VitrA’s Bathroom Collection Offers an Alternative to Traditional Designs

VitrA introduces Liquid - a new bathroom range designed in collaboration with Tom Dixon. Liquid is the first ever bathroom range by the acclaimed British designer.

The range is the latest addition to VitrA’s portfolio of designer collaborations, part of a long-standing programme of working with world-renowned designers to create distinctive, modern bathroom collections to complement any washroom space. The Liquid range is founded on round-edges, generous shapes and timeless designs. Described by Tom Dixon as ‘contemporary without being of the moment’, it offers an alternative to the widespread skinny, minimalist designs.

Liquid encompasses all elements of the bathroom – sanitaryware, furniture, taps, tiles, showers and accessories – designed to work together or as stand-alone pieces.

The range includes a variety of washbasin options, including round basins, a butler sink and a double washbasin, as well as a statement monoblock washbasin which is moulded as a single piece of ceramic. The furniture units are available in either a fluted glass or a black metal mesh door finish. Alternatively, for a striking contrast, there is an open-storage unit with impressive blue glass shelving.

Liquid’s taps combine conical handles with exuberant tubular bodies. Ten different styles of taps include wall-mounted, deck-mounted and built-in options, as well as touchless, are all available in gloss black or chrome. The all-in-one shower column includes a hand shower that connects magnetically to the body, while the stainless steel floor-mounted shower can be used inside or outside.

Liquid’s range of toilets, bidets and urinals carry the collection’s monumental curves. The toilets and bidets come in wall-hung or floor-standing designs, and the urinal uses touchless technology.

The range also includes a suite of accessories including a hook, toilet roll holder, toilet brush holder and double soap dispenser. The accessories also incorporate ceramic pieces, including shelves in two lengths and a stool which can act as a practical addition, not just for the bathroom, but in other living spaces too.

The wall tiles in Liquid feature four different styles of embossed dots and waves that reflect ripples in the water, and can be creatively configured in an almost endless possibility of ways. Available in five colours – white, black, ecru, grey and sage green.

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This week’s instalment of the Project of the Week series features a colourful and design-led kitchen design by 2021 SBID Awards Finalist, Pikcells.

What was the client's brief? 

To create a 'Kitchen of the Year' focusing on current trends such as working from home. With the kitchen space being the hub of the home and centre of different social activities, it must be suitable for not only cooking, but the kids doing homework and serving as a multifunctional entertainment space.

What inspired the design of the project?

We did research into the current use of kitchen space, how work from home areas are being adapted from other spaces (in our case we used what would have been a boot room). Colour and pattern trends also inspired the design using green and pink hues, chequered terrazzo tiles, marble worktops and backsplashes, as well as internal crittall doors creating a 'broken-plan' space and pantries.

What was the toughest hurdle your team overcame during the project?

Working within a more attainable size setting whilst still being able to incorporate all of the design features we just mentioned.

What was your team’s highlight of the project?

Creating a bold, impactful colour palette for the scheme, and also successfully incorporating a functional desk area into the design to improve the client's lifestyle and use of their kitchen space.

Why did you enter this project into the SBID Awards?

We felt the design was strongly influenced by current trends and consumer needs for kitchen environments, designed for modern living. Also it showcases that luxury-looking bespoke kitchens can still be attainable and affordable.

Questions answered by Tanya Bailey, Senior Interior Designer, Pikcells.

Charlie Smallbone of Ledbury Studio has unveiled the Marquetry Collection. This stunning new bespoke kitchen has its debut in the studio of interior design and architectural practice, Hill House Interiors. Charlie is renowned for his luxurious design style, razor-like attention to detail and commitment to innovation – and the Marquetry Collection is no exception to this. Here Charlie reveals all about Ledbury Studio's latest offering.

What was the project brief?

The brief was an interesting one! We were asked to conceal the conventional elements of the kitchen behind beautiful cupboard doors so that the generous open-plan space can instantly switch from living to dining to cooking.

To achieve this, we specified two sets of pocket doors that slide back to reveal appliances and a wealth of storage. Particularly savvy are the walnut veneer larder pull-outs that we installed either side of the bank of ovens. Although narrow, they are great for stashing all the cooking essentials you’ll need to access at a moment’s notice.

What is unique about the cupboard design in The Marquetry Collection?

In keeping with Ledbury Studio’s signature aesthetic, The Marquetry Collection is a contemporary take on traditional artisanal skills. Directional veneers were applied by hand to form a decorative pattern and inlaid with aged bronze. Bespoke handles, also in aged bronze, add the finishing touch.

The island is spectacular, what was your thinking here?

The front of the island is clad in solid brass which has been distressed by hand, then aged and patinated. As a design feature, it injects texture and provides a contrast with the smooth marquetry panels. A porcelain surface wraps round the solid brass panel, chosen for its combination of stylish good looks and hardwearing properties. Non-porous porcelain is also a practical choice for the integrated sink, and creates a beautiful backdrop to the open shelving.

By locating the hob on the island, we have maximised the sociability of the space. While preparing dinner, the designated chef can carry on a conversation with whoever is perched at the breakfast bar or sitting at the dining table.

What does the open storage add to this kitchen?

Open storage never fails to inject a generous dose of personality into a kitchen. Although our brief was to hide the majority of the kitchen, it was important the design shouldn’t just be a blank canvas. So, by adding bespoke walnut shelves above the kitchen sink we provided space to express some individual style.

Ledbury Studio kitchens start from £50,000.

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Introducing the Fusion Collection from leading British manufacturer of the finest architectural hardware, Croft. With a history of over 150 years, Croft remain a family-owned company that specialise in crafting unique, hand-finished decorative hardware that displays unparalleled attention to detail.

Incapsulating industrial architecture whilst successfully balancing style, strength and quality, the Fusion Collection comprises of a door handle on a covered rose, T bar mortice knob, bathroom turn, and cabinet fittings in over 25 different finishes and patinas, including Light Antique Brass and Autumn Bronze to add warmth to the home.

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What strikes you about this West Sussex kitchen on first glance is the sheer number of finishes and techniques on display. Testament to the craftsmanship and skill involved in creating it, the space has been transformed from its previous incarnation. “When I first visited the house, the kitchen was dated but the room as a whole was bursting with potential,” remembers Charlie Smallbone, founder of Ledbury Studio. Here, he reveals how he channelled his client's love of antiques and eclecticism to turn it into a sociable space designed for serious cooking.

What was the brief?

The couple are keen on entertaining, but the kitchen also has to function as an ad-hoc office, as our client's partner works from home. And then, because our client works in an auction house and loves antiques, they wanted us to take an eclectic approach to the design with a rich mix of materials and finishes. In this case, less is not more! My brief was to create the feel of freestanding furniture, rather than of a fitted kitchen – so it looks like somebody has gone out and bought lots of lovely pieces. As such, the kitchen we designed for the couple is a beautiful, informal, living, dining and kitchen space that ticks all boxes.

What can you tell us about the metallic finishes?

When the couple visited our Notting Hill showroom, they instantly fell in love with our signature Metallics Collection copper-fronted cabinets. Naturally, we integrated two into the design — either side of the window for a lovely framing effect. The copper is a living finish that will mature over time, developing a rich patina.

How did you create the paint effect on the cabinetry?

The painted cabinets were given a primer in our workshops and then hand painted in situ by our artist Emma, in close collaboration with the client. The beautiful burnished paint effect was inspired by the grey-green elements in a favourite copper vase. There are four hand-painted layers, one of which is a tinted pearlescent. This makes the paint shimmer, so the colour isn’t flat, and it’s this that unites all the finishes in the kitchen.

What is the purpose of the freestanding cabinet?

This tall freestanding piece acts as a breakfast cupboard housing a coffee machine, toaster, kettle and all other breakfast paraphernalia. It has the aged-pewter finish on the doors, over which we've put a protective finish so that fingerprints don't mark it and the surface is easy to clean.

The cabinets below the breakfast cupboard feature a pattern we call Choppy Water. Solid oak panels were carved and then stained dark to create the effect. If you look carefully, you’ll see that it’s been finished with gold-leaf appliqué, which injects a dash of glamour into the kitchen. Both the wood and the appliqué are protected by a 5% sheen lacquer. The Choppy Water finish has also been used on the appliance housing opposite.

What material did you use for the worktops and why?

We used the same work surface throughout, which is a man-made quartz called Arabesque from Stone Italiana. It is a very practical solution — non porous, hard wearing, resistant to heat and scratching, and does not require sealing. What’s more, it allowed us to seamlessly incorporate a sink, also in Arabesque. Losing the join lines between the worktop and the sink lends the kitchen a sleek look.

Ledbury Studio kitchens start from £50,000.

Timeless elegance is guaranteed with Versilia Marble from RAK Ceramics, a porcelain tile that will bring an air of luxury to any setting.

Inspired by the natural, effortless beauty of marble, with all the practical advantages that porcelain brings to interiors, Versilia Marble displays striking grey veining set against a neutral white backdrop for instant attention.

Durable, straightforward to install and easy to care for, this revised classy marble surface is the ideal choice for worktops, wall surfaces and floor coverings. The high gloss finish gives the material the edge, even when used over compact spaces where reflecting light equals the illusion of spaciousness.

Tapping into the continental trend for worktops with a slim profile, Versilia Marble is 9mm thick and in measurements from 60x120cm per tile. The Mega Slab format allows for greater consistency when used over large areas, with less need for grout lines and a seamless finish.

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In response to the changing pressures on kitchen-living environments to keep them tidier and more organised, The Myers Touch Design Studio are increasingly designing kitchen pantries and larders in a range of custom solutions, so homeowners can hideaway dry foods and small appliances whilst keeping them accessible to the main kitchen space.

“A truly great kitchen will include great storage for all your family food preparation, cooking and entertaining requirements. We love the re-emergence of the pantry; that tucked away place to arrange and carefully store food, from flour and potatoes to hams and jams. Away from the harm of underfloor heating and tempted pets, these well-ventilated rooms can be as simple as a dark cupboard or as elaborate as a glass-framed minikitchen. Visibility of goods, and easy access are crucial, as is flexibility, allowing for those 3-for-one offers on extra-large boxes of cereals! Even better if you can include a fair-sized worktop for storing plated buffet food when entertaining" - Keith Myers, Director of The Myers Touch.

Traditionally a staple in every British household, larders and pantries designed by The Myers Touch range in sizes and styles. From freestanding units and pantry solutions opened via pocket doors, to large walk-in pantries and larders featuring floor-to-ceiling shelving and box storage, pantries and larders are increasingly seen by consumers as a modern essential in a new kitchen. Even within smaller kitchen spaces that don’t have the space for a walk-in larder, tall cabinets with multiple drawers, pull-out drawers and shelves are a popular option for organising supplies and keeping worktops and cabinetry clutter-free.

Bespoke pantries and larders are also a chance for their design team to truly reflect a customer's personality within a scheme. From colourful interiors that contains internal wicker storage baskets, shelving and marble countertops to pull-out drawers that store spices, sauces, dry foods and pet foods, many customers are embracing their hidden pantry or larder as a statement piece within their kitchen.

"By incorporating both bespoke and SieMatic’s multi-award winning ‘Multimatic’ modular storage system within our pantries and larder spaces allows our design team to truly customise storage systems within our kitchen spaces. The Multimatic multi-functional aluminium system includes a comprehensive range of interior fittings for drawers and cabinets that gains around 30% more storage space. The flexible shelving system also provides easy storage for even tall objects such as bottles or chopping boards" - Helena Myers, Director of The Myers Touch.

The Myers Touch unique, holistic approach formula is to explore and apply a personal and bespoke ‘Design’ for a customer based on their ‘Life’ desires. Based on this formula, their design team carefully choose a range of cabinetry, materials, lighting, appliances and seating solutions to precisely match a client’s brief that brings ‘Light, Space & laughter’ into the finished design.

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A kitchen by ‘Kitchen Retailer of the Year’ 2021 KBB Awards winner The Myers Touch was designed within a period home in Southsea, Hampshire.

The client had previously lived in the US and loved Sub Zero & Wolf Appliances – she wanted to incorporate them into a pure and modern combined look kitchen with American-style bench seating.

Designer Keith Myers worked with the client to create a kitchen that would create the ‘wow factor’, so they could cook and entertain for their large extended family. Danetti bench seating was installed against the island unit.

SieMatic classic SC10 range cabinetry mixed with SieMatic S2 handleless kitchen range were included in the design, as well as Silestone and Dekton worktops and a Kohler Sink & Tap.

Photography credits: Phil Green

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In this week's interview with 2021 SBID Awards winners of the KBB Design category, Extreme Design discuss the evolution of clients' wishes and what role kitchens play in homes today, as well as their approach to designing interiors that reflect the client's personal style.

How important is it to enter the SBID Awards & receive industry recognition for your work? What are the benefits?

The SBID awards create awareness for outstanding achievement and celebrates design creativity and excellence worldwide. It allows designers to push the boundaries of design and bring global recognition to those with good design practices within the industry. At Extreme, it is our vision to make an impact on design in this country, and the awards are a fantastic opportunity to showcase our work.  An SBID award carries credibility and helps build our reputation amongst clientele hoping to engage with Extreme for their unique and special projects.

What do you think made this particular design an award winner?

At Extreme, we believe that every great design starts with an inspiration. This belief and design approach gave us the freedom to design every detail of the client's kitchen to suit their vision. The elegance, sophistication and character of Art Deco design had captured their imagination and would form the basis of the design narrative. Influenced by The Churchill Bar and Terrace at the Hyatt Regency in London, the scheme works as a functional family living space and exudes luxury and exhibits a firm nod towards the clients love of everything art deco. The design transcends material and function and creates a one-of-a-kind space where every detail reflects our client.

As experts within the kitchen design sector, what do you think has been the biggest evolution in the kitchen space over the last decade? What external factors do you think have played a role in this shift?

Over the last decade we have seen clients move away from interiors which follow a common style or trend and look for something more personal, something which is a direct reflection of them and their life story. Since the 90’s the kitchen has been the centre of every household, and our clients are spending more time than ever in these multipurpose rooms. The clients story dictates the design direction, and we are selecting materials and finishes based on emotional connection and not just look and feel. Once a utilitarian design decision, kitchens now truly reflect the homeowner’s life, style and taste.

How do you make sure a design reflects the clients’ individuality and personal stories? Do you have a specific approach and how do you balance this with your own design style?

The client's story is at the heart of every design, and it stems from our belief that a design reflects a life lived, not just a lifestyle. We approach each project with a fresh perspective, bringing new ideas founded from our wealth of experience. The details we gather go beyond just practical and functional requirements. We take time to listen, understand and connect with how our clients want to feel in their new environment. Part of what makes Extreme so different is the design freedom that we bring to every project. Each design is individual, so we don't limit ourselves or our clients to set styles or ranges. Each design begins as a blank canvas and evolves to reflect each client's personal design story.

Now that you’ve won an SBID Award, what are the next steps? Is there anything new you are excited to be working on?

The awards have given us the belief and drive to continue developing our design approach, knowing that we have a formula that realises some of the most individual and exciting projects in this country and worldwide.

We are constantly working on what's new and what's next! And we look forward to sharing this with you in the years to come.

What advice can you give to young designers starting out in the design industry?

Open your eyes to the world; you can find inspiration in everything. Listen to your clients, stay focussed and don't be afraid to push your client to the edge of their boundaries. Everyone is different, so listen to your client's story and use this to fuel your creativity and create a design that is truly special.

Questions answered by Jade Jones, Design Manager, Extreme Design.

This week’s instalment of Project of the Week series features a luxurious and warm bathroom design by 2021 SBID Awards Finalist, Crimson Park Design.

An 80’s-era ensuite bathroom in Bellevue, WA, USA is opened up to solve outdated design and inefficient geometry. Featured are custom Sinker Cypress vanity, linen cabinet, and a 48” wide barn-style door with header and column, also of Sinker Cypress. A white ofuro-style tub, backed by new floor-to-ceiling glazing, sits in a stream of black polished river stones extending along the East wall under the vanity. Full slab, sumi-e-esque quartz lines the shower. Large field, textured Italian porcelain tile runs, offset, from West to East and up the wall behind the vanity. “When I walk into my bathroom I feel like a queen.” – Client, M. Chandler.

What was the client's brief? 

• Update bathroom design and create a spa feel
• Clean and bright without being sterile
• Plan for future aging-in-place
• The bathroom has to be warm. Always.
• Sufficient storage - (items to be stored were inventoried to assure sufficient storage)
• Plenty of outlets at vanity
• No handles or hardware to bump into, or catch on clothing
• A bench large enough to sit on and to hold clothes

What inspired the design of the project?

I wanted to create a space that would allow my client to feel that her bathroom is a place of refuge; a place where she can begin and end her day at an arm’s length from the stress of life; a place to feel refreshed. I was fortunate enough to be given the creative freedom to incorporate some of my artistic sensibility into the design. After having As-Builts created, I began to sketch conceptual shapes in plan view, with the goal of keeping the main plumbing sites relatively intact. I like to work with organic shapes, and Mary gave me a bit of a free hand in coming up with design elements. In my art I tend to use circles, spirals, and other curving lines. I let instinct guide my pencil to create lines that would soften the space and hard angles that draw the eye around the room. I, then, scaled the concept back to reality and budget, keeping one curving line for the black river rock stream. The tile was cut to my hand drawn line that had been translated to a template by the CAD tech.

What was the toughest hurdle your team overcame during the project?

The most challenging part of the project was tackling the angle of the bedroom-to-bath transition hallway relative to the opening of the bathroom, in order to enclose the space, reducing the draft. I designed the Sinker Cypress header and column to properly catch the bespoke sliding door. It took a couple of iterations but I’m pleased with the result, which is a monolithic, yet in-scale, practical and user-friendly design element, warming the space both literally and aesthetically.

What was your team’s highlight of the project?

The highlights of any project for me are the joy of problem solving and collaboration with the client, craftsmen, and contractors through the design and build process; seeing all of the components come together as I envisioned; and delighting my client. A happy client is the best reward.

Why did you enter this project into the SBID Awards?

When the Chandler Bath Oasis was complete, I felt that something special had been created. I wanted to put it out into the world to gauge the response. I aimed high when entering the SBID Awards; it is clear that the SBID recognizes design excellence. I appreciate the thoughtfulness I sense from the organization, and the sense of community that the SBID works to create. Crimson Park Design is incredibly honoured to be recognized as a finalist by the SBID, validating my instinct about the strength of my design, and the work of my partners.

Questions answered by Shelli Park, Principal, Crimson Park Design.