studio
Ledbury Studio is a new and exciting design studio, showcasing Charlie Smallbone’s latest kitchen designs. Small and personal, Ledbury Studio has been established to explore and develop the interface between kitchens to cook and work in, and kitchens to live in. The company offers something very different in the world of kitchen design, something not found elsewhere. Combining exquisite materials and artisan craftsmanship, the new kitchen collections are striking and innovative and the culmination of Charlie Smallbone’s history at the forefront of cutting edge kitchen design.
Lorenzo Tondelli Collection have brought on stage six ambiences, retracing the history of the brand and integrating the first bestsellers mixed with the latest Hyperborea series.
The tour begins with Umami: the 100% customisable kitchen produced by Lorenzo Tondelli in every detail, from the cabinets to the handles and hinges, from the drawers storing cutlery and plates to the wine cellar for preserving refined wines. The leathers are stain and water-repellent and every aspect from aesthetics to the layout can be customised step by step with the customer.
We then proceed to the TV area. The screen is installed on the Argema console. Guests can sit comfortably on the curved Hula Hoop sofa upholstered in silk velvet, on the iconic Dune or on the Ulla rotating armchair.
The display continues with the living room dedicated to Kela: a family of bestselling seats consisting of sofa, chaise longue and armchair.
The scene is illuminated by the Carapace lamp, featuring a cast bronze reproduction of a tortoise shell. Next to the sofa the Ebe glass lamp stands with its sculptural dome.
The reading area is characterised by red silk boiserie and hosts a setting of pieces from the Hyperborea series including the Levare coffee table, the linear Hula Hoop sofa accompanied by its pouf, the Aura lamp that reproduces a chiaroscuro effect on the walls reminiscent of the aurora borealis. The specular bookcases, Alda, hold precious volumes.
In the study-office area we find the Pico desk, upholstered entirely in leather with legs in bronze in silver finishing. The top is equipped with a convenient socket compartment. A leather-upholstered drawer completes the desk. The chairs in the setting are Maua upholstered in orange leather in the version with and without armrests.
The conversation area is centred on the Nirmal sofa, here arranged in a corner version and equipped with a chaise longue and customised engraved bronze armrest. Nirmal is a modular sofa: the customer can compose the desired arrangement to suit the space.
"On the occasion of Design Week - explains brand CEO Lorenzo Tondelli - our aim was to allow visitors to immerse themselves and walk through the history of our Collection.
The idea was to show how our bestsellers created in the early years of the Collection and the ultimate Hyperborea series have a timeless taste and can be combined together in a fluid and elegant way.
One of our strengths is the work that has been done over the years to give aesthetic continuity to the products, eschewing passing fashions, and designing furniture that lasts in terms of quality and taste.”
About Lorenzo Tondelli
Since the early fifties, Lorenzo Tondelli have been makers at work. They adorn places where meeting, talking, learning, playing, working, and relaxing feels just sublime. At Lorenzo Tondelli they love to gather their fabrics, fantasy, and experience, and then let the inspiration lead them somewhere new. Every element they design has a unique storyline, combining culture, art, and tradition to create comfortable yet inspiring spaces.
Arteriors core collection of luxury furniture, lighting, wall décor and accessories incorporates products from a number of design aesthetics. A key trend that remains popular with interior designer customers for trade and residential projects alike is a tendency towards pieces that will help create and complement a monochrome scheme.
A timeless palette, monochrome décor palettes can highlight the art of duality, with each product created as a statement piece in its own right but with elements that allow it to co-exist and complement additional items within a room. This is a collection of items that are intended to work alongside one another and unify the space.
Bright white and pale cream tones pair with varying tones of greys and black as the core colour theme, where texture and tactility take centre stage - drawing the focus away from colour towards the materials used to create depth and interest in the room’s design. Tactile materials such as soft plush boucle, and luxurious velvets work particularly well to soften a monochrome space.
Visual interest can be added through the use of graphic, geometric lines whether seen in the design of Arteriors’ products or in additions such as wallpaper and rugs. By combining strong accents with soft, textured fabrics, marble detailing and rounded edges, a scheme can transform from feeling cold and stark to warm and inviting.
This collection from Arteriors creates a sense of understated glamour, with all focus placed on the expertise of design. The variety of items seamlessly blend in with one another and transcend seasonal trends layering perfectly into multiple settings and styles.
Arteriors’ exclusive collection is available to view online or at the UK showroom at the Design Centre Chelsea Harbour.
About Arteriors
For over 30 years, Arteriors delivers impeccable style and artisanal quality craftsmanship within the lighting, furniture, wall décor and home accessory categories to discerning customers worldwide. This three-decade journey in pursuit of extraordinary product – from the understated to the unexpected – had been and remain at the core of what Arteriors do each day. Arteriors’ business has matured and expanded into a timeless lifestyle brand that has become premier resource for interior designers and retailers worldwide.
Today, Arteriors continues to reinterpret materials, forming objects of perfect proportions and scale, resulting in bold interiors that bring ease to everyday luxury.
The UK’s market leader in luxury vinyl flooring Karndean Designflooring is on a mission to change the way people think about flooring with its new Clerkenwell showroom.
Situated at 20 Clerkenwell Green, in the heart of London’s vibrant design district, the new studio is designed to inspire the design community and highlight the endless possibilities of flooring design. The showroom features a beautiful selection of bespoke floors that demonstrate how Karndean flooring can meet both aesthetic requirements and demanding technical specifications, whilst also protecting a listed period building.
Inspired by a concept of ‘random chaos’ to instill a sense of happiness and optimism, the showroom features abstract designs that highlight the outstanding versatility of luxury vinyl flooring. Architects and designers will be able to discover imaginative floors that push the boundaries of style whilst effectively protecting and enhancing the building’s original features.
Fleur Carson, commercial sales director at Karndean Designflooring, said: “As a brand we have been expanding steadily and continue to make our mark on the commercial interiors industry, so this investment is the obvious next step for us. Having a permanent showroom in Clerkenwell will make us more accessible to those working at the cutting edge of design and will enable us to show how an extremely modern floor can fit into a historic setting.
“We have designed the showroom to exemplify both the potential of our products and how expressive design can be used to influence mood. Using both off the shelf examples and a bespoke design, we offer a selection of original floor designs that will raise a smile, support wellbeing and connect us to the natural world.”
To support its ongoing mission to create inspiring places to work, meet or play, the showroom presents creative floor designs that respect the building’s legacy whilst securing the original floor underneath. On the ground level, visitors can experience how a complementary combination of designs from our Heritage Collection and bespoke cuts can be used to demarcate activity zones and guide users through the space. By using a rigid core format in the basement, the design ensures that the existing floor is completely protected.
On the first floor, a floating sub-floor safeguards the floorboards so that a unique abstract design can be laid, illustrating the full potential of Karndean flooring. Here, designers can learn how design components and bespoke elements in interesting patterns and colour combinations can be used to create truly innovative designs that reflect individuality and enrich the user experience.
The new showroom will be open by appointment. Visitors will be able to explore the flexibility of Karndean flooring, meet with dedicated commercial specification managers and attend events and continuing professional development seminars (CPDs).
To find out more visit karndean.com/clerkenwellshowroom.
About Karndean Designflooring
Our design process begins with a meeting…with nature. We see flooring differently. Pushing the boundaries has to be an adventure of discovery. It’s why we travel the world for inspiration. From the ancient European woodlands to the Australian outback, we pack our bags and go there. Every time, we connect with something extraordinary that shapes our every step. It’s how we bring the unimaginable, inspired from the outdoors, indoors.
When it comes to choosing a durable, hardwearing, easy-clean, low-maintenance flooring solution for a large family home, Dekton® is the ideal solution. For Michael Stephenson and the team at HG Design Solutions, who were tasked with designing the interior of this large Northumberland family home, Dekton® Soke 8mm x 1420mm x 1420mm floor tiles were the perfect choice for the entire downstairs layout, including the open-plan kitchen-living area, dining room, utility and grand entrance hall.
Created in collaboration with Shaun Ramsey Construction, the project involved applying Dekton® Soke flooring throughout the downstairs of the property and out into the garden area, creating a seamless finish and flow throughout the entire house and garden. Part of the Dekton® Industrial Collection, the Soke tiles are inspired by classic cement floors with realistic veining and a statement grey finish that beautifully complements the traditional style of this home’s interior décor.
Highly resistant to UV rays, scratches, stains and thermal shock, Dekton® is the ideal choice for homeowners looking for a durable, hardwearing solution for floors, worksurfaces and wall cladding both indoors and out. What's more, carbon neutrality has been achieved for the entire life cycle of Dekton, so homeowners can rest assured that their surface of choice is sustainable and helps build a better future.
Dekton® was also selected for the kitchen worksurfaces as well as for the table in the dining area that flows effortlessly from the open-plan kitchen-living space. Dekton® in Olimpo was specified from PWS Worksurfaces and as part of the Stonika Xgloss Collection, it offers a luxurious Carrara marble look and feel with grey veining on top of a cool white background.
Michael Stephenson, Director and Founder of HG Design Solutions, explains the process behind the design, “We introduced the client to Dekton and it was after he and his wife came to the Darlington centre to view the materials that they agreed on Soke for the flooring and Olimpo for the worksurfaces and table top, as these were the perfect choice in terms of durability and style.”
The marble look of the Dekton® worksurfaces create wonderful contrast against the burnt orange banquette seating and wall colour within the dining area, which provide a pop of colour and add further personality to the design. It also looks stunning in the utility room with its rich, dark navy painted timber cabinetry and white wall units for a nautical look.
Dekton® by Cosentino is available in a range of designs, from industrial inspired to marble look.
About Cosentino
Cosentino Group is a global, Spanish, family-owned company that produces and distributes high value innovative surfaces for the world of design and architecture. It works together with its clients and partners to provide with solutions that offer design and value, and inspire the life of many people. Dekton is Cosentino's innovative, ultra-compact and high-performance surface that offers endless design possibilities for outdoor and indoor spaces.
Hospitality design plays a fundamental role in enhancing the guest experience – it is also vital in conveying the character and identity of the hotel brand.
As one of the largest interior surface areas, wallcoverings play an essential role in creating the desired ambience; from the lobby areas, restaurants, bars, spas, conference facilities, guestrooms, and even the in-between spaces such as corridors.
All of Newmor products are designed, manufactured and stocked in the UK. From subtle silk effects and tactile raw embosses, to bold metallic geometric patterns and large-scale bespoke designs, the wide-width fabric-backed vinyl wallcoverings are durable, economical to install, and easily cleaned and maintained to keep surfaces looking pristine for up to 15 years.
ibis Styles Bournemouth is a hotel space they worked on to help create a powerful hospitality design for younger demographic, curating it’s own individual atmosphere.
The newly-refurbished ibis Styles Bournemouth is conveniently set in the heart of Bournemouth, this design-led hotel is close to both the train station and lively Bournemouth Pier. The ibis Styles Bournemouth takes inspiration from the local beach environment, so guests can enjoy the sunny Great British Seaside vibes.
All 109 bedrooms, as well as two function rooms, restaurant, bar and leisure and spa facilities, have been completely refurbished.
Using the tagline ’unique hotels, creative by design’, each hotel has its own unique design, theme and personality. Janine Powell, Nq2’s Design Director, said the new ibis Styles would appeal to a younger demographic, reflected in the design. The hotel also features a kids’ zone and an ice cream station.
Wallcoverings from the standard and Newmor Custom collections were selected to sit alongside bespoke terrazzo wallcoverings designed by our in-house studio especially for the project.
Accor commented that Ibis Styles Bournemouth’s contemporary design concept will draw on “the bold and playful pastel colours of ice cream, which Bournemouth is well known for”.
Get the look with Newmor Custom Terrazzo wallpaper (above), order samples here.
Take a look at their bespoke wallcoverings here, or contact Newmor Wallcoverings on [email protected] or 01938 551 990 to discuss your project.
About Newmor
Newmor specialise in commercial quality wide-width fabric-backed vinyl wallcoverings, which are manufactured in their own facility in Wales. Their products can be found all over the world in hotels, bars and restaurants, healthcare, education, cruise, and leisure installations. Newmor work in collaboration with a vast array of artists and designers to promote British design to an international audience. This includes painter and fashion designer, Iona Crawford; interior design duo 2LG; weaver Ptolemy Mann; artists Stephen Walter and Lois O’Hara; and design duo The Patternistas.
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