Lighting has long been an important feature of the kitchen, but as the space evolves into something more multifunctional, the latest lighting trends are shaping it more than ever. Lighting is now shaping layouts, zoning areas and defining the overall ambience of the home – illumination is now becoming a seamless blend of architecture and art, and that fusion is unlocking extraordinary creative potential.
Roundhouse is predicting a move away from the traditional spotlight-and-pendant formula and towards lighting schemes that feel more layered, expressive and character-driven. From sculptural statement pieces to illumination that almost behaves like furniture, lighting is proving to be one of the most transformative tools in bespoke kitchen design.
Softer, more organic lighting is influencing kitchens for the year ahead. Crescent profiles, arcs and rounded silhouettes are becoming more prominent, offering a gentle counterbalance to the clean lines of modern cabinetry. This direction has been led by designers such as Tom Raffield, John Pomp and Lindsey Adelman, whose work explores sculptural circularity, curved glass and halo-like forms. Their pieces demonstrate how circular lighting can create a warm, atmospheric glow with refined, architectural impact.
Roundhouse’s Ashbury Project highlights this beautifully. Tom Raffield’s Loer Crescent Pendant, suspended over the breakfast bar, introduces quiet drama without asserting itself too strongly. Curved lighting works particularly well in busy family kitchens, encouraging a more soothing, inviting atmosphere. These rounded shapes also pair effortlessly with natural materials like timber, stone and plaster, which are hallmarks of many of Roundhouse’s bespoke designs.
Another key movement for bespoke kitchens in 2026 is the integration of lighting traditionally associated with living rooms. Designers such as Bert Frank, Matteo Bianchi and Gabriel Scott have helped champion this evolution, showing that decorative lighting can actually enhance practicality. Kitchens are now beginning to borrow the warmth and intimacy of lounge environments - not just through sconces or wall lights but increasingly through table lamps. A table lamp in a kitchen immediately softens the aesthetic, creating a sense of comfort and intentionality.
Roundhouse’s Ling Project illustrates this shift with Vibia’s Mayfair table lamp in gold satin placed on the island. Its soft glow and touch-dimmer control offer a salon-like refinement, demonstrating how ambient lighting can add depth and cohesion in open-plan settings.
Personalisation continues to be a defining theme in interior design, and lighting is following suit. Brands such as Buster + Punch, Martin Huxford and Porta Romana have pushed forward with modular systems, mix-and-match components and adaptable silhouettes, enabling lighting to evolve alongside the demands of multifunctional family homes.
This appetite for customisation reflects an evolving desire for flexibility - designers are embracing adjustable cords, pivoting heads, interchangeable shades and modular assemblies.
Roundhouse’s Weir Project captures this versatility with Buster + Punch’s Hooked 6.0 Pendant Nude. Each element can be repositioned or reconfigured, allowing the piece to serve different roles within the same space. In bespoke design, this adaptability is especially valuable, responding to unique architecture and varied family routines.
A more curated form of eclecticism is emerging, driven by a desire for spaces with narrative depth and authenticity. Designers such as Kelly Wearstler, Beata Heuman and Martyn Lawrence Bullard have embraced the dialogue between past and present, blending vintage lighting with contemporary architecture to create interiors with soul.
Roundhouse’s Moony Project with Webb Architects demonstrates the strength of this approach. A vintage chandelier is suspended within a modern take on an Arts & Crafts kitchen, adding instant character and a sense of history. This interplay works particularly well where the kitchen forms part of a wider architectural storyline. A heritage light can anchor a streamlined contemporary space, while surrounding modern elements keep the overall design feeling balanced and current.
For homeowners seeking boldness, oversized pendants continue to make a commanding statement. Influenced by the sculptural, gallery-led collections of brands including Tom Dixon, Bomma and Moooi, these larger-scale fittings combine visual drama with generous illumination.
In a recent Roundhouse kitchen project created in collaboration with QWC Stone (photographed by Carmody Creative), Tom Dixon’s Beat Stout LED pendants take centre stage. At more than 50cm tall and wide, they offer architectural presence while delivering focused light. Oversized pendants work best when given space to breathe, with clean sightlines and complementary materials ensuring the scale feels intentional rather than overwhelming.
Explore these evolving trends first-hand by visiting one of Roundhouse’s seven showrooms; Wigmore St, Clapham, Fulham, Richmond, Guildford, Cambridge or Cheltenham, where Roundhouse’s expert designers can help you reimagine lighting for 2026.
About Roundhouse Design Ltd
Founded by architects, Roundhouse is a multi-award-winning British company, creating beautiful bespoke kitchens and furniture. Their stunning kitchen designs feature a signature understated aesthetic, influenced by contemporary and traditional design, using innovative materials, texture and colour. Each project is made to measure from a wide range of stunning finishes. Expertly crafted by skilled designers and makers in a state-of-the-art manufacturing facility in Malvern, Worcestershire. Visit any of seven Roundhouse Design kitchen showrooms; Wigmore St, Clapham, Fulham, Richmond, Cambridge, Guildford & Cheltenham.
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Forbes & Lomax has become synonymous with elegant light switches inspired by the late Victorian era and the art-deco period. Forbes & Lomax is world-renowned for its classic collection of lights switches and sockets and has now launched its highly anticipated new finish, Matte Brass.
Joining the original Invisible collection, Unlacquered Brass, Brushed Brass, Nickel Silver, Antique Bronze, Stainless Steel, Aged Brass and Paintable switches and sockets, Forbes & Lomax is excited to introduce its new Matte Brass range to the UK.
With its muted golden tones, Matte Brass is a refined and versatile finish, which brings warmth and sophistication to any interior. The durable baked lacquer coating resists fingerprints and is easy to maintain. Designed for subtle elegance, Matte Brass adds a touch of timeless and understated charm.
Toggles, dimmer knobs and push buttons are available as well as sockets giving a streamlined, classic feel to the design. Sockets are supplied with black inserts to complement the finish.
Forbes & Lomax offers a full range of British made switches, dimmers and sockets in all its finishes with all plates handcrafted in the UK and assembled at the Forbes & Lomax workshop in South West London. The focus for its designs has always been understated elegance and the Matte Brass range is the perfect addition to its collection, offering a classic look that never goes out of style.
About Forbes & Lomax
Forbes & Lomax has been producing elegant, innovative light switches and sockets for over thirty-five years. Renowned for launching The Invisible Lightswitch®, it has always approached lighting control from an aesthetic point of view. The Forbes & Lomax collection comprises nine carefully chosen finishes, which are suitable for traditional and contemporary interiors, making it the brand of choice for many top interior designers, architects and decorators. The range includes push buttons and dolly switches for integrating with intelligent lighting control and home automation systems. It also offers a bespoke engraving service. Visit the showroom at Design Centre, Chelsea Harbour.
Over the past year, residential interiors have become even more considered and purposeful, with greater emphasis on adaptability and long-term wellbeing. Homeowners and interior designers alike are increasingly drawn to flexible layouts and intelligent details that support everyday living for all, from food prep to hydration and entertaining.
Nick Taylor, Head of Residential at Zip Water UK, has observed a growing demand for solutions that feel intuitive, inclusive and easy to live with.
“In 2025, residential clients placed far greater value on solutions that support real, day-to-day use,” Nick says. “It’s about versatility, confidence and ease, whether that’s hygienic controls, inclusive multi-user access or taps that adapt to everything from food prep to everyday tasks.”
This perspective closely reflects Zip’s long-standing approach. A pioneer in drinking-water innovation, Zip has always focused on elevating everyday hydration through advanced filtration, thoughtful technology and designs suited to contemporary living spaces. The HydroTap range continues to embody this approach, offering solutions that declutter while meeting the demands of modern, multi-use households. This commitment to practical innovation has shaped Zip’s developments throughout 2025.
One of the defining moments of the year was the Celsius Plus All‑in‑One Pull‑Out receiving an iF Design Award, one of the most respected design accolades globally. The recognition represents more than an award win; it is a testament to Zip Water’s dedication to pushing boundaries in kitchen technology.
Praised for its considered engineering and everyday functionality, this elegant solution combines instant filtered boiling, chilled, sparkling, and mixer water, with a retractable hose spray for greater flexibility and efficiency in a single tap.
Nick, explains: “The Celsius Plus All-in-One Pull-Out showcases truly market-leading technology. Our patented Hose Management System ensures smooth, snag-free retraction, while the water delivery system maintains separate filtered water paths. Combined with advanced safety features and best-in-class filtration, it delivers the ultimate drinking-water experience.”
Beyond its versatility and refined design, the HydroTap continues to support more sustainable living, reducing reliance on single-use plastic bottles and optimising energy efficiency.
Another significant milestone this year has been the continued development of Zip’s accessibility offering, reinforcing the brand’s commitment to inclusive, user-led design.
Nick highlights the importance of collaboration in bringing this focus to life: “It’s been fantastic working closely with Symphony Kitchens this year to help spotlight our accessibility range. A real highlight was seeing the Celsius Plus All-in-One featured on George Clarke’s Kitchen vs Garden. The kitchen, designed by Adam Thomas as part of the Freedom range, perfectly demonstrated the versatility and usability of our HydroTap solutions, showing how they can support people of all abilities without compromising on design.”
Through the close collaboration of Adam Thomas and Zip’s residential specialist Charles Ireland, the project reflects a shared understanding: that design must achieve both accessibility and aesthetic quality, without compromising either.
As conversations around inclusive design continue to gain momentum across the industry, Zip is setting the pace with its new accessibility controller, designed to make everyday interaction with filtered boiling, chilled and sparkling drinking water safer and more intuitive. The controller features clear, easy-to-use controls and flexible positioning options, enabling usability for all.
Adding to an exceptional year, the HydroTap Arc Plus was awarded the SBID Kitchen Product of the Year, an accolade judged by industry professionals who understand how products perform in real environments.
Nick describes the win as a defining moment: “Winning the SBID Award was genuinely heartwarming. It’s incredibly rewarding to see HydroTap Arc Plus recognised by designers who understand the importance of usability, placement and performance. It confirms that the attention we put into detail and user experience truly matters.”
A key strength of HydroTap Arc Plus lies in its flexibility of installation. Designed to work seamlessly over the sink or via a countertop font, it suits a wide variety of layouts from kitchen islands and breakfast bars to home bars and open-plan living. By delivering instant filtered boiling, chilled and sparkling water exactly where it’s needed, HydroTap Arc Plus enhances both functionality and ease of use.
As 2025 draws to a close, Zip continues to expand the Celsius Plus range with the introduction of a new Brushed Brass finish. Designed to reflect the evolving direction of contemporary kitchens, the finish offers designers greater flexibility.
“Brushed Brass feels perfectly in step with how kitchen design is evolving,” Nick says. “Designers are embracing richer tones and more characterful finishes, and this option allows the HydroTap to integrate beautifully into a wider range of interior styles.”
The Brushed Brass finish joins Zip’s suite of premium design-led options, offering greater freedom to tailor the tap to the personality of the space, whether as a subtle complement to natural materials or as a confident focal point within more expressive kitchens.
As with every finish, Brushed Brass has been engineered to meet the brand’s exacting standards. Engineered for durability, colour consistency and long-term performance, it reflects Zip’s commitment to combining aesthetics with reliability.
Taken together, these milestones paint a clear picture of Zip’s progress throughout 2025. From international design recognition to inclusive product innovation, each achievement reflects our values grounded in real human needs.
“What stands out most to me is how clearly our priorities have come into focus.” Nick reflects. “Across every project this year, the emphasis has been on thoughtful design, reliability and finding practical ways to enhance how people use and experience water in their homes.”
This year also reinforced the value of long-term care and protection. Through the HydroCare service offering, Zip ensures systems remain efficient and high performing from their first drop to their last. A reminder that great design extends beyond launch and is sustained through maintenance and peace of mind.
Looking ahead to 2026, the achievements of 2025 serve not only as moments to celebrate, but as a strong foundation for the next phase of Zip’s innovation, one built on trusted performance, human-centred design and a commitment to delivering exceptional drinking water experiences for years to come.
About Zip Water
Experience water at its best with the ultimate in luxury home appliances. Zip Water are manufacturers of the iconic Zip HydroTap - a revolutionary drinking water appliance offering the very best in filtered boiling, chilled and sparkling water; designed to upgrade your lifestyle. A health-boosting, time-saving, space-saving and planet-saving marvel, the HydroTap transforms ordinary tap water into something extraordinary.
Leather is entering a fascinating new chapter in contemporary interiors. Once closely associated with the formality of Chesterfield and traditional club chairs, it is now being reinterpreted through a refined, design-led lens. In spaces where atmosphere, durability, and sensory appeal must coexist in perfect harmony, leather’s versatility has never been more compelling.
This season, designers are exploring mid-century influences translated for modern interiors. Elevated legs, clean, sculptural lines, and generously proportioned cushions allow leather to retain its characteristic warmth without imposing visual weight. The result is a material that exudes understated elegance rather than overt grandeur; an aesthetic that resonates across lounges, study areas, home offices, and residential living spaces alike. Where leather once commanded attention, it now invites engagement, offering a tactile, immersive presence that enriches the spatial experience.
At the forefront of this contemporary approach is sofa.com’s Ellora armchair, a piece that epitomises the balance between heritage and modern sophistication. Ellora reinterprets the classic leather armchair with soft, enveloping cushions and retro contours, providing all the warmth and familiarity of traditional design, while shedding its formality. Its relaxed, mid-century-inspired silhouette ensures versatility, equally suited to a serene reading nook, a collaborative workspace, or a refined executive study. Ellora embodies a guiding principle of modern interiors: furniture should be as inviting as it is aspirational.
Durability remains one of leather’s most significant qualities. Few materials respond to the passage of time with such grace. Over months and even years, natural creasing and subtle tonal variations develop into a rich patina, imbuing each piece with singular character. Rather than diminishing in time, leather accrues distinction, rendering it a long-term investment that enhances both the aesthetic and functional integrity of a space.
Above all, comfort remains central to design. The Ellora’s generous cushioning encourages people to linger, whether for work, reading, or conversation. Its tactile richness fosters a sense of intimacy and luxury, while its elegant proportions elevate the overall visual composition.
About Sofa.com
Passionate about outstanding interiors, sofa.com offers a diverse and design led collection of made-to-order sofas, armchairs, beds, footstools and home accessories. With an extensive range of styles and over 100 fabrics to choose from, as well as the option to upholster in your own fabric, the customisable nature of sofa.com’s products make each piece easily adaptable to any interior style – perfect for interior designers and specifiers looking for stand-out pieces for upcoming projects.
Hansgrohe Group has made a five-million-euro strategic investment to ensure production capacity for special surface finishes on its design brand AXOR continues to outstrip market demand.
The company has completed a major expansion project covering the Schiltach-based AXOR Centre of Excellence and Offenburg production centres in Germany.
This has included significant investment in three new physical vapour deposition (PVD) chambers used to apply special product coatings on AXOR solutions. Impressively, this has enhanced the Black Forest-based company’s PVD team by a significant 50%. The increased PVD capability comes alongside a 60% increase in brushing capacity to satisfy escalating market demand for unique finishes.
Alongside capacity increases, the investment has also seen the streamlining of a number of additional production processes to further develop manufacturing capacity and improve lead times.
Strong customer demand for AXOR products, including AXOR FinishPlus special surface finishes, has seen the brand defy market conditions with double digit growth in the last year. This significant increase in interest in AXOR has led to considerable investments in production facilities to ensure supply always meets growing levels of demand.
The investment strategy will see lead times on product orders reduce, offering the reassurance that anticipated orders can be fulfilled without delay.
Jay Phillips, Managing Director – UK & Ireland for Hansgrohe Group, comments: “Through continued strategic investment in production improvements to grow our capabilities, we will secure long term groupwide benefits as we focus on leading the market in support of our design, specifier and project partners and their clients.
“The additional production capacity will optimise our innovating design and manufacturing strength as part of an ongoing groupwide commitment to prioritise those recommending our products, from designers and architects to our design, specifier and project partners, and we thank them for their ongoing support.
“We’ve had a fantastic year for AXOR and market demand for design-led solutions, such as the AXOR FinishPlus special surface finishes, continues to grow. In line with our growth, it was the right time to invest in our production facilities. We are certain that the significant investments made in our manufacturing capabilities will ensure that design, specifier and project partners can confidently continue to choose special surface finishes.”
About Hansgrohe UK
With its brands AXOR and hansgrohe, the Hansgrohe Group, based in Schiltach/Southern Germany, enjoys a reputation as a leader in innovation, design and quality within the bath and kitchen industry. Founded in 1901 in the Black Forest, the company gives water form and function with its taps, showerheads and shower systems. In combination with sanitary ceramics and bathroom furniture, the company offers individual design options for holistic bathroom experiences. The Hansgrohe Group stands for long-lasting quality products and for responsibility towards people and the environment. As part of its sustainability strategy, Hansgrohe is equipping all water-bearing products with water-saving technologies by 2030.
A symbol of refined Parisian elegance, the historic address at 11 rue Royale reopened its doors on 18 November 2025. Marking the 90th anniversary of its first establishment on this iconic thoroughfare, Lalique unveils a renewed setting where crystal, light and emotion combine to create a unique experience: a reimagined art of living.
In 1935, René Lalique left Place Vendôme to settle at 11 rue Royale, in the heart of Paris. Ninety years later, the Maison returns to the footsteps of its founder and reinvents this historic address. More than a boutique: a place of life, art and light where the Lalique art of living is expressed more than ever before.
Behind the heritage façade, visitors discover an intimate, inspiring home, imagined as the apartment of a cosmopolitan artist couple. The light-filled spaces reveal a subtle dialogue between authenticity and modernity, between heritage and creation.
'Our Lalique setting on rue Royale symbolises a return to our roots, but also a projection into the future. We wanted the poetry of René Lalique to resonate here in a contemporary language: one of light, material and emotion.' - Marc Larminaux, Artistic and Creative Director at Lalique
The new 115 m² space expresses the Maison's artisanal virtuosity and contemporary creativity. From the entrance, a flight of sixty crystal swallows, emblematic of the Maison, welcomes visitors in an airy movement symbolising freedom and renewal.
Luminous arches adorned with the Laurel motif evoke victory and eternity, while the floral dahlia flooring pays tribute to nature, René Lalique's eternal muse.
The materials Burgundy walnut, Jadore quartzite, brass, terrazzo celebrate tactile nobility and the richness of natural elements. The Vosges blue that dresses the library echoes the forests surrounding the Wingen-sur-Moder manufacture in Alsace, the beating heart of the Maison.
The boutique invites guests on a sensory journey through the seven pillars of the Maison: decorative objects, interior design, tableware, jewellery, art, fragrances and hospitality.
Each space offers a distinctive thematic experience: - The Boudoir, dedicated to jewellery, highlights the Cabochon ring, a timeless icon. - The Winter Garden, bathed in natural light, showcases the Orgue and Perles creations alongside the mythical Cactus Table. - The Vanity, reinterpreted in a luminous setting, celebrates perfumes and their exceptional flacons. - The Library, crowned with graceful arches, presents iconic, heritage and contemporary collections. - The Cabinet of Curiosities, with its backlit brass display cases, reveals a selection of unique objects, from exceptional pieces to the perfect gift. - The Lalique Interior Design Studio Atelier unveils the secrets of crystal through sketches, samples and bespoke projects. - The Bar, at the crossroads of Art Nouveau and Art Deco, embodies the Lalique art of living and pays tribute to the Maison's gastronomic universe, now counting three restaurants awarded two Michelin stars.
More than a reopening, 11 rue Royale is a declaration of intent. A tribute to the genius of René Lalique and the audacity of his successors, who continue to sculpt emotion and shape dreams. A space where crystal becomes language, material and light, and where every reflection tells a story.
About Lalique Limited
Founded over a century ago, in 1888, Lalique has endured as the ultimate symbol of French luxury. Today, the vision of the brand is to prolong the creative genius of founder René Lalique by issuing superb perfume bottles in crystal, reviving exciting and emotional jewellery designs, pushing the limits of the factory by creating decorative objects with its signature satin contrasts, carrying out major architectural projects, crafting a unique Lalique world dedicated to the home, working with renowned artists to produce limited editions in crystal and to recreate its cultural heritage. Lalique continues to thrive as a truly timeless lifestyle brand.
RAO INTERIORS is proud to announce the official launch of RAO HOME on 1st December, marking a significant new chapter as the studio expands into a curated homeware brand rooted in culture, craftsmanship, and contemporary design.
Founded by interior designer Suhasini Rao Jones and Welsh creative Samuel Rao Jones, RAO HOME brings together two perspectives shaped by different worlds, Indian-Irish heritage and Welsh creativity. This rich duality forms the foundation of a brand that honours tradition while reimagining it for modern living.
RAO INTERIORS has long been recognised for its refined approach to interior architecture: spaces defined by balance, quiet luxury, and a deep respect for heritage. RAO HOME represents a natural evolution of this philosophy.
The brand’s first product line, “In The Beginning” - Jaipur Collection, introduces a series of handcrafted rugs designed in house and handmade in India by skilled artisans using time honoured craftsmanship passed down through generations. Rooted in narrative and artistry, the collection reflects RAO HOME’s commitment to authenticity and cultural storytelling: understated palettes, tactile textures, and subtle geometry brought to life through traditional Indian weaving techniques.
Each piece is a collaboration between design and heritage, a visual conversation between Suhasini’s Indian roots and the modern sensibility that shapes much of Samuel’s Welsh creative influence.
Launching initially as a digital first homeware brand, RAO HOME aims to make sustainable, thoughtful, and design led craftsmanship accessible to a wider audience. Every product carries the brand’s core values: authenticity, integrity, sustainability, and passion.
In the founders’ words: “RAO HOME has been built from a place of love, passion, identity, and connection. ‘In The Beginning’ represents our starting point: an introduction to the heritage crafts and design principles that will define our journey. This launch marks the beginning of a brand shaped by culture, intention, and modern craftsmanship.”
The “In The Beginning” - Jaipur Collection will be unveiled online on 1st December, accompanied by a digital campaign revealing the artistry and story behind the pieces.
RAO HOME invites design lovers, collaborators, and customers to celebrate the start of a brand that blends cultural heritage, considered design, and modern craftsmanship for the contemporary home.
About RAO INTERIORS
RAO INTERIORS is a high end interior design studio dedicated to transforming houses into beautifully curated homes. With a focus on elegance, functionality, and timeless design, we work closely with clients to craft interiors that reflect their individuality. We believe that every space should feel both inspiring and livable. We combine creative vision with meticulous attention to detail, ensuring that every element comes together in perfect harmony. At RAO INTERIORS, we pride ourselves on sourcing high-quality materials and collaborating with trusted artisans and suppliers to deliver results that are both beautiful and enduring. We understand that interiors shape how people live. That’s why we take the time to listen and bring each client’s vision to life with creativity, precision, and warmth.
West One Bathrooms, the UK’s leading luxury bathroom specialist, is delighted to announce the launch of the Wall&Deco 2025 collection - a new series of innovative waterproof wallpaper patterns that continue to push the boundaries of creativity and design in the modern bathroom.
Over the past decade, West One Bathrooms has seen a significant rise in clients incorporating wallpaper within bathrooms. Once considered unconventional, waterproof wallpaper has now become one of the most exciting design movements in interior architecture. Its unique blend of durability, texture, and personalisation offers a warm and expressive alternative to traditional tiles.
“Bathroom design has evolved far beyond functionality,” says Duncan Waters, Managing Director at West One Bathrooms. “Clients want spaces that feel luxurious and personal. Waterproof wallpaper allows them to inject individuality and warmth, while still maintaining complete practicality.”
The Wall&Deco 2025 collection introduces a new range of designs from bold artistic statements to subtle, nature-inspired textures, all engineered for wet environments through the brand’s patented WET System® technology. This ensures resistance to moisture, humidity, and direct water contact, making it suitable for use even in shower enclosures.
At West One Bathrooms, the demand for decorative, design-led surfaces continues to grow, reflecting a shift toward interiors that feel more bespoke and experiential. Waterproof wallpaper has become a favourite among designers seeking to balance beauty and performance.
“Tiles will always have their place,” adds Duncan, “but wallpaper allows for freedom of expression, it transforms bathrooms into true extensions of personal style.”
About West One Bathrooms
West One Bathrooms’ remains family run, currently in its third generation, their experience in the industry allows for outstanding guidance and sourcing for the most beautiful bathrooms worldwide. With unequalled access to the world’s leading bathroom brands, our portfolio extends to more than 750 global brands and covers thousands of products across the spectrum from the most exclusive and unique, to affordable and high-quality essentials. With a dedicated contracts team for architects, interior designers and contractors, they have the ability to offer the trade an exclusive end-to-end solution service that’s tailored to each client. West One Bathrooms’ portfolio extends through countless global projects, in residential, commercial, hotel, aircraft and luxury yachts, priding themselves on a highly professional and discreet service. The vast product selection also ensures that all requirements can be catered for and shipped worldwide.
Pedrali, Italian manufacturer of contemporary design furniture for contract and residential environments, took part in the 63rd Salone del Mobile.Milano, the leading international event for the design industry.
Pedrali unveiled nine new collections for indoor and outdoor spaces, including brand new collections and extensions of existing families. These creations are the result of meticulous research and collaborations with renowned Italian and international designers. A family business story that began 62 years ago, a 100% Made in Italy philosophy, concretised in the control of the entire production chain within the Headquarters in Mornico al Serio (Bergamo) and the production unit dedicated to wooden furniture manufacturing in Manzano (Udine). The latter celebrates its 20th anniversary this year, demonstrating the company’s commitment to processing and production of high-quality wooden furniture.
The #PedraliShiftingPerspectives stand, designed by the Milan-based DWA Design Studio, is inspired by the Case Study Houses Program, an American research movement born to explore innovative, functional and sustainable housing solutions.Today more than ever, we are driven to reflect on how architecture and design can evolve in a sustainable and innovative manner to meet the challenges of tomorrow. From this perspective, creating spaces that are welcoming, harmonious and in sync with everyday living needs becomes truly essential.
The stand takes about 1000 sqm on a strong architectural dimension, developed around distinctive formal elements re-interpreted in a contemporary key. #PedraliShiftingPerspectives is both a tribute to the past and a nod to the future.
An architectural grid made of beams and pillars creates a precise geometric pattern, while a flat ceiling emphasises a horizontal development of space, creating a continuous and harmonious visual perception of the stand. Some lower portions of ceiling contribute to creating cosy and intimate areas, evoking a sense of homely warmth.
The layout is fluid and dynamic, defined by partition walls that remove perception of enclosed spaces blending indoor and outdoor and, unveil in backlight new perspectives. The architectural elements of the stand converge without ever touching, lending depth and lightness to the structure. Solid elements and semi-transparent walls seem to filter the daylight, creating dynamic patterns that accentuate the sense of continuity between rooms. This contemporary approach of the space perfectly lines up with Pedrali’s vision, which has always been a promoter of design that blend aesthetics, functionality and well-being, through families of products designed to seamlessly furnish both indoor and outdoor spaces, creating fluid and continuous harmony.
In 1963, open spaces inspired Mario Pedrali to produce his first forged iron collections for outdoor use. With a view to pursuing and guaranteeing the mixture of environments, Pedrali’s outdoor collections have the ultimate goal of bringing the same quality and care to the outdoor as indoor environments.
The green project enriches the space by enhancing the link between humans, nature and architecture, creating living spaces designed to promote the well-being of people. Carefully selected lush, exotic plants fit seamlessly with the architectural structure, creating fluid continuity between the outdoor and indoor environments. Their sculptural three-dimensionality adds character and personality to the spaces, establishing a harmonious dialogue with the structure that houses them.
Brown-coloured beams and pillars serve as a highly graphical element, contrasting with neutral grey walls featuring the essential aesthetics of concrete, the contemporary material par excellence. The presence of wood softens the visual impact, balancing industrial rigour and warm atmospheres.
Each colour variation is a tangible sign of a change in atmosphere, in which surfaces and materials are repeated, giving a sense of uniformity and continuity along the path, creating a fluid and consistent experience. Pedrali collections, the protagonists of the space and the common thread of the entire setup, are placed on raised platforms and highlighted through more intense and bold notes of colours.
In order to pursue the sustainable philosophy that has always guided the company, attention was paid to the selected materials, the optimisation of raw material consumption, resource rationalisation, material reuse/recycling, and disassemblability in the design phase of the stand. Furthermore, all elements used within the stand were designed to be disassembled and reused, thereby maximising the durability and sustainability.
This year, for the biennial Euroluce 2025, held at the same time as the Salone, Pedrali also showcased two new lighting collections. Kawara is a lighting collection resulting from the collaboration with Japanese designer, Yusuke Kawai. Kawara takes its name from the traditional Japanese tile that adorns the triangular roofs of sacred buildings in Japan. Kawara is available as pendant, horizontal, or vertical, as well as floor version. What makes this product very versatile is the option to choose between a single continuous element in extruded aluminium — giving the product a technical, clean, and essential appearance — or adjustable modules connected by small joining rings to allow precise light direction creating a more playful effect. The grooves running along the rounded back add elegance to the piece, introducing a refined aesthetic detail. These combinations allow light to be directed towards the table, ceiling or angled at 45°, offering tailor-made solutions for any setting. The LED strip with dimmer allows the brightness of the lighting to be adjusted, adapting it to a variety of needs and creating the right atmosphere in any space. Through the combination of elegant design and exceptional modularity, Kawara fits seamlessly into both residential and commercial spaces, creating unique layouts that explore the art of creating light and shadows in rooms. Filicudi, on the other hand, is the new practical and functional rechargeable lamp designed by Andrea Pedrali. Suitable for indoor and outdoor environments, Filicudi is made of an extruded aluminium column and a polycarbonate diffuser and it is distinguished by compact proportions and minimalistic style. The column is featured by subtle grooves that add depth and visual appeal. The LED light source can be dimmed to three brightness levels via a touch sensor control. The lamp easily separates into two pieces. When the diffuser is charging, the column of the lamp transforms into a watertight flower vase that becomes a versatile object. Filicudi is provided with a multi-charging system: the diffusers can be stacked using magnets to charge up to ten pieces at the same time, without the use of external cables, saving space in commercial environments.
The first room that welcomed visitors to the stand reflects a residential context, in which the reflective ceiling is lowered and abstract installations come to life on the walls, creating a cosy domestic ambience. Opale, designed by Patrick Jouin, takes centre stage in this scene, featuring a fluid and accurately balanced design. Its shapes are soft and organic. Each line ensures continuity and aesthetic harmony: the junction of the leg, in solid ash wood or walnut, armrest and backrest forms a subtle joint that defines the core of the chair’s silhouette. The seat offers outstanding comfort thanks to the elastic belts. The backrest and armrests, made of injected polyurethane foam, ensure balanced proportions. The feature of Opale is the functional handle integrated into the rear of the backrest, that blends into the armchair’s silhouette, enhancing its three dimensional look. Lightweight and easy to handle, Opale is the perfect solution for elegant residential and hospitality spaces, thanks to its discrete yet eye-catching look. Opale armchairs take their place around Frank table by Robin Rizzini, in a glossy finish, inspired by architectural shapes and industrial materials. The structure on which the top rests is made up of two slightly curved die-cast aluminium bases with variable thickness. The bases taper towards the bottom, reaching the ground in a less accentuated curve and are connected by a sturdy steel beam, placed under the top. Frank table has been selected for the ADI Design Index 2024 and is competing for the Compasso d’Oro 2026. The new Kawara lighting, available in both horizontal and vertical pendant versions, help create the atmosphere.
The second space recreates a large outdoor scenario defined by various spaces and the luxuriant use of greenery. Backlit slatted walls create a sense of continuity with the outside, adding depth to the set. The new Lamorisse outdoor lounge & sofa, paired with Buddy coffee tables by Busetti Garuti Redaelli, create a cosy open-air sitting area. Designed by Cazzaniga Mandelli Pagliarulo, the new outdoor lounge collection, is characterised by the contrast between the sober shape of the supporting frame and the rich enveloping soft cushions. The lightweight and stackable frame in extruded aluminium, with oval legs welded to round tube armrests, holds a large and enveloping cushion. The seat is supported by elastic belts to ensure maximum comfort and exceptional strength. The covers for both seat and backrest are removable and linked together by a zip for easy maintenance and cleaning. Lamorisse outdoor armchairs, on the other hand, are arranged around the Anemos table by Pio & Tito Toso, distinguished by simple yet architectural shapes. Its distinctive feature lies in the base, composed by two separate aluminium shells secured to the top, that take on a flexible and sinuous shape through a double curvature. The top is in a clay textured finish that, matching the base, gives the table an elegant look, making it perfect for both indoor and outdoor settings. To add a touch of light, Filicudi by Andrea Pedrali is placed on the table. Twiny rug, designed by DWA Design Studio, adds a contemporary touch. The collection includes two different patterns, both in twill and defined by a discreet graphic sign, one striped and one diagonal. The rug background in neutral shades of sand is divided into two tone-on-tone sections, one lighter and one darker. The rugs are made from cord obtained by weaving a polypropylene yarn, which is strong yet soft and completely recyclable, ensuring a very high level of performance when placed outdoors, guaranteeing resistance to sunlight and weather, easy cleaning and maintenance. Lamorisse lounge and two-seater sofa are now elegantly arranged around the Caementum single-piece concrete tables, designed by Marco Merendi & Diego Vencato. Presented in a glossy olive green finish, these tables are also available in beige, yellow, brown, bright green, and blue, as well as in a matte terracotta or grey concrete option. The wireless rechargeable Giravolta lamps by Basaglia Rota Nodari complete and illuminate the scene.
The new Griante collection, designed by Cazzaniga Mandelli Pagliarulo, is the leitmotif of the third set, creating two fluid interconnected spaces, one outdoor and one indoor. Griante reinterprets the concept of woven seating through a design that combines traditional craftsmanship and industrial production. The collection includes two versions: one designed for indoor and one for outdoor spaces. The latter is the company’s first wooden chair specifically created for outdoor use, drawing from the origins and know-how of the Manzano (Udine) factory. Both options include a chair, an armchair, and a lounge version. The frame of the outdoor version is made of teak, a refined variety of wood characterised by warm tones that is weather-resistant, while the indoor version is made of ash wood; both materials are FSC® C114358 certified. The main feature of Griante is the handwoven seat and backrest made in Italy, with a fully recyclable polypropylene yarn belt with a soft, three-dimensional texture, ensuring comfort and weather resistance. The colours of the weave give to the chair an accurate aspect that evokes natural landscapes. The woven pattern is characterised by the repeated use of geometries of squares, that highlights the generous proportions of the seat, creating a sophisticated and welcoming look. With its timeless design, Griante shows attention to detail in every aspect: the cylindrical legs are turned, and the oval shaped armrest is tapered where it joins the back leg. The aluminium frame provides support for the seat. The outdoor area is characterised by concrete-like walls and floors, it features sculptural greenery that blends with the architecture and a low slatted ceiling recalling a pergola. Here, Griante armchairs are arranged around Anemos table in an outdoor concrete finish, featuring a tactile texture.
The interior space is marked by the use of wood and wall-hanging installations. Matched with Griante chairs is Anemos table, with glossy finish and oval top, illuminated by the horizontal pendant Kawara lighting. To the side, Blume Sideboard, the new piece of furniture designed by Sebastian Herkner, finds its space. Blume Sideboard echoes the sophisticated flower-shaped profile in extruded aluminium of the homonymous collection. Blume Sideboard combines storage capacity with the ability to define or divide spaces with elegance and versatility. It features four curved plywood ash wood or walnut veneered doors combined with extruded aluminium legs in a variety of anodised or power coated finishes, in addition to a composite marble or high pressure laminate top. With its elegance, it helps define a relaxation area within the space, where Ester Lounge armchairs by Patrick Jouin, distinguished by soft and generous shapes, and Blume coffee table, also designed by Sebastian Herkner, are placed. Ester Lounge is made of injected polyurethane foam with elastic belts. Proportions have been conceived to gracefully accommodate a wider, cosy seat, on which rests a comfortable cushion, and a backrest with a curved, enveloping design, while retaining the collection's distinctive identity.
Continuing, visitors approached a living room which features Jeff by Patrick Norguet, a set of miniature architectures in polyurethane foam, skillfully combined to create a modular and reconfigurable sofa. The main feature of Jeff is its harmony of volumes: the squared backrest pairs with a delicate seat to soften and give balance to the whole structure. New and more compact sized modules for contemporary requirements were launched at the Salone del Mobile 2025, still offering comfort and functionality: a linear module, a footstool and 90° corner unit. Featured by an oblique backrest, the corner unit harmoniously optimises the space. Here, we also find Héra lounge by Patrick Jouin. Made of ash wood, its backrest in curved solid wood is defined by an enveloping and sculptural band ends in rectangular legs with radial angles. The polyurethane foam seat supported by elastic belts maximises the sense of cosiness. The layout also includes Caementum table by Marco Merendi & Diego Vencato and Diego side tables by Jorge Pensi Design Studio. Lightweight and agile, its design offers maximum flexibility and adaptability. The die-cast base and the extruded stem are made of aluminium. The base comes with four spokes, with the front two being asymmetrical to the rear ones, allowing the table to be positioned as close to the seating as possible. These details make it ideal for working while sitting on a sofa or relaxing in an armchair with a cup of coffee. The steel tube column confers stability, while the knob enables a simple and intuitive adjustment. The HPL tabletop, with its trapezoidal shape with rounded corners, can either come in the same colour of the base or in a different finish. Blume Sideboard adds further refinement to the setting, illuminated by Kawara pendant lighting, presented in an elegant configuration with different modules.
The route is interrupted halfway by the Pedrali Materials Library, an immersive architectural experience developed as a very large square table split into sections housing coloured surfaces and samples of materials whose shapes seem to trace the contours of an urban landscape. Each square features micro-architectures made up of various elements, where industrial rawness meets organic softness in a perfectly balanced material dialogue. As you navigate through the space, materials transform before your eyes. Textures shift, and colours evolve, creating a constantly changing atmosphere, just like wandering through bustling streets where everything flows, merges, and reshapes. The Filicudi lamps, arranged on the table, light up the scene like city streetlights, accentuating the abstract perception of watching a city from above. In the middle, a palm introduces a green element, evoking the link between architecture and the environment, emphasising a design ideal in which materials and nature coexist in harmony.
The fifth set evokes the atmosphere of an elegant dining room, featuring Rizz table by Robin Rizzini, in a glossy finish, matched with Héra Soft armchairs by Patrick Jouin. Rizz is a table that ensures strength and lightness at the same time. The four tapered die-cast aluminium legs are the distinctive design element of Rizz. From a triangular section facing outwards, they gradually vary their curve as they continue downwards, tapering into a round section to rest elegantly on the floor. The legs are featured by a sinuous curve directed towards the centre of the table top and connected to a hidden support frame, to ensure aesthetic lightness and maximum stability even with large tops. With ash wood or American walnut frame, Héra Soft is characterised by an elegant and ergonomic backrest made of injected polyurethane foam. The wide seat is made of polyurethane foam supported by elastic belts to maximize the comfort. The oval-shaped solid wood legs accommodate the curved and enveloping backrest and express the attention to detail. The horizontal pendant Kawara lighting illuminates the table, while Twiny rug adds character to the space. To the side, Ila armchairs by Patrick Jouin and Blume coffee table by Sebastian Herkner create a more intimate and cosier corner. Kawara lighting is also included in its floor version. The elegant and high-quality Ila lounge armchair is defined by a strong personality, expressing utmost comfort, softness and sensuality. The smooth, taut exterior in hard polyurethane almost cocoons the user in its large volumes, allowing a moment of relaxation and escape from everyday life. This sense of protection is augmented by the inner side of the backrest and seat in flexible polyurethane foam, which adapts to the human body and envelops it just like a soft embrace. Ila’s versatility lies in the possibility of choosing a geometric and swivelling central base in the shape of a cone section or a four-legs steel tube or solid ash wood frame available in different colours and finishes. Moreover, the version with a large headrest accentuates the sense of escaping from everyday life.
Concluding, the last area recreates an outdoor patio which features the new Coney collection designed by Mandelli Pagliarulo, that combines functionality, comfort and a highly graphical visual impact. The signature features of the family, which includes side chair, armchair and lounge version, are its clean lines and visual lightness. Coney is a mono-material seating made of curved and strong tubular frame. The seat and backrest create a three-dimensional support, ensuring structural solidity and ergonomy. The vertical slats of the backrest, moulded and shaped from metal sheet, create a distinctive pattern together with the horizontal ones of the seat. Here, Concrete tables with a grain concrete base by Pio & Tito Toso and Filicudi lamp by Andrea Pedrali are also placed.
These six settings come to life around a central courtyard, split into various areas: an outdoor terrace, a bistro and a lounge which also doubles as an arena.
Here, we find numerous Pedrali collections, including Nemea by Cazzaniga Mandelli Pagliarulo, which ten years after its debut in 2015, is now presented in a new American walnut version. Nemea is a seating collection made of solid wood legs and plywood backrest, recalling the idea of classic gracefulness shaped by time and history. The American walnut version thanks to its sophisticated grain and enveloping character, enriches the collection adding warmth and elegance. Nemea is also available with a seat woven in cellulose rope, introducing a natural surface that is pleasant to the touch, or with an upholstered seat and backrest, ensuring greater comfort.
The space is further enriched by the Lamorisse Wood armchairs by Cazzaniga Mandelli Pagliarulo, Buddy pouf collection and Buddy Oasi sofas by Busetti Garuti Redaelli, Hevea by Victoria Azadinho Bocconi, and Diego side tables by Jorge Pensi Design Studio. Completing the setting are Laja 2 armchairs by Alessandro Busana, Stiel armchairs, and Blume tables by Sebastian Herkner. There is also space for outdoor collections: Nolita Sofa and Nolita Relax by Mandelli Pagliarulo, Philía side chairs and armchairs by Odo Fioravanti, Caementum tables by Marco Merendi & Diego Vencato, Guinea armchairs by Cazzaniga Mandelli Pagliarulo, and Elliot tables by Patrick Jouin.
About Pedrali
Pedrali is an Italian company that produces contemporary chairs, tables, furnishings and lamps for contract and residential. The collection is the result of a careful and accurate research aimed to create functional and versatile industrial design products made of metal, plastic materials, wood as well as upholstery. Furniture exclusively manufactured in Italy through a design process which combines tradition and innovation, engineering excellence and creative brilliance. The “100% Made in Italy” philosophy becomes real through the internal production in the headquarters of Mornico al Serio (Bergamo), where the automated warehouse designed by architect Cino Zucchi is based, and in the wooden furniture factory in Manzano (Udine).
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