Canadian luxury handmade furniture and lighting brand Gabriel Scott has launched its latest lighting collection, Welles Reimagined, in collaboration with six global designers and architects to celebrate Gabriel Scott’s tenth anniversary in 2022.
The established designers have reinterpreted the studio’s most iconic fixture, the Welles Chandelier. The six fixtures, first showcased at Milan Design Week 2022, have now been formalised into six capsule collections which include chandeliers, sconces and pendant lighting.
Scott Richler, Gabriel Scott’s Founder and CEO, explains: “The Gabriel Scott brand launched on a manifesto to furnish the architectural community with exactly what they needed, and we’re still doing this through material, size and form ten years later. Inspired by jewellery, the Welles Chandelier is a true representation of our design philosophy - to design and make modular products to custom specifications. The Welles Reimagined capsule collections celebrates our brand ethos and the collaborations we undertook with each designer perfectly demonstrate how we like to work together with our design and architecture clients to achieve something really special and tailored to their requirements.”
The David Rockwell capsule collection celebrates the Welles Chandelier’s classic geometric form, while creating a contemporary light fixture inspired by clusters found in nature, such as crystals, chemical compounds, and clouds. Ultimately, Rockwell drew from botanic forms to create an organic assemblage. The hollowed glass polygons act as metallic light points that come together at varying heights and dimensions to form a floating light cluster. The feature chandelier is defined by its luxe volume and organic nature.
“The collaboration allowed us to create something very special that combines Gabriel Scott’s modular approach to lighting and expert craftsmanship with our focus on storytelling and materiality. We experimented with volume, color, texture, and scale to create organic assemblages of light that have a dramatic impact on the atmosphere and our perception of space.” – David Rockwell.
Crafted from white clay and inspired by a collection of ceramics she is currently designing, the Kelly Hoppen capsule collection comprises a single flush-mount sconce suitable for both wall and ceiling installation, a pendant light, a single sconce on a banded arm and the Welles Long Chandelier in three sizes. The overall form has been scaled down from its original size to create an elegantly delicate aesthetic.
“When I was asked to do it, obviously it’s a very iconic piece already, but instantly I knew I wanted it to be a chalk white, clay, very organic piece, because that would make it incredibly different from anything Gabriel Scott had done before.” – Kelly Hoppen, CBE.
Alessandro’s capsule collection has a beautiful narrative infused with dynamic and bold fashion references inspired by rhythmic dance. It includes the 12-module central chandelier as seen in Milan, a scaled down 8-module chandelier, a larger 18-module chandelier and an arm sconce. While its volume is radically different, the modular qualities are still able to extend for extra tall ceilings and multiply for larger spaces. This flexibility makes it a truly versatile and playful product that invites designers to create bespoke configurations.
“One of the key features that inspired us was how architectural the Welles is, yet extremely detailed and jewellery-like - even the slightest of components like the bracket is beautifully designed. It felt like a sculptural piece of art. So, we drew inspiration from couture fashion, from dance, and when we immersed ourselves in this world, we thought about deconstructing the original piece and rebuilding it in a completely different way.” – Alessandro Munge.
Michelle turned to nature to add a floral element that represents growth and bloom, alluding to a rebirth of a classic Gabriel Scott design. Uplifting and joyful, Michelle Gerson’s capsule collection includes a vertical sconce and small, medium and large versions of the chandelier first seen in Milan.
“The vision is nature. We tried to take a more geometric, modular, masculine type fixture and break it up and create what we thought would be blossoms, branches and leaves. We mixed up the materiality a little by using mesh to create a lightness, we wanted it to feel spacey, alive and happy.” – Michelle Gerson.
As a contrast to the sharp metal and glass silhouette of the original Welles, Sybille’s interpretation reveals the feminine side of her signature design style. Couture-inspired, elegant and smooth, the capsule collection shows a gradient composition from emptiness to full, with a variation of hollow and plain shapes. It comprises a sconce, cluster sconce, the standard chandelier as seen in Milan, and a smaller version. All fixtures include padded vegan leather to create a subtle 3D effect and rounded corners to add softness.
“We love leather because we find it’s a very elegant finish and combined with a soft bronze, this is our vision of luxury which is very understated.” – Sybille de Margerie.
Guan’s design is a striking floor installation, illuminated by light bulbs and made from POLiROCK, a new material developed by Material Architecture Lab. The fired clay has unique characteristics, somewhere between ceramic and rock. It appears natural but is made by recycling manufacturing waste. Due to the nature of this design, it can be customised from the original form that was shown in Milan. For commissions, Guan and the Gabriel Scott’s design team will work with the client to deliver something bespoke.
“The first thing I thought was that it would be nice to have a contrasting material, so instead of something transparent something solid that allows light to go through in a very particular way.” – Guan Lee.
Cover image: Sybille de Margerie for Gabriel Scott
About Gabriel Scott
Gabriel Scott is a design house and production studio creating contemporary collections of fine furniture and lighting. Led by founder and CEO Scott Richler, all Gabriel Scott pieces are proudly handmade in a Montreal-based studio where an in-house team of industrial designers, engineers and manufacturers work together to create and oversee each piece from inception to production. Established to blend Scott’s design experience developed over many years working in architecture, fashion and jewelry design, Gabriel Scott’s furniture and lighting collections are designed in line with the studio’s three principles: timeless, customizable and versatile aesthetic.
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As designers and creators of floorcoverings for over 30 years, Crucial Trading continuously looks at innovative ways to work with sustainable and natural fibres. Adding to their constantly evolving collections, their technical and creative teams have recently created three new designs in wool - Collage, Weather Watching, and Balance - while adding new colourways to the popular wool Mississippi collection.
Collage provides a dynamic mélange of pattern and texture in a choice of five colourways that are inspired by modernist art. With names such as Soft Focus, Modernity, Juxtaposition, Paper Layer, and Mixed Media in a collage of blended hues, they are works of art in their own right!
Woven from 100% New Zealand Wool, Collage is a chunky 6 ply tufted Loop Pile so definitely one to sink your toes into whether your creativity takes you in the direction of a bespoke rug or wall-to-wall fitted carpet.
Balance is a curation of quiet colour and texture designed to encourage reflection and restorative living. Extending mindfulness to how we exist in our interiors, this design champions beauty in the simplistic. Available in a choice of seven earthy and considered colourways; Timeless, Pause, Silence, Intuition, Clarity, Philosophy, and Grace, Balance is quite literally something to meditate on.
Woven from 100% New Zealand Wool, chosen for its pureness of colour, Balance introduces an element of cut-pile/twist to Crucial Trading’s offering. A gentle balance between the cut and the loop results in an almost two-tone finish to the floor covering.
Weather Watching is inspired by our British obsession with the weather. Earthy, subtle tones take direction from atmospheres and the unpredictable with enticing and atmospheric names such as Soft Rain, Thunderstorm Play, Overcast Day, and Indian Summer. Some days it storms, some days it shines, this is how the flower grows.
The palette of calm colours gives the home a sense of grounding whilst creating a backdrop with which to live our lives. The collection is woven from hank dyed 3 ply tufted loop pile British Wool and comes in a choice of 11 different colourways.
Mississippi has become a design classic since it was introduced 18 years ago as a result of the creative team playing around with fragments of coloured wool fibres that were available on the floor of the workshop. This hero design welcomes eight new colourways into the collection bringing the total offering to 16. The new palette is inspired by natural dyes, providing softer, more muted tones for an earthy feel that becomes rich through application. Pale blues and greys combine with gentle tones of green, red, and brown for a relaxed interior that still has the edge.
Mississippi is woven from 100% New Zealand wool which is chosen for its purity, enabling consistency and depth of colour.
Crucial Trading’s floor coverings can be ordered as bespoke rugs, runners or as meterage for a fitted carpet.
Cover image: Balance - BA503 Clarity
About Crucial Trading
Crucial Trading design, manufacture and distribute the finest carpets and rugs. Leading the way in creative floorcovering since 1986, the brand continuously explores innovative new weaves, textures and patterns using 100% natural materials. Designed in-house, the textiles are made from natural plant fibres or wool, always sourced with the environment in mind. With an almost endless choice of versatile designs and colourways, the floorcoverings can be ordered as wall-to-wall carpet or as a bespoke rug or runner.
Founder of Ledbury Studio Charlie Smallbone has stepped back in time for his latest project, creating the beautiful Stroud Kitchen for the owners of a 16th century Cotswolds home. The results speak for themselves - but the quirks of a home built when the first Queen Elizabeth was on the throne nonetheless provided Charlie and his team with a few challenges. Here he talks us through the project.
Our clients sought us out because they wanted a kitchen that would be in sympathy with the age of the house but that also had a contemporary look. Our projects range from Georgian townhouses to warehouse conversions, so we’re accustomed to striking this balance with many of our kitchens. This is why the owners came to us the minute they’d exchanged on the house.
The original kitchen had a small scullery attached. We knocked through the dividing wall to create one large space for cooking, eating and entertaining. However, the age of the property meant that none of the walls were straight and there were a lot of original features to account for. Plus, the low windows and doors, original brickwork and huge fireplace all had to work in harmony with the kitchen furniture.
We designed the island as the main working area and this houses the hob, prep space and plenty of storage, as well as a breakfast bar. As you stand behind the island, you can see a central dividing wall ahead, which is where the oven housing is situated (see image 4). The sink is in the corner and the fridge-freezer is on the other side of the dividing wall, next to the door to the garden (see image 5). At the other end of the island there are steps down to the utility room and a door into the dining room. Although it's one large space, there are clearly defined zones of activity in the kitchen
We used a range of finishes so that the various elements of the kitchen have their own identity. However, there is also a unifying theme: they are all designed to look like pieces of furniture. From the island to the oven housing, the fridge-freezer and wine storage, and the sink area – each resembles a bespoke freestanding piece. These include some clever design ideas: for example, to hide the electricity meters, we designed a shallow-depth cupboard (see image 6) that we've turned into a feature as a bar area with aged brass shelving above.
The ‘Choppy Wood’ carving on the back of the island cupboards and meter cupboard is a signature Ledbury Studio finish. It's created by hand-carving stained oak to form a textured surface that chimes well with the unevenness of the dark wooden beams in the room.
For the oven housing and fridge-freezer, we selected a patinated copper. The oven housing is visible from the breakfast bar, and there is a small drinks area next to the fridge (see image 7), so both pieces needed to be decorative. However, they are also practical: there is pan storage below the ovens and a large breakfast cupboard and larder sits alongside the fridge-freezer and wine storage (see image 13).
Adding contrast to the dark oak furniture, the sink area is in white-painted oak, while the worktops are Stone Italiana Ambra quartz, an excellent hardwearing choice for the working areas of the kitchen.
To add some glamour, the sides of the island are in Verdigris copper, which ties in beautifully with the oven and fridge-freezer housing. Meanwhile, the worktop on the island is edged in aged brass (see image 9), mirroring the handles used throughout. Finally, possibly my favourite feature, is the aged brass and oak screen (see image 10) that sits beside the stairs to the utility room. It’s for safety, but who says it can’t be a sculptural piece at the same time? Overall, I think the kitchen looks like it has always been there, which was what we intended, but it also adds a large dose of contemporary wow factor!
Ledbury Studio kitchens start from £70,000.
About Ledbury Studio
Ledbury Studio is a new and exciting design studio, showcasing Charlie Smallbone’s latest kitchen designs. Small and personal, Ledbury Studio has been established to explore and develop the interface between kitchens to cook and work in, and kitchens to live in. The company offers something very different in the world of kitchen design, something not found elsewhere. Combining exquisite materials and artisan craftsmanship, the new kitchen collections are striking and innovative and the culmination of Charlie Smallbone’s history at the forefront of cutting edge kitchen design.
As we approach the end of another busy year, Sofa.com shares their favourite projects and reflects on their achievements from 2022...
For us, working collaboratively with various designers has been a real highlight - helping to bring their creative vision to life and seeing our products in a range of gorgeous spaces. The breadth of projects this year has been wonderful, from larger hospitality work, to commercial settings and a wealth of boutique hotels; this is where sofa.com product really comes to life, with bespoke elements and extensive fabric choice meaning no two projects look the same. Here's what they had to say!
We have compiled some of our favourites of the year, from the hills of Edinburgh to the coastal waters of Cornwall and everywhere in-between, featuring design specifications that we’re most proud of and are thrilled to see completed to such a high standard.
One of our most recent collaborative projects has just recently completed in time for the holidays. It was a joy to work with Unique Homestays on the renovation of The Hatch, a pared-back coastal property next to the glimmering seas in Cornwall. Finishing touches in the dining room convey the aesthetic of the property perfectly, but with a slight bias our favourite room has to be the Scandi-inspired living room, featuring our bestselling Isaac sofas.
Another key project with Unique Homestays was the completion of Little Inka, a cottage finished with trending combinations of black and brass. This modern farmhouse aesthetic is the perfect setting for our Chesterfield style Patrick loveseat in beautiful vintage leather.
Additional highlights include working with The National Trust Scotland, Alice Leigh design, and The Bath Arms to name a few.
It’s wonderful to look back and celebrate with our customers on the completion of their projects. Thank you to all for working with us, and we look forward to collaborating in the future. As we look towards 2023 and exciting projects on the horizon – we’ve are thrilled to be part of such a vibrant industry.
Cover image: Emma Gurner
About sofa.com
Passionate about outstanding interiors, sofa.com offers a diverse and design led collection of made-to-order sofas, armchairs, beds, footstools and home accessories. With an extensive range of styles and over 100 fabrics to choose from, as well as the option to upholster in your own fabric, the customisable nature of sofa.com’s products make each piece easily adaptable to any interior style – perfect for interior designers and specifiers looking for stand-out pieces for upcoming projects.
Celebrating 35 years of luxury design, Arteriors is thrilled to announce the launch of its latest collaboration collection with renowned American interior designer, Jay Jeffers. As part of the brand’s successful Guest Designer programme, Arteriors welcomes Jay back for a third collection. The range features 28 new furniture, lighting and accessory designs launched as part of their Autumn 2022 collection, debuted at Focus/22.
Jay’s collection prioritises versatility while embodying his “liveable luxury” approach to interior design. Influenced by mid-century décor, from designers including Carlos Scarpa, Franco Albini and Jena-Michel Frank, the collection embraces classic masculine elements including antique and polished brass and pairs them with etched glass and pierced metals.
“With each collaboration, I prioritise quality and craftsmanship. This third collection with Arteriors reflects the skill of their network of artisans that make each product come to life, a hallmark I wanted to celebrate as part for the 35th anniversary. Each piece is handcrafted and meant to feel collected over time. This new offering introduces lighting and accessories that are adaptable to different environments, whether it be a sprawling luxury resort or a compact apartment.” - Jay Jeffers, speaking on the collaboration.
The final result is a beautiful mix of sculptural silhouettes, vintage metal elements, and 20th century inspired design. Expanding on his past two collections, Jay and Arteriors developed new pieces across a variety of categories, including furniture, accessories and lighting created with signature Jay touches.
These design elements can be found throughout the collection, notably in the Trento Mirror, crafted with hand-formed brass, and the Holm Sconce, created with two separate layers of glass for a beautiful diffused light. The Carl Pendant blends smoked glass with pewter and multiple layers of glass for a fixture that can be shown long over a kitchen island or shortened for hallway or bedroom fixture. Finally, the handsome Cantu Cabinet boasts a rich ebony stain and tapered legs for a beautiful addition to an entryway or living space.
“We are thrilled to have Jay return as a guest designer. What better way to celebrate our 35th anniversary than with one of our longest-standing collaborators?” says Barb Fuller, Vice President of Marketing & Visual Merchandising for Arteriors. “Jay’s eye for designing entertaining spaces can be seen across his three collections for Arteriors, from accessories to seating and casegoods designed for comfortable and stylish gatherings at home. For this newest assortment, we worked together to expand on this theme with lighting that creates a warm ambiance and accessories that offer chic touches to interior spaces.”
About Arteriors
For over 30 years, Arteriors delivers impeccable style and artisanal quality craftsmanship within the lighting, furniture, wall décor and home accessory categories to discerning customers worldwide. This three-decade journey in pursuit of extraordinary product – from the understated to the unexpected – had been and remain at the core of what Arteriors do each day. Arteriors’ business has matured and expanded into a timeless lifestyle brand that has become premier resource for interior designers and retailers worldwide.
Today, Arteriors continues to reinterpret materials, forming objects of perfect proportions and scale, resulting in bold interiors that bring ease to everyday luxury.
Sylan started when we saw a strong desire for bespoke and luxury washrooms along with excellent customer care. With over 30 years’ experience in the washroom industry, Sylan washrooms creates bespoke crafted, beautifully engineered products bringing a true element of luxury to any commercial washroom. As a business we aim to be leaders rather than being a follower of market trends.
We are a specification lead brand working with Architects and Interior designers providing washrooms to commercial projects such as offices and hotels. We work alongside SBID to keep a constant dialog with Interior designers. We aim to gather great understanding of their needs and requirements to make the specification process as smooth as possible.
To fulfil their design aspirations where form & function are critical elements within a project. Our dedication and understanding of the key markets is paramount to our success and drive. Our continuous desire to create innovative products created through extensive research and market knowledge, make us a brand leader within the washroom market.
Our project managers provide guidance when it’s come to writing your specification and will take the pressure off by providing you with a completed specification with any supporting documents you may require including mood boards, brochures and samples. They can offer their advice and expertise through specification appointments whether it be on site or remotely, making the whole process as easy as possible.
As we work with office, hotel and commercial projects our main trend is simplistic washrooms with a luxurious feel. The need for full height cubicles and superloos is increasing with the demand for unisex and privacy washrooms. We have seen an increase in black and metal fittings e.g. copper are being specified in washrooms, we have worked closely with our new product development team to create new fittings which meet this demand. Finishing touches such as Solid Surface vanities are becoming increasingly popular and we are working hard on including more bespoke vanity profiles for a more inclusive offering. Throughout this process we make sure we do not compromise our position on sustainability and environmental impact.
Questions answered by Hana Aubad, Marketing Executive, Sylan.
About Sylan
A Sylan washroom is the ultimate expression of precision. This is because we are obsessive about detail. Every Sylan washroom we create is a luxuriously crafted, beautifully engineered product. But more than that, every one is bespoke built and individually customised around your needs. Your Sylan journey will start with our Project Managers and stay with you for years to come. It will be so well built, so precision crafted and so detailed in its design that we are fully confident to offer a 10 year guarantee across the whole range.
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From premium bathroom retailer, C.P. Hart, comes three exclusive brassware ranges: Original, Epoch, and Spillo.
Exclusively designed and manufactured for C.P. Hart, each range is available in various luxurious finishes, presenting brassware options to suit both classical and contemporary schemes.
Epoch is an award-winning, classical brassware range designed exclusively for C.P. Hart and manufactured in the UK. The collection combines facetted spouts, soft crosshead handles, and stunning etched indices, showcasing quality craftsmanship with timeless charm.
Inspired by the glamour of the Art Deco era, Epoch brassware is available in eight finishes, including Chrome, Polished Nickel, Gold, and Living Brass – a finish that ages beautifully with time. Though classical in design, the Epoch range also complements a contemporary setting.
“To create the below suite, we paired Epoch brassware with Artelinea’s eye-catching, fluted Monolite Vanity Unit, combining its elegant modernity with Epoch’s timeless appeal,” explains the C.P. Hart Design team.
Explore Epoch range.
Designed by John Hart, the son of C.P. Hart’s founder, the exclusive Original collection celebrates the company’s heritage, combining classic Edwardian proportions with modern quarter-turn technology.
Precision-manufactured in the UK, Original brassware ensures authenticity, durability, and a flawless finish. Each item is available in Chrome, Incaloy Gold, and Nickel.
“C.P. Hart supplied Original brassware as part of the transformative renovation of Moore House, featured below,” says the C.P. Hart Design team. “We paired the Original Bath and Shower Mixer with C.P. Hart’s freestanding Winchester Freestanding Bath, both exclusive to C.P. Hart, to breathe classical elegance into the modern-classic aesthetic.”
Explore Original range.
C.P. Hart’s most comprehensive brassware range, Spillo, is manufactured exclusively for C.P. Hart in Italy. The collection’s slim, minimalist form is present in every piece, including a full range of basin, bath, and shower fittings, as well as an extensive accessories range. Engineered from low-lead brass and packaged in recycled boxes, Spillo is an eco-friendly brassware option, available in 10 polished and hand-brushed finishes.
Also available from C.P. Hart are the Spillo Steel and Spillo Tech ranges. With the same design ethos as Spillo, Spillo Steel is manufactured from marine-grade stainless steel, one of the most durable materials for a wet environment. Featuring three styles of faceted handle design, Spillo Tech highlights the extraordinary engineering of Italian manufacturing, providing a unique look for every bathroom style with its range of polished and hand-brushed finishes.
“The Spillo Steel Tall Basin Mixer complements the monochrome scheme, whilst the Spillo Single-Lever Basin Mixer in matt white boasts a unique finish that beautifully contrasts the bathroom’s wooden textures.”
Explore Spillo, Spillo Steel and Spillo Tech ranges.
Visit a C.P. Hart showroom here.
About C.P. Hart
Leading bathroom retailer C.P. Hart has an outstanding reputation for the best in design and innovation, with products sourced from designers and manufacturers worldwide, many exclusive to C.P. Hart and unable to be purchased elsewhere. C.P. Hart has 15 showrooms across the UK, including its impressive flagship at London’s Waterloo.
Lalique has unveiled a new collaboration with American artist James Turrell who is famed for working with light and space to create artworks that engage viewers with the limits and wonder of human perception.
It is the first time the celebrated light artist has worked on small scale pieces. This unique coming together of two ‘artists of light’ is the result of over four years of close collaboration. It comes at a time when Lalique celebrates its Alsatian factory’s 100-year Anniversary. The collaboration, which consists of 42 crystal light panels and two perfume bottles, each in a limited edition of 100, was presented at Paris+ par Art Basel on 20-23 October 2022. It is the first time Lalique Art was an official partner of the world-renowned art fair.
James Turrell began the collaboration by designing the two perfume bottles. Fascinated by Egypt and the stupa shapes found in Asia, Turrell used their architectural structure, monuments of high spiritual value in which light plays an essential role, as inspiration.
Combining artistic and olfactory sensibilities, the two flacons Range Rider and Purple Sage are inspired by Zane Grey’s ‘Riders of the Purple Sage’ and the artist’s desire to recreate the beauty of the American West. The striking result: prisms that diffuse and diffract the light. Entirely handmade, the design presented a major challenge for the Lalique artisans – obtaining crystal of a uniform thickness, to ensure the correct density of colour and homogeneity.
Working closely with Lalique’s perfumers, the collaboration also sees the first scent ever co-created by an artist for Lalique. A first scent, Range Rider, captures the natural fragrances of the artist’s land, Arizona, including sage-scratched leather chaps, pepper, amber, and citrus. It is an olfactory architecture that speaks of sun-drenched Western ranching.
A second scent, Purple Sage, named after this delicate, queen of plants that blooms in Arizona, offers a different interpretation of Turrell’s relationship with the American West, undulating between delicacy and strength. The bottle, with its soft curves, is a tribute to the eternal feminine form. The perfume has a delicately fruity, musky scent, revealing notes of purple sage, mandarin, grapefruit, and rhubarb.
The 42 light panels, named Crystal Light, are inspired by an image of James Turrell’s Aten Reign installation, exhibited at the Guggenheim in 2013. Originally planned in colours, the panel was finally produced in clear crystal. The rippling colours were then produced using a screen placed behind the work. The design offers a hypnotic visual effect between the third and second dimension – similar to a trompe l’oeil, with intriguing depth.
The collaboration was first born from a meeting between the artist and Silvio Denz, Chairman and CEO of Lalique, “I immediately thought there should be a collaboration between Lalique and James Turrell – the light artist. It makes perfect sense when you recall that René Lalique was known as the ‘sculptor of light’.”
“This is a profound artistic adventure whose result expresses a rare elegance and modernity. A seemingly impossible challenge. I am both proud and very happy that this great name is joining the prestigious circle of Lalique’s contributing artists.”
James Turrell added, “The nature of my work is the shaping of light. Light is the material; perception is the medium. I knew of René Lalique, but I didn’t know the extent of his creativity. At the Lalique factory, when I watched the master artisans, I was fascinated by their technical virtuosity. They are truly artists.”
“This is the first time I have designed perfumes and made crystal pieces. The olfactory sense elicits memory more so than any other sense and it was with Lalique and the perfumers, that I was able to do this. Creating a perfume is a bit like creating a world you have known.
“Like René Lalique, I seek light and will continue to seek it.”
About Lalique
Founded in 1888 by renowned and avant-garde artist René Lalique, Lalique is one of the crown jewels of France’s crystal glass houses. Lalique is a symbol of unique know-how and craftmanship, a lifestyle luxury brand with an immediately recognizable style. Lalique enriches our everyday lives, bringing artistic style to singular creations in six areas: decorative items, interior design, perfumes, jewellery, works of art and hospitality.
The Vintage collection by GRAFF Designs, a unique range marrying industrial style with rich heritage. Inspired by the Chicago Fire Department’s heroic role in extinguishing the state's Big Fire of 1934, GRAFF Designs pays homage with this tactile and vintage style brassware.
Reminiscent of the iconic fire hose valve silhouette and mirroring the red logo of the Chicago Fire Department, the collection boasts exquisite craftsmanship and detail, from its architectural elements to its modern take on traditional design. Comprising 140 stylish products including bath and basin mixers, showerheads and rails, as well as an accompanying accessories range.
Formed with precision engineering and premium-quality materials, the Vintage Collection is available in 21 luxury finishes including 24K polished gold, vintage brushed brass and the classic limited-edition red.
Available to buy now in the UK with prices starting from £500 for a basin mixer in Chrome, up to £5,500 for a 24K Gold freestanding bath shower mixer.
For more information, expert comment or imagery, please contact the team at [email protected]
About GRAFF
GRAFF’s luxury taps and shower collections elevate the bath space with designs that are both timeless and cutting-edge, complementing endless architectural and interior styles. Available in 21 luxury finishes such as Brushed Brass, Polished Nickel, and 24K Gold, and with a choice of three Tuscan marble inserts, GRAFF basin mixer or shower controls offer bespoke and unique customisation possibilities. Backed by a rich heritage of European artisanship, GRAFF products transform the bath space into a masterpiece of tranquillity, wellness, and spa like experience. With a focus on design, sustainability, and high technology, GRAFF caters to the senses with features such as chromotherapy, bringing bath and shower experiences to luxurious heights.
DKT Artworks was established in 1979 by three graduate friends – Niki Davies, Steve Keeling and Sean Trowbridge – and today is an established 40-strong team company with a studio and workshop in London, specialising in high-end bespoke decorative finishes and site-specific artworks.
DKT Artworks offers a completely bespoke service, supporting designers at any stage of the design process. Our team is very experienced in carrying out projects in London, UK and overseas, offering a wide range of specialist decoration skills, including:
We are integral part of the design industry. Whether it is a simple or very complex project, our decorative artists are instrumental in creating those finishes that make interiors special and help fulfil clients’ needs.
DKT brings over 40 years of experience in delivering projects at the highest level across sectors, including high-end Residential, Hospitality, Corporate Offices and Superyachts. Working with a wide range of materials, our specialist decoration skills can be applied on all styles, from traditional to modern and contemporary. Furthermore, we can best advise on options in relation to the specific requirements of the space, including fire regulations, weight restrictions and maintenance. Having a multi skilled team, DKT is well equipped to fulfil all designers’ needs, in relation to all types of decorative finishes, saving them time, effort and money, instead of finding various suppliers. Through an assigned Project Manager, DKT would coordinate all the aspects of the project, working with the designer on all requirements and keeping them up to date with the status of the project development.
Each project is unique and so are the clients. We receive requests for both traditional and modern finishes, as well as figurative or abstract designs. Over the years we have noticed a preference for calmer and inviting backgrounds, which best suit the inclusion of bespoke site-specific artworks as a centrepiece, as well as bold feature walls.
Questions answered by Guglielmo Carrozzo, Head of Marketing at DKT Artworks, DKT Artworks.
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