Created to inform and inspire the many professionals working in residential design - architects, interior designers, property developers, manufacturers, retailers and educators, Studio magazine interviewed the SBID President and founder of Chicago-based design studio Marquardt+, Tom Marquardt about his experience in the industry, greatest achievements and where he finds inspiration.
When was the business founded and why?
This is our 32nd year! To practice as a truly pioneering interdisciplinary design studio starting in the 1980s, I knew we had to make it happen ourselves, and so we did.
What is your latest significant achievement or project of note?
Still leading and evolving an even more progressive and in demand interdisciplinary practice, after 31 years! All our projects are significant to those who use them, so calling out one feels unfair.
I’ve just discovered…
The Atlas I Masland Contract Rug Program that is part of a new client’s offering. Their designs are stunning and applicable to residential, corporate and hospitality (we do not see silos at Marquardt+) and the customisation capabilities are endless…it’s a one stop rug source!
I’ve always been a fan of…
British high-tech architecture and interior design, the natural evolution of 2nd Chicago School modernism. Unfortunately we in the states were distracted with post-modernism at the time and lost our way.
Click here to read the full feature.
This article was written by Matt Balmer for Studio Magazine.
SBID Accredited Industry Partner, RAK Ceramics will be exhibiting its exclusive designer collections, RAK-Cloud and RAK-Variant at the upcoming KBB Exhibition in Birmingham from 1 to 4 March. With the prestigious product designers set to attend, we wanted to find out more about the collections and what inspired them. Read our interview with Giuseppe Maurizio Scutellà, Daniel Debiasi and Federico Sandri to discover what makes their designs so unique.
Giuseppe Maurizio Scutellà was born in Alcamo, Sicily. His collaboration with RAK Ceramics begins with RAK-Cloud, a project that continues the creative thinking of the Italian designer and that integrates perfectly with his other projects such as the collection of lamps “Pirce” by Artemide (Good_Design 2008, Red Dot Award 2009, IF Design Award 2010) and the “Metropolis” collection of crystal and ceramic tables by Tonelli Design.
What inspired the collections? RAK-Cloud, born from my love for sculpture, soft and organic and sensual lines, and marries with a speech that I have been carrying on for some time, in fact I designed a tap for Gessi, which is called Equilibrio and is inspired by the stones and nature. Identical process for my perhaps most famous project, in the world of light, with the Pirce suspension lamp, made for Artemide. While RAK-Petit is a specific request addressed to the architectural world, the need to combine washbasins in confined spaces, which do not renounce glamour, and the elegance of solutions that can be developed in larger spaces.
What was the design process? All my projects are born on paper. I like to explore different solutions quickly and instinctively. On paper I already imagine the finished volumes, identify the solutions that convince me most, 3D model the whole collection in order to have a coherent overall picture. I submit it for technical verification, from which I receive the feedback that I transfer to the collection. Then we proceed to 1:1 scale prototypes and if everything works, it goes to final production.
What is unique with these designs? There is a word in English, which does not have an exact equivalent in Italian, and it is understatement, which for me means creating a proposal, made of elegant but not screamed details, to give rise to unobtrusive, timeless proposals. A careful search for volumes and proportions, combined with cuts in the surfaces to create dynamism and at the same time sensuality, in an environment such as the bathroom increasingly inserted in a modern and contemporary living context, completes the number of projects.
Daniel Debiasi and Federico Sandri founded their own design studio in 2010 and work within various fields of design, ranging from objects to spaces. Multiple experiments and the relationship between manufacture and craftsmanship form the basis for a much broader thinking. They have created work for Antoniolupi, Lema, Ligne Roset, Normann Copenha-gen, Offecct, Rosenthal, Stelton, Villeroy & Boch among others. Together with Rak Ceramics, Daniel Debiasi and Federico Sandri present the project RAK-Variant (2019).
What inspired the collections?
RAK-Variant, like many of our projects, was born on the basis of a specific material. In this case, ceramics, a material, whose production must combine two supposedly distant worlds: the serial production, precise and standardized; but also a need for manual sensitivity, which cannot be ignored.
What was the design process?
Designing is never a linear path and very often, in one single project we have to process, bring order and translate all the different thoughts that flow together into actual products. In the specific case of RAK-Variant, we set ourselves the goal of achieving a formal synthesis that would allow the collection’s various elements to be easily integrated into different types of interior. In order to achieve this, we played around with the balance between the expressiveness of a product and its attribute of being consciously silent.
At the same time, we focused on some details that convey the quality while enhancing the intrinsic beauty of the ceramic material itself. The result is a collection of 25 basins in different shapes and dimensional variations that offer multiple installation possibilities.
What’s unique with these designs?
The top views of the washbasins, with a geometric and controlled matrix, interact with the very thin edges evoking, in this way, the delicacy of the material while creating a new timeless three-dimensionality, well suited to any interior context.
If you'd like to become SBID Accredited, click here to find out more.
Head of Marketing at Yves Delorme UK, Prune Allain des Beauvais reveals how the heritage of the French luxury brand has shaped five generations of exquisite embroidered and bespoke bedding and linen homewares, from timeless classics and fashionable prints, to unique customisations and original hand-painted artwork.
What are the origins of your brand?
Yves Delorme is the French luxury linens brand for the home and our passion since 1845. Since then, the name Fremaux has been synonymous with home linen and the company is proud to be one of the oldest businesses of its kind in Europe. 1845 was a special year which saw the creation of a linen weaving mill near Lille by Ernestine Fremaux and her husband. Time and generations have gone by, the company has grown, consolidated its experience and know-how and achieved a strong authentic personality: creative, demanding and courageous. A creativity which was increased tenfold in the early 80's, with the association between Dominique Fremaux, the current president and Yves Delorme, who was then renowned for his bath linen collections. The excellence of the Fremaux-Delorme’s heritage can be found in the history of the men and women who have built the company, its expansion and all its products to the point that the passion and know-how of five generations are woven into every sheet, every towel and every tablecloth branded Yves Delorme. A member of the Comité Colbert since 2001, Yves Delorme today epitomises a lifestyle which is truly exceptional, when luxury living is a daily experience.
How do you work with interior designers?
For their projects, Interior Designers usually use our classic collections; our percale (Athena collection) and sateen cotton (Triomphe collection) lines. We also have an amazing collection of luxurious quality towels called Etoile. Yves Delorme collaborates directly with interior designers, selecting from our Bespoke catalogue of fabrics, embroideries, monograms and colours to customise a truly unique set of linens. Begin the creative endeavor with a pristine canvas of the finest long staple cotton in percale or sateen, then build from a choice of distinct Yves Delorme embroidered designs, with a selection of 48 stunning thread colours and a range of monogram styles and placements for a personalised and made to measure design.
Yves Delorme Bespoke options apply to flat sheets, duvet covers and all sizes of pillow shams and cases. Monogram services are also available in our Etoile range of bath linens in 19 fashionable colourways. Yves Delorme also offers the option for made to measure sizes.
What value does your sector add to the interior design industry?
Our values are Poetry, Audacity, Excellence and Savoir-faire. Maintaining the highest standards in the selection of natural materials and fine fabrics, and in the excellence of finishings and attention to hand-made details, the Yves Delorme design is recognised for timeless classics and fashion prints, integrating original hand-painted artwork and heritage to Haute Couture. Yves Delorme shares with the designer community its passion for luxury linens!
How do your services/offering enhance an interior designer’s projects?
Our monogramming service is very popular. We can add initials, logos or bespoke designs on any of our products to enhance interiors with unique, personal touches.
What are the latest trends you’ve noticed in your client’s requests?
Today, the desire for beautiful, embroidered and bespoke linen has never been so strong, which is why we founded Yves Delorme Couture. A timeless collection in endless white tones, fresh and delicate percales, silky soft white satins, featherweight cloths and classic linens. A collection designed to be transformed, played out by your imagination to take you beyond wonderland...
Why did you want to become a sponsor of the SBID Awards?
We are proud to sponsor the SBID Awards. We have been partners for the second year and it is a great opportunity to connect with other professionals from the interior and decor industry.
Hotel Bedroom & Suites Category Sponsor | SBID International Design Awards 2019
Sponsorship for the SBID International Design Awards 2020 is now open.
To find out more about becoming an SBID Awards sponsor, click here or email [email protected]
Lalique represents timeless luxury and the French ‘art of living’. Supplying decorative glass and crystal interior homeware, jewellery, perfume and art, it has become the ultimate symbol of French luxury. As a proud sponsor of the SBID International Design Awards 2019 for the Residential Apartment Under £1M category, we interviewed the UK Managing Director of LALIQUE, Frederick Fischer to share insight into the origins of this high-end luxury brand.
It is over 130 years since Rene Lalique founded the company in 1888. His career began as a designer working for Cartier and Boucheron, amongst others, and was regarded as the master of jewellery design in the Art Nouveau style. By the 1890s he was making jewellery for celebrities and public figures of the day including Sarah Bernhardt, who wore Lalique on the stage, which is where the term ‘costume jewellery’ derives.
His encounter with Francois Coty in1907 heralded his entry into the world of perfume bottles which led to Rene Lalique working entirely in glass by 1912. In 1935 he opened his boutique in Rue Royale, Paris. He died in 1945 and his son Marc Lalique replaced glass with crystal and raised Lalique’s profile to become the greatest crystal producer in France, if not the world. His granddaughter, Marie-Claude Lalique took the helm of the family enterprise in 1977, marrying modernity with tradition.
In 2008, Lalique was acquired by Swiss entrepreneur, Silvio Denz who has ensured continuity in its development, respecting traditional know-how centered on crystal, jewellery, fragrances, home accessories including furniture, lamps and decorative panels and most recently hotels and restaurants – a wide ranging orchestration of the brand’s timeless creations.
Most designers come to Lalique with specific requests concerning pieces from existing ranges. If we receive detailed ideas of bespoke pieces that they would like to be created by us, we then work closely with our studio and the designer to tailor their requirements to the project. We may also adapt current lines to personalise a private interior.
Lalique is a timeless and elegant luxury that befits any interior. Be it a house, hotel or yacht that is adorned with Lalique, it instantly gives off an essence of a ‘prestige property’.
We provide bespoke solutions and build relationships based on trust.
Our clients are not really driven by specific trends. However, I would say recently we have noticed more homes investing in large statement pieces such as the Mossi Vase in XXL for hallways and entranceways to make a bold statement. Our lighting range – chandeliers, sconces and table lamps are eternally popular. Lalique crystal panels are also hugely in demand – back lit in a wall or framed - whether the Merles & Raisins which adorned the interior of the Orient Express or the Eternal butterflies in vibrant colours by Damien Hirst – they are works of art.
To support and enhance the interior design community, which we are honoured to work with.
Sponsors of the SBID International Design Awards for the Club & Bar Design category, Oxley's Furniture provide durable outdoor furniture solutions which are premium in quality and timeless in design. The Managing Director, Simon Hudson tells us more about how their products and services help designers extend the interior design vision to encompass exterior environments.
Oxley’s was started 28 years ago to create timeless outdoor furniture impervious to the weather. Inspired by the longevity of classic cast English garden furniture the company developed ways to personalise aluminium furniture for each customer. In the years since, Oxley’s has developed a worldwide niche market providing a service for interior designers to take their design ideas outside. Large residential and boutique hospitality projects are our forte.
From site visits to prototyping bespoke furniture, the Oxley’s team can be as involved with a project as much or as little as our customer wishes. Designers choose which Oxley’s collection works best for their project, then every item is made specifically for every job with the aluminium frame finished in exactly the colour specified. With cushions added, made with any exterior grade fabric from any of the fabric houses, each project is unique.
We also have an extensive portfolio of curated products from elite brands and often work closely with our clients to select items for their projects. Our services range from producing all technical drawings for bespoke projects, to personally organising and supervising shipping and installation.
Where the client has not included the outside as part of the interior project brief, working with Oxley’s can demonstrate how the interior design can be extended to the exterior environment, thereby enlarging the project.
How does your offering enhance an interior designer’s projects?
Outdoor living & entertaining is often part of the design brief. Oxley’s offer designers a service which allows them to extend their ideas from the inside to the outside, or even create a completely different feel to the project's exterior spaces.
Although every project is different, there does seem to be a trend away from the sleek minimalist look outdoors to a more classical feel, particularly encouraged by the amazing profusion of fascinating outdoor fabrics from all the major houses.
Why did you want to become a sponsor for the SBID Awards?
Interior Designers are our partners in everything we make. Their creations are our business, so it is right that we should support them by sponsoring an SBID Award which recognises their incredible achievements.
To find out more about becoming an SBID Awards sponsor next year click here or email [email protected]
SBID Accredited Interior Designer, Ana Engelhorn of Ana Engelhorn Interior Design reveals how her interest in interior design evolved into a professional career after starting her journey with a background in business administration and hospitality. Now running her own design practice, she shares her thoughts on the challenges the industry faces when it comes to perception - and Pinterest!
Can you describe your current job?
I run an interior design studio in London, working on residential and commercial projects across the UK and Europe. Taking a ‘perfectly imperfect’ approach, we celebrate imperfections found in natural building materials, antiques or pieces of furniture, mixing old with new pieces to create a fresh, timeless look. We also love introducing art and colour into our clients’ interiors.
What is your background and how did you get into interior design?
I grew up in Switzerland but with a Spanish mother and German father, I was influenced by many different cultures. My parents bought distinctive properties and turned them into hotels and restaurants, so I always surrounded by beautiful, unique interiors. Watching these transformations unfold, I valued, above everything else, the authenticity that came through. My father has always been very traditional style-wise. If something was originally designed or made to be in a certain style, he wanted it to remain that. Therefore, if previous owners had modernised a building, he restored it, returning it to its origins. One of the hotels they bought and redid had no heating, so in winter the pipes have to be drained (so they didn’t freeze) and the hotel closed – he really took ‘original features’ to the extreme!
I knew I wanted to run a business but wasn’t sure what, so I initially studied Business Administration and worked in hospitality. However, I was buying and refurbishing and redecorating houses on the side, even gaining critical acclaim in the industry for some of the work I did. Therefore, when I became pregnant with my second child, it felt like the right time to go back to school to become an interior designer and turn my passion into my profession.
Describe an average day in your job role..
My days constantly change depending on the projects I have on and the people I am working with. Interior design involves a lot of admin, but if you run your own business, there is even more. With a background in business administration, however, I actually enjoy looking after all aspects of the business, ensuring that what I am doing benefits the whole.
Which elements of your profession do you enjoy the most and/or find the most rewarding?
I love the process of discovery I go through with clients. It starts from the moment we meet, form impressions, create a rapport and go through their brief. For me, it’s important to make a real connection with clients and to be honest and open – keeping open lines of communication. I then go away and create an interior design that brings their vision to life. I live for that magic moment where I’ve presented my design to the client and (if all goes to plan!) I can see that I have understood what they want. That amazing feeling I get when they love how I’ve designed their space is what makes my job so rewarding!
Is there anything new you are excited to be working on?
I have a full house renovation planned in Chiswick. It is very exciting as it is my first full house project in the UK (the others have been mostly in Spain). The CDM, Fire and Environmental steps you have to take here are much more involved than where I’ve worked before, and it’s a great learning experience for me. I’ve realised I don’t always need to be the expert. It’s led me to work with some very talented people who have enriched my knowledge in a way I had never imagined.
What do you find the most challenging aspects of your job?
The most challenging aspect for me has been to make myself known in the UK, getting the word of mouth recommendations rolling here. Even though I work as an interior designer internationally, I am interested in having clients close to home too – my dream project would be a period building in London. I sometimes find it hard to go out and actively draw a specific client towards me, instead of waiting for them to find me.
What do you wish you knew before working in the field?
I believe we are who we are because of our experiences, so I hesitate whenever I’m asked what I wish I had known. It probably would have been ideal to study interior design at the innocent age of 19 at University, doing the full 4 years and then have the opportunity to cut my teeth at an interior design studio before launching my own. However, that would have meant I wouldn’t have studied Business Administration or worked in hospitality; running a restaurant and working at a hotel, and I wouldn’t want to have missed that. I think it has shaped what I’m doing now in a positive way.
What would you tell your younger self if you had the chance?
Choose what you want to do and stick to it, regardless of what other people think. It’s best to pave your own way and make your own mistakes rather than listening to others and regretting lost time because of it.
What has been your favourite project to work on?
A 16th century farmhouse in Spain. It was a project where we reused everything we could, bringing the house back to its origins. All new materials that were brought in were natural building materials. The project took two years in total – it was slow going, but an enriching and satisfying project.
What do you think is the biggest problem the interior design industry faces?
On one hand, the industry needs to combat the old-fashioned view that interior design is the domain of the ‘bored housewife’ and can essentially be done well by anyone who takes an interest in it. It needs to educate the general public about the knowledge and skill that goes into designing an interior space professionally. And especially, in the internet age, to get across the point that professionals can improve (and save time and money!) on what people can find and source through Pinterest, Instagram or other online platforms, and that they can help when it comes to the project management side as well.
On the other hand, the industry itself needs to open up to best support and encourage new interior designers and really help them to be successful. It’s worth remembering that interior design is also an art. You have to be organised, you have to know how to do industry-specific admin and be familiar with certain concepts and ways of working, but you also have to have intuition and imagination, to be able to envision how pieces will fit, what colours might go together and how a space can be transformed. You have to see, for example, how two potentially opposing objects could put together and, finally, you have to have taste. All of the more intangible qualities to do with artistic vision can’t be taught – you either have it or you don’t. This artistic side should be respected.
There is no lack of potential clients out there – the challenge is to find and convince them that their interior can really be improved by a professional interior designer!
Which people do you admire the most in the industry and why?
I admire people who have not only been interior designers but have also created a business, employed others and grown from their small beginning. I also admire interior designers who share their knowledge, wanting to help others start up on their own. One such person is Katherine Pooley. She has been in interior design for 30 years, has grown a large business and now, on top of her business, gives talks and helps designers pave their way.
If you were inspired by Ana’s story, click here to learn more about the role of an interior designer.
Want to become SBID Accredited? Click here to find out more.
Sponsors of the SBID International Design Awards for the Residential House Under £1M category, Kassavello supply curated and bespoke luxury furnishing solutions for interior designers. The Director and founder, Ana Azevedo shares insight into how they work directly with designers to help them source the right furnishings for their projects.
What are the origins of your brand? Launched in 2015, myself and Renata Teixeira spotted the opportunity to bring high quality, handcrafted yet fairly-priced Portuguese furniture to the UK market. Kassavello has since become a luxury furniture design atelier dually based in both England and Portugal. Our roots are firmly entwined with Portuguese craftsmanship and artisanal design and, over time, the business has organically grown to encompass two complementary areas of expertise: Curated products from elite brands and Bespoke furniture production.
How do you work with interior designers? We offer a high-end, bespoke furniture design service for interior designers and architects that includes complex finishes and detailing. Our extensive portfolio of manufacturers have been carefully selected for their quality, reliability and craftsmanship and we frequently use different artisans to deliver individual elements of one piece to guarantee the highest possible standards of workmanship.
We supply high-end furniture for both residential and commercial projects, offering a very personal and tailored service to help designers source the right furnishings for their projects. We believe that beautiful handcrafted furniture and design should be accessible to all. From covetable sofas to striking mirrors, our expert team have hand-picked the brands that we partner with and the curated pieces that we sell.
With a strong focus on customer service, Kassavello offers a premium and tailored service. Working closely with discerning clientele and leading interior designers, we have developed a reputation for delivering products and designs of the highest calibre to residences across the world. We have a team of experts available to advise on every step of the process and we work collaboratively with our clients from specification phase to the installation of a project; ensuring a full level of support throughout the project development.
More recently, we are noticing that organic shapes and textured materials are increasing in popularity among our clients. Also, the desire to use natural materials like cane, stone and brass is growing significantly.
We wanted to sponsor the SBID Awards because it’s a very prestigious event that celebrates design and serves as a fantastic opportunity to network within our target market.
SBID interviewed Mark Robinson, the Managing Director of Alexander Joseph about his journey into the field of product design. We uncover how his brand of luxury lighting solutions came to life; how he got there and what he does to stay abreast of current industry challenges, whilst running a business!
As Managing Director of Alexander Joseph Lighting, my job is to develop the design ethic and culture in a way that establishes our young luxury brand. A significant part of this role is to ensure our designs are relevant to today’s interiors market by fostering collaborations with interior designers, artists, sculptors, and product designers to grow our range of cordless lighting products. I also take responsibility for the quality of the pieces we make and sell.
My background represents the antithesis of the normal road to working within the sector! I’ve spent most of my adult life inventing first-to-market technologies and products across many sectors. After discovering I couldn’t buy decorative cordless lamps, I decided to make my own, this journey brought me into contact with interior and product designers who exhibited a passion and enthusiasm I’d never really been exposed to. After a little research I realised the sector was likely to be the ideal place to launch products.
My natural inclination to be organised helps to moderate the ever-changing pressures associated with working on dozens of projects at the same time. In addition to curating and developing our permanent range, I also attend daily design meetings for commission pieces we are making for clients. Each project must be taken from a sketch to a CAD model to CGI, before it is made by hand in our workshops. Marketing, customer, planning and staff meetings take up the rest of the day. I generally leave administrative and financial matters until everyone else has left for the evening, I find it easier to concentrate then.
We are currently working on the launch of our first ever floor lamp and we have some marvellous collaborations to announce...
Everything we do must deliver the highest quality. So, keeping abreast of live projects and progress is time consuming and a constant challenge. Motivating myself to keep on top of admin would be a close second.
Pretty much everything I’ve learned over the last 12 months!
The most rewarding component of my job is creating finished pieces from scratch, I love problem solving so the more complex or challenging the design the more I tend to enjoy it.
I think it would be; decide what you want to do, then do it. Don’t procrastinate, it saps self confidence and tends to be an expensive lesson in futility. Spending time to-ing and fro-ing over decisions costs money – at the end of the day you are paying your rent, wages and other overheads whilst you introspectively analyse what you are doing.
Producing a lamp for a charity auction. It was a 1 metre tall table lamp in the charity's colours, finished in sterling silver. It took over 100 hours to complete.
Engagement with other sectors and industries. As a creating sector it is clearly design led, but this can be at the expense of all else. Other sectors tend to spend more time looking at how they can borrow or adapt techniques in other markets, before it is critical to do so. This enables them to ‘design in’ what they are adapting. Rather than incur the cost associated with adopting something at project delivery stage.
I think this would have to be anyone who has spent more than 20 years as an interior designer. Being able to remain passionate and inspired over such a long time period is truly admirable.
Want to share your story on the SBID blog? Email [email protected] to find out more.
Matt Robb, Digital Media Executive at Stone Federation shares how 100 years of experience in the natural stone industry help them guide, support and inform design professionals when specifying stone for their projects. Keep scrolling to find out more about the SBID International Design Awards sponsor for the Healthcare & Wellness Design category.
Stone Federation has existed in various guises for over a century. We have over 100 years’ experience in the natural stone industry with the longstanding goal of connecting specifiers with the very best materials and companies. There has always been a need for an independent body to champion natural stone and to promote best practice within the industry and in this way, the activity and aims of the Federation have stayed the same while the methods and markets have developed.
Our work with interior designers is primarily focused around connecting them the best materials and companies for their project. We have a wealth of free design and technical resources to help design professionals take full advantage of the potential that natural stone provides. We also connect interior designers with the member companies who are best placed to service their specific requirements.
Natural stone has a rich history of providing interior designers with a wealth of options in both texture and colour. The natural stone sector has a high value for best practice and education and works hard to ensure that we provide specifiers with the right information for the materials they use.
As the independent natural stone source point, we connect interior designers with a wealth of technical resources, stone sourcing guidance and opportunities to connect with suppliers.
We’ve seen an encouraging increase in the number of specifiers placing a higher value on materials that deliver not only the required aesthetic but also the ethical and sustainable assurances that more and more clients are looking for.
SBID and Stone Federation have a strong working relationship built upon a mutual desire to promote best practice and education within the design and architectural sectors. There is a natural synergy between interior designers and the vast design potential that natural stone provides.
Sponsors of the SBID International Design Awards for the Office Design category reveals how they help to create happy, healthy, high performing working and learning environments with their range of smart, contract furniture solutions for office, workplace and healthcare spaces. Jonathan Hindle, Group Managing Director E.M.E.A of KI tells us more...
KI (Krueger International, Inc.) is headquartered in Wisconsin, USA; was founded in 1941, and has been a contract furniture manufacturer ever since. Fully employee-owned, KI has grown to become one of the world's largest, most respected furniture manufacturing groups. KI’s EMEA headquarters and showroom in Central London is supported by an established network of manufacturing facilities and distribution partners across the UK, Europe and the Middle East committed to providing customers with smart solutions for Workplace, Education and Healthcare Sectors.
KI engages with interior designers and specifiers both directly and through a global network of showrooms and resellers. It has offered a unique Market of One manufacturing philosophy for many years and supports specifiers with the opportunity to design and build the furniture the want quickly and cost effectively through its Infinity programme. There are many online tools to assist designers such as See it Spec It, CAD and Revit Symbols, Image Libraries and Finishes options libraries to assist with Specification and Planning.
We provide a valuable furniture engineering design and manufacturing resource for workplace, education and healthcare interiors. KI’s furniture helps the world’s leading organisations create happy, healthy, high performing working and learning environments. We strive to improves productivity through the design and manufacture of furniture solutions which both optimise floor plans and stimulate users. We also know how diverse furniture requirements can be, so by working to understand what our client's need, we can deliver the ideal solution.
As above. Not only do our products represent cutting edge solutions to furniture requirements in workplace, education and healthcare environments, KI brings together good design, advanced engineering and sustainable resources to produce products that are durable, flexible and offer excellent value.
KI products can help designers meet client needs by improving productivity of the end-user through the design and manufacture of furniture solutions which both stimulate and provide efficiencies; meeting the demands of evolving workplaces. Customers throughout the world come to KI, not just for high-quality contract furniture but for the knowledge to make the right choices. Working with KI gives you access to our wealth of experience and innovation, so we can help you select the perfect furniture for the desired application.
KI Europe has recently introduced the 800 Series Shelving System, designed to offer a flexible platform for designers to divide space in open plan offices with shelving systems providing a domestic aesthetic. We have introduced a new seating range utilising the latest injection moulding techniques to provide flexible comfort and a lightweight aesthetic called Grafton, a new injection moulded dining chair called Hatton an enhancement to the market leading education seating range Postura+ providing fully recycled plastic options and a new generation Sit/Stand Collection of desking and benching called Work 2.1 to meet the evolving requirements for enhanced wellness across major organisations.
We wanted to engage with the SBID in order to better promote KI’s capabilities and desire to work with the world leading design practices which the SBID attract.
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