Expanding on the brand’s new contemporary handwriting, sofa.com has launched three new statement seating designs as part of their latest collection. Each piece is handmade-to-order in just 4-6 weeks and can be upholstered in over 75 different fabrics to perfectly suit any residential or commercial project.
The range puts a spotlight on minimalist modern shapes and sleek lines ideal for contemporary interiors design projects.
Oswald and Chester join the range as the two hero designs for the season boasting clean lines and Scandi-inspired shapes, combining elements of contemporary style with the same trusted comfort the brand is so celebrated for. Curvilinear detailing and sleek tapered legs lend a feminine, avant-garde allure to Edie creating an elegant, fashion-forward shape.
With Chester available as armchair or various sized sofa, Oswald as the all-encompassing corner option, and Edie as the cocktail chair of choice, the brand is introducing modern marvels for varying lifestyles and for the ever-evolving interiors.
Each new design is available in different fabrics and colours - from durable cottons, to lavish velvets and luxurious leathers. This ensures each hand-crafted sofa.com upholstered design is bespoke based on your own requirements, whether specifying seating for a residential, hospitality or commercial property. With the entire range also available in COM, there is no compromise necessary to create the perfect custom design.
The trade team at sofa.com is on-hand to assist with any queries – please visit www.sofa.com/trade for more information.
About sofa.com
Passionate about outstanding interiors, sofa.com offers a diverse and design led collection of made-to-order sofas, armchairs, beds, footstools and home accessories. With an extensive range of styles and over 100 fabrics to choose from, as well as the option to upholster in your own fabric, the customisable nature of sofa.com’s products make each piece easily adaptable to any interior style – perfect for interior designers and specifiers looking for stand-out pieces for upcoming projects.
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A spacious kitchen for eating and entertaining was an essential for the Italian family who moved into this stunning home in Ascot. Their first decision was to relocate the existing small kitchen into a generous extension. Next stop was Charlie Smallbone, founder of Ledbury Studio, to request a show-stopping kitchen design imbued with his signature mix of materials. The result is a stunning kitchen that’s perfect for busy family life.
Charlie’s design centres around a generous island that’s hand-painted white and wrapped in a hard-wearing Calacatta Quartz waterfall worktop. The island is positioned below a roof lantern that floods the room with natural light throughout the day; a trio of decorative pendants provides effective task lighting at night.
“The couple wanted a sleek, contemporary aesthetic for their kitchen, so we chose grey-stained natural oak for the base cupboards,” explains Charlie. “Then, to create a contrast, the island cupboards are also oak but stained white. Staining timber in this way allows the natural beauty of the grain to shine through.” A large double larder and a breakfast cupboard flank the wall run. The doors are also grey-stained oak with exquisite brass inlay in a diamond-shaped design. “And one of my favourite elements is the liquid pewter finish with shagreen-like texture we created for the wall cupboards in between,” adds Charlie.
The adjacent wall is dedicated to the practicalities of the kitchen: a bank of ovens and a dedicated fridge and freezer separated by an impressive wine cooler. Huge slabs of porcelain in a Cararra marble finish were chosen for the floor as a final touch to this fabulous open-plan kitchen where practicality and glamour go hand in hand.
Ledbury Studio kitchens start from £50,000.
About Ledbury Studio
Ledbury Studio is a new and exciting design studio, showcasing Charlie Smallbone’s latest kitchen designs. Small and personal, Ledbury Studio has been established to explore and develop the interface between kitchens to cook and work in, and kitchens to live in. The company offers something very different in the world of kitchen design, something not found elsewhere. Combining exquisite materials and artisan craftsmanship, the new kitchen collections are striking and innovative and the culmination of Charlie Smallbone’s history at the forefront of cutting edge kitchen design.
The company was originally founded in Stockholm in 1949, by Nils Erik Eklund, who came up with the idea of recycling textile offcuts into woven rag rugs. In many ways, our founder was ahead of his time and his ability to see an opportunity where others couldn’t still inspires us. Today, his granddaughters Annica and Marie keep this same spirit alive but since they took over the company from their parents Lars and Monica in 2003, they have also been on a mission – to make Bolon a design-led innovator and fuse the conservative, traditional flooring industry with the boundless creativity of the world of fashion. Under their leadership, business has transformed from a traditional weaving mill into an international design brand with clients such as Armani, Google, Four Seasons Hotels, Chanel, Adidas, Apple and Missoni Home and we’ve collaborated with world-renowned designers and architects. We are proud of our progress, but our story continues - we want to keep moving forward and innovating, creating sustainable, world leading flooring and rug solutions.
We have a team of people, both in the UK and internationally, who work closely with interior designers to keep them abreast of our new products. We aim to offer the best service possible every step of the way, including quick and efficient technical, design and sample support.
Innovation, inspiration and unique flooring and rug products.
Bolon creates beautiful flooring and rugs that stay looking that way, even after years of use. Our multiple custom options mean that there is a unique solution for each project a designer is working on, depending on the requirements of the client.
Sustainability is a big part of our DNA and we are proud of our impressive sustainability credentials. We have noticed that these are of increasing interest to all interior designers, and we’re thrilled that this has become such an important part of how designers work. It is also essential that our flooring and rugs are long lasting, so the cleanability of our flooring is also of increasing interest. Designers and their clients need flooring and rugs that are practical, as well as beautiful. People have had bad experiences with flooring that is not cleanable and therefore looks tired quickly after very little use, so they love how easy our flooring is to clean.
We’ve also noticed a number of requests for rugs that can be used both inside and outdoors.
Questions answered by Sarah Herman, Director, Bolon UK.
Creating a virtually seamless, durable mural, Metamorfosi from RAK Ceramics is a decorative porcelain surface that will make an eye-catching impression for any interior.
Metamorfosi is a large-format surface, available in two sizes - 120x260cm and 120x120cm. Inspired by the colours and shapes found in nature and responding to this important interior design trend, Metamorfosi is highly durable and splash resistant, just as porcelain should be, yet visually striking in its appeal, with several design options to choose from.
From geometric and floral patterns and lush tropical leaves, to bold and vibrant shades that tap into the trend for block colouring, Metamorfosi brings the beauty of nature in all its boldness indoors.
The collection includes nine colours and 11 decors transferred on to large-format brushed resin porcelain stoneware slabs, to create striking wall decorations that become part of the interior design. The shapes on the ceramic surfaces have a handmade appearance, creating a versatile, contemporary a wallpaper effect.
Metamorfosi is part of the Signature Collection from RAK Ceramics, a modern, sophisticated product range of cladding solutions for all design requirements.
Cover image: Rak Oltremateria Bagno
About RAK Ceramics
RAK Ceramics is one of the largest ceramics’ brands in the world. Specialising in ceramic and grès porcelain wall and floor tiles, tableware, sanitaryware and faucets, the company has the capacity to produce 123 million square metres of tiles, 5 million pieces of sanitaryware, 24 million pieces of porcelain tableware and 1 million pieces of faucets per year at its 22 state-of-the-art plants across the United Arab Emirates, India and Bangladesh. Founded in 1989 and headquartered in the United Arab Emirates, RAK Ceramics serves clients in more than 150 countries through its network of operational hubs in Europe, Middle East and North Africa, Asia, North and South America and Australia.
Introducing the latest flooring collection from sustainable Swedish design company, Bolon - Truly rugs.
Designed to make a statement, the Truly rug collection features enlarged patterns, colour effects and hyper texture. Truly is a bold collection, created in-house, and shaped around the creative vision of the five women who make up the design team, including Annica and Marie. The range consists of five made-to-measure rug designs, each with its own expression and identity, representing the passions and expertise of the Bolon team.
The bold designs consist of ANYTHING EVERYTHING, which features a graphic pattern building rooms within a room, DISRUPT AND DISCOVER, an elegant multicoloured check, 100%, a sparkling out of focus zig-zag pattern, PRECIS, a flowing pattern in magnified formations and I SEE YOU, a collage-like pattern with layers of subtle surfaces.
The creation of the Truly rug collection follows on from both the introduction of made-to-measure rugs to Bolon’s product portfolio last year, and the launch of the Truly flooring collection, earlier this year.
Headquartered in Sweden but globally renowned, Bolon is passionate about sustainability which is woven into the brand’s DNA. Truly is made in Sweden, only with renewable energy and using a mixture of recycled and new material.
Bolon’s made-to-measure rugs offer customers endless options to select the right design, trimming and size for their specific project. There are eight available trimming options and Bolon produces rugs between 2 x 2 metres and 4 x 8 metres. Bespoke rug sizes are available upon request.
About Bolon
Bolon is a Swedish design company that makes innovative flooring solutions for public spaces. It is a third-generation family business run by sisters Annica and Marie Eklund. Under their leadership, Bolon has transformed from a traditional weaving mill into an international design brand with clients such as Armani, Google, Four Seasons Hotels, Chanel, Adidas, Apple and Missoni. With a strong commitment to sustainability, Bolon designs and manufactures all its products at a facility in Ulricehamn in Sweden. The company is recognised worldwide for its award-winning flooring and its collaborations with some of the world’s most acclaimed innovators and creatives.
A new resource book celebrating design and best practice has been published by the Guild of Architectural Ironmongers (GAI) for anyone involved in specifying or designing with architectural ironmongery and hardware.
The book, available as a free download at www.gai.org.uk/specifier, showcases award-winning architectural ironmongery projects and products from this year’s GAI/RIBA AI Specification Awards. As an SBID Accredited CPD learning opportunity, it also provides a source of information and reference for specifiers and designers, with articles, best practice advice, and latest updates on competence, standards, and legislation.
Among the feature articles, RIBA past President Alan Jones discusses meeting the challenges of fire performance, life safety, acoustic separation, security and user requirements in today’s ‘more for less’ construction culture.
The guide discusses the value of working with a Registered Architectural Ironmonger (RegAI) to achieve world-class project delivery, compliance, and outcomes. And there is information to help specifiers find fully qualified architectural ironmongery professionals, including a full RegAI and GAI member directory.
GAI Technical Manager Douglas Masterson said: “The GAI Specifier’s Resource Book is not just a celebration of design excellence and best practice, but a guide to some of the key issues impacting on today’s AI and wider construction sectors.
“The aim has been to produce and distribute a resource which helps architects, architectural technicians and technologists, interior designers, M&E consultants and others involved in the design and specification processes to better understand some of these issues, and underlines the importance and value of engaging with high-quality AI professionals and companies from the very earliest stages of their projects.”
The new GAI Specifier’s Resource Book 2022 is available as a free download at the link below, and also available is a series of free GAI technical specifier guides focusing on the legislation, standards and best practice involved in key areas of AI specification, from fire safety, fire and escape doors to accessibility, security and access control.
About GAI
Working as a not-for-profit professional association, the GAI supports, assures and represents architectural ironmongers, wholesalers, and manufacturers around the world. They promote the highest standards of education, technical excellence and professionalism in the sector, and promote these standards to the wider construction industry and its clients.
AkzoNobel is one of the biggest Decorative Coating companies in the world, with a rich history. Our brand, Dulux, began its origins way back in 1919. At the end of the First World War a long-established firm of varnish makers called Naylor Brothers extended its activities into paint production and moved out of central London to set up a factory in Slough on a 30 acre site.
Jumping forward to 1931 the first ‘Dulux’ alkyd-based synthetic finish was produced, based on a new formulation and the brand name ‘Dulux’ was established (a combination of ‘Durable’ and ‘Luxury’).
In 2021, we proudly celebrated our 90th birthday!
Drawing on 90yrs of experience, we help provide the tools Interior Designers require to support them in completing their projects. Distilling how colours and other materials work together, we understand that colour, in isolation, is only one part of the story. We work with the Interior Designer to carefully curate a palette of colours which tells a story, creates a desired outcome, and unlocks the potential of their project.
Our Commercial Colour Consultants are experienced in working with Contractors, Specifiers and end users. Using insights gained from these relationships, and a wealth or colour experience, our Commercial Colour Consultants can support Interior designers with their projects, across a range of sectors and working environments.
Paint has the power to pull the final design together, marrying up all elements of a space or aid as a backdrop for other elements to take centre stage. We can help you to win client confidence and underline your professionalism with brave design transformations and achieve comfortable yet functional spaces that surpass expectations.
Working with our Commercial Colour Services team ensures that your final design serves not only to provide a beautiful place to live or work but can promote better outcomes for the people using the space, as well as helping you to deliver on the organisation’s wellbeing and sustainability goals too.
There is a vast array of building specification requirements to also be aware of and each space presents its own challenges and requirements in terms of design. Our team of expert colour consultants are on hand to support Interior Designers to meet those challenges. We support Interior Designers to deliver colour designs that optimise commercial spaces efficiently and support the occupants’ needs. We guide you through our colours & colour coding system to ensure best choice of paint colour to work with your design.
Clients are looking for more and more ways to improve people’s lives. Delivering better living and working outcomes is now an everyday expectation for building owners. The effective use of colour in a building can markedly improve how occupants feel in that building. Whether the goal is to improve wayfinding in hospitals, support the visually impaired in a care home, or create a calming space conductive to learning in schools, great colour schemes can help enhance building design.
Questions answered by Martha Dunican, Commercial Colour Services Operations Manager, Dulux.
About Dulux Trade, AkzoNobel
Dulux is the UK’s leading paint brand, with a wealth of products and services designed to help you find the colours that will suit your project, and give you the expert knowledge you’ll need to achieve great results.
In an increasingly competitive post-COVID, more financially cautious Interior Design market, it is important more than ever to have a USP that sets your business out from the crowd, and creates more opportunities to gain contracts based on something offered that is greater than a simulacrum of the previous project. The increasing reliance on fully bespoke work or ranges designed either for commercial roll-out or for a specific project is becoming well-trodden. Clients are increasingly knowledgeable but also demanding in terms of the quality-to-cost ratio, which as we all know can really start to eat into margins. While manufacturing in the far East or more obscure parts of Europe can certainly help to protect the profits, there is also another way, certainly not as frequently used as it might be.
Eco-friendly, Green, Renewable, Socially conscious – these are all phrases that more and more come into the planning of a build or a fit-out, and the environmentally astute designer will understand that many clients will be now building this into their considerations (though by no means all of them - to whom these concepts would be entirely alien..). One of the easiest and quickest fixes to this is to use antique, classic design, vintage and “retro” furnishings, underlining your green credentials but also opening up a world of other opportunities and ultimately, greater profitability. After all, no new materials are being used or manufactured, and items that already exist are being re-employed, repurposed and in many examples, aesthetically reconsidered and reaccommodated.
While the phraseology and terminology surrounding this concept can often sound trite and a marketing nightmare (“upcycled”, “preloved”, “retrostyle”) it is just the other side of a coin that has on the obverse “fine art”, “design” and “antique”. With over 30 years dealing in both new and old furniture and art, I would postulate that in general the quality of manufacture in particular of older furniture and design objects is considerably higher than that of today. As an additional bonus, many things were made in small or even unique numbers – equivalent to the dream phrase “Limited Edition” that is a gilt-edged chance to increase sales.
The very best classic design and antique pieces carry unique possibilities to the curious and canny Interior Designer – the layer of intangible “softness” that comes from years of patina on wood or glass for example, is almost impossible to reproduce with newer items. Who can resist a pier mirror of old mercury glass compared to a harsh modern example – it’s even more flattering in soft lighting. Finding and placing quirky, unusual or unique items opens up a world of choices, as well as adding a story to each individual item, at the higher end of the market, even remarkable provenance on occasion. These are the kind of objects that invite conversation, not just act as a backdrop or support.
With the rise of identikit interiors with a restricted palette and furniture and accessories that seem to disappear into the background, the bold and individualistic client will revel in this concept of “uniqueness” and this is most certainly a selling point for certain types of customer. The well-curated interior will speak of the owner’s intelligence, taste (if such a thing exists) and idiosyncratic approach. More often than not though, they will need some assistance with this, or certainly a collegiate approach.
Best of all for the canny client though, is the huge investment potential for their interior choices to become a sure-fire investment. The area of Fine Art is well covered and well-evidenced, but increasingly, Design and Decorative Arts are becoming (or already are!) a rich seam of capital gain. A case in point for example is the famous Jean Prouvé Chaise “Tout Bois”- a set of four in 2019 sold at Christie’s for 23,750 Euro, but in 2021 a similar set sold for 50,000 Euro – doubling the value in only two years. The joy of investments like this is that the individual items carry great value but lend themselves collectively to creating stunning and meaningful interiors.
Many Designers are cautious about introducing these elements into their schemes as they often lack the knowledge or confidence to utilise items from eras unfamiliar to them or are unsure of the market. I don’t believe that they are not employed simply because they are inappropriate. The subject is large and potentially complex, and it is absolutely possible to make errors. However, perhaps the biggest problem of all is knowing where to find these items and at the right price for the business and the client.
I would argue that there is actually huge potential to make greater margins or certainly to protect margins, by introducing a higher percentage of such items into a project, whether it is residential or hospitality. The integration of reclaimed or salvaged architectural elements is seen frequently in hospitality, and many of the very best projects in Europe and the USA at the highest level of residential are populated with exceptional examples of classic design – it must be impossible to move in California now without bumping into a Corbusier Chandigargh chair (original of course!!).
It is possible to create large margins with informed and intelligent purchasing, while also offering the client the possibility of a return on investment, something that is impossible with a bespoke site-specific sofa for example. Older pieces can even be bespoked of course, through reupholstery, readjustment and gentle intervention. Clients will be aware of the market prices of brand new standard items but won’t necessarily know the price of classic design, and in certain instances may be pleasantly surprised. There are rich pickings in the market still for undiscovered gems and unappreciated designers to become household names. The value for instance of Eames, Wegner, Juul has all absolutely rocketed as they take their place in the Pantheon (or “Premier League”) of design stars, but there are plenty who are brilliant but considered “1st Division” It's important to find new avenues for increasing profitability and a few well-sourced items will add character and interest to a project as well as increasing value to both the client and the business.
All images courtesy of Modernforms.
About Theo Mance Consultancy
Theo Mance was the antique buyer for Liberty and has 30 years of furniture experience in the UK industry with Interior Designers, Architects and Developers. Freelance with Roberto Cavalli Home Interiors in the UK, his consultancy offers investment advice & sourcing of antiques and Classic Design to Interior Designers.
Italian design is matchless, its inventiveness legendary. Signature and Tosca are the latest additions to premium bathroom retailer, C.P. Hart’s portfolio of exclusive furniture.
Sourced from inspirational makers in Tuscany, Italy and renowned for its high-quality and chic designs, Signature and Tosca are created for bathrooms of all sizes.
Carefully selected by C.P. Hart, Signature is a highly versatile range, making it the perfect storage solution for both large and small bathrooms. The collection of clean-lined and contemporary wall-hung vanity units and wall cabinets come in various shapes, allowing you to configure your bathroom furniture to optimise space.
The Signature range is crafted with exceptional attention to detail. Vanity drawers are internally painted in Anthracite Gray and come equipped with soft-close and push-pull mechanisms, accessible through recessed handles that are subtle yet practical, offering a comfortable and secure grip.
Cabinet tops and finishes are available in natural and timeless shades, including glossy and matt lacquers and wood finishes. A range of stunning marble stoneware tops with integrated basins or countertop ceramic basins are also included in the collection.
The Signature range offers a selection of sleek LED mirrors and towel holders to complement the furniture, all available to purchase from C.P. Hart.
The Tosca range, designed by Italian architectural designer Enzo Berti and hand-picked by C.P. Hart, breathes its classical heritage in a thoroughly contemporary way. The collection showcases a statement display of modular wall-hung and floor-standing vanity units, cabinets, and benches, available in various sizes allowing you to configure your optimal bathroom set-up.
The units feature simple, elegant lines enhanced by an Anthracite Grey frame and spacious, soft-close drawers. The front panels and tops can be crafted from wood or stone for a natural textured effect, or they can be lacquered or made of glass for a sophisticated feel. Please speak to a C.P. Hart sales consultant to discover the breadth of finishes available.
The Tosca range comes with washbasin options for maximum customisation, including blown glass countertop designs, integrated basins, undermounted or countertop solutions, and freestanding designs for an eye-catching and highly individual result.
“The use of age-old Tuscan materials, such as traditional terracotta, blown glass, and marble, introduces a timeless appeal to these collections, while the natural colour palette adds softness to minimalist design.” Yousef Mansuri, C.P. Hart director of design.
Signature and Tosca are currently displayed in C.P. Hart’s flagship Waterloo showroom.
Visit A C.P. Hart Showroom here.
About C.P. Hart
Leading bathroom retailer C.P. Hart has an outstanding reputation for the best in design and innovation, with products sourced from designers and manufacturers worldwide, many exclusive to C.P. Hart and unable to be purchased elsewhere. C.P. Hart has 16 showrooms across the UK, including its impressive flagship at London's Waterloo.
Some spaces lend themselves particularly well to a generous injection of moody hues and this kitchen in Hackney, London, is one of them. Wall-to-wall bi-fold doors drench the space in natural light, allowing designer Charlie Smallbone of Ledbury Studio to dabble in a decadent mix of dark materials and bring a sense of drama to the bright space.
Typically for Ledbury Studio, metal punctuates the design, most notably on the front of the tall fridge-freezer, which is clad in aged verdigris copper panels. Subtler touches range from a strip of aged brass that runs along the top of the stained oak cupboard doors on the base run to a brass undermounted sink and aged brass handles on the island cupboards. Bringing the metallic elements together is a Stone Italiana Ambra worktop that combines the beauty of natural stone with the performance of hard-wearing quartz.
Continuity is essential when a kitchen is part of an open-plan space, and to strengthen this kitchen’s connection with the adjacent dining area, Charlie’s distinctive Choppy Water design is hand-carved onto the end panel of the island and on the cupboard in the dining area. As a side note, the cupboard comes complete with a built-in wine cooler, wine rack and a fluted-glass cupboard for glassware, making it a super-handy addition.
Storage is a crucial aspect of all Ledbury Studio kitchens. In this one, a large larder cupboard fitted with doors, racks, shelves and drawers offers a wealth of space for everyday cooking essentials. Open shelves above the sink serve a more decorative purpose, letting the homeowner showcase some of her favourite accessories to personalise the space.
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