Autumn is here again and the daylight is softening across London as the city dons its beautifully crisp hues. In Katharine Pooley's Studio the arrival of this season sparks a renewed focus on cosy textures and warmth in all its forms. This time of year also evokes reflection: on journeys taken, on the spaces we inhabit and on the small, considered gestures that transform a house into a home.
The Walton Street Boutique is welcoming the season with a subtle in-store transformation and the launch of our Autumnal Edit. My window display captures the deep russets of fallen leaves and the muted glow of early dusk, spotlighting a selection of exquisite new treasures that have just landed.
In celebration of 'Wool Month' and British craft, we have highlighted some beautiful soft furnishings (and sheep!) to honour this wonderfully sustainable material and the artisans who bring a sense of heritage to every piece.
While the season may be slowing down, our pace certainly isn’t. This autumn, my team is travelling across the US, Middle East, and Caribbean, with highlights including unveiling The Study at the Kips Bay Decorator Show House in Dallas. A sophisticated palette of deep blues and warm ochres defines this elegant space, where classical references meet modern craftsmanship. I can't wait to share more next month.
Be sure to pop into our Walton Street store and discover a carefully curated collection of delights from bespoke, one-of-a-kind cushions to luxurious living room accessories - each has been handpicked for our discerning clientele both locally and online. As always, my hope is that this season offers you moments of inspiration, comfort and delight. May you find pleasure in slowing down and observing the beauty in your surroundings.
About Katharine Pooley London
Recently named ‘British Interior Designer of the Decade’, ‘International Designer of the Year in Asia’ and ‘Entrepreneur of the Year’ Katharine Pooley has in a short space of time become one of Europe's leading designers. Her portfolio encompasses a multitude of interior styles and architectural genres and her design ethos is one of luxurious eclecticism. No two projects are ever alike, but they are universally beautiful and timeless.
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Design isn't built on materials alone, it is carried by structure, rhythm and refinement. When we discuss architecture it’s not usually the scale of a space that grabs our attention, but more the details. A shadow line, a repeated curve, a restored edge - these decisions we make when we are scheming is what gives a building impact. The following is a breakdown of four architectural elements that Katharine Pooley focuses on when designing: choices that shape how a space performs, ages and ultimately how it resonates.
The line where the wall meets the ceiling is often overlooked, yet a well-chosen cornice can do wonders for a room. Sitting quietly at the top of the room, it can soften the transition, draw the eye upward and add to the room's presence. A clean, linear shadow gap in a modern home or an ornate plaster profile in a period property, giving thought to this detail can anchor a room in its time or gently blur the boundaries between eras. Let it frame your space like a punctuation mark: subtle, precise and with intention.
A staircase has a certain presence within a home: the rhythm of the treads, the grip of the handrail, and the light that can slip between the steps are all small things that shape how we live and how we move through our home. In older homes, staircases are often the spine of the house and beautifully worn by generations. In contemporary spaces, they can float, twist, or fold like paper. But in every case, they should invite touch, lead the eye and guide you from one moment to the next.
To preserve is not to freeze. Inherited or newly introduced, heritage details give a building texture and continuity. Heritage is realised in countless ways, it can be a ceiling rose retained during renovation, a tiled hearth carefully repointed or a set of internal doors restored rather than replaced. Retaining the heritage of a building is less about preservation for tradition’s sake, and more about honouring what came before. These elements bring soul to a home and remind us beauty is often something you live with, not just something to add. Preserving heritage grounds a space in its past while allowing it the flexibility to evolve with its residents.
Wall panelling speaks softly but has a strong impact. The repetition and depth that panelling introduces can completely shift a room’s proportions. From traditional wainscoting to oversized grid layouts, it invites tactility and texture and offers structure to otherwise blank surfaces. In contemporary work, we often pare it back, think wide panels with minimal joints to allow the shadow play and tone to do the talking.
A fireplace is usually the focal point of a room and a place where design slows down and gathers. In any type of home the treatment of the fireplace tells you how the space wants to be read. Think a reclaimed surround with layers of paint removed by hand, or a monolithic stone slab cut with precision - the fireplace makes a statement and draws attention without needing to shout. It can centre a room or divide one, invite conversation or contemplation. Even when unused, a well-resolved fireplace carries weight and should never be overlooked.
At its core, design is not just about visual beauty it’s about creativity and the quiet stories behind the details. Cornicing, panelling, staircases, fireplaces, heritage elements - each of these elements plays a role in shaping how a home feels and functions. These are not decorative flourishes, but decisions that define how a space holds time and how it endures. It’s this same philosophy that underpins our recent partnership with Bold & Reeves. A shared commitment to homes that are not only masterfully designed, but continually cared for as our belief is true luxury isn’t just one moment.
It is often the smallest spaces that speak the loudest. A bedside table may seem purely practical but styled thoughtfully it becomes complimentary to our daily rituals. Katharine Pooley explores how to elevate this intimate corner of the bedroom. From lighting that softens the room to the tactile details that ground your evening routine, consider this your guide to styling with purpose - refined, functional and beautifully lived-in.
Lighting sets the foundation for a well-styled bedside table. A lamp should do more than provide illumination, it acts as an anchor that helps to frame the space. Consider both scale and material when making your selection: a lamp that is too large will overwhelm a small table and look too busy, but too small and it loses presence.
A bedside table is a practical surface so it must be able to accommodate everyday essentials while still remaining calm. A small, elegant tray or box can hold loose items like reading glasses, medicine, lip balm or jewellery, reducing clutter and creating a sense of calm. This is particularly useful in guest rooms where an uncluttered surface feels welcoming and considered.
The qualities of a bedside should speak to the room’s palette. Think aged brass next to raw ceramic, linen-bound books against a marble tabletop. Materials should contrast gently - creating tension without chaos. A balance of matte and reflective finishes adds depth and draws the eye without overwhelming the view.
A framed photograph, a handwritten note, a scent that reminds you of somewhere beautiful, these small markers turn the ordinary into something quietly sacred. Whether it’s a sea-polished stone from a long-forgotten holiday or the lingering trace of a favourite candle, personal touches build an atmosphere of comfort. The bedside isn’t entirely designed for display like other spaces, it’s a private landscape and a still life composed for one. It should hold the things that calm you and move you, gently guiding you into rest.
Careful proportions or balanced or deliberately off-centre, a bedside table can be either depending on the mood you want to create. A symmetrical setup either side, perhaps a matching pair of lamps and other aligned objects, feels formal and grounding. Asymmetry, on the other hand, invites a more relaxed, lived-in character: a candle offset by a low stack of books, a solitary object with presence. Trust your eye to create rhythm and flow.
There is a certain romance to collecting wine – the way the bottle evolves with time, the memory of the vintage year and waiting for the right moment. Designing wine storage and its respective rooms is in many ways a reflection of the same elegance. It requires a patient balance between functionality and style. As a studio, Katharine Pooley has designed wine rooms and cellars for countless properties: London townhouses, Mediterranean villas, Provençal estates and Swiss ski chalets. Each has been a practice in crafting something deeply personal and rigorously exact.
Wine, like interior design, is sensitive to its surroundings; Humidity, temperature and light become as critical as colour palette, texture and proportion to the final product. Creating these bespoke storage spaces across the world means a thoughtful exercise in crafting a space where details like materials, technology and spatial planning all work in tandem.
In a hot and humid environment, it’s about concealed cooling and natural materials that breathe with the environment. In an inner city penthouse, sculptural glass and precision-engineered humidity control is the way to go. I love designing these rooms, it’s a joy to craft spaces where craftsmanship and expertise meet and the rooms age as gracefully as the bottles they hold. Here are my top considerations for designing wine rooms.
Wine rooms are no longer relegated to shadowy corners of traditional basements, the modern cellar has emerged over the years to become a centrepiece of luxury residential design. This is a reflection of the ever-expanding cultural reverence of wine and the rituals we appreciate that surround them and so, the spaces need to reflect the inhabitants.
I am seeing an increase in the requests for additional seating, wet bar and audio facilities as people want to spend extended time, and entertain in these rooms. In one of my South of France projects, I integrated a ‘tasting room’ above the storage cellar itself at the clients request. I included lots of fun touches like a vine-draped bespoke chandelier and generous comfortable dining chairs at a round tasting table to create a warm and inviting atmosphere. I paired all of this with functional elements like climate control and multiple areas for glass and server storage.
Fine wines demand specific conditions to age gracefully. A consistent temperature sits ideally between 11-14°C, controlled humidity levels should be around 60-70%. There needs to be minimal light and a vibration-free environment. Translating these technical requirements into something aesthetic is the challenge designers now embrace with increasing ingenuity.
A contemporary wine room is now often integrated into the main living space and sometimes visible through glass enclosures or showcased like artwork. I love transparent glass walls framed in a classic metal like bronze or steel – it should feel like an extension rather than an afterthought and mirror the home’s broader material and design vocabulary.
Materiality plays a crucial role in the performance and atmosphere of a wine room. Wood, particularly mahogany and redwood, has long been a preferred choice for racking due to its resistance to mould and moisture. However today’s designs frequently incorporate materials like blackened steel, smoked glass, travertine, and even poured concrete to achieve a more contemporary effect.
Lighting is another element where design and functionality converge. LED strip lighting is favoured not just for its low heat emission, but for its ability to dramatise by casting long shadows through bottles and creating a sense of allure. Custom cabinetry often includes modular racks for standard Bordeaux bottles, larger format magnums, and the increasingly popular Burgundy and Champagne shapes.
In this age of wine appreciation the cellar is no longer just a place for bottles to age and collect dust. These spaces can be beautifully orchestrated, and a beautiful blend of history, atmosphere and design. Every detail, like a well aged Barolo, tells a story worth savouring.
This week’s instalment of the Project of the Week series features a luxurious residential villa design by 2022 SBID Awards Finalist, Emara Design.
We still remember the joy of the customer and his family when they saw the design; only then did we feel that we did what we had to do. Emara Design worked on the architectural design and the interior decoration of a residential villa with a 250 m2 total floor area in the heart of the Dyar park compound, which consists of a reception space, a living area, a master bedroom, and three bedrooms for children. We used natural materials such as wood and marble and mixed them with warm lighting in addition to using simple straight lines on the ceiling that gives a sense of luxury mixed with warmness. Our philosophy is that design is not just a piece of art but it should represent the house owner and meet his needs.
SBID Awards Category: Residential House Under £1M
Practice: Emara Design
Project: Villa El-Atik
Location: New Cairo, Egypt
The client’s requests of the re-design of the villa were so that it contains 3 bedrooms for the children and the expansion of the living area on the last floor, as well as creating a roof garden for summer sessions and barbecues.
One of the most important requests which the client focused on was the use of natural materials such as wood and marble with the addition of luxury and warm lighting in the place.
After some sessions and discussions with the client, we have agreed on using marble on the floor and on some walls and bathrooms, and grafting wood in the ceiling and on walls with hidden warm lighting which gives a sense of warmness for the family members.
The use of large glass surfaces in the main reception area on the ground floor overlooking the landscape gives a sense of spaciousness and visual connection with the landscape of the villa and the compound.
One of the most important parts that we have taken into account is the use of technology to achieve a sustainability criteria. From the use of the power generation system to solar cells and the use of the smart systems to control all power sources, to water sprinklers and irrigation of trees and grass in the garden, where Smart systems work according to set times of the day to save energy and reduce electricity consumption.
The smart systems also helped solve the customer’s problem of traveling abroad. He can fully control the villa and the garden through an application on his iPad. He can not only control the power and the garden, but he also has full control of the surveillance cameras and door locks.
Questions answered by Ahmed Fathi, Designer, and Osama Eltaweel, Site Engineer, Emara Design.
We hope you feel inspired by this week's design!
If you missed the last instalment of Project of the Week, featuring a unique bar design by Adam Hunt Ideas and Gemma Lin, click here to read it.
This week’s instalment of the Project of the Week series features a luxurious hotel suite design by 2022 SBID Awards Finalist, Kristina Zanic Design Consultants.
Kristina Zanic Consultants has designed a royal welcome for guests of the presidential Amiri Suite at St Regis Kuwait hotel. Newly rebranded from its previous Sheraton brand, the property has been the hotel of choice for royalty, diplomats and celebrities in the Middle East since 1966.
The Amiri suite features a 450sqm area that includes a reception area, lounge, dining/ boardroom, meeting rooms, master bedroom and bathroom, walk-in wardrobe, gym, barber/hairdressing station and spa suite.
A striking palette of royal blue and cream greets the guest. Blue accents in the furniture, art, carpeting and wall panels add the right amount of 'oomph' to the otherwise restrained palette.
Brass fretwork together with lacquered wall paneling and a sunburst timber detail create a luxury residential ambience. A bespoke embossed leather headboard offers the perfect backdrop in the bedroom, serving as a neutral but richly textured piece of art. The flooring features a multitude of luxury material and patterns, basket-weave timber parquet, bespoke carpet designs, and layered inlaid marble tile.
Sophisticated furniture with rounded forms, rich fabrics and accessories blend luxury with comfort and practicality, reflecting an attention to detail and personal touch. Bespoke crystal chandeliers layer on the luxury, while art pieces play with abstract geometric and arabesque graphics, with no two pieces alike.
The result is an elegant space, with a restrained neutral base palette with injections of colour, and quiet opulent finishes.
SBID Awards Category: Hotel Bedroom & Suites Design
Practice: Kristina Zanic Design Consultants
Project: St Regis Kuwait – Amiri suite
Location: Kuwait City, Kuwait
The Sheraton hotel in Kuwait was very much in need of a makeover due to its very outdated interiors. The client was looking to find the right balance in creating a reinvented luxurious hospitality space while staying true to the hotel’s 50-year heritage.
The property was the first five-star hotel in the Middle East, and has enjoyed landmark status for the past five decades. The design needed to be sensitive to its history and to deliver a high-end luxury interior that would be appealing to its distinguished clientele, while also aligning with its new St Regis brand identity.
We provided the interior design consultancy for the full refurbishment of the hotel. The first phase involving guestroom and suite floor refurbishment was completed in November 2021, and the second phase of refurbishment for public areas of the hotel is expected to be completed in 2024.
The direction we chose was to ‘look back in order to look ahead’. In the 1960s, the hotel defined luxury hospitality in the region, catering to the local high society and reflecting a progressive country to visitors. Working within the new St Regis brand guidelines, we set out to reinforce that position and reflect what luxury means today in Kuwait.
The concept centers on creating a home away from home, a place to indulge in every sense. The aim was to create a bespoke and timeless look, with opulent finishes and classic details in the suites.
The biggest challenge lay in remotely managing the project at the peak of the pandemic crisis. Following initial visits to the site before lockdown, the major part of the project involved lots of online coordination with the client and virtual site visits and material inspections.
We had to be extra careful with monitoring the project and faster with our responses, but thankfully had plenty of support from the client and contractor who regularly shared photos and videos of the site’s progress.
There are a number of features that stand out in this project. The first is the smooth flow that was achieved within the various spaces in the suite, really creating a sense of home for the guest.
The suite also features a generous use of sophisticated materials and finishes, like inlaid marble, leather and timber wall panels, hand-blown crystal lights, and curated art.
The suite’s lavish amenities offer guests the ultimate experience of relaxation and indulgence. Of particular note is the bathroom and spa area that developed into an oasis of luxury and comfort, with double vanities in grey marble, double jacuzzi, grooming station, sauna, spa treatment room, and gym.
It’s always gratifying to get industry recognition for the immense effort that goes into our work, especially a large and complex project like the St Regis Kuwait.
We took a very studied and sensitive approach to the renovation of the hotel, and couldn’t be happier to see our work resonating with the judges.
Being selected as an SBID award finalist among hundreds of entries is really an acknowledgement of the team’s hard work, as well as a fantastic opportunity for international exposure for the hotel.
Questions answered by Lara Elhani, Design Director, Kristina Zanic Consultants.
If you missed the last instalment of Project of the Week, featuring a light and airy kitchen design by Bocchetta Interiors, click here to read it.
In this week's interview with SBID Awards Product Design judge and Founding Partner of Oliver Burns, Sharon Lillywhite shares her approach to creating unique design narratives, enhancing user experience through design, and talks about finding the balance between beauty and functionality.
When we are designing a space, I spend time getting to understand what environment and atmosphere the client wants to create. As Coco Channel once said, ‘An interior is the natural projection of the soul’. To achieve this, our design studio always uses a multi-sensory approach to enhance any surroundings. A powerful design tool to achieve this is colour, which plays a central role in influencing our moods and the atmosphere within a space. In one of my projects for ‘Veterans Aid’ I used colour psychology to transform the existing space into a warm and inviting home for 55 former members of the British military who were in crisis. The result was a warm, welcoming space with elements of discreet luxury that inspires confidence in the residents.
Our designs are born out of a story that either the property or the client wants to tell, making it a space with a unique narrative. This concept drives the requirement for bespoke pieces with the highest level of craftsmanship and design. Our clientele are seeking exclusivity and exceptional quality, and this is where we enlist the skill of artisans and craftsmen to create something extraordinary. From hand-painted wallpapers to embroidered linens, we feel very proud to work alongside these specialists to deliver something truly outstanding.
At Oliver Burns, our ethos is ‘Thoughtful Luxury’, where design goes much deeper than just the aesthetic to reflect deeper values and meaning. The concept of Thoughtful Luxury underpins everything we do. It is reflected in our designs, from the concepts we develop, and is demonstrated in the unique understanding we have of our discerning clients and translated in our vision of client care. From concept to completion, this approach ensures that all of our projects are thoughtfully designed, thoughtfully built and thoughtfully finished.
A space is to be enjoyed and lived in and I don’t believe that there should be a compromise when it comes to beauty and function. If there is a piece that I know will work well aesthetically but may not be the most functional, then I will always try to work with designers to create something bespoke that I know will deliver on both elements.
Make sure that your project stands out and has a unique element to it. It needs to be inspiring and innovative, presenting something that we have not seen before. I am always looking for attention to detail, so make sure that every product and finish counts.
Questions answered by Sharon Lillywhite, Founding Partner, Oliver Burns.
Sharon Lillywhite is Founding Partner of Oliver Burns, a multi-award-winning architectural interior design studio that thoughtfully designs the world’s finest homes. Working across an exclusive portfolio of international turnkey projects, the team has a world- class reputation for bespoke commissions, super-prime developments and elegant spaces that are synonymous with a luxury lifestyle. Their exceptional architectural, creative, and development credentials together with the highest levels of personal service, enable them to act as trusted advisors to discerning private clients, developers and luxury brands.
In this week's interview with SBID Awards Product Design judge and Creative Director at Casa Forma, Carolina Sandri defines contemporary luxury, and shares how approaches to design differs around the world to compliment client lifestyles.
All nationalities have their own culture that shapes their lifestyle preferences, while in university to get my architecture degree I enjoyed reading about people’s history and their cultures, how they lived and worked.
In my studio in Brazil, I learned that Interior Design and Architecture is about much more than designing for aesthetic appearance. It has to consider communication and the key user experience - from how people move around space and interact with objects or people, to how the spaces work according their cultural choices.
When I moved to London, which has been home for me for the past 17 years, I was very proud to be working in the centre point where international design and vision comes together. London is the place where the biggest window to design is!
Most of our clients are global citizens and have homes in many different places, the majority have the same “international” taste when it comes to design, but what we always take in consideration is that, despite having a taste that focuses on unique items of high quality, they are also individual people that have their own cultural preferences that need to be taken in account.
During the years we developed a well-selected supplier database of the best craftsmen and artisans that can bring things from different parts of the world to help us transform our visions into reality. We live in a world where you can go all over and come back with the most amazing materials and fabrics - its remarkable of what we can do.
The most important characteristics that we look for in a product is the superior quality, intrinsic durability, and uniqueness that the product has.
One of the most important steps in the design process is to spend time with the client at the beginning of the project to fully understand the brief, listen to the client’s journey and history so we can be assured that he design decisions that we will help them make along the way are the correct ones.
These decisions are very important as they have the power to influence the users’ experiences and compliment their lifestyles. Through furniture choice and layout, lighting, finishes and acoustic design, we can influence how people will be using the spaces.
Integrating elegance and technology in a well-resolved balance that culminates in a space that is both stylish and usable is contemporary luxury to me. I believe that expectations of luxury are very individual, as each person have their own taste and style, so they also have their own definition of luxury. What may be considered as luxury for one person may not be for another.
Everybody is unique and to ensure a client-driven approach to our projects, we focus on fully understanding the life and needs of a particular space, concentrating entirely on what’s important to the client and their lifestyle.
Trust your vison and listen to learn. We live in a world of inspiration and creativity and if you work with passion, you can create a design that is truly special and will be well recognised.
Questions answered by Carolina Sandri, Creative Director, Casa Forma.
Carolina has more than a decade of experience on the design and implementation of high-end interior design and architecture projects in London and around the globe. She is the Creative Director at the award-winning luxury design studio Casa Forma and is responsible for delivering leading-edge residential schemes for international high-net-worth individuals and property developers. Her passion for design excellence and extensive knowledge in the luxury global market, makes it possible to transform any client’s aspirations into a truly bespoke and luxurious space. Her architectural background gives her a combination of creative design skills with a wide range of technical knowledge.
When thinking of the use of crystal in the home both as an architectural feature and decorative item, there is no better example of its use than at Villa Rene Lalique, the former family home of Rene Lalique and now a 5 star hotel and 2 Michelin star restaurant which celebrates 100 years this year (2020). A celebration and showcase of Lalique from the wine glasses to the door handles, and Damien Hirst artworks lining the cellar can be bought or made bespoke to suit your schemes from Lalique's London boutiques.
By 1920, the Rene Lalique the artist had become a master glassmaker of some renown. He decided to build his new factory at Wingen, having been accorded the right to occupy a plot of state-owned forestry land. The location had two advantages: the village was on the rail network, and there was a local charcoal producer to supply the necessary fuel for his furnaces.
In addition to the land accorded by the municipality for him to construct the factory, René Lalique was also offered a plot on which to build a house. This would enable him to live nearby and supervise the progress of construction work. René Lalique paid increasingly frequent visits to the house in Wingen, while maintaining his apartment in Paris.
Today, the façade has not changed in a hundred years; the shutters are still painted peacock blue. The house reflects the traditional architectural features of Alsace: studwork, wooden balcony, apron walls shaped like curule seats beneath the windows, French windows framed in Vosges granite, and three chimney stacks on the roof. Inside, a living room, a kitchen, an imposing central staircase leading to the bedrooms and René Lalique’s study: an ensemble that constitutes an imposing family residence in classic style.
On 14 February 2008, Mr Silvio Denz purchased Lalique. In 2011, Silvio Denz, who had been aware of the existence of the house in the village without ever having taken a particular interest in it, had a closer look. He found it virtually intact, aside from some minor leaks in the roof. How could he resist its charm? Silvio Denz decided to refurbish the house for his visits to Wingen. But very soon the idea of turning it into a haven of luxury, worthy of the most elegant stately homes, made perfect sense. The bedrooms were transformed into lavish suites, complemented by an excellent gourmet restaurant. What better setting in which to present the world of Lalique? As much as it had captivated Silvio Denz, the project appealed to lovers of fine cuisine and the decorative arts, as well as collectors. The interior was all about “living Lalique”, and doing so in a contemporary context, amidst rare and fabulously beautiful objects.
The Villa, a veritable showcase for the Lalique art of living and savoir-faire, was unveiled to the public on 18 September 2015.
The exterior of the building was restored to its original state, remaining faithful to its appearance in the epoch of René Lalique; the interior was refurbished down to the finest detail to turn it into a magnificent treasure trove. The interior designers Lady Tina Green and Pietro Mingarelli pulled off with aplomb the feat of retaining the authenticity of a family residence while transforming it into a luxury boutique hotel.
Inside the entrance, a selection of crystal pieces from the Lalique collection and new creations from the factory capture the light that enters with the guest, giving a remarkable sense of clarity and purity, the whole illuminated by a magnificent chandelier. This first impression of projected light is an extraordinary experience.
Every detail of the Villa’s interior provides a reminder. From the door handles to the adornments on the armchairs in the lounge, from the cushions of the sofas decked with pieces of crystal to the ebony lacquer of the bar, the view from the dining room to the salon… All is an interplay of light and transparency in the Art Deco style.
To explore Villa René Lalique is to follow in the artist’s footsteps. Six suites are decorated to reflect his various creative periods. The Zeila suite is the sole exception, taking its name from the panther modelled by Marie-Claude Lalique. Guests wishing to spend the night in the bedroom occupied by René Lalique choose the Hirondelles suite, which is reached via a replica of the original black staircase. The Rose suite is decorated in soft powder tones; while Dahlia, with its beige-ivory furniture, is an insistent appeal to relax. All the bathrooms are magnificently decorated,from the made-to measure crystal panels to the crystal taps.
On the second floor, a beautiful balcony belonging to the Dragon suite gives onto the park. The Masque de Femme suite offers spacious family accommodation. This duplex comprises two bedrooms and a salon, a real bijou of the Lalique art of contemporary living.
The five-star hotel, a member of the Relais & Châteaux collection, is run with great commitment and meticulous attention to detail. The renowned Swiss architect Mario Botta designed an extension to the Villa that is an ideal space for a restaurant. It consists of a rectangle of glass, supported by columns of Vosges sandstone, discreetly linked to the hotel’s reception area.
When Silvio Denz was looking for a chef capable of rising to the culinary challenge in this prestigious setting, history smiled upon him once more. Jean-Georges Klein, chef at L’Arnsbourg, where the purchase of Lalique had been celebrated on that fateful evening in 2008, is one of the best French master chefs, holding three Michelin stars for 13 years. In 2014, he decided to leave the family-run restaurant that he owned with his sister. A happy coincidence led him to cross paths once more with Silvio Denz. The chef dropped all his plans to take on a new challenge: launching the restaurant at Villa René Lalique. The gourmet restaurant was awarded two stars by Guide MICHELIN in January 2016, within just three months of opening.
Lalique table settings are the perfect framework for serving dishes of such delicacy. The tone is set by Masque de Femme napkin rings and the replica 1924 crystal pepper and salt mills. Wine glasses and decanters are quickly filled with the finest crus selected by Romain Iltis, named Meilleur Ouvrier de France in 2015, who has worked with Jean-Georges Klein for several years to create perfect pairings of food and wine.
The choice of wine on offer is vast: beneath the restaurant Mario Botta has created a cellar with a state-of-the-art design to house the extraordinary collection of vintage wines amassed by the Denz family.
To travel there now is to immerse oneself in a fabled world of creativity and culinary excellence with crystal at its heart, in the universe of Lalique that is waiting to offer passionate explorers from far and wide the height of excellence.
About the Author
Frederick Fischer is the UK Managing Director of Lalique. Lalique is a French glassmaker, founded by renowned glassmaker and jeweller René Lalique in 1888. Lalique is best known for producing glass art, including perfume bottles, vases, and ornaments
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Art In… announces a new partnership with international award-winning interior designer Dr. Vanessa Brady OBE, CEO of the Society of British and International Interior Design (SBID).
Art In... represents an international portfolio of multi-disciplinary artists and will partner with SBID's Vanessa Brady to provide art for the yacht, hospitality and private homes of discerning clients. Art In… provides a bespoke ‘white glove’ art service. They match the most suitable artist with a client’s requirements in order to ensure a seamless process from the initial design brief and art selection through to delivery and curation.
Art In… says: “The collaboration is a really exciting next step for Art In... In true 2020 style, we started the conversation during the height of the lockdown on Zoom and during our many video calls realised there was a real synergy.
We believe that integrating art at the earliest stage possible in the design process significantly enhances the overall result. Whether we are working with interior designers on a hotel or a superyacht, a private collection for a family office, or a luxury hotel or members club, art should never be an afterthought. The collaboration with Vanesa Brady offers us a real chance to achieve our vision.”
Vanessa Brady says: “It is very important to dress a space with complimentary art to really set off what is often a neutral canvas, art focuses the eye and sets a theme. I would like to see the selected artist and designers coming together with an owner more at the beginning of a project so that the final result is truly a 360-degree design.
Art should relate to the space in which it is installed and the lifestyle of the people using it. It should also link with the function the space is used for, such as a wine cellar, a bedroom etc. making each interior as unique as the owners, their guests and the design. It is important not to leave stylising to chance at the end of a project. Quality art pieces should be considered as part of the overall installation from the concept of the design process.
It is SBID’s role to source unusual providers of interior products that are efficient, as well as beautiful to adorn such exclusive interiors - the final design presentation always requires a very special piece of art to ‘dress’ the design, and so we seek equally adventurous and exclusive partners to provide the broadest selection of art. As soon as we met, we knew it would be a perfect match”.
Cover image credits: SBID Awards Finalist 2020; Rockwell - 15 Hudson Yards
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