Georgina Robertson Interiors Maximises Storage Solutions to Create a Calm and Multi-Functional Space

This week’s instalment of the Project of the Week series features a rich and relaxing residential design by 2025 SBID Awards Finalist, Georgina Robertson Interiors.

Georgina Robertson Interiors was chosen to design and specify the layout, lighting design, finishes, furniture and soft furnishings for Bullfinch Way. Maximising storage and decluttering this multi-functional kitchen, dining, and living room extension were key to the success of the project to create a calm but bright space to relax and entertain in. As a compact space, custom joinery was crucial to the design as well as clever lighting design to enhance the ambience in the evenings. Layering textures and prioritising hard wearing materials such as LVT and quartz were essential in this highly utilised and functional space.

What was the client's brief?

The owner had hastily furnished the kitchen and extension when it was first built around 15 years ago, but it was never quite what she wanted, so she asked for my help. The client wanted to maximise storage and declutter the space entirely as well as having the perfect space to entertain and relax in the evening and at weekends.

She explained that she wanted the space to feel calm but bright even though she loved darker tones with minimal colour.

What inspired the design of the project?

The client was inspired by Scandinavian and Japandi styles which heavily influenced the design direction from the beginning. The space needed to work hard to incorporate everything the client wanted so I approached the design trying to maximise every inch of space without making it feel overwhelming.

The slatted panelling that now frames the kitchen was the starting point for the dark accents and it links the cabinetry on either side of the living space. There’s a dramatic bulkhead over the island and into the extension so instead of trying to hide it, I decided to make it into a feature. You can see how the rich, dark elements in the design are set amid off-whites, adding definition while keeping an airy feel.

What was the toughest hurdle your team overcame during the project?

The main design hurdle was how to incorporate all the storage the client needed without making it feel cluttered or too full again. When installing, we pulled the tiles off the wall in the kitchen, the whole wall came down. The existing flooring had also been laid on top of old floor tiles which were both big setbacks which we weren’t expecting but were easy to overcome. They did delay the project but not hugely.

What was your team’s highlight of the project?

The highlight was seeing how well we had maximised a relatively small space and given the client everything she needed and more - with it still being beautiful and functional. The client had a bad experience with the initial extension build so to transform the space into something she loved was incredibly rewarding.

As a standalone, the pantry was a fantastic design choice and use of space - especially with the wine rack incorporated!

Why did you enter the SBID Awards?

I felt this project was worthy of recognition on a wider scale. What we achieved with this size of budget is unheard of. We transformed a kitchen, snug, and dining space with all custom joinery, quartz worktops, new appliances, furniture, and lighting all for under £50,000 to an exceptionally high standard which we pride ourselves on.

The client was over the moon, so it only felt right to enter this project to the SBID awards.

What has being an Award Finalist meant to you and your business?

We’ve had some amazing engagement on our social media from old and new followers, supporting the achievement in itself and also voting for us in the awards. Just to be recognised as a finalist in such a prestigious award is incredible and we feel privileged to be involved this year.

Questions answered by Georgina Robertson, Founder of Georgina Robertson Interiors.

Can you share a project that best represents your design style?

My style has evolved over time and is very much inspired by my travels. I have been fortunate to visit many countries and experience so many exciting cultures and ways of life. Since early 2024 I’m renovating a unique property in Holywood, County Down, a beautiful hidden gem dating back to 1838, it’s going to be stunning!

How does your team collaborate on major projects?

Everyone gets involved! We’ve a dynamic team of 22 people, each role and every person on the team is vital to the overall success of a project completion. We have weekly planning meetings to prepare for the week ahead, we brainstorm and look at each project from all the various disciplines and directions. We set goals and objectives and I encourage the team to work together seamlessly with empathy and patience, leveraging their collective skills and knowledge to overcome challenges and achieve a successful result.

What steps do you take to stay at the forefront of the design industry?

Staying ahead in design isn’t about chasing every trend; it’s about staying aware and well informed whilst creating timeless designs that aligns with your clients. The creative team & I take trips throughout the year to visit our trusted suppliers, many of them who have become close friends. We always look forward to our visits to Chelsea Design Harbour, the annual design weeks in Paris and Milan and our supplier factory visits. I absolutely love visiting the extraordinary workshops of our manufacturers, it’s a privilege to be able to support and continue the centuries old craftsmanship of these ateliers and workshops.

What sets your work apart in the industry?

We act as a creative partner to craft our client’s vison for their project, creating unique and thoughtful concepts, sensitive to the property, its location and heritage rather than a standard house style. The whole team is passionate about design and provides a truly personal service to each and every client. The creative team fully develop every aspect of each individual project: from spatial planning, lighting design, furniture layouts, bespoke joinery, kitchen and bathroom designs to specifying the finest furniture, luxury fabrics and so much more to achieve an end result that works. This is what good design is all about, creating a home that functions as well as it looks.

What challenges did you face during your iconic projects, and how did you overcome them?

On reflection probably the biggest learn from working on projects is to ensure that the interior design team are engaged early enough in the project, something that often is out of our control. The bones of the building works are quite often well underway when we are appointed, when the contractor starts to request further details in relation the design intent and some of the key features of the home. The challenge for our team is trying to stay in front of the contractors, working under pressure to ensure we were a step ahead, this can in turn put the client under pressure to make decisions quickly. Encouraging our clients to start the process earlier has helped improve the flow of projects and the wider project team success.

Are you involved in mentoring or education within the interior design industry?

Over the past number of years, I have been a guest lecturer at the Art College extending this to sponsorship of various awards to encourage students and the designers of the future. Annually the students attend the studio to meet the team and the various disciplines participating in the daily life of working in the design industry.

How do you collaborate with other professionals, such as architects and engineers?

Creative collaboration isn’t always easy. Mutual respect for each other’s professions, ideas and methods will go a long way to cultivating creative collaboration. We have developed a good strong network of trusted peers and this helps us all work as a successful project team. Each designer or architect will approach a project differently, that’s what makes our world so exciting; we respect this however always remember the client is the most important person in the process.

If you’d like to feature your news or stories on SBID.org, get in touch to find out more. 

If you’d like to become SBID Accredited, click here for more information.

This week’s instalment of the Project of the Week series features a neutral and warm office design by 2025 SBID Awards Finalist, Paola Leon Design.

PLD have delivered a detailed and considered refurbishment, revitalising the co-working spaces to Capital Tower, Waterloo. Building elements have been carefully selected, repurposing and recycling where possible to minimise renewal. Existing and new are combined to create a cohesive look and feel. All spaces are unified with neutral warm hues, feature lighting, natural eco-friendly materials and accents of colour. Dynamic and flexible workspaces encourage movement and interaction. Amenities, social spaces, group, solo or quiet work settings all combine to deliver a space that is inviting and delightful to clients, colleagues and collaborators, encouraging personal inventiveness and creativity.

What was the client's brief?

The client brief was to create a sustainable, dynamic and flexible workspace that encouraged movement and interaction. The space needed to be inviting and delightful to clients, colleagues and collaborators, memorable, practical and future proof.

What inspired the design of the project?

A recent visit to Japan provided the opportunity to re-experience elegant traditional design and sleek modern interiors. Minimalism, functionality and natural materials seemed the perfect combination to create a welcoming and sophisticated space.

We combined this with feature lighting, a bright warm palette, tactile materials and familiar furnishing to complete the design.

What was the toughest hurdle your team overcame during the project?

To meet sustainability targets we aimed to retain as much of the existing fit-out as we could. This involved assessing the existing elements, reviewing their condition and working to incorporate them into the design where possible.

This was time consuming, however, extremely rewarding as we were able to retain an intricate bespoke metal ceiling to the office spaces and revealed previously covered slot windows along the façade.

What was your team’s highlight of the project?

The highlight was the attention to detail we were able to go to on the joinery items. The construction and materiality really bring a high-quality feel to the space. A highlight was the timber coffered ceiling. This is a real statement piece, and when combined with the feature pendant lighting it gives a memorable first impression.

Why did you enter the SBID Awards?

As an organisation SBID represents interior designers at the highest level, championing quality and professionalism both in the UK and internationally.

With these credentials entering the awards allows us to showcase our best work and presents an opportunity (if shortlisted) to measure how we compare to others in our industry.

What has being an Award Finalist meant to you and your business?

Being a finalist means a huge amount to the business, the associated media, social and PR platforms of SBID brings great exposure to our studio.

Being able to associate ourselves with the values, reputation and international recognition of SBID allows us to demonstrate the quality of our design work not just for this year but years to come.

Questions answered by Paola Leon, Founder & Lead Designer at Paola Leon Design.

Can you share a project that best represents your design style?

One project that perfectly captures our approach is the spa and wellness spaces at Raffles London at The OWO. We honoured the building’s history and Grade II listed status, while making it work for guests seeking modern, restorative and luxurious experiences. We introduced rich, layered interiors that reflect its legacy but feel contemporary, inviting, and rooted in the Raffles brand DNA. The result is a deeply transformative experience in the heart of the capital.

What steps do you take to stay at the forefront of the design industry?

Staying ahead means always being open to change—whether that’s through travel, research, or immersing ourselves in new materials and technologies. We’re constantly looking at how different cultures and industries approach design, taking inspiration from everything from historic restoration techniques to cutting-edge innovations in sustainability.

What trends do you see shaping the future of interior design?

Clients want spaces that feel thoughtful, enduring, and environmentally responsible, but they also want storytelling and authenticity. The challenge is bringing those elements together in a way that feels seamless and natural.

Do you have a signature style or hallmark design approach?

We don’t believe in a rigid ‘house style.’ Instead, we design spaces that respond to their surroundings, their history, and their purpose. Whether it’s a heritage restoration or a brand-new development, every project is unique—but always underpinned by craftsmanship, materiality, and attention to detail.

How do technology and innovation influence your work?

Technology allows us to push boundaries in both design and execution. It’s about enhancing the experience of a space, not just making it look good. We always want to retain a personal, human touch as this is what makes our designs feel layered and unique, but technology that improves our experience and enhances our productivity is no bad thing.

What sets your work apart in the industry?

Our ability to breathe new life into historic spaces while making them feel contemporary and relevant. Whether it’s a heritage-listed hotel or a new-build concept, we create spaces that feel timeless, not trend-led.

Can you highlight one or two of your most iconic projects?

Beyond Raffles London, another project we’re incredibly proud of is the Imperial Riding School in Vienna. Transforming a 19th-century military equestrian school and former cinema into a luxury hotel was a unique challenge. We preserved its historic identity and infused it with the spirit of Vienna, creating a total immersive experience for guests.

The biggest challenge with historic buildings is how to bring them into the present without losing their essence. Whether it’s structural limitations, conservation restrictions, or navigating modern expectations, it’s about thoughtful intervention—using lighting, materiality, and spatial planning to enhance rather than alter.

If you’d like to feature your news or stories on SBID.org, get in touch to find out more. 

If you’d like to become SBID Accredited, click here for more information.

This week’s instalment of the Project of the Week series features an intricate and creative residential design by 2025 SBID Awards Finalist, Angel O'Donnell.

Angel O'Donnell took the bones of a Grade II* listed building and elevated them with new interior architectural details. Every archway, wall panel, coffered ceiling, decorative moulding and wall-to-wall joinery unit they designed was a celebration of their fun, global and style-conscious client.

What was the client's brief?

Our clients – a Floridian couple and their 16-year-old daughter – wanted a home from home with elevated details that wouldn’t look out of place in a five-star hotel. For the parents, this meant two things:

1. Creating something worthy of Architectural Digest, their all-time favourite interiors and architecture magazine
2. Curating new museum-level queer art they could add to their beloved collection.

For their daughter, however, elevated details meant something a little more whimsical – a dream bedroom inspired by the romanticism of a French Château.

What inspired the design of the project?

We were keen to take the bones of the building – which is an Edwardian, neo-baroque, Grade II* listed masterpiece – and refine them even further with new architectural details. Really, we just wanted to knock our clients’ socks off. That’s why every archway, wall panel, coffered ceiling, decorative plaster moulding and wall-to-wall joinery unit we designed and installed was a celebration of our clients who are a fun, global, and fantastically style-conscious family.

The artwork too – from the David Hockney photo collage to the Keith Vaughan oil on canvas – was essential in the shaping the look and feel of our scheme.

And we can’t forget the daughter’s design ambitions, without which we wouldn’t have necessarily thought to lavish her bedroom with intricate plaster garlands, a rococo-esque bed, and a bespoke dressing unit finished in 22k gold verre églomisé.

What was the toughest hurdle your team overcame during the project?

As the parents were super keen to have the apartment ready before their daughter went back to the States, timings didn’t always allow us to stagger the trades and craftspeople as we would have liked. So, our toughest hurdle was co-ordinating everybody. At one point, a huge number of people were all on-site together, including:

- Various construction and decorative workers – installers, plasterers (both carved and venetian), French polishers, ceiling contractors, joiners, curtain makers, scaffolders, and electricians
- Our core team – three lead designers and a project manager
- Art professionals – two curators, a gallerist, a fine art insurance broker, a muralist, and even a sculptor who flew in from Madrid to oversee the hanging of his six-foot-long mobile.

What was your team’s highlight of the project?

There are several standout finishes that both enliven and pull together the other handcrafted elements in the scheme:
- In the living room, for instance, artisans covered our joinery wall in gesso, gold leaf, and a hand-blended mixture of bronze and navy-blue paint. They then stone buffed it into a starry cosmos of tonal variations – an arresting feature that also houses a TV behind a remote-operated door.
- While on the opposite wall, a panel of inky-blue polished plaster frames the fireplace we installed. When the sun hits its faceted surface, the wall appears to flicker.

Details like these far exceeded our expectations.

Why did you enter the SBID Awards?

We have a soft spot for the SBID. They gave us our first major award – Best CGI & Visualisation – when we were a fledgling studio. Such recognition fortified us in many ways – convinced us that we weren’t mad, that we could forge ahead and build a design studio with substance. It said, ‘we belonged’, which means the world when you’re starting out. The SBID is a non-profiting, sector-championing, love-sharing ally in a scarily unregulated and largely unprotected field. They’ll always have our loyalty – and we’ll always enter their awards for as long we’re creating work we feel meets their exacting standards.

What has being an Award Finalist meant to you and your business?

This shortlist – ‘The OWO Private Residence’ – is especially meaningful as it’s our studio’s first project that shares design credits. Historically, Co-Founder Ed O’Donnell led the design vision solo. Now we have a small team of designers, two of which – Tatiana Pietrangeli and Prima Patel – share this achievement for their rigor, creativity and dedication to the project. It's a big nod for them – and a wonderful symbol of growth for our studio.

Questions answered by the team at Angel O'Donnell.

How does your team collaborate on major projects?

The Lawson Robb team is currently growing, bringing fresh energy and expertise to our projects. Our integration within the Allect Family fosters positive collaboration between our design studios, allowing us to share knowledge, creativity, and resources. This dynamic collaboration enables us to push design boundaries while maintaining the highest standards of execution, resulting in truly exceptional spaces for our clients.

What steps do you take to stay at the forefront of the design industry?

We blend research and theory into every project, always seeking out new technologies, products, and materials to challenge and expand the possibilities of design.

How do you incorporate sustainability into your designs?

Lawson Robb has been awarded the Positive Luxury Butterfly Mark, recognizing our commitment to ESG principles and the integration of sustainable practices across our company, projects, and team.

Do you have a signature style or hallmark design approach?

At Lawson Robb, our design philosophy blends refined contemporary details with a harmonious balance of boldness and serenity. We seamlessly integrate heritage and innovation, drawing inspiration from local materials and cultural contexts to craft interiors that are both contextually relevant and aesthetically timeless. Our approach ensures that every space is not only sophisticated and functional but also deeply connected to its surroundings.

How do technology and innovation influence your work?

At Lawson Robb, technology and innovation are integral to both our design process and the final execution of our projects. We utilize advanced digital tools, including BIM and real-time rendering, to enhance efficiency and visualization. Incorporating smart home technology, sustainable materials, and cutting-edge construction techniques allows us to create spaces that are not only visually sophisticated but also intelligent, functional, and future-ready.

What advice would you give to emerging designers?

For emerging designers, my biggest advice is to stay curious and never stop learning. Interior design is constantly evolving, so keeping up with new materials, technologies, and trends is essential. Creativity alone isn’t enough—strong technical knowledge and execution skills are just as important.

Build relationships within the industry, as collaboration is key to delivering exceptional projects. At Lawson Robb, we push creative boundaries while maintaining meticulous attention to detail. Stay adaptable, be open to feedback, and most importantly, trust your instincts while refining your unique design voice.

What has been your company’s proudest achievement so far?

Achieving a repeat client rate of 72% over the years is one of our proudest achievements, reflecting the outstanding trust and satisfaction our clients have in our work. Beyond that, the trust our clients place in us has taken us across the world, expanding from a London-based design firm to delivering projects in 22 countries.

If you’d like to feature your news or stories on SBID.org, get in touch to find out more. 

If you’d like to become SBID Accredited, click here for more information.

This week’s instalment of the Project of the Week series features a striking and glamorous restaurant design by 2025 SBID Awards Finalist, TNN Studio.

This project transforms a Grade II-listed building in Bishop’s Stortford, UK, into a bold, multi-level Asian fusion restaurant that blends historic character with contemporary glamour. The interior concept draws inspiration from Art Deco and Bauhaus design—celebrating the building’s heritage while creating a striking new destination for dining and nightlife.

What was the client's brief?

The client wanted a high-concept Asian fusion restaurant that felt like a true destination — a place that could rival a night out in London while remaining rooted in the community. The brief included multiple layers of experience: refined fine dining, lively cocktail lounges, and a private wine room for intimate gatherings.

What inspired the design of the project?

The Roaring ’20s and the glamour of the Art Deco era were central inspirations. We wanted to capture that sense of celebration, sociability, and timeless style, while translating it into a contemporary setting. Our aim was to create a layered journey, where guests could move through different moods and atmospheres as the evening unfolded.

What was the toughest hurdle your team overcame during the project?

Working within a Grade II listed building always brings challenges, particularly balancing modern services and multiple functions within a heritage shell. Coordinating distinct experiential zones across the levels — each with its own identity, yet all tied together with a cohesive design language — required careful planning and collaboration with contractors and conservation teams.

What was your team’s highlight of the project?

Seeing the space come alive and witnessing the community embrace it has been incredibly rewarding. From intimate dinners to lively nights upstairs, No.14 has quickly become a new local landmark. The positive feedback and the way people are using the venue exactly as we envisioned — gathering, celebrating, returning — has been the highlight for us.

Why did you enter the SBID Awards?

The SBID Awards are internationally respected and celebrate design excellence across disciplines. Their unique balance of expert judging and public voting offered us a way to showcase No.14 both within the design industry and to a broader audience. It felt like the right platform to share a project that is ambitious, vibrant, and rooted in community.

What has being an Award Finalist meant to you and your business?

It’s been a significant milestone for us. As a boutique studio, being shortlisted affirms that our approach — where craftsmanship, architectural expertise, and storytelling are central — resonates within the wider design industry. It has given us greater visibility, strengthened client trust, and motivated us to keep pushing creative boundaries.

Questions answered by Tulin Naltekin, Founder and Creative Director of TNN Studio.

How does your team collaborate on major projects?

This varies from project to project, but one constant is our commitment to being part of the early design team. Early involvement allows us to add value by collaborating with the architectural and client teams to explore layouts, test ideas, and uncover new possibilities. We believe in the power of early sketches, often holding multiple informal sessions to explore concepts and preliminary designs before refining them into more developed solutions.

What trends do you see shaping the future of interior design?

The future of luxury hospitality is rooted in creating meaningful, lasting experiences that resonate with guests on a personal level, rather than simply following transient design trends.

As we move through 2025, the focus is on crafting immersive, transformative experiences that blend sustainability, cross-industry collaborations, and an authentic connection to the locale. These trends underscore a shift from fleeting fashion trends to a deeper understanding of the evolving desires of modern travellers.

How do you incorporate sustainability into your designs?

Sustainability is a driving factor in our design philosophy. We always prioritise sourcing materials and furniture locally to the project’s location. This approach not only reduces carbon emissions but also supports local artisans and craftspeople, ensuring that each design is deeply rooted in its cultural and geographical context. By integrating sustainable materials and responsible practices, we create spaces that are both environmentally conscious and authentically connected to their surroundings. A great example of this is 1 Hotel Mayfair, where sustainability and thoughtful design work in harmony.

Do you have a signature style or hallmark design approach?

While our design outcomes may differ, our approach remains consistent.

At G.A Group, the guest experience is at the heart of everything we do, guiding our design process from concept to completion. We challenge conventions through dynamic spatial planning, pushing boundaries to discover unexpected solutions. Grounded in deep research and a respect for place, we craft spaces that feel intuitive, refined, and uniquely connected to their surroundings.

How do technology and innovation influence your work?

At G.A Group, we see technology as a powerful tool to enhance creativity, not replace it. Innovation allows us to push boundaries, refine our design processes, and unlock new possibilities, but our work remains fundamentally human-centric. We integrate cutting-edge tools, such as advanced visualisation and sustainable material innovations, to bring ideas to life with greater precision and efficiency. However, true creativity stems from curiosity, craftsmanship, and storytelling, which no technology can replicate. By balancing innovation with intuition, we create spaces that feel both forward-thinking and deeply personal.

What advice would you give to emerging designers?

I would encourage them to remember Pinterest is just a tool. To foster their own creativity instead, believe in it and make design decisions based on the demands of the individual project, no based on the dictates of trends. Build your own identity. - Terry McGinnity

Are you involved in mentoring or education within the interior design industry?

Yes, we are committed to fostering the next generation of talent through our internship program. By providing hands-on experience and mentorship, we offer emerging designers the opportunity to develop their skills, gain industry insight, and contribute to real projects within our studio.

If you’d like to feature your news or stories on SBID.org, get in touch to find out more. 

If you’d like to become SBID Accredited, click here for more information.

This week’s instalment of the Project of the Week series features a calm and sleek kitchen design by 2025 SBID Awards Finalist, Daulby and Tickle.

Daulby and Tickle was commissioned to design, manufacture, and install a bespoke kitchen for the Devereux Road project, aiming to create a calm, sleek, and modern space that balances minimalist aesthetics with everyday functionality. The resulting kitchen showcases a refined palette of premium materials. Every element was meticulously planned and executed, with Daulby and Tickle’s in-house manufacturing. The final result is a harmonious, elegant kitchen that not only meets but exceeds the client’s expectations, delivering both visual sophistication and everyday usability in equal measure.

What was the client's brief?

The client asked us to design a calm, sleek, modern kitchen with a minimalist aesthetic. They wanted premium materials, handleless cabinetry for a seamless look, and advanced appliances that support both cooking and entertaining. The space needed to be highly functional, practical to maintain, and visually refined, blending style with everyday usability.

What inspired the design of the project?

The design was inspired by the client’s desire for balance, something understated yet sophisticated, where every detail contributes to a calm, considered atmosphere. Our use of textured walnut veneers, ultra-matte Fenix finishes, and the dramatic Neolith Calacatta Luxe framing created a refined contrast that feels both warm and contemporary. Further inspiration came from the client’s reference to European design studios, which guided the development of our bespoke solid-brass patinated handles, ultimately becoming a defining feature of the project.

What was the toughest hurdle your team overcame during the project?

Though originally intended as a fully handleless kitchen, the design changed just before installation when the client requested a bespoke handle solution inspired by images from a French design studio. Sourcing wasn’t possible, so we designed and developed our own version from scratch. Working with local specialists, we precision-milled solid brass handles and hand-finished them in-house to achieve a smooth bronze patina. What began as a sourcing challenge became a Daulby & Tickle solution, playing to our strengths both creatively and technically, and ultimately elevating the entire kitchen design.

What was your team’s highlight of the project?

Our highlight was seeing the completed space come together exactly as envisioned, a kitchen that feels balanced, calm, and effortlessly sophisticated. Every element, from the subtle lighting to the refined mix of walnut, Fenix, and Neolith, works in harmony to create an atmosphere that is both modern and timeless. The client’s reaction, and their continued enjoyment of cooking and entertaining in the space, confirmed for us that we had achieved the perfect blend of style, practicality, and equilibrium.

Why did you enter the SBID Awards?

We entered the SBID Awards to share our work with a wider audience and celebrate the craftsmanship, design precision, and ingenuity that define our projects. Although we have been in business for over 30 years, we have rarely shouted about our work, yet many of our projects are of an exceptional standard. The SBID Awards felt like the right platform to finally showcase what we do, benchmark ourselves against the best in the industry, and honour the creativity and dedication of our team.

What has being an Award Finalist meant to you and your business?

Becoming an SBID Award Finalist has been hugely significant. It validates the dedication and skill of our team, giving both our clients and partners confidence in the quality we deliver. For our business, it has elevated visibility, opened conversations with new clients, and reinforced our reputation as a studio and manufacturer that blends exceptional design with outstanding craftsmanship.

Questions answered by Robin Evans, Lead Designer at Daulby and Tickle.

Can you share a project that best represents your design style?

Design trends are always shifting, and we make sure to stick to our client brief and objectives. Rather than sticking to a single "house style," we tailor each project to our client’s brand and audience. A great example is our work on V and BYRD. For both, we created striking, contemporary spaces that captured market trends while staying true to the brands’ core values. The goal is always to deliver something unique yet commercially relevant.

What steps do you take to stay at the forefront of the design industry?

We’re always out there — whether it’s networking at industry events, engaging on social platforms, or entering award submissions. Networking is key for us—it helps us stay connected and informed about what’s happening in the design world, so we’re always in tune with the latest trends and opportunities. We also host regular CPD sessions in-house to keep our team sharp, updated, and inspired.

How do you incorporate sustainability into your designs?

Sustainability isn’t just a buzzword for us – it’s a responsibility!

We prioritise locally sourced materials, ensure our designs are built for longevity and make conscious choices that reduce waste. It’s about creating spaces that stand the test of time, both aesthetically and environmentally.

How do technology and innovation influence your work?

Technology is reshaping the industry, and we embrace it – AI tools, CAD modelling, and enhanced visualisation software all help to refine our process. But all our designs start with pen and paper or pen and an iPad. There is something irreplaceable about hand-sketching ideas before digitalising them, and we believe in the power of a hand-sketched 3D visual to present early ideas. Full rendered visuals sometimes hinder the design process rather than supporting it and they’ll never fully replace the hands-on creativity that’s at the core of our work.

What advice would you give to emerging designers?

Forget about your style—it’s not about you. Something I learned early in my career is that design isn’t about your personal preferences—it’s about the client. They’ll likely change their mind several times during the process, and that can be frustrating.

But you must remember that their satisfaction is the priority. Stay adaptable, patient, and always focus on meeting their needs, even when things shift. The best designers are adaptable, patient, and responsive to their clients' needs.

What has been your company’s proudest achievement so far?

Our reputation. Building a name in this industry isn’t easy, but we’ve carved out a space where creativity meets practicality. We've established a strong name for ourselves, and the ability to work across a wide range of services that cater to varied client needs, sets us apart. Being able to adapt and deliver on diverse projects has been key to our success and is something we are incredibly proud of.

Are you involved in mentoring or education within the interior design industry?

Yes! One of our associate designers, Sammy Bikoulis, is particularly passionate about mentorship. He’s involved in a phone mentoring program where he connects with up-and-coming designers a few times a year, offering advice and sharing what he’s learned along the way. He has also guided students in design competitions, helping them fine-tune their concepts and offering guidance to make sure their designs stand out. On top of that he frequently speaks at events like the London Design Fair. He’s even led online CPD sessions on topics like "Designing Inclusive Spaces." Sharing knowledge is something we value deeply.

If you’d like to feature your news or stories on SBID.org, get in touch to find out more. 

If you’d like to become SBID Accredited, click here for more information.