Sustainable Silestone® and Dekton® Surfaces Specified at Architect Practice

Multi-disciplinary architectural practice, Studio Power has specified Cosentino’s Silestone® in Arcilla Red from the carbon neutral Sunlit Days collection for a freestanding island and matching flooring at its Salford studio. Dekton® Eter has also been selected for the kitchen area worksurfaces and splashback.

“We explored various materials during the design process and felt that the warmth, earthiness and calmness of the Arcilla Red Silestone® was perfect for the studio island unit. We have always aspired to have a sculptural installation and Arcilla Red Silestone® has done just that! Meanwhile, Dekton® Eter has been perfectly combined with the matt charcoal grey kitchen units to achieve a coherent monochromatic backdrop, which acts as a shadow to showcase the Arcilla Red Silestone® installation to its fullest potential,” says Jyh Lee, Architect at Studio Power.

Studio Power specified Silestone® in Arcilla Red for both the kitchen island and flooring. The island is designed in a 12mm thickness and the flooring, 20mm. This carbon neutral material is made from 20% recycled materials and is a fully sustainable choice. Part of the Sunlit Days collection, it’s a deep and earthy red that adds warmth and a statement look to the open-plan space. A hybrid surface of premium minerals, quartz and recycled materials, Silestone® ’s innovative HybriQ+ technology ensures it is also low maintenance with a high resistance to scratches and stains, making it the perfect choice for this busy working studio.

Dekton® Eter in a 12mm thickness was then selected for the kitchen area worksurfaces with an 8mm thickness for the splashbacks. Fabricated by Bolton-based Signature Splashbacks, this innovative ultracompact surface is made from a mix of porcelain, glass and quartz. It’s extremely scratch resistant, stain resistant, fire and heat resistant with high strength and versatility in its application. Along with residential projects of any size, whether kitchen or bathroom worktops and wall cladding, it can also be used for residential building facades, flooring, furniture and shower trays.

Just like Silestone® ’s Sunlit Days collection, Dekton® is also carbon neutral and combines sustainability with safety and energy efficiency. Dekton® has LEED and BREEAM certifications in environmental and sustainable design along with the highest classification in fire resistance. Part of Dekton®’s Natural collection, Eter is a dramatic black and grey-toned surface material with a contemporary look ideal for Studio Power’s kitchen area.

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Luxury bath and kitchen brand GRAFF and prestigious American industrial designer Stephen Burks present Faucet Fantasy, an artistic installation drawing attention to the importance of water conservation. Burks, known for using artisan and handcrafted influences in his designs, will showcase nine GRAFF faucets in luxurious finishes, reimagined in his signature mix of bright colours with natural and manmade materials.

“Inspired by the graphic flow of water, Faucet Fantasy showcases nine luxurious faucets in a colorful array of handcrafted finishes, textures, and materials,” Burks said. The eye-catching installation generated considerable buzz among the attendees at the unveiling event.

Faucet Fantasy represents GRAFF’s Art of Bath sustainability program. GRAFF is an actively green brand, from using lead-free materials in its products to adhering to zero waste in its lean manufacturing system. The brand is inherently dedicated to water conservation, understanding our most valuable resource’s role in a healthy ecosystem. In 2012, GRAFF raised the bar on eco-standards by automatically including water-saving systems with all bathroom-sink and kitchen faucets, and showerheads. Partnering with sustainable projects worldwide, GRAFF strives to make luxury green.

Founder and President of GRAFF, Mr. Ziggy Kulig, commented: “For GRAFF, quality, design and sustainability, go hand in hand. We look to align with creatives whose own work embodies this same philosophy. We are pleased to partner with Stephen Burks for creating an exclusive sculpture installation. We hope his creation will inspire viewers to do their part in supporting water conservation initiatives.”

Burks’ installation also dovetails seamlessly with GRAFF’s rich heritage of artisanship and craftsmanship in production. “For Faucet Fantasy, we were looking at the idea of bringing the hand to industry and presenting a range of products that give the customer a sense of what’s possible,” said Burks. Together with his studio Stephen Burks Man Made, Burks has been commissioned by many of the world’s leading design-driven brands to develop collections that engage hand production as a strategy for innovation.

As a product development consultant, Burks has worked in close collaboration with artisans and craftspeople around the globe. His work has been exhibited internationally and he has been the recipient of several awards, including being the only African American to win the Smithsonian Cooper Hewitt National Design Award in Product Design. In 2019, he became the first Harvard Loeb Fellow in the discipline of product design and was recently an adjunct assistant professor of architecture at Columbia University’s GSAPP.

Following its unveiling at RNDD, the Faucet Fantasy installation will be on display at Chicago’s Studio 41 home design showroom from September 10th to September 30th and then at the GRAFF Design center at the Mart for Design Chicago.

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This week’s instalment of the Project of the Week series features a contemporary family home design by 2022 SBID Awards Finalist, Designck.

Designck was commissioned to design the interior for this large contemporary new build. Part of this project was the kitchen, wine room and powder room. Robin Caudwell wanted to keep a feeling of warmth throughout the home. His clients have a large extended family and friends and entertain regularly; it was essential to make the home stylish, inviting, and relaxing, that everyone could enjoy. Using a mixture of different textures and tones, with carefully placed statement pieces such as the Titanium Gold Granite Island top, he feels that he has achieved a remarkable outcome for the clients.

What was the client’s brief? 

I was engaged to design several areas of this luxury new build, which included the kitchen, outdoor kitchen, evening room, wine cellar, and powder room. The client is of Asian descent and have regular, large family gatherings, it was important to them that the kitchen was equipped with expansive storage for food, good prep areas and gas in the principal cooking area. Their wine collection needed to be showcased within their evening room. They wanted a warm and inviting powder room for their guests.

What inspired the design of the project?

The anchor for my design was the stunning Titanium Gold granite I chose for the island, and it has become a statement piece within the room. I used Lux board, which I reversed, and utilised the matte side that complements the Laminam in Moro that I picked for the expansive front door and a large fireplace.

What was the toughest hurdle your team overcame during the project?

On this particular project, there was a requirement for several air-conditioning return vents of which we didn’t want to put on show. I came up with a solution to conceal the vents above the cabinetry, extending the height of just the doors to  give the kitchen area a cleaner look without showing the numerous vents required.

What was your team’s highlight of the project?

For me, it was seeing how the different rooms come together with a common theme whilst keeping their individual identities. And as a bonus, when I told the clients that we have been shortlisted for the SBID Awards, they were over the moon.

Why did you enter this project into the SBID Awards?

The SBID Awards are renowned as the pinnacle of the design industry’s awards. It’s one of the few awards that becoming even a finalist is a mammoth effort, and if I was fortunate enough to win, it reinforces why I love this creative industry being recognised for my passion, and time that I have poured into this project.

Questions answered by Robin Caudwell, Principal Designer, DesignCK.

How do your services/offering enhance an interior designer’s projects?

Dornbracht manufactures high-quality designer fittings and accessories for the bathroom, spa and kitchen. Proportion, precision, progressiveness, performance and personality – these are the five design principles that distinguish each of our products. Combined with uncompromising quality, they ensure the longevity and stylistic confidence of the fittings – for many years to come. Furthermore, our curated range of finishes offers numerous design options.

What are the latest trends you’ve noticed in your client’s requests?

The individualisation trend reflects the central principle of the current age: Self-determination and self-realisation, uniqueness and personal freedom of choice are becoming the driving force more than ever. This can also be transferred to the interior sector. Whether with a high-quality mix of materials or coloured elements – our customers expect the greatest possible choice to design their bathroom and kitchen according to their own ideas. We meet this demand with a wide range of products and our x-tra service, which realises special designs.

Questions answered by Stefan Gesing, CEO, Dornbracht AG & Co. KG.

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Founder of Ledbury Studio Charlie Smallbone has stepped back in time for his latest project, creating the beautiful Stroud Kitchen for the owners of a 16th century Cotswolds home. The results speak for themselves – but the quirks of a home built when the first Queen Elizabeth was on the throne nonetheless provided Charlie and his team with a few challenges. Here he talks us through the project.

Why did your clients first approach Ledbury Studio?

Our clients sought us out because they wanted a kitchen that would be in sympathy with the age of the house but that also had a contemporary look. Our projects range from Georgian townhouses to warehouse conversions, so we’re accustomed to striking this balance with many of our kitchens. This is why the owners came to us the minute they’d exchanged on the house.

This is an unusual house, what challenges did it pose?

The original kitchen had a small scullery attached. We knocked through the dividing wall to create one large space for cooking, eating and entertaining. However, the age of the property meant that none of the walls were straight and there were a lot of original features to account for. Plus, the low windows and doors, original brickwork and huge fireplace all had to work in harmony with the kitchen furniture.

How did the layout come together?

We designed the island as the main working area and this houses the hob, prep space and plenty of storage, as well as a breakfast bar. As you stand behind the island, you can see a central dividing wall ahead, which is where the oven housing is situated (see image 4). The sink is in the corner and the fridge-freezer is on the other side of the dividing wall, next to the door to the garden (see image 5). At the other end of the island there are steps down to the utility room and a door into the dining room. Although it’s one large space, there are clearly defined zones of activity in the kitchen

What unites the different elements of the kitchen?

We used a range of finishes so that the various elements of the kitchen have their own identity. However, there is also a unifying theme: they are all designed to look like pieces of furniture. From the island to the oven housing, the fridge-freezer and wine storage, and the sink area – each resembles a bespoke freestanding piece. These include some clever design ideas: for example, to hide the electricity meters, we designed a shallow-depth cupboard (see image 6) that we’ve turned into a feature as a bar area with aged brass shelving above.

Can you talk us through some of the beautiful materials you used?

The ‘Choppy Wood’ carving on the back of the island cupboards and meter cupboard is a signature Ledbury Studio finish. It’s created by hand-carving stained oak to form a textured surface that chimes well with the unevenness of the dark wooden beams in the room.

For the oven housing and fridge-freezer, we selected a patinated copper. The oven housing is visible from the breakfast bar, and there is a small drinks area next to the fridge (see image 7), so both pieces needed to be decorative. However, they are also practical: there is pan storage below the ovens and a large breakfast cupboard and larder sits alongside the fridge-freezer and wine storage (see image 13).

Adding contrast to the dark oak furniture, the sink area is in white-painted oak, while the worktops are Stone Italiana Ambra quartz, an excellent hardwearing choice for the working areas of the kitchen.

And the finishing touches?

To add some glamour, the sides of the island are in Verdigris copper, which ties in beautifully with the oven and fridge-freezer housing. Meanwhile, the worktop on the island is edged in aged brass (see image 9), mirroring the handles used throughout. Finally, possibly my favourite feature, is the aged brass and oak screen (see image 10) that sits beside the stairs to the utility room. It’s for safety, but who says it can’t be a sculptural piece at the same time? Overall, I think the kitchen looks like it has always been there, which was what we intended, but it also adds a large dose of contemporary wow factor!

Ledbury Studio kitchens start from £70,000.

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This week’s instalment of the Project of the Week series features an open-plan kitchen design by 2022 SBID Awards Finalist, Concepts by Gavin Hepper.

What was the client’s brief? 

We were engaged to transform the interior spaces of this new build into an elegant Australian home, reflecting a modern European luxury. To bring a WOW factor, being a family home the kitchen in particular needs to be durable and functional for a large extended family that enjoy cooking and entertaining. The client also requested a specific ‘morning’ zone for a coffee and juice bar, and that the space is able to be occupied by multiple people simultaneously. And where possible, the use of products with a sustainable nature was preferred.

What inspired the design of the project?

Drawing on the materiality elements of traditional European luxury interiors of beautiful marbles and metallic finishes and ornate details, we have then interpreted these materials for a modern Australian lifestyle. With a background in joinery, I wanted to bring a handcrafted bespoke furniture element to the project. Specifying a Neolith Sintered Stone in a modern 12mm profile has facilitated some great detail within the design, working with a family run Australian business with a strong sustainability focus to handcraft the timber features and panels really highlight these elements. Working the design to achieve a balance of the scale of the island, anchoring the kitchen within the open plan living area whilst keeping the rest of the space light and provide a seamless transition and flow throughout the home.

What was the toughest hurdle your team overcame during the project?

Being engaged in the project well into construction of the property set some challenges for us, as there had been several significant oversights that we had to deal with.

What was your team’s highlight of the project?

Collaborating with some great brands and suppliers to deliver such a detailed orientated project, working alongside our team of trades to deliver our clients forever home, having clients that welcome you into their homes with such faith and trust to build a space for them to be able to create new memories with their family in, this is the ultimate highlight on our Oxford Project.

Why did you enter this project into the SBID Awards?

To provide an international platform for great functional and beautiful Australian design.

Questions answered by Gavin Hepper, Creative Director, Concepts by Gavin Hepper.

This week’s instalment of the Project of the Week series features a light and airy kitchen design by 2022 SBID Awards Finalist, Bocchetta Interiors.

What was the client’s brief? 

The Slipway is a modern new build home in a tranquil setting by the sea. The owners already had a very clear idea of what style they wanted their home to have, but they commissioned Bocchetta Interiors to pull a cohesive scheme together. They liked the idea of each room flowing from one room to the next with beautiful, quality materials, lighting and FF&E. The main large open plan kitchen and living space was the most important room to them and needed to have the ‘wow’ factor, especially as it has the most enviable Harbourside views.

What inspired the design of the project?

The inspiration was the amazing location. We needed to encapsulate the calmness of living by the sea and hearing the water and clinking of boats. We wanted to keep a light and airy feel with subtle hints of luxury and pops of coastal colour and artwork. The builder/developers Ash Haus and Glass Harbour Group were such a pleasure to work with. Nothing was too much trouble, even if it meant adding a last-minute steam room or intricate wall paneling with hidden door.

What was the toughest hurdle your team overcame during the project?

I think the trickiest part was getting a kitchen layout to work with the breadth of space. The wrong kitchen design could have easily ruined the space and been too dominant. The developers and clients were delighted when Siematic Chichester came on board and produced a truly stunning kitchen design that seriously impressed whilst still being sympathetic to the surroundings and other elements in the room.

What was your team’s highlight of the project?

One of our favourite commissions was to design a custom made 3.4-meter-long dining table with hand polished metal gold base and Silestone top. We worked with the clients to make sure the shape was just as they wanted, oval and wide in the middle to make conversations with everyone around the table easier. The gold of the table perfectly matches the gold trim in the kitchen and further gold pieces around the room.

Why did you enter this project into the SBID Awards?

We have been a member of the SBID for many years, so we know that their awards are well respected within the industry. It was also the perfect opportunity to showcase work that we are very proud of.

Questions answered by Lucinda Bocchetta, Owner and Founder, Bocchetta Interiors.

Cosentino Group, global leader in the production and distribution of innovative and sustainable surfaces for architecture and design, presents Dekton® Onirika, the latest collection of its leading innovative ultracompact brand surfaces. Cosentino and international interior design powerhouse, Nina Magon, have come together to create a one-of-a-kind Dekton® collection.

Inspired by marble patterns and immersive living, the stunning series showcases eight daring colours: Awake, Lucid, Somnia, Neural, Trance, Vigil, Daze and Morpheus, that represent the ethos of both brands: sustainability, forward-thinking innovations, and timeless elegance. Onirika represents a powerful journey of a detour in our dreams where boundaries between dreams and reality vanish.

Neural combines elegance and structure to bring peace and joy, calm sensations, and an overall feeling of wellbeing into a space. With fine, pale veins’ crossing the marbled pattern – the design creates a fascinating neural network, which teleports us into a white dream. It is best suited for bright, neutral spaces with soft textures, light colours, and wooden or metallic accents.

Lucid displays many shades, reflections, and glints of colour to create an illuminative perception of colours best combined with wood, grey and gold shades, and frosted glass.

Morpheus – the name of this same Lucid tonality but in Dekton® Velvet Texture finish.

Awake is a re-interpretation of the precious Paonazzo stone. It features thick veins of light greys, exquisite oxide terracotta, and a hint of subtle, inky blues. This iteration pairs beautifully with white, neutral tones, lightwood, and golds of any shade.

Trance features warm fine streaks that move between oxides and fade to reddish gold, combining perfectly with reddish oak wood and darker walnut tones. Blue furniture and warm golds in pale finishing bring sleekness to this vibrant colour.

Somnia boasts captivating details of warm oxid browns and whites that merge under a grid of think lines that create a sober texture. Somnia is perfect with warm dark woods, frosted glass and textured metal surfaces such as copper.

Vigil recreates a strong Calacatta structure with thick veins in gradients of light and dark greys, matched with a subtle touch of gold. This is a classic colour that is easy to combine with warm and cold hues, wood metal, and clean concrete.

Daze – the name of this same Vigil tonality but in Dekton® Velvet texture finish.

Onirika is a collection that unites the poetic and unique beauty of stones harnessed by Dekton® technology, just as those dreams where we observe and vaguely feel in control but only the deepest part of the mind truly understands. The collection is named in honour of the lavish inspiration of the two worlds conveyed in marbled colours to captivate the eyes and bring to any space a feeling that is understood but cannot explained.

“When working with product development team, we realized we’re not attempting to mimic any existing natural stone. With Dekton technology, we can create our own colours and structures, bringing to life something that is unique, beautiful and irreplaceable. The purpose of Onirika is to showcase the versatility of Dekton. We want all designers, architects, and people around the world to see that the product is not only a book matched worktop with a waterfall, but can also be used on walls, ceilings, facades, outdoor spaces, and more”, says Nina Magon.

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Ledbury Studio creates kitchens that are uniquely personal to every client – a point happily noted by the owners of this stunning home in Poole. “It was love at first sight when they saw the eclectic range of materials on show at our studio in Notting Hill,” says Ledbury Studio founder Charlie Smallbone. This, coupled with Ledbury Studio’s skill for mixing and matching these beautiful materials to create truly bespoke designs was perfectly aligned with the clients vision for a contemporary kitchen that oozes wow factor.

Extensive building work was required to create the light-filled, open-plan space that now exists. To divide the large space into smaller areas of activity, Charlie designed a screen in black-stained oak and aged brass to frame the kitchen. From this vantage point, the eye is automatically drawn to the striking mirrored splashback embellished with aged copper. It provides a stunning backdrop to the island, another talking point thanks to the verdigris copper panels edged in black-stained oak on one side and the black-stained oak cupboard doors surrounded by aged brass on the other.

To pull the various metallic elements together, Ledbury Studio’s design included an aged-brass rack over the island. This creates a small space to display beautiful objects.

Injecting a neutral note is the poured concrete flooring and the base cupboards that run in an L-shaped configuration to the island. Made from oak and painted white to allow the beauty of the grain to shine through, the cupboards are topped with a pale quartz worktop and feature patinated brass surrounds and kickplates to coordinate with the other cupboards in the kitchen.

Also sharing the space is a bank of built-in tall cupboards illuminated by an LED surround. They incorporate a large larder for food storage, ovens and a fridge, and the cupboard fronts are made from liquid metal in a specialist shagreen finish. Aged-brass handles unify the look. “Every Ledbury Studio kitchen is truly unique and this one was no exception,” says Charlie. “Our clients were thrilled with the result, and in particular, with the range of materials used.”

Ledbury Studio kitchens start from £70,000.

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This week’s instalment of the Project of the Week series features a modern and contrasting kitchen design by 2022 SBID Awards Finalist, Extreme Design.

The monolith kitchen sits within a newly built private residence on the outskirts of London. Our clients purchased the original property in 2010 with a bold vision to replace the existing structure with a new unique and ambitious dwelling.

After being introduced to the project in 2017, Extreme were commissioned to create a kitchen design that not only compliments the architectural cues of the property but also reflects the client’s vision that was to run throughout every detail of the interior.

The angular shapes of volcanic rock formations and contrast of glowing lava flowing through fractures within the earth’s surface had formed the basis of the client’s bold design narrative. Inspired by geographical features, they wanted the kitchen design to not only reflect this distinctive concept but also be a welcoming and warm environment for the family.

What was the client’s brief? 

For this client, it was clear that their love of art would be present in every detail of their newly built home. Drawing influence on architectural cues of the property, such as poured concrete, monolithic columns and organically shaped metal, the client wanted this unique kitchen to stand as a piece of art in its own right, whilst also becoming a pleasant environment for the family to enjoy every day.

What inspired the design of the project?

Extreme’s unique approach to design gave us the freedom to design every element of the client’s kitchen, creating an environment with its own identity that works harmoniously with the rest of the home. The angular shapes of volcanic rock formations and contrast of glowing lava flowing through fractures within the earth’s surface had formed the basis of the client’s bold design narrative. Inspired by geographical features, they wanted the kitchen design to not only reflect this distinctive concept but also be a welcoming and warm environment for the family.

What was the toughest hurdle your team overcame during the project?

Our ultimate challenge was to bring the angular stone island and floating breakfast bar detail to life. Starting with a conceptual sketch the island as designed to feature angled stone sides and back panel which also had to be calculated and engineered to work as a support to the cantilevered breakfast bar.

What was your team’s highlight of the project?

Our favourite aspect of the project was working with such a bold design brief that allowed us full creative license to create an entirely original design. Drawing upon the properties architectural cues and introducing geographical elements into the project allowed us to elevate the design and create a living space which not only fulfilled the clients’ requirements of a warm and welcoming environment, but also showcased specialist skills in the stone angular features and array of beautiful materials and finishes.

Why did you enter this project into the SBID Awards?

The SBID awards represent outstanding achievements and celebrates design creativity and excellence worldwide. The awards are a great opportunity to bring recognition to those within the design industry. At Extreme, it is our vision to make an impact on design in this country and the awards are a fantastic opportunity to showcase our work.

Questions answered by Jade Jones, Design Manager, Extreme Design.