SBID Accredited Partner, Ledbury Studio opened the doors of its bespoke kitchen furniture showroom in 2019, but founder Charlie Smallbone is no newcomer to the industry. The legendary designer has been pushing the boundaries of kitchen design for over 40 years.
What is your kitchen design philosophy?
‘A kitchen is for life’. I said that to the actor George Layton in 1981, when I installed one of my first kitchen designs at his London home and I still believe it to this day. At the time, though, I think George was more concerned with the cost of the kitchen than with my musings!
That said, Ledbury Studio is much more about the future than the past – every day I look forward and try to produce something unique. I still want to deliver contemporary designs using beautiful, mostly well-known materials, but I am looking to treat them in a radical way to produce something that can’t be found anywhere else.
What materials did you choose to work with for your Ledbury Studio designs?
Traditionally, the use of metal in the kitchen has been largely reserved for appliances and handles, with polished stainless steel and brass the prime material choices. But having worked with both solid and liquid metal progressively for a number of years now, the idea of broadening the application of metal in the kitchen and taking it beyond its traditional uses excited me. It was also was one of my primary inspirations in founding Ledbury Studio.
From the outset I realised that this application of metals needs to be carefully executed. For this reason, I decided to take a disciplined approach with our first Ledbury Studio kitchen concept, the Metallics Collection – to use ‘metal with integrity’. So, rather than using liquid metal finishes, I opted to explore the potential of solid metals: initially copper, pewter, zinc, bronze and stainless steel. At the same time, we also considered the practicality of the finish that we were applying; aware of the potentially debilitating impact of extreme heat and water penetration. We then moved on to assess suitability of finishes in different areas of the kitchen.
Design is always about more than simply making something look nice. But I have found that incorporating these metals, and researching the different finish possibilities that each has, really does bring a unique quality to a kitchen.
Can you talk us through the Ledbury Studio design process?
The process starts with a design consultation during which we will review any architectural plans. If clients don’t have them, we will arrange a site visit so that we can measure their proposed space and chat about how best to maximise it. At this point we are able to start putting a conceptual layout together including hand sketches and some initial 3D spatial concept modelling and material selection, based on what we have already talked about. At the same time, we will also provide an initial estimate of cost (furniture, appliances, delivery and installation).
Once we have an agreement on the basic design, budget and quote, we move forward with floor plans, 2D elevations and a formal estimate. At this point we like to create material selection mood boards and also, as required, 3D renders, as this helps us really get to grips with how the design will look and work in the space.
Finally, we drill down to specific fascia finishes, and worktop and splashback materials. By now we want our client to have a real feel for the kitchen and how individual areas of the design are going to work.
How closely do you work with you clients to create the final design?
The best kitchens evolve from a design process that is a rooted in the ideas and interests of our clients, which then combines with the design expertise of the team. This process informs initial ideas on which materials are going to work best for the kitchen design.
A good example of this was on our Cheshire Kitchen. The design was influenced and underpinned by the client’s collection of pewter-ware, which had been collected over many years. Inspired by the material, we decided to incorporate quite a number of pewter doors on the kitchen cabinetry. We ‘hand-textured’ sheets of pewter, and applied a patina using acids to age it, finally sealing the surface with lacquer.
Where are your kitchens made and who do you work with?
Our kitchens are built in our Wiltshire workshop by a small team, who have worked with us for many years, from our Smallbone of Devizes and Mark Wilkinson days.
We also collaborate with a handful of talented artists and artisans: Emma Culshaw Bell, an artist and specialist painter who creates bespoke colours and finishes for our painted furniture, and designs and fabricates the Verre Eglomise incorporated into our kitchens; Quentin Reynolds, the craftsman behind our pewter door fronts; and George Winks who carves wood beautifully. We have worked carefully, on a project-by-project basis, to incorporate these elements into our furniture.
What’s the best part of your job?
It’s the enjoyment that comes from working with talented people, bringing designs to life and creating furniture that inevitably is more complex as a result of that teamwork. For me, an open and collaborative process is always infinitely more satisfying than working solo. Of course, the process needs structure. But it’s important to try to maintain enough freedom to be flexible. That way, if something unexpected and good arises, we can work to incorporate it in the final design. This is really what I love about my job – to watch the evolution of an idea, and then to see the finished result in someone’s home.
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Leading global kitchen and bathroom supplier GROHE has reported unprecedented demand for hygienic touchless taps in the wake of the coronavirus crisis. At a time when the pandemic has pushed the everyday necessity of hand washing into the spotlight, it would seem finding solutions to optimise hygiene in both the workplace and at home is spurring the demand.
Leading figures within the design community are also considering how hygiene will come to the fore in the interior spaces of the future. Coen van Oostrom, Founder and CEO of EDGE, a company that specialises in developing a new generation of buildings that focus on the health of people and the planet, predicts that new health measures will play a key role in a new generation of workplaces. “Together with sustainability, health will define the way we build and design homes, offices and places where people meet. Touchless products and speech-driven technology will play a key role in making healthy and safe offices. Consumers will want to minimise contact to surfaces as much as possible”.
Having specified the healthcare, hospitality and commercial sector for many years, where hygiene-optimised products are already far more commonplace, GROHE is braced for the vast changes ready to hit the mass marketplace. “With our wide range of touchless and hands-free products, we at GROHE have the right response to the increased need of hygiene in sensitive areas such as kitchens and bathrooms”, says Jonas Brennwald, CEO LIXIL Water Technology EMENA, Deputy CEO Grohe AG. “Currently, we can say that we are already experiencing a higher demand for our hygiene enhancing products – from both our private and business customers.”
In the UK market, the transition to a more hygiene-focused workplace and business environment has already been in motion since the beginning of the year. Elina Enqvist-Twomey, Category Manager at GROHE UK says: “Feedback from the commercial market in the last three months tells us that hygiene is top of the agenda for specification, with a large proportion of projects specifying more hygiene-focused products such as infra-red taps , infra-red flush plates, and shower toilets. In recent weeks, we have seen an increase in customers purchasing infra-red taps as a result. Likewise, in the kitchen, several of our tap designs which use advanced technologies to minimise physical interaction with the handle of the tap itself such as our SmartControl kitchen mixer and Zedra Touch range have also seen an increased interest. When the industry returns to a sense of normality, we expect the increasing scrutiny of hygiene in the workplace and public buildings to continue. This pandemic has encouraged all of us in some way to rethink our hygiene practises and consider new lengths to protecting ourselves and those around us.”
Why an infra-red touchless tap is more hygienic
In recent years, the property market has seen a shift to include more alternative housing settings such as grandparents living with their children and families, or groups of young professionals co-habiting together. This is when infra-red technology first began to be demanded in the residential sector and its benefits have continued to strengthen demand ever since. Infra-red taps require minimal, if any, human contact with the tap itself unlike standard taps where germs from unclean hands could linger on tap handles, unless continual thorough cleaning was carried out after each use. The GROHE Bau Cosmo E, a strong robust design made using composite polymer, uses motion sensors to detect movement, which then activates the water flow. A mixing valve on the side of the spout can be used to adjust the temperature if required and a temperature limiter can also be installed if desired. Once the user removes their hands from the basin, the sensors will detect this and stop the water flow.
About the Author
SBID Accredited Industry Partner, GROHE is a leading global brand for complete bathroom solutions and kitchen fittings, with every product based on the brand values of quality, technology, design and sustainability.
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Drinking water no longer has to sacrifice design to fill a purpose. That’s what a variety of top interior designers are discovering after installing the perfect drinking water solutions into their own homes.
The kitchen tap industry has seen a boom in growth over the past five years, fuelling competition between brands as they innovate and redesign their best-selling products. Interior designers can now find taps to match seamlessly with all the latest kitchen trends in a range of styles, finishes and functionalities - including the ultimate all-in-one tap.
A clear favourite for a variety of top interior designers, the Zip HydroTap is capable of delivering up to five water options - filtered boiling, chilled and sparkling plus unfiltered hot and cold water - from a single tap and under-counter command centre. With seven tap designs and seven on-trend finishes to choose from, Zip’s premium drinking water systems lead the way in both style and functionality to offer the perfect solution for all environments.
Known for bringing modern interior creativity to hotels and commercial spaces all over the world, Jason and Jenny Rose MacLean of Studio MacLean were thrilled when they found the Zip HydroTap after struggling to find an all-in-one tap that would be striking enough for their own kitchen refurbishment.
“We’ve come across all-in-one taps through work before, but the design has never really been eye-catching enough,” Jason said. “That’s until we came across Zip’s All-in-One Arc. We couldn’t believe we’d found a tap that could give us filtered boiling, chilled and sparkling water as well as unfiltered hot and cold. It meant we could keep our kitchen uncluttered with no need for a kettle or any bottled water - which we are very keen to avoid anyway from an environmental perspective.”
Owner of interior design company Studio Fortnum, Rebecca Wakefield has been gradually renovating her own home to create a light, airy and calming living space after purchasing it in a dilapidated state in 2016. After spotting that the number one luxury, top of the wish list item in her clients homes is a boiling water tap, Rebecca started to consider how much she’d benefit from one, as long as it could fit in well with her green and brass colour scheme.
“Zip had been on my radar for a while, so I was thrilled to discover they offer taps in brushed gold,” Rebecca said. “But I know from experience that style can often outweigh performance and there’s nothing worse than something that looks great but just doesn’t work. Luckily Zip is a trusted brand so we chose the Zip HydroTap Celsius Arc in brushed gold.”
Much more than just a boiling water tap, Rebecca loves the additional benefit of having unfiltered hot and cold water alongside filtered boiling: “Because it is my regular kitchen tap as well as my boiling water tap, the kitchen has retained a clean, minimal feel. My counter tops aren’t cluttered and we have no use for a slow-to-boil kettle. It really has transformed daily life for us.”
Discover more about how a Zip HydroTap could change the way you design on their website: specify.zipwater.co.uk
SBID Accredited Industry Partner, Zip Water is a provider of award-winning technology that transforms water instantly with filtered, chilled, boiling and sparkling drinking water solutions for home and business.
co-founder and group director, Accouter Group of Companies
Stella Gittins is the co-founder of Accouter Group of Companies (AGC), London’s fastest-growing portfolio of award-winning international interior design companies. Creating the benchmark in luxury living, Accouter Group of Companies is home to Accouter Design, A. LONDON and BoxNine7 delivering world-class interior architectural and furnishing services to the private clients and the global property market.
With 15 years of experience mentoring and directing diverse teams within the field, Stella has spent the last seven building AGC into one of the best places to work in the property industry, as voted on multiple occasions.
Taking a lead creative role for the group, Stella is responsible for all aspects of the brand and design. She has published four bespoke books that discuss every corner of luxury life and feature the inspirations behind Accouter Design’s schemes and collaborations with iconic brands such as Rolls Royce and William & Son. The fifth publication is due to be launched in 2020.
What are some of your secrets for designing a show home that will entice buyers?
There aren’t necessarily secrets, but there’s definitely a method. Designing schemes for private clients in houses they’ll live in themselves is a very different to creating show homes where the ultimate goal is to maximize the value of properties and make them extremely desirable for quick sales or lets. Our job is to ensure buyers or tenants immediately fall in love as soon as they enter.
We are storytellers providing a look into their futures. The easiest way to do that is to develop a design that projects a new lifestyle, spaces that let them imagine how they would live there and utilise each area. We analyse the best characteristics of the location and the kind of lifestyle buyers would expect given these features and the property value. For example, someone buying a property in Chelsea would have different expectations than someone living in trendy Shoreditch: where do they work, where do they shop, what do they read, what do they wear, what do they eat, where do they eat, and what is their social life like? The trick is to imagine who that character is. We brainstorm quite a bit to figure out who the person is that’s going to be walking in the door, and then develop a floor plan accordingly.
It’s a myth that you need less furniture in small spaces. The best solution is to create zones that each have their own purpose. People walking into a large home might think, “Oh, we don’t need furniture because the house is so big and amazing.” But actually, people get scared thinking about what they’re going to do in every single room. We have to provide ideas for what they’ll be doing so they can imagine how their lives would play out in the property.
We like to bring local elements into the rooms to create suggestions that potential owners or renters might get to know the barista in the independent coffee shop or support the neighbourhood bakery.
It’s also important to make a show home memorable. We don’t like to follow interior trends, not only because they might not be right for the area or the specific property, but also because they might not allow the show home to stand out. When someone spends only a little time in a place and then walks out, there must be something that causes them to remember it. For example, we incorporated many amazing antiques into an historic Chelsea Waterfront property by Lots Road in London, plus there was tailor-made furniture we designed ourselves. In one corner was an organically shaped loveseat that would inspire someone to think it was an amazing space. Or it could be an incredible headboard fabric that catches the eye because it’s just a little bit different.
How is design evolving in response to lifestyle changes?
Without a doubt the biggest influence is sustainability. In fact, we publish a book every year and this time it’s entirely centred around this subject. Everyone is becoming more environmentally conscious, including in their interiors. It’s not just a trend, it’s something for life that people are really becoming quite aware of in their homes’ designs. We use a lot of antiques where we can, and people are getting more into upcycling. Our companies are working towards ISO 14001 accreditation, so we’re looking how furniture is packaged in the warehouse, how can we offset our carbon footprint, our paper usage in the office, all those types of things.
Our book also explores how the luxury market is evolving with Bentley, Lotus and Tesla producing electric cars, not just lower-end manufacturers. Sustainability is also affecting where people go on holiday, whether the 1 Hotel in Brooklyn or the world’s first “energy positive” hotel being built in Norway.
Interiors and fashion tend to change side by side, with people investing a bit more in higher quality pieces that last over time. Rather than following trends, our designs for private clients are more timeless with items people will keep for generations. Across all our brands, we try to incorporate old forms of craft as well as things made in the UK, for example art by Nat Bowen who layers resin on recycled acrylic. At our Chelsea Waterfront project, she hand painted gold leaf directly onto the walls. It’s an amazing skill to have because she only gets one chance to do it. But again, it’s not mass manufacturing. It’s just her. We also work with Jennifer Manners who designs amazing rugs made from recycled plastic. Our goal is to think about our projects’ environmental impact and how we can make them sustainable, because it’s important to everybody. And if a developer sees this as a selling point, we can also make it part of the marketing brief for a show home. I think we’re going to see this more and more, and it’s something we push them towards.
Other factors include the growth in healthier lifestyles and the need for convenience. I recently designed a five-bedroom property with timber floors so that a room could be changed into a gym in the future. Its ensuite bathroom was designed like a spa, and its landscape contained a Zen garden.
Our market is very international, and our clients may only stay in their London homes from one week to a couple months per year. So we need to think about full turnkey packages for them, including what bed they’ll sleep in, their sheets, their towels. We make sure they have all the elements needed to live in their homes.
How do you feel about young Instagram design stars who have large followings but don’t know how to write a spec?
Ultimately, everyone has to start somewhere, and I have no concerns about people promoting their passions especially if it helps the design industry. I follow some people myself - but there are different tiers to design.
A lot of these Instagram stars are more into styling, which is one of the hardest things to be trained in because it’s subjective. You don’t necessarily need a qualification to be a stylist because some people just have a natural eye. Some of the best designers aren’t always the best stylists.
It is possible to be an Instagram design star who is good at dressing an interior. However, if they want to evolve that passion into a profession, it’s important they have the correct skillset and training behind them. Being an interior designer and interior architect is very technical. I wouldn’t mobilise a team to work with our clients that didn’t have the correct skills or support.
When working with developers, you don’t have carte blanche to design whatever you want. What are some examples of when you didn’t get your way, and how did you reach a compromise?
Designers can be very passionate about their designs, and developers can be very passionate about what they want. That’s why the briefing stage is so important. The way we overcome it is to always show clients what they want, because they want to know we can deliver what they asked us to do. But if we are passionate about another direction, we need to share our suggestions and try to inspire them in some way. Then the debate starts. It's about saying, yes, we can do what you want, but actually, this is what we recommend. We constantly try to encourage clients out of their comfort zones. For example, in a recent show home, the developer was extremely keen to have artwork that reflected the view, while as designers we wanted something that would contrast. The compromise was an abstract piece that hinted at the form of the buildings around the area. Some of the larger developers have a bigger track record and their own “look” because they have a clear idea of their target market. So this is when we go back to basics, have a bit of a debate, and meet somewhere in the middle.
Stella is one of the prestigious experts invited to join the extraordinary jury for the SBID Product Design Awards, alongside other renowned professionals across industrial and interior design, brand development, architecture, educational research and forward-thinking enterprise.
Click here to view the full judging panel.
The SBID Product Design Awards 2020 entry deadline has been extended!
To find out more about entering, visit www.sbidproductdesignawards.com
showroom and design manager, Halcyon Interiors
Graham Robinson is the showroom and design manager at the Halcyon Interiors flagship located on London’s Wigmore Street, a road that has become the epicentre of kitchen design.
Over the last 20 years he has developed a passion for contemporary design and honed his eye for meticulous detail, allowing him to create practical kitchens that look stunning for many years to come. Whilst he likes to be aware of current trends, he prefers to give his clients classic looks that transcends fashion.
How can a well-designed kitchen reduce food waste?
When you design a kitchen, find out how your clients are actually cooking. Generally, there are two types of people: those with really big fridges and hardly any freezer space, and those who freeze leftovers. It’s best to have a practical kitchen with spice racks and visible, accessible storage. I like to design larders with pull-up storage features so you can see what food you’ve got. A lot of people have old things hidden at the back of their cupboards, but if items face forward you see all there is and don't let anything go out of date.
People are eating more fresh food now, so it’s good to have refrigeration with nought degree, low humidity drawers that provide filtration so things like salads, green vegetables and meat remain edible longer. You get an extra couple of days and don’t end up just throwing things away. It’s also possible for kitchen cabinets to include a vacuum drawer, so if only half of something has been eaten, you can vacuum seal what’s left inside a clear bag. The vacuum feature can also be used for marinating food or steam cooking in a water bath.
How do your designs anticipate your clients’ future needs, including gadgets and appliances they might acquire?
Most kitchens we create are for houses our clients live in rather than somewhere they plan to sell. We advise them to invest in quality brands because they're won’t go wrong. Talking to them about how they cook is important. Do they need a steam oven? Do they really need a microwave oven or are they anti-microwave? We find out what they’re actually going to need long-term, because maybe in three- or four-years’ time they might no longer use microwaves and move towards steam cooking that’s more healthy.
Most people seem to want taps that provide boiling water, it's definitely growing in the market. Also, it depends on the age of the client, but sometimes features like pull-out storage are integrated so they won’t need to bend down as they get older. When creating a kitchen for a woman in a wheelchair, we looked at details such as oven height and how it opened, how the fridge was configured and where she put her tap. We designed a long thin hob, and because she couldn’t reach the hood, its fan and lights automatically turned on when the burners did. It’s also more popular to have appliances with technology that lets them be monitored and controlled remotely, for example from your phone you can track the progress of your washing machine, your dishwasher, turn your oven on and some ovens let you look at what’s happening inside. Say you have meat in your oven, you can actually see remotely a clear picture of it every 30 seconds. It's slightly gimmicky, but it's there if people want it. Others have a door that opens slightly after the oven’s s turned off so an item doesn’t carry on cooking from retained heat.. The hot air is pushed out and cool air is drawn in so food isn’t overcooked. Some people talk about the fact that gas might not be around forever, so if you’re going to futureproof a kitchen, induction hobs are good to have.
With kitchens at the heart of the home, how do you design for inclusivity and the wide range of activities that take place there?
You initially need to get a real understanding of how the kitchen will be used every day, and then build from there. It’s making sure the kitchen works for the customer in every scenario. For example, will it will be used for functions, and will they cook when entertaining a large number of people or get caterers in? We offer layout ideas for when it’s breakfast for two, how to change it for four people, when doing homework with the children, or if they’ve got the whole family around. You’ve got to make sure there are the right amount of cooking elements and enough storage for however many sets of plates they’ll have for dinner service.
A kitchen has to be right for how someone is going to cook – or not cook. At the moment we’re creating a large kitchen where day-to-day it’s just the four of them, but every Sunday they have a big family function. We’ve designed it as an open-plan space where the island can be moved into an alcove so the table can be extended. Others have separate dining rooms and secondary kitchens for caterers to use when the client hosts large events. Some people are desperate to have places for their cling film, tin foil or store their rubber gloves. One client argued with his wife because she always used a tea towel rather than rubber gloves. In our showroom, we demonstrate the physical space so that clients get a feel for how much room they’ll have between their island and cabinet run. They might see a picture that looks really nice with a row of four barstools behind an island, but in reality, those barstools are never going to be in line and you don't really want to sit in that line, although you might want to sit facing each other.
What’s on the horizon for kitchen design?
Kitchen features are becoming more like furniture. They’re still quite sleek, but with warmer colours and added textures that make them a bit more comfortable and friendly. We’re seeing mechanisms for opening doors in different ways, but some of them are just for the sake of doing things differently rather than an actual invention.
In recent years, the real innovation has been with ceramic worktops you can put hot things on and that are completely non-porous. Whether synthetic quartz or manufactured ceramic, modern counters have lots of interesting patterns and veining that appears realistic, or others look like concrete. These manufacturers copy the stone, marble, and quartz that occurs in nature, but the textures, colours and finishes all match.
Graham is one of the prestigious experts invited to join the extraordinary jury for the SBID Product Design Awards, alongside other renowned professionals across industrial and interior design, brand development, architecture, educational research and forward-thinking enterprise.
Whether you're looking to specify sustainably-made chairs for an upcoming office project, source a unique coffee table solution for helping your clients relax and entertain at home, or find design-led brassware for bathroom spaces with additional water-saving innovations; browse this month's curated selection of interior product news to discover more ways you can enhance your designs this February.
Alexander Joseph introduce a series of new designs for its luxury cordless lamps
Throughout February, Alexander Joseph will be introducing a series of new contemporary designs to their permanent range of luxury cordless lamps – and it all starts with the Arc. A classic desk lamp magnificently proportioned to bring grandeur to an office or study. Bringing the traditional 100-year-old shape up to date with a contemporary oversized body. Arc’s sweeping oval lines give way to an angled summit. Finished in Bronze, Brass & polished Silver, there are hundreds of shade colours and materials available to suit your interior design schemes.
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FCI presents the unique Caprice Coffee Table by Smania
Made by the Italian manufacturer Smania, the Caprice wooden coffee table finished in a veneer of wood with a leather upholstered structure is no ordinary coffee table. This low, design-led and multi-functional round table also serves as a bar with its unique openable top, exposing internal compartments to store bottles and glasses. This design feature elevates the sleek, contemporary coffee table to become a true centre piece of your client’s living room - to dine, relax and entertain in style. Caprice makes for a bold, yet elegant addition to any aesthetic.
Roca flourishes with new Flat brassware range
Flat epitomises minimalist design with its square silhouette and soft edges. Offering a functional yet sophisticated brassware style for any bathroom space, it is available in standard, deck-mounted and wall-mounted options. The square shape of the Flat mixer is also complementary to a range of basin shapes, making it a versatile and functional brassware choice for homeowners, installers, specifiers and retailers.
All mixers in the Flat collection are coated in the hard-wearing Roca EverShine® finish. The electrolytic coating ensures the tap retains its shine, repels stains and discourages the build-up of limescale. The range is also equipped with water-saving innovations. Soft Turn technology provides precision and puts the homeowner in control, with the ability to set the desired water flow and temperature. Enhanced with the integration of flow limiters you can restrict the water flow to a set number of litres per minute, providing a more sustainable, cost-effective solution.
Introducing the matt lacquer and copper bespoke kitchen by Roundhouse
Crafting beautiful, bespoke kitchens and furniture, Roundhouse showcase their signature, understated aesthetic with one of their latest kitchen projects. The Stephens family kitchen is the perfect place for entertaining with it’s refined and uncluttered scheme – the result of a behind-the-scenes pantry that leads to a scullery and wine store. The design features a combination of Roundhouse Urbo and Metro matt lacquer and matt sanded copper. Finished in Paint & Paper Library Squid Ink with polished Neolith Calacatta worktops. Roundhouse designs are made to measure in a huge range of stunning finishes, expertly crafted by their skilled cabinet makers in their state-of-the-art manufacturing facility in Malvern, Worcestershire.
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Arper presented two of its recycled products to the Scandinavian market
Exhibiting at the 70th edition of the Stockholm Furniture and Light Fair, for the first time Arper displayed its newest additions made from recycled materials to the Scandinavian market; June Eco and Duna 02 Eco, alongside other iconic Arper products. Duna 02 Eco, designed by Lievore Altherr Molina is sustainably-made from 80% recycled post-industrial plastic shell with a 4-leg wood base, and is Greenguard Gold certified. Its shape is evocative and contemporary with a delicate curvature and sumptuous surface, making this chair ideally suited for both home and hospitality spaces.
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The year of 2020 is upon us, and we hope you've got big project plans in the pipeline for the year ahead! To help you on your way with the latest product news and launches, browse this month's curated collection of products for January, featuring exclusive Art Deco inspired dining furniture, shower mixers with a 90's stereo aesthetic and minimal, monochromatic kitchen design solutions.
Oasis merge classicism and dynamism with the Art Déco inspired Turner Table
Turner Table is the newly born art piece of Oasis' Luxury HOME Collection. Inspired by the first works of the British painter, William Turner, its ribbed structure is called "Canneté" (meaning a particular decorative technique characterised by a series of narrow repetitive grooves which is created through specialised production processes and material combinations).
In the era in which form and function represent the ultimate aspiration, “Canneté” offers the perfect synthesis between geometry and decoration with a distinctive and timeless style. Featuring classic, Art Déco geometries complete with stylish marble top and made with the finest Italian manufacturing, the Turner Table is perfect for the most prestigious and elegant of locations; from luxury residences to character hotels; creating spaces to contemplate, relax and pamper in a sophisticated setting.
Hi-Fi by Gessi unites design and technology with the contemporary collection
Perfect for furnishing the bathroom as a room of wellness, beauty and living well. With the creativity that distinguishes it, Gessi has created a product to “play” with the water through a selection system of functions, flow and thermostatic shower mixer that has the aesthetic of a 1990's stereo system. A bit vintage and a bit futuristic, the new button operated embedded or external Hi-Fi systems are the right compromise between sophisticated technological research, minimalism and functionality.
The Gessi Hi-Fi System shower columns, with their linear design, overturn the concept of the column, hybridising it with the typical form of the shower panel - but with totally external installation. Without embedded elements, Gessi create a highly sophisticated, architectural effect. Available with rainfall, waterfall and directional shower kit functionality, these sculptural wellbeing objects are also equipped with a handshower with a magnetic and variable position system.
Poggenpohl presents Lean luxury with +SEGMENTO Y
The new interpretation of the classic +SEGMENTO is aimed at captivating a generation of buyers who value quality, function and exceptional design. In black, white and grey, +SEGMENTO Y deliberately focuses on these three shades in matt finishes. The design is pleasingly minimalistic and reduced, meaning it appeals specifically to a new, younger group of consumers.
+SEGMENTO Y can be fitted to the closest millimetre. On request, handless cabinet elements extend from floor to ceiling and highlight the philosophy of the brand; designing not only a kitchen, but a living space as well. The nanotech material used on the fronts are repeated on the worktops and back panels which creates a consistently flawless impression. The limited theme of monochromatic tones opens up simple yet bold statements. A radiant white kitchen block standing against an inky black backdrop, or a black kitchen block providing a powerful accent against matt grey!
The Panaz studio introduces a new fabric collection, Dalston for 2020
Introducing the new informal plaid collective by Panaz featuring Hampstead, a larger scale brushed design and Harrow, a subtle stitched check effect. A third design, Kensal, explores intermingled textures with unexpected pips of colour. Colourways with neutral backgrounds and pastel soft tints are inclusive, calmer and easy to live with - ideal for creating a relaxed atmosphere with a contemporary vibe.
The Dalston upholstery collection showcases Panaz' new printable velvet base cloth, Panvelle Luxe, perfectly suited for healthcare and hospitality settings.
Unlimited harmony, unlimited imagination: RAK-Precious provides luxury solutions for the washbasin
With richer finishes, RAK-Precious provides a luxurious alternative to the functional ceramic white. Combining collections for floors, walls, bathroom furnishings and accessories, RAK-Precious offers complete solutions, enabling you to create your own personal idea of harmony. RAK-Precious includes a full range of porcelain tile integrated washbasins made with RAK Ceramics Maximus technology. Counter washbasins, drop-in washbasins or countertop slabs, each solution offers a unique combination of decorating styles in order to create a perfectly coordinated environment. Marble, stone and cement can be perfectly combined with the functionality of RAK-Joy bathroom vanities.
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This week's instalment of the #SBIDinspire interior design series features the SBID Award winning project for KBB Design. Masterwood Joinery designed this kitchen with a delicate fusion of Oriental and commercial modernity within this magnificent Queenstown home. Clean, straight lines, natural materials and simple monochrome tones set the scene. With traditional Chinese sliding screens separating the kitchen from an informal lounge area, heavy duty steel box section legs support two islands with a commercial stainless steel kitchen extractor suspended above the chef’s island. The chef’s island has a cantilevered teppanyaki grill mounted in Ceasarstone, while the pastry island has an outstanding marble work surface, while the self-contained coffee station affords sweeping views of the range. Storage was also effectively integrated into the design with a glass fronted display cabinet and fully equipped pantry areas. True to the Oriental theme, form and function are in perfect harmony throughout this contemporary kitchen design scheme.
SBID Awards: KBB Design winner sponsored by VitrA UK
Company: Masterwood Joinery
Project: Slopehill Road
Location: Otago, New Zealand
What was the client's brief?
Our Client was specific and very focused during the brief for this project. Being a Hong Kong born, British subject he was wanting a very oriental feel, yet still trying to retain the beauty of the New Zealand landscape within this magnificent home. Both he and his wife are avid cooks so every aspect of culinary creating had to be achieved. Perfection was a prerequisite with no tolerance for anything but.
What inspired the interior design of the project?
Basically, the clients love of Hong Kong and the orient, and the challenge of achieving this by using modern techniques to give the oriental elements a contemporary twist.
What was the toughest hurdle your team overcame during the project?
Definitely the installation. There was a significant use of steel beams and panelling which required precision placement internally without the use of cranes.
What was your team’s highlight of the project?
The first highlight was standing back at the end and seeing what we had created and looking at the faces of our very happy clients. The second was winning the SBID International Design Awards in London.
Why did you enter the SBID Awards?
We were advised by the judges of the 2019 NKBA awards that our design had won convincingly, so they suggested that we enter the SBID Awards. And now here we are! We couldn't be more proud of what we have achieved with this project.
Questions answered by Jim Cleveland, General Manager of Masterwood Joinery
If you missed last week's Project of the Week featuring SBID Award winners for Healthcare & Wellness Design with the quirky and artistic aesthetic for a halotherapy Salt Room, click here to see more.
We hope you feel inspired by this week's KBB design! Let us know what inspired you #SBIDinspire
SBID Awards 2019 | KBB Design Winner sponsored by VitrA UK
February has been packed with product news across the industry, specifically focusing on innovations in the realm of KBB (Kitchens, Bedrooms and Bathrooms). From the latest innovations launching in intelligent water management and SmartControl technology; new ranges of paints, units and exquisite marble materials for uplifting kitchen interiors; to new colourways of quirky dinosaur-themed wallpaper to ignite the imagination within children's bedroom designs. Browse what's new this month to give your KBB designs a competitive and design-led edge.
Mark Taylor Design launch MeThD
Mark Taylor Design has launched a new kitchen collection, MeThD, consisting of three beautiful custom kitchen ranges, all of which are available with a number of bespoke adaptations and in standard or special paint colours. MeThD combines the quality, beauty and aftercare of bespoke with the affordability, speed of production and ease of installation that befits a custom range. With MeThD, we are also leading the trend for movable island units.
Heritage Bathrooms test the trend by making a monochrome statement with the new Granley Suite
Monochrome styling is a timeless and versatile trend, and as 2019 hails the return of geometrics and bold matte black accents, Charlie Williams, interior designer at Heritage Bathrooms, uses the Granley Suite range to test the trend for creating a standout monochrome bathroom; from using statement tiles and matte black features, to adding subtle, warmer coloured accents to ensure a softer feel without comprising the sleek monochrome styling. The Granley Suite from Heritage Bathrooms is designed to provide the perfect backdrop for a bold monochrome bathroom.
PaperBoy launches new colours to match your dinosaur to your decor
Dinosaurs. But not as you know them. ‘D’ya-think-e-saurus’ was PaperBoy’s first wallpaper, lovingly sketched by as a gift to Jurassic-minded twins. For 9 years it’s been their best-selling design: what dinosaur nut doesn’t want to imagine the exhilaration of flying through the air with the pterodactyls or beating the T-Rex in a running race?
This March they're introducing three soft new hues to fit into even more design schemes. ‘Confetti’ – if only pink will do, this version will make the room blush; ‘Warm grey’ glows with subtle colour while still being a neutral option; and ‘China blue’ for a cooler tone, without the dullness. As in all their papers, the inks are non-toxic, sustainable, made in England and lovingly hand-crafted in Accrington.
GROHE is set to shape the future of water with record number of innovations at ISH 2019
GROHE will showcase a record number of innovations at ISH 2019, the world's leading trade fair for the responsible use of water and energy in buildings. For the first time, GROHE will position itself as a leading global brand for complete bathroom solutions, kitchen systems and intelligent water management. The brand will reinforce its philosophy; Water. Intelligence. Enjoyment by bringing the element of water to the forefront of its new innovations.
The GROHE Blue water system provides filtered and chilled water that is either sparkling, semi-sparkling or still, while GROHE Red delivers kettle hot water directly from the tap. The SmartControl technology, which has already been successfully launched in the bathroom, will also make its way into the kitchen...
New for 2019: Introducing Empira White by Caesarstone
For a thousand years marble has been appreciated and desired as one of nature’s most luxurious stones, immediately adding grandeur and glamour wherever it is used. As a material, it is timeless. Today marble is as desirable as ever, albeit with a somewhat more relaxed, softer and more organic appeal; a chance to bring nature into urban interiors, a connection to the earth around us and a natural contrast to other man-made materials. Of all marbles, Calacatta is perhaps the best known and Empira White is Caesarstone’s newest interpretation of this most famous material.
Creating spaces and buildings that are as eco-conscious as they are design-forward is becoming a pressing requirement for the interiors industry. Russell Owens from Zip Water UK explains why the future lies in making sustainable design beautiful. ‘Sustainable design’ aims to reduce or eliminate negative environmental impact through thoughtful design. This means working to create buildings and products that are more energy-efficient, reduce waste and use limited resources throughout their life-cycle. Further to this, specifiers and designers can give preference to materials that will contribute to people’s health and wellbeing – another important element of sustainability that is often overlooked. . .
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