Cosentino’s New Collection Takes You on a Journey into Your Dreams

Cosentino Group, global leader in the production and distribution of innovative and sustainable surfaces for architecture and design, presents Dekton® Onirika, the latest collection of its leading innovative ultracompact brand surfaces. Cosentino and international interior design powerhouse, Nina Magon, have come together to create a one-of-a-kind Dekton® collection.

Inspired by marble patterns and immersive living, the stunning series showcases eight daring colours: Awake, Lucid, Somnia, Neural, Trance, Vigil, Daze and Morpheus, that represent the ethos of both brands: sustainability, forward-thinking innovations, and timeless elegance. Onirika represents a powerful journey of a detour in our dreams where boundaries between dreams and reality vanish.

Neural combines elegance and structure to bring peace and joy, calm sensations, and an overall feeling of wellbeing into a space. With fine, pale veins’ crossing the marbled pattern - the design creates a fascinating neural network, which teleports us into a white dream. It is best suited for bright, neutral spaces with soft textures, light colours, and wooden or metallic accents.

Lucid displays many shades, reflections, and glints of colour to create an illuminative perception of colours best combined with wood, grey and gold shades, and frosted glass.

Morpheus - the name of this same Lucid tonality but in Dekton® Velvet Texture finish.

Awake is a re-interpretation of the precious Paonazzo stone. It features thick veins of light greys, exquisite oxide terracotta, and a hint of subtle, inky blues. This iteration pairs beautifully with white, neutral tones, lightwood, and golds of any shade.

Trance features warm fine streaks that move between oxides and fade to reddish gold, combining perfectly with reddish oak wood and darker walnut tones. Blue furniture and warm golds in pale finishing bring sleekness to this vibrant colour.

Somnia boasts captivating details of warm oxid browns and whites that merge under a grid of think lines that create a sober texture. Somnia is perfect with warm dark woods, frosted glass and textured metal surfaces such as copper.

Vigil recreates a strong Calacatta structure with thick veins in gradients of light and dark greys, matched with a subtle touch of gold. This is a classic colour that is easy to combine with warm and cold hues, wood metal, and clean concrete.

Daze - the name of this same Vigil tonality but in Dekton® Velvet texture finish.

Onirika is a collection that unites the poetic and unique beauty of stones harnessed by Dekton® technology, just as those dreams where we observe and vaguely feel in control but only the deepest part of the mind truly understands. The collection is named in honour of the lavish inspiration of the two worlds conveyed in marbled colours to captivate the eyes and bring to any space a feeling that is understood but cannot explained.

“When working with product development team, we realized we’re not attempting to mimic any existing natural stone. With Dekton technology, we can create our own colours and structures, bringing to life something that is unique, beautiful and irreplaceable. The purpose of Onirika is to showcase the versatility of Dekton. We want all designers, architects, and people around the world to see that the product is not only a book matched worktop with a waterfall, but can also be used on walls, ceilings, facades, outdoor spaces, and more”, says Nina Magon.

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Arteriors’ F22 collection offers interior designers an array of location-inspired design aesthetics, with influences from Monaco and Berlin, previewed as part of the showroom reset ahead of Focus/22. Informed by traditional techniques and use of materials from across the globe, intertwined with Arteriors’ statement flair, these collections are designed to create a timeless, contemporary scheme with accents that add visual interest and inspire awe.

Monaco Glamour

The most traditionally luxurious of the two aesthetics brings the warmth and richness of colour of Monaco to life. Opulent and extravagant, this is a dream scheme that combines the crystal hues of the ever-blue sky and sea, with shades of golden yellows. The selection of furniture, lighting, accessories, and wall décor that make up the collection feature plenty of jewel tones, decadent marble detailing, and glamorous gilded-gold designs, with each piece epitomising grandeur. Indulge in sumptuous velvet seating, incorporate lavish lighting, and finish with accessories that complement the myriad of colour-rich tones.

Berlin Bauhaus

A nod to mid-century design, the selection of products featured within the Berlin Bauhaus collection utilise strong lines and geometric accents to create a more contemporary look. Unique material choices run through the range of home furnishings with a particular focus on leather detailing on upholstered items, accessories and as part of lighting designs. The juxtaposition created by featuring a material ordinarily used to create a more traditional aesthetic but incorporated into furnishings with sculpted and soft design fashions a more contemporary look. An unexpected and distinctive material choice complementary to woods, metals and marbles, Arteriors designers predict leather pieces to be the next ‘it’ material t inspired modern interior schemes for seasons to come.

Pop into the showroom in Chelsea Harbour’s Design Centre to view the complete showroom transformation with new product across all categories, featuring items inspired by Monaco, Berlin and beyond.

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The annual unveiling of the Dulux Colour of the Year is a culmination of months of trend analysis from visiting exhibitions and design fairs, as well as keeping an eye on the social, cultural and economic trends to decipher the tones that capture the moment. We caught up with Heleen Van Gent, Creative Director Global of AkzoNobel’s Aesthetic Centre that is responsible for coming up with the Colour of the Year, to find out more about her role and the process behind choosing the famous Dulux Colour of the Year.

What is The AkzoNobel Global Aesthetic Centre?

Based in the Netherlands, the AkzoNobel Global Aesthetic Centre is our hub for colour trend analysis, colour research and design and art direction. For the past 30 years, the team has worked year-round, translating social trends into colour trends for the 150 countries where AkzoNobel operates.

How long have you worked at AkzoNobel and what was your path to your current role?

I have worked at AkzoNobel for just over 13 years and I am the Creative Director of the Global Aesthetic Centre.

My journey started in the magazine industry in the Netherlands. I had worked in partnership with AkzoNobel on a project and this gave me my first glimpse of the Global Aesthetic Centre. From then on, I knew that this was the job for me.

I have always had an interest in making the everyday beautiful and helping people introduce wonderful things into their living environment. I think the effect colour can have on your mood and emotions is often underestimated. A lick of paint is an excellent and relatively inexpensive way to make a tremendous impact on our lives.

Who was involved in choosing this year’s colour?

Aside from our team at the Global Aesthetic Centre, we bring together a panel of design experts from across the globe. Each member brings with them insights from their culture, way of living and how they see the year ahead.

To ensure objectivity, we look to design experts who are connected to AkzoNobel in some way but are not key customers. This is important as we need to obtain their honest professional opinions and insights to ensure that the colour chosen works in all the countries we operate in.

Why is ColourFutures such an important part of the AkzoNobel calendar?

When designing the Colour of the Year we try to capture the moment in just one colour, which, as you can imagine, isn’t a simple task. It takes almost a whole year to design the final colour, with input from all global outposts of AkzoNobel before a final decision is made. While the process is largely confined to the Global Aesthetic Centre, we do see it as a team effort for the whole company and professional panel.

What is the process for choosing the Dulux Colour of the Year?

The process of choosing the Colour of the Year is constant. Our in-house team and the design experts we work with are out visiting exhibitions and design fairs, as well as keeping an eye on the social, cultural, and economic trends. We then come together for a three-day session where we discuss what we’ve seen and share what we believe will be influential over the coming year.

We start the three-day process by asking the team questions like what keeps them awake at night or what makes them happy (since they are just as much consumers as anyone else).

This helps us to get to the root of the issues that the world is facing today. This year, we were inspired by Mother Nature fighting back – with floods and drought featuring heavily in current affairs and nature being used to inspire popular interior designs.

The discussions also led us to see that yellow was dominating. We therefore knew that this would be the base of our Colour of the Year 2023 – we just didn’t know the exact shade. Based on this insight, we came up with Wild WonderTM: a positive, glowing natural tone that connects us with nature. We see this colour as a soft gold with hints of green inspired by fresh seed pods and harvest grain.

Our discussions also help us create the four colour palettes that we launch alongside the Colour of the Year – identifying complementary shades that are all inspired by the same insight and behavioural trends. This year our four colour stories are:

• Lush palette - has a mental health focus with colours inspired by plant-filled habitats of gardens, forests and woodlands
• Buzz palette - inspired by collective thinking, celebrating diversity and adding joy, unity, and connectivity
• Raw palette - draws from bio-inspiration and what nature can teach us and reflects on the richness of resources that nature offers
• Flow palette - focuses on the cycles of life and brings a feeling of fluidity, freshness and equilibrium

Where do you see the colour being used in practice?

We make sure that the Colour of the Year and its complementary palettes can be used in any setting – from the domestic home through to commercial premises across education, healthcare, hospitality, office and residential sectors. For example, this year’s Buzz palette with its rich, diverse and joyful colours is perfectly suited for the hospitality sector. We think a hotel room or lobby painted in this bright palette will be sure to bring a smile to someone’s face.

Flow on the other hand has more subtle and timeless colours that perform well in the education sector. Both early year education settings, up to teenagers and university students can benefit from this palette thanks to its roundness and friendliness.

What was your favourite moment from this year’s Colour of the Year process?

This answer is twofold. The first moment is when we’ve settled on a story. This is no mean feat, as we have to make sure that everyone is on board and aligned with the vision.

The second moment is our "country call” where we present our new colour palette, way of thinking and messaging map to our AkzoNobel colleagues around the world. This is an opportunity for them to push back if they think the colour might not work in their region which always makes me nervous. However, when I saw everyone nodding their head and buying into the colour story, I knew we’d cracked it and found something that resonates with everyone.

For more information about Dulux’s Colour of the Year, please visit: www.duluxtrade.co.uk/COTY23

To download the ColourFutures™ 2023 Specifier Brochure, click here.

Questions answered by Heleen Van Gent, Creative Director, AkzoNobel’s Global Aesthetic Centre.

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Nora Chou is a luxury interior designer working on projects internationally in both the residential and hospitality industry. Focusing on creating layered moments through design, her mission is to create a sense of warmth, life and texture into her designs. Having grown her roots in Hong Kong and proceeding to live in equally vibrant cities including London and New York, she offers a certain cultural and lifestyle sensibility to the way she approaches creating interiors for her clients.

Sky and Earth is a rug collection inspired by colours, life and energy we find in the great outdoors. The handpicked palettes by Nora Chou (“Sunrise”, “Dusk” and “Terra”) encourage colours to be brought into our interior spaces.

Bring in your outdoors.

What was the process of designing Sky & Earth?

When I was first approached by Jeff, the managing director of Silk Avenue, to design a rug for their designer profile range, there were many ideas that came to mind. I find rugs often help ground a space by connecting the interior palette of your chosen furnishings or to make a new statement through colour and texture. From an aesthetic perspective it's quite similar to how paintings interact with spaces. However, rugs add an additional softness into interiors.

Sky & Earth came to fruition during the Covid lockdown period. Inspired by the Great Outdoors, it is a rug collection that is all about bringing the colours and textures from nature into our interior spaces. From the get-go, I knew that I wanted to create a collection to include a broad range of designs that would fit within different settings whether it be a traditional country house, or a contemporary set up in a high-rise apartment. During the creative process, I found it important to create a collection that is a family of designs and a continuation of the narrative, allowing me to develop and experiment with the creative direction.

The 6 designs from Sky & Earth are captured moments that can be layered into interiors through the hand-picked palettes I have personally selected ("Sunrise", "Dusk" and Terra"). The designs can also be completely customized to a palette of your choosing. 

Is there anything else we should know about the rugs? 

Silk Avenue manufactures the hand-tufted rugs in Nepal and handles all shipping internationally.

The designs from Sky & Earth are constructed of various compositions. For example, "Spring Buds" has a composition of 100% hand-tufted wool, which is great for hospitality settings and households with children. Generally speaking, wool is low maintenance, bounces back into its original state after being walked on and is typically less flammable than other fibers. The matte finish of wool also allows the colours of the rug to appear richer and deeper.

There are also other designs from the collection with a combination composition of wool and bamboo silk. - "Petals", "Hydrangea", "Flow Ombre" "Flow Solid" and "Dots Play". In these designs certain areas of the rugs are accentuated with bamboo silk and raised pile heights. The slight sheen against the matte background mimics the way light is often reflected through nature and is a play on both texture and surface.

Do the rugs come in different sizes?

All of the designs can be customized to any size to suit your interiors. However, we do have standard sizes with the latest pricing that can be found at: www.norachou.com/collection

How can someone place an order?

Send an email to [email protected] and [email protected] specifying the design, size and palette of your choosing. Silk Avenue will guide you through the process from there!

Photo Credit: Felix Speller

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MOD+ by GRAFF Designs, a rich and diversified modular collection that offers endless customisation possibilities. Allowing a high degree of creative freedom with luxury custom finishes, materials and configurations, MOD+ unlocks up to 65 000 possible combinations - a collection like no other.

Comprising 55 bathroom products for the washbasin, bathtub and shower areas, in which each element can be completely customised GRAFF has created its MOD+ Collection Configurator to fully exhibit the collection’s potential. An online tool to help design and specify, personalisation options include handle detailing, finishes, materials, spout size and mounting type.

MOD+ offers 20 unique finishes, including Gunmetal, Matt White or Vintage Brushed Brass, or for that extra special touch, a unique 24 K gold finish. Handles materials include variations of Tuscan marble including Storm Black, Forest Green and Smoky White.

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Alexander Purcell, a notable British architectural designer, is pleased to introduce the Henley Collection—a sleek and nautically informed array of furniture. Inspired by the racing boats that enable one to enjoy the river, sea, or lake, the Henley Collection is perfect for contemporary homes looking for a sophisticated yet welcoming aesthetic. With its aquatically inspired designs and luxurious materials, the Henley is ideal for any modern home looking to add some flair.

The Henley collection debuted in London with the opening of the new Pavoni flagship showroom at Design Centre Chelsea Harbour on September 5. The showroom carries the entire collection, with all of the upholstered pieces customized with Pavoni’s fine Italian vegetable tanned luxury leathers.

The inspiration for the Henley is both quite personal as well as a result of Purcell’s fascination with classic boat design. In fact, the seed for the collection goes way back: In 1998 he and his teammates entered the famous Henley Regatta. His college having not won since 1962, this year proved to be different. Established in 1839, the world-renowned rowing event is held annually on the River Thames in the town of Henley-on-Thames and attracts participants from all over the world. Purcell and his eight ended up winning the extremely competitive Princess Elizabeth Challenge Cup. Celebrating that feat a few years ago as the team marked the 20th anniversary of their win, Purcell was driven to bring the aqua-dynamic forms and language of racing boats into his furniture collection and so was born the Henley.

The iconic Riva yacht also makes its mark on the collection. Purcell has always loved the luxury wooden runabout built by Italian yacht builder Riva. The shape, speed, beauty, and craftsmanship of their namesake boat, produced from 1962-1996, earned it praise as the Ferrari of the boat world. The vintage yachts are now coveted by boat lovers worldwide.

With the new Henley collection, the formal nods toward the shape of oars and rowing boat hulls, as well as the elegant silhouettes of the Riva boat are obvious. It all started with the chair arm and its upholstery detail—the rest of the array was built off that one detail with the goal of creating pieces that can be enjoyed both functionally and visually. The collection launches with four designs:

• The Henley Dining Chair - the jumping off point for the whole collection, the chair features a gently rounded back composed of an upholstered upper half and cut-out lower half, all framed in walnut or oak, that wraps around the sides to meet the upholstered arm front. Particular attention has been paid to the back of these dining chairs as ultimately that the direction in which you actually view them when around a table. Tapered wooden legs and elegant chamfer details add to the stylish look and help create a dashing silhouette when viewed from any angle. The dining chair has a sleek appearance and is a unique piece that will add personality to any space.
• The Henley Dining Table - the exquisitely crafted warm walnut top gently tapers at the edge, a slope modelled on boat hulls, particularly that of the wooden back of a Riva yacht. The dramatically bisected base utilizes its negative space to create the dynamic illusion that the table is gliding through the water. The two feet are made of an aluminium which can be lacquered or brushed. The table is available in a round or rectangular shape and an array of Atelier Purcell oak and walnut finishes.
• The Henley Lounge Chair - an elegant chair that would be equally at home welcoming guests in a living room or sitting fireside in a den or bedroom. Informed by the nautical detailing of the Henley dining chair but with a lower profile and featuring a roomier seat with a gently sloped back that wraps the sitter in a graceful embrace. A back pillow is included and an ottoman will be added to the collection soon.
• Henley Bar & Counter Stools - slender armless stools with the same maritime inspirations as the Henley dining and lounge chairs. These stylish and effortlessly modern stools are available in bar height (36 inches) or counter height (40 inches) and are made from 100% solid hardwood. This contemporary stool is perfect for any setting: at home, in your office, bars or restaurant.

The Henley Collection is available now at fine to-the-trade showrooms in the U.S. including B. Peterson in Palm Beach, De Sousa Hughes in San Francisco, Dennis Miller in New York, MOD in Denver, Thomas Lavin in Los Angeles and Laguna, and Paul+ in Atlanta. For more information on the Henley and Alexander Purcell, please visit atelierpurcell.com

Cover image: Henley Dining Chairs & Henley Rectangular Dining Table

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Continuing to expand on its contemporary design offering, sofa.com is delighted to introduce its AW22 collection to a trade audience.

Comprising of four new designs across upholstered seating catering for a range of design specifications across commercial and residential projects. The collection includes the new hero range, Tiffany, a vintage-inspired armchair, Shelby, and two new stylish dining chairs, Lola and Piper all available in 75+ fabric options as well as COM to create bespoke options to allow designers breadth of choice.

Inspired by modern renaissance design - a trend which integrates contemporary shapes with classic detailing to bring together refreshing pieces with a sense of refinement, glamour and a touch of charm from the Art Deco era - each piece incorporates an element of pleated stitching which unites the new look across the collection.

Also including expansions upon two of sofa.com’s bestselling designs, the Larsen armchair and Teddy chaise join AW22. All-time favourites in the sofa range, these pieces offer a more traditional aesthetic to cater for a variety of residential projects.

The new colour palette for the season includes velvets in warming autumnal tones – vibrant oranges, forest greens and salmon pinks - alongside a range of weaves in pared-back neutrals and subtle blues and greens. These palettes will help create differing interior styles from modern luxe to a more organic, minimalist aesthetic.

Speaking on the collection, trade development manager Laura Tarratt comments:

“Seating is at the core of this collection and we wanted to ensure each sofa, dining seat or armchair would stand alone as a beautiful, functional residential piece but also work to create a statement within restaurants, bars, office meeting room or set the scene in a hotel lobby. The continued expansion of our dining collection has proven popular with sales increasing season upon season. We also wanted to ensure we weren’t compromising on comfort or style, and have focussed on ensuring optimal dimensions and fillings to create the ultimate design combination of ergonomically sound and elegant. Boasting over 75 fabrics and the option to upholster all pieces in COM, our in-house team can fulfil any project brief becoming a one-stop shop for our growing interior designer clientele base.”

Handmade-to-order in just 4-6 weeks – now available online and in store.

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Siminetti has announced a partnership with Plastiks, whose mission is to connect people around the world to fight global plastic pollution. Plastiks is a recovery-guarantee marketplace that enables sponsorship of projects in a new initiative to help reduce plastic waste in the environment. In line with its ethos to produce products that are sustainable and natural, Siminetti, is working with Plastiks to prevent plastic waste from invading the oceans, while improving the quality of life of local communities involved in collecting plastic.

Siminetti works with the world’s leading interior designers, architects and private individuals to offer Freshwater and Saltwater Mother of Pearl luxury mosaics and decorative panels in a range of colours, styles and patterns. Their Saltwater pearl is sourced from Pacific communities who depend on sustainable relationships with ocean lagoons; the shells are a bi-product of the food and pearl industry, which Siminetti sources directly, using shells that would otherwise be discarded.

Under the Plastiks initiative, for every m2 of Siminetti product sold, a kilo of plastic will be recovered from the ocean, which provides communities with additional income, while creating a circular economy model, around recycling the ocean harvested waste and upcycling it into new products.

Plastiks launched earlier this year as the world's first utility NFT dedicated to revolutionising the fight against plastic waste. Each NFT created uses data to certify that a corresponding amount of plastic has been recovered, thus ensuring that it does not end up in the environment.

About the project

Siminetti has chosen, via Plastiks, to specifically support the Second Life project; a social enterprise in Southern Thailand that teams up with coastal communities to collect plastic waste from the sea. The objective is to provide those communities with additional income, while creating a circular economy model, around recycling the ocean harvested waste and upcycling it into new products. It’s known that plastic can have many lives beyond the single use given to it and that’s the goal of Second Life project, which aims to maximise social impact by engaging in geographies where waste infrastructure is underdeveloped.

All of these environmentally beneficial investments are showcased using Plastiks' Sustainability Dashboard, a real time view of plastic recovery that clients can view via the Siminetti website. Clients will receive a certificate that provides information about the amount of plastics recovered by the project on their behalf.

Simon Powell, CEO of Siminetti, said: ‘Our collaboration with Plastiks represents an additional and powerful step in our joint goals of sustainability and regeneration. In conjunction with Plastiks and our chosen project, Second Life, we have a unique opportunity to reveal the value of plastic, share this with our clients and together make a direct impact in the effort to stop ocean plastic pollution.

The NFTs allow our clients to directly contribute to the global fight against plastic waste and improve the lives of the people on the ground. I am immensely proud that Siminetti is able to work with these groups through this fantastic project’.

Andre Vanyi-Robin, CEO of Plastiks, said, ‘We’re delighted that Siminetti has chosen Plastiks to help it lead the way in sustainable living and plastic recovery. We hope to expand our network of companies across the globe who are dedicated to reducing the amount of single-use plastic ending up in the environment, while enabling them to demonstrate to their stakeholders that they are fully committed to tracking, measuring and fighting plastic waste’.

Siminetti is committed to the climate action agenda and this initiative with Plastisks allows them to address plastic pollution as part of their sustainability journey. The company will now have its positive footprint recorded and openly available in the marketplace, to be shared with its customers and the global community.

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Sustainable Swedish design company, Bolon, has expanded its long-standing and best-selling collections, Artisan and Botanic, with new colourways, which were unveiled at the brand’s Clerkenwell showroom for London Design Festival.

Inspired by traditional craftsmanship, yet produced using innovative fibres, Artisan is a fusion of old and new. Designed for high-traffic areas, such as offices and hospitality spaces, the collection has been selected for use in a diverse range of projects, both in the UK and internationally.

Bolon has now expanded the collection with ten new dynamic and lively colourways, that complement the existing collection’s vibrant and expressive energy and add to the brand’s portfolio.

The Artisan collection

Play is a summery and vivid orange that looks stunning on a larger scale. Love is an intensely warm red. Alive and happy, it is bursting with energy. Fresh is a cool, almost transparent green that appears new and thrilling when paired with natural tones. A deep green, Wild, has the capacity to soften other hues. The one-of-a-kind, yellow toned green shade, Spring, shines and brings other colours to life. True is a noble blue that complements the red options within the Artisan collection. Water is a brave colour that appears youthful and energising. Ink is a deep blue, nearly black tone, that appears neither sharp nor silky when combined with other colours. A powerful and assured black, Noir, can stand alone or be styled with neutrals or brights. The collection is completed with Chalky, a shade between beige and grey, that is nearly white with a feather-like sensation.

Inspired by the natural world, the Botanic collection consists of a varied range of soft, warm and intelligent tones. Having proved popular since its launch, Bolon has now expanded the collection’s colour palette with eight new shades that transcend what first meets the eye.

The Botanic collection

Blanche is creamy and mild and brings a sophisticated softness that belongs to a new kind of luxury. Caramel and golden, Honey, is thoughtful with a natural warmth. It is a new type of beige with its own identity. Rich and dreamy, Chestnut is an intriguing kind of brown and an elegant evolution of colour. Inspired by the desert, Canyon is a heated terracotta. The reddish-brown tone adds timelessness to any room. Attractive and compelling, Vintage is both soft and dark and is the colour of the full moon. Rain is a refined blue tone with a hint of purple, which reflects how rainwater can shimmer. Fresh and nourishing, Spearmint, is a brightening colour, which can work like a white tone, as it contrasts and enhances. Library is supreme and luxurious. Just as the name suggests, it is a classic green.

Throughout LDF, the new Artisan and Botanic colour palettes were displayed at Bolon’s Clerkenwell showroom, as part of a collaborative installation of furniture, flooring and lighting, created in partnership with Moooi.

Cathrine Ahlenius, Head of Research and Design at Bolon commented, “Artisan and Botanic each have their own identity. Artisan is a lively and expressive collection and the Botanic range is soft and warm with intelligent tones. We want to highlight those characteristics with new colours that provide more combination possibilities, both within the collections and with other items in Bolon’s product portfolio.”

Sarah Herman, Marketing Director at Bolon UK, added, “We are delighted to introduce the new colourways for these popular collections.”

Headquartered in Sweden but globally renowned, Bolon is passionate about sustainability which is woven into the brand’s DNA. Botanic is made in Sweden, only with renewable energy and using a mixture of recycled and new material. The designs are available in roll, 50x50cm tiles and as Bolon Studio tiles.

Cover image: Bolon Circle, Ivory, Garnet, Quartz

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