AkzoNobel is one of the biggest Decorative Coating companies in the world, with a rich history. Our brand, Dulux, began its origins way back in 1919. At the end of the First World War a long-established firm of varnish makers called Naylor Brothers extended its activities into paint production and moved out of central London to set up a factory in Slough on a 30 acre site.
Jumping forward to 1931 the first ‘Dulux’ alkyd-based synthetic finish was produced, based on a new formulation and the brand name ‘Dulux’ was established (a combination of ‘Durable’ and ‘Luxury’).
In 2021, we proudly celebrated our 90th birthday!
Drawing on 90yrs of experience, we help provide the tools Interior Designers require to support them in completing their projects. Distilling how colours and other materials work together, we understand that colour, in isolation, is only one part of the story. We work with the Interior Designer to carefully curate a palette of colours which tells a story, creates a desired outcome, and unlocks the potential of their project.
Our Commercial Colour Consultants are experienced in working with Contractors, Specifiers and end users. Using insights gained from these relationships, and a wealth or colour experience, our Commercial Colour Consultants can support Interior designers with their projects, across a range of sectors and working environments.
Paint has the power to pull the final design together, marrying up all elements of a space or aid as a backdrop for other elements to take centre stage. We can help you to win client confidence and underline your professionalism with brave design transformations and achieve comfortable yet functional spaces that surpass expectations.
Working with our Commercial Colour Services team ensures that your final design serves not only to provide a beautiful place to live or work but can promote better outcomes for the people using the space, as well as helping you to deliver on the organisation’s wellbeing and sustainability goals too.
There is a vast array of building specification requirements to also be aware of and each space presents its own challenges and requirements in terms of design. Our team of expert colour consultants are on hand to support Interior Designers to meet those challenges. We support Interior Designers to deliver colour designs that optimise commercial spaces efficiently and support the occupants’ needs. We guide you through our colours & colour coding system to ensure best choice of paint colour to work with your design.
Clients are looking for more and more ways to improve people’s lives. Delivering better living and working outcomes is now an everyday expectation for building owners. The effective use of colour in a building can markedly improve how occupants feel in that building. Whether the goal is to improve wayfinding in hospitals, support the visually impaired in a care home, or create a calming space conductive to learning in schools, great colour schemes can help enhance building design.
Questions answered by Martha Dunican, Commercial Colour Services Operations Manager, Dulux.
About Dulux Trade, AkzoNobel
Dulux is the UK’s leading paint brand, with a wealth of products and services designed to help you find the colours that will suit your project, and give you the expert knowledge you’ll need to achieve great results.
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If you’d like to become SBID Accredited, click here for more information.
This week’s instalment of the Project of the Week series features a Rome inspired hotel design by 2022 SBID Awards Finalist, THDP.
DoubleTree by Hilton Rome Monti is interiors and decorations and the lushness of an internal lobby garden – where guests can immerse themselves in the light of the eternal city from morning to evening.
The main entrance is located on the main façade of the historic building overlooking Piazza Esquilino, on the corner with Via Urbana. The hotel features a rooftop bar and terrace, bar and café with an entrance on Piazza dell’Esquilino, three meeting rooms, a fitness centre and Mamalia restaurant, serving reinterpreted traditional cuisine.
SBID Awards Category: Hotel Public Space Design
Practice: THDP
Project: Doubletree by Hilton Rome Monti
Location: Rome, Italy
To convert the two pre-existing buildings, with the aim of combining the Roman rhythms and lifestyle with the functionality of a hotel and establishing a continuous dialogue with the city.
Rione Monti, once popular and dilapidated, today it is a place to discover, a central and young meeting point that live in harmony with the ancient, made of narrow medieval streets and hidden trattorias, alternative shops, and trendy bars. Without a doubt a cosmopolitan area where the atmosphere of an ancient community and the boutiques and clubs not to be missed during your stay.
The Monti district is an authentic area where working-class Rome once stood, where the elderly maintain tradition and where young entrepreneurs open trendy galleries.
This atmosphere with a retro flavor, combined with the climbing on the terracotta facades, the pots of plants left simply along the sidewalk of the streets with the typical Roman San Pietrini, was the greatest inspiration for the interior design concept, created by the THDP studio with Italian roots and designers.
Designing case good furniture by carefully sampling all custom finishes for the project and project managing the execution on site was challenging during 2020 because of the first Covid lockdown.
Another challenge was planning the entrance of the hotel, which follows the Esquilino hill, gently rolling down. The lobby and the bar are at two different levels, which required to insert staircases and a lift.
This was the first THDP’s project in the Italian Capital. It was also a new way to push the boundaries of the Double Tree brand, by creating a more authentic experience for the guest where there was an accurate research of the neighbourhood areas, thanks for part of the internal local THDP team.
The SBID awards are unmissable, as they select original projects from around the world. It is quite an exciting award as there is a combination of projects and a very glamorous award ceremony in London, where our company is.
Questions answered by Manuela Mannino, Partner and Founder, THDP.
We hope you feel inspired by this week’s design!
If you missed the last instalment of Project of the Week, featuring a complete refurbishment of a family home by Novo Design, click here to read it.
In an increasingly competitive post-COVID, more financially cautious Interior Design market, it is important more than ever to have a USP that sets your business out from the crowd, and creates more opportunities to gain contracts based on something offered that is greater than a simulacrum of the previous project. The increasing reliance on fully bespoke work or ranges designed either for commercial roll-out or for a specific project is becoming well-trodden. Clients are increasingly knowledgeable but also demanding in terms of the quality-to-cost ratio, which as we all know can really start to eat into margins. While manufacturing in the far East or more obscure parts of Europe can certainly help to protect the profits, there is also another way, certainly not as frequently used as it might be.
Eco-friendly, Green, Renewable, Socially conscious – these are all phrases that more and more come into the planning of a build or a fit-out, and the environmentally astute designer will understand that many clients will be now building this into their considerations (though by no means all of them – to whom these concepts would be entirely alien..). One of the easiest and quickest fixes to this is to use antique, classic design, vintage and “retro” furnishings, underlining your green credentials but also opening up a world of other opportunities and ultimately, greater profitability. After all, no new materials are being used or manufactured, and items that already exist are being re-employed, repurposed and in many examples, aesthetically reconsidered and reaccommodated.
While the phraseology and terminology surrounding this concept can often sound trite and a marketing nightmare (“upcycled”, “preloved”, “retrostyle”) it is just the other side of a coin that has on the obverse “fine art”, “design” and “antique”. With over 30 years dealing in both new and old furniture and art, I would postulate that in general the quality of manufacture in particular of older furniture and design objects is considerably higher than that of today. As an additional bonus, many things were made in small or even unique numbers – equivalent to the dream phrase “Limited Edition” that is a gilt-edged chance to increase sales.
The very best classic design and antique pieces carry unique possibilities to the curious and canny Interior Designer – the layer of intangible “softness” that comes from years of patina on wood or glass for example, is almost impossible to reproduce with newer items. Who can resist a pier mirror of old mercury glass compared to a harsh modern example – it’s even more flattering in soft lighting. Finding and placing quirky, unusual or unique items opens up a world of choices, as well as adding a story to each individual item, at the higher end of the market, even remarkable provenance on occasion. These are the kind of objects that invite conversation, not just act as a backdrop or support.
With the rise of identikit interiors with a restricted palette and furniture and accessories that seem to disappear into the background, the bold and individualistic client will revel in this concept of “uniqueness” and this is most certainly a selling point for certain types of customer. The well-curated interior will speak of the owner’s intelligence, taste (if such a thing exists) and idiosyncratic approach. More often than not though, they will need some assistance with this, or certainly a collegiate approach.
Best of all for the canny client though, is the huge investment potential for their interior choices to become a sure-fire investment. The area of Fine Art is well covered and well-evidenced, but increasingly, Design and Decorative Arts are becoming (or already are!) a rich seam of capital gain. A case in point for example is the famous Jean Prouvé Chaise “Tout Bois”- a set of four in 2019 sold at Christie’s for 23,750 Euro, but in 2021 a similar set sold for 50,000 Euro – doubling the value in only two years. The joy of investments like this is that the individual items carry great value but lend themselves collectively to creating stunning and meaningful interiors.
Many Designers are cautious about introducing these elements into their schemes as they often lack the knowledge or confidence to utilise items from eras unfamiliar to them or are unsure of the market. I don’t believe that they are not employed simply because they are inappropriate. The subject is large and potentially complex, and it is absolutely possible to make errors. However, perhaps the biggest problem of all is knowing where to find these items and at the right price for the business and the client.
I would argue that there is actually huge potential to make greater margins or certainly to protect margins, by introducing a higher percentage of such items into a project, whether it is residential or hospitality. The integration of reclaimed or salvaged architectural elements is seen frequently in hospitality, and many of the very best projects in Europe and the USA at the highest level of residential are populated with exceptional examples of classic design – it must be impossible to move in California now without bumping into a Corbusier Chandigargh chair (original of course!!).
It is possible to create large margins with informed and intelligent purchasing, while also offering the client the possibility of a return on investment, something that is impossible with a bespoke site-specific sofa for example. Older pieces can even be bespoked of course, through reupholstery, readjustment and gentle intervention. Clients will be aware of the market prices of brand new standard items but won’t necessarily know the price of classic design, and in certain instances may be pleasantly surprised. There are rich pickings in the market still for undiscovered gems and unappreciated designers to become household names. The value for instance of Eames, Wegner, Juul has all absolutely rocketed as they take their place in the Pantheon (or “Premier League”) of design stars, but there are plenty who are brilliant but considered “1st Division” It’s important to find new avenues for increasing profitability and a few well-sourced items will add character and interest to a project as well as increasing value to both the client and the business.
All images courtesy of Modernforms.
About Theo Mance Consultancy
Theo Mance was the antique buyer for Liberty and has 30 years of furniture experience in the UK industry with Interior Designers, Architects and Developers. Freelance with Roberto Cavalli Home Interiors in the UK, his consultancy offers investment advice & sourcing of antiques and Classic Design to Interior Designers.
Italian design is matchless, its inventiveness legendary. Signature and Tosca are the latest additions to premium bathroom retailer, C.P. Hart’s portfolio of exclusive furniture.
Sourced from inspirational makers in Tuscany, Italy and renowned for its high-quality and chic designs, Signature and Tosca are created for bathrooms of all sizes.
Carefully selected by C.P. Hart, Signature is a highly versatile range, making it the perfect storage solution for both large and small bathrooms. The collection of clean-lined and contemporary wall-hung vanity units and wall cabinets come in various shapes, allowing you to configure your bathroom furniture to optimise space.
The Signature range is crafted with exceptional attention to detail. Vanity drawers are internally painted in Anthracite Gray and come equipped with soft-close and push-pull mechanisms, accessible through recessed handles that are subtle yet practical, offering a comfortable and secure grip.
Cabinet tops and finishes are available in natural and timeless shades, including glossy and matt lacquers and wood finishes. A range of stunning marble stoneware tops with integrated basins or countertop ceramic basins are also included in the collection.
The Signature range offers a selection of sleek LED mirrors and towel holders to complement the furniture, all available to purchase from C.P. Hart.
The Tosca range, designed by Italian architectural designer Enzo Berti and hand-picked by C.P. Hart, breathes its classical heritage in a thoroughly contemporary way. The collection showcases a statement display of modular wall-hung and floor-standing vanity units, cabinets, and benches, available in various sizes allowing you to configure your optimal bathroom set-up.
The units feature simple, elegant lines enhanced by an Anthracite Grey frame and spacious, soft-close drawers. The front panels and tops can be crafted from wood or stone for a natural textured effect, or they can be lacquered or made of glass for a sophisticated feel. Please speak to a C.P. Hart sales consultant to discover the breadth of finishes available.
The Tosca range comes with washbasin options for maximum customisation, including blown glass countertop designs, integrated basins, undermounted or countertop solutions, and freestanding designs for an eye-catching and highly individual result.
“The use of age-old Tuscan materials, such as traditional terracotta, blown glass, and marble, introduces a timeless appeal to these collections, while the natural colour palette adds softness to minimalist design.” Yousef Mansuri, C.P. Hart director of design.
Signature and Tosca are currently displayed in C.P. Hart’s flagship Waterloo showroom.
Visit A C.P. Hart Showroom here.
About C.P. Hart
Leading bathroom retailer C.P. Hart has an outstanding reputation for the best in design and innovation, with products sourced from designers and manufacturers worldwide, many exclusive to C.P. Hart and unable to be purchased elsewhere. C.P. Hart has 16 showrooms across the UK, including its impressive flagship at London’s Waterloo.
Some spaces lend themselves particularly well to a generous injection of moody hues and this kitchen in Hackney, London, is one of them. Wall-to-wall bi-fold doors drench the space in natural light, allowing designer Charlie Smallbone of Ledbury Studio to dabble in a decadent mix of dark materials and bring a sense of drama to the bright space.
Typically for Ledbury Studio, metal punctuates the design, most notably on the front of the tall fridge-freezer, which is clad in aged verdigris copper panels. Subtler touches range from a strip of aged brass that runs along the top of the stained oak cupboard doors on the base run to a brass undermounted sink and aged brass handles on the island cupboards. Bringing the metallic elements together is a Stone Italiana Ambra worktop that combines the beauty of natural stone with the performance of hard-wearing quartz.
Continuity is essential when a kitchen is part of an open-plan space, and to strengthen this kitchen’s connection with the adjacent dining area, Charlie’s distinctive Choppy Water design is hand-carved onto the end panel of the island and on the cupboard in the dining area. As a side note, the cupboard comes complete with a built-in wine cooler, wine rack and a fluted-glass cupboard for glassware, making it a super-handy addition.
Storage is a crucial aspect of all Ledbury Studio kitchens. In this one, a large larder cupboard fitted with doors, racks, shelves and drawers offers a wealth of space for everyday cooking essentials. Open shelves above the sink serve a more decorative purpose, letting the homeowner showcase some of her favourite accessories to personalise the space.
Ledbury Studio kitchens start from £50,000.
About Ledbury Studio
Ledbury Studio is a new and exciting design studio, showcasing Charlie Smallbone’s latest kitchen designs. Small and personal, Ledbury Studio has been established to explore and develop the interface between kitchens to cook and work in, and kitchens to live in. The company offers something very different in the world of kitchen design, something not found elsewhere. Combining exquisite materials and artisan craftsmanship, the new kitchen collections are striking and innovative and the culmination of Charlie Smallbone’s history at the forefront of cutting edge kitchen design.
In this week’s interview with SBID Awards Product Design judge and Founding Partner of Oliver Burns, Sharon Lillywhite shares her approach to creating unique design narratives, enhancing user experience through design, and talks about finding the balance between beauty and functionality.
When we are designing a space, I spend time getting to understand what environment and atmosphere the client wants to create. As Coco Channel once said, ‘An interior is the natural projection of the soul’. To achieve this, our design studio always uses a multi-sensory approach to enhance any surroundings. A powerful design tool to achieve this is colour, which plays a central role in influencing our moods and the atmosphere within a space. In one of my projects for ‘Veterans Aid’ I used colour psychology to transform the existing space into a warm and inviting home for 55 former members of the British military who were in crisis. The result was a warm, welcoming space with elements of discreet luxury that inspires confidence in the residents.
Our designs are born out of a story that either the property or the client wants to tell, making it a space with a unique narrative. This concept drives the requirement for bespoke pieces with the highest level of craftsmanship and design. Our clientele are seeking exclusivity and exceptional quality, and this is where we enlist the skill of artisans and craftsmen to create something extraordinary. From hand-painted wallpapers to embroidered linens, we feel very proud to work alongside these specialists to deliver something truly outstanding.
At Oliver Burns, our ethos is ‘Thoughtful Luxury’, where design goes much deeper than just the aesthetic to reflect deeper values and meaning. The concept of Thoughtful Luxury underpins everything we do. It is reflected in our designs, from the concepts we develop, and is demonstrated in the unique understanding we have of our discerning clients and translated in our vision of client care. From concept to completion, this approach ensures that all of our projects are thoughtfully designed, thoughtfully built and thoughtfully finished.
A space is to be enjoyed and lived in and I don’t believe that there should be a compromise when it comes to beauty and function. If there is a piece that I know will work well aesthetically but may not be the most functional, then I will always try to work with designers to create something bespoke that I know will deliver on both elements.
Make sure that your project stands out and has a unique element to it. It needs to be inspiring and innovative, presenting something that we have not seen before. I am always looking for attention to detail, so make sure that every product and finish counts.
Questions answered by Sharon Lillywhite, Founding Partner, Oliver Burns.
Sharon Lillywhite is Founding Partner of Oliver Burns, a multi-award-winning architectural interior design studio that thoughtfully designs the world’s finest homes. Working across an exclusive portfolio of international turnkey projects, the team has a world- class reputation for bespoke commissions, super-prime developments and elegant spaces that are synonymous with a luxury lifestyle. Their exceptional architectural, creative, and development credentials together with the highest levels of personal service, enable them to act as trusted advisors to discerning private clients, developers and luxury brands.
This week’s instalment of the Project of the Week series features a complete refurbishment of a family home by 2022 SBID Awards Finalist, Novo Design.
Abbie Smith, Founder and Creative Director of Novo Design: We started discussing this project back in 2018, the masterplan was designed and the planning applications commenced. Knock back after knock back and 2 years later approvals were finally given and we could start working on developing the interior concept and specification. The family would be moving in with clothes and toys only and everything from bed linen to champagne flutes and potato peelers had to be specified and procured. The building was stripped back to the shell and then put back together meticulously, no corner was cut on quality of finish and the client continuously pushed for unique bespoke items so the home would be truly unique.
SBID Awards Category: Residential House Over £1M
Practice: Novo Design
Project: Sutton Court
Location: London, United Kingdom
To create a beautiful family home and maximise the potential of the space by reconfiguring the internal layout, converting the unused loft space and adding a large kitchen extension and orangery to gain more space that can be enjoyed and utilised.
Contemporary styling fused with lots of texture and natural materials. Vibrancy was brought through in artwork and furniture to represent the characters of the family living there.
Obtaining planning permission. 2 years of rejected applications were hard for morale but the client wasn’t willing to compromise so kept persisting and it finally paid off.
The grand reveal, welcoming the family back into the home once we had completed (they didn’t come to site during the build). There were lots of tears of joy and disbelief around the transformation and finished results. It exceeded their expectations and they couldn’t have been happier.
We feel this is by far our most considered and most beautiful residential project we have ever delivered. The client gave us complete ownership of the design so it represents our company style perfectly. A great project to showcase what we can deliver and would be amazing for the team to get recognition for all the hard work that went into this project.
Questions answered by Abbie Smith, Founder and Creative Director, Novo Design.
If you missed the last instalment of Project of the Week, featuring nine distinctive bar designs by 4SPACE, click here to read it.
With the aim to turn this apartment into a truly luxurious gentleman’s private office, Juliettes Interiors was commissioned to design a working environment that wasn’t only practical and professional for Zoom and in-person meetings, but a space that was also strikingly beautiful and sophisticated. The option to stay late at the ‘office’ as well as provide an overnight base was also required, with a living-style zone added for maximum comfort.
Due to the apartment’s compact size, spatial planning was not an easy task, so Juliettes Interiors chose to introduce customised pieces of furniture to ensure the right flow was achieved throughout the space with each piece working in harmony together. In one small living space, Juliette and her team needed to create three zones: a living area, kitchen/dining and office.
With detail at its core, the design scheme needed to be cohesive. Dark tones and luxurious fabrics have been skilfully layered, paired with a variety of textures and bold brassware accessories – from the striking pendant light above the table to the dressing table in the bedroom. The large windows allow for plenty of natural light to flood the rooms, adding depth and interest to the dark décor.
The living area has been designed with a strong entertaining social element in mind, with a variety of different zones. Each zoned area was as important as the other. Bang & Olufsen equipment has been installed for a high-tech finish, ideal for meetings, and the client wanted a perfect backdrop from behind as a Zoom screen for international meetings. The office is set up in the living space at the centre of the apartment. A premium Italian leather desk and chair complement the dark wood and brass detailed designer desk, blending together for an incredibly opulent final product.
About Juliettes Interiors
Award-winning interior design studio, Juliettes Interiors brings a level of creativity and exceptional customer service to every project. As well as offering interior design services, the brand is a luxury furniture retailer – specialising in residential, high-end, luxury interiors and property. Offering both personal and trade accounts, services range from supplying a single item of furniture to full project management, new build and property development.
Lorenzo Tondelli Collection have brought on stage six ambiences, retracing the history of the brand and integrating the first bestsellers mixed with the latest Hyperborea series.
The tour begins with Umami: the 100% customisable kitchen produced by Lorenzo Tondelli in every detail, from the cabinets to the handles and hinges, from the drawers storing cutlery and plates to the wine cellar for preserving refined wines. The leathers are stain and water-repellent and every aspect from aesthetics to the layout can be customised step by step with the customer.
We then proceed to the TV area. The screen is installed on the Argema console. Guests can sit comfortably on the curved Hula Hoop sofa upholstered in silk velvet, on the iconic Dune or on the Ulla rotating armchair.
The display continues with the living room dedicated to Kela: a family of bestselling seats consisting of sofa, chaise longue and armchair.
The scene is illuminated by the Carapace lamp, featuring a cast bronze reproduction of a tortoise shell. Next to the sofa the Ebe glass lamp stands with its sculptural dome.
The reading area is characterised by red silk boiserie and hosts a setting of pieces from the Hyperborea series including the Levare coffee table, the linear Hula Hoop sofa accompanied by its pouf, the Aura lamp that reproduces a chiaroscuro effect on the walls reminiscent of the aurora borealis. The specular bookcases, Alda, hold precious volumes.
In the study-office area we find the Pico desk, upholstered entirely in leather with legs in bronze in silver finishing. The top is equipped with a convenient socket compartment. A leather-upholstered drawer completes the desk. The chairs in the setting are Maua upholstered in orange leather in the version with and without armrests.
The conversation area is centred on the Nirmal sofa, here arranged in a corner version and equipped with a chaise longue and customised engraved bronze armrest. Nirmal is a modular sofa: the customer can compose the desired arrangement to suit the space.
“On the occasion of Design Week – explains brand CEO Lorenzo Tondelli – our aim was to allow visitors to immerse themselves and walk through the history of our Collection.
The idea was to show how our bestsellers created in the early years of the Collection and the ultimate Hyperborea series have a timeless taste and can be combined together in a fluid and elegant way.
One of our strengths is the work that has been done over the years to give aesthetic continuity to the products, eschewing passing fashions, and designing furniture that lasts in terms of quality and taste.”
About Lorenzo Tondelli
Since the early fifties, Lorenzo Tondelli have been makers at work. They adorn places where meeting, talking, learning, playing, working, and relaxing feels just sublime. At Lorenzo Tondelli they love to gather their fabrics, fantasy, and experience, and then let the inspiration lead them somewhere new. Every element they design has a unique storyline, combining culture, art, and tradition to create comfortable yet inspiring spaces.
Arteriors core collection of luxury furniture, lighting, wall décor and accessories incorporates products from a number of design aesthetics. A key trend that remains popular with interior designer customers for trade and residential projects alike is a tendency towards pieces that will help create and complement a monochrome scheme.
A timeless palette, monochrome décor palettes can highlight the art of duality, with each product created as a statement piece in its own right but with elements that allow it to co-exist and complement additional items within a room. This is a collection of items that are intended to work alongside one another and unify the space.
Bright white and pale cream tones pair with varying tones of greys and black as the core colour theme, where texture and tactility take centre stage – drawing the focus away from colour towards the materials used to create depth and interest in the room’s design. Tactile materials such as soft plush boucle, and luxurious velvets work particularly well to soften a monochrome space.
Visual interest can be added through the use of graphic, geometric lines whether seen in the design of Arteriors’ products or in additions such as wallpaper and rugs. By combining strong accents with soft, textured fabrics, marble detailing and rounded edges, a scheme can transform from feeling cold and stark to warm and inviting.
This collection from Arteriors creates a sense of understated glamour, with all focus placed on the expertise of design. The variety of items seamlessly blend in with one another and transcend seasonal trends layering perfectly into multiple settings and styles.
Arteriors’ exclusive collection is available to view online or at the UK showroom at the Design Centre Chelsea Harbour.
About Arteriors
For over 30 years, Arteriors delivers impeccable style and artisanal quality craftsmanship within the lighting, furniture, wall décor and home accessory categories to discerning customers worldwide. This three-decade journey in pursuit of extraordinary product – from the understated to the unexpected – had been and remain at the core of what Arteriors do each day. Arteriors’ business has matured and expanded into a timeless lifestyle brand that has become premier resource for interior designers and retailers worldwide.
Today, Arteriors continues to reinterpret materials, forming objects of perfect proportions and scale, resulting in bold interiors that bring ease to everyday luxury.
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