Nicholas J. Hickson and Manuela Mannino, founders of THPD, lead us on a trail that winds through the new tendencies of Hotel Design.
The hotel and tourism industry rest on an ever-changing canvas and today more than ever – also considering the pandemic period – the customer and traveller requirements express themselves through novel brushstrokes.
“If we were to identify the new directions our work is heading in, the necessity to conceive and design projects as authentic travel experiences and stone narrators of the place housing them, that is to say, destinations worth admiring and living would be the at the first place” – Nicholas Hickson says.
New frontiers of hotel design open up and the positions that recently come out during “Designing New Hospitality” – the digital conference fostered by Elle Décor Italia – seem to meet Hickson’s philosophy. “Emotional hotels” capable of offering stories, experiences and emotions and “story-teller interiors” wherein the city itself may be to some extent retained and enclosed are – according to the industry experts surveyed last January by Il Sole Ventiquattrore – the new hôtellerie avant-garde (Pierotti, Paola).
Today, according to THDP, hotels are places of enchantment for travellers and local inhabitants, rather than mere ports of passage. Modern sanctuaries far from the hectic pace of the city or refined niches where divorcing from reality, contemporary hotels are the background to unique experiences and places to appreciate the rare flair of the inside spaces. Two fundamental reference models may be cited. The Indigo Verona Grand Hotel Des Arts, largely inspired by the Arena di Verona theatre and based on Romeo and Juliet second act, and the Hilton Frankfurt City Centre, where the welcoming atmosphere of Manhattan – the New York district that lends its name to Frankfurt city – informs the magnificent construction.
“Designing the Indigo Verona Grand Hotel Des Arts has been just like writing poetry ” – the architecture Mannino explicates.
Upon entering, the reception and the hotel lobby feature an evocative counter inspired by the stone masonry of Juliet’s renowned balcony in Via Cappello. And not only that. “The rear panels behind the newly designed reception take cues from the staggered wings of the theatre. Given the renown of Verona’s signature Roman arena, it would have been a pity not dedicating him a tribute…” – the architecture Mannino explains.
The burnt bronze and the deep indigo blue colours are complemented by terrazzo sophisticated finishes, thus rendering the whole place a postcard-worthy spectacle to be admired in every single detail. The lightning is entirely made in Italy and conceived to enhance the Roman arches on the reception pod front. “The café façade is a homage to the Hotel Des Arts – namely the hotel prior to becoming Indigo – and consists of frames in varying shades”. The most precious Italian marble completes the ambience with a further hint of elegance. “The selected furnishings feature soft shades of blue and aquamarine with rattan and orange hues, manufactured by the Italian firms Miniforms and Tehkne”. The former hotel’s art masterpieces and the mirrors have been carefully tended and maintained, with the intention of providing the atmosphere with modern touches.
“We wanted them to merge with works already part of the heritage of the hotel, belonging to Classical periods and mid-century. Sustainability is a priority for us and recycling is a valuable resource we have at our disposal. We wanted to give the existing works new life rather than throwing them away”. And the resulting effect is astounding.
Indeed, GlobalData’s “Luxury Hotel Market to 2024” 2020 report has revealed an upward tendency as regards the tourism industry sustainability. Paperless counters, refillable dispensers and recycled materials are trends likely to gain increasing popularity over the next years, thus leading to greater competition in the market. A further aspect highlighted by GlobalData’s report is the key role technology will play in the near future as a consequence of the pandemic restrictions, as luxury hotels are expected to redefine their design towards a more contactless experience, (GlobalData, November 2020).
“The new Hudson Yards Bar at the Hilton Frankfurt Centre resembles a typical New York café, with brass gantry shelving, custom counters, brass foot stops and a Rancilio coffee machine realized ad hoc” – Hickson explains. The ideal place for relaxing during the day or in the evening. “The bar is designed to work day and night. We have installed swing doors so that, besides hosting a ‘day’ focus section for coffees and sweet treats, the night discloses an unedited set-up, with cocktails and liqueurs”. The guests find themselves wholly immersed in the New York atmosphere, albeit with a local food menu. The spaces combine urban and chic vibes, with green marbles and brass elements. To top it all, a parquet reminiscent of the asphalt colours. “We have worked with a four-colours palette: we wanted the guests to feel as though they were standing at the very heart of Manhattan.”
Article written by Stella Manferdini.
We hope you enjoyed this look inside the hotel design sector. To read about how Heritier Founder, Julien Bonzom, is pushing the boundaries of product design click here.
This week’s instalment of the #SBIDinspire interior design series features an office design by 2020 SBID Awards Finalist Urban Soul Project. The architectural design of the Prodea office, a 3500 sqm building, had three main goals: to intervene in a pre-war building with a listed façade while maintaining its significant decorative features, to convert it in order to meet the highest standards of modern office spaces and to meet the design specifications of LEED and WELL, two of the most prominent international design standards for buildings.
SBID Awards Category: Office Design Sponsored by Schneider Electric
Practise: Urban Soul Project
Project: PRODEA
Location: Athens, Greece
What was the client’s brief?
The client’s quest was to renovate the building in a way that highlights its unique characteristics, respects its identity and its legacy. At the same time, it should represent PRODEA’s profile as a company, its character and its values: respect and learn from the past, looking towards the future. The brief was to create a state-of-the-art building in the shell of an old one.
PRODEA HQ comprises of a basement, ground floor, mezzanine, two typical floors, two setback floors, a terrace and a rooftop overlooking Acropolis. The interior of the building was modified to achieve an integrated rather than segmented operation, highlighting at the same time its distinctive features, such as the marble staircase with the handrail, the old elevator with the wooden booth and the plaster decorations of the ceilings. The new opening creates an atrium that allows visual communication between floors. An innovative organic model of cluster desks has been implemented in the open-plan area. The design approach is defined by a balance between contemporary and timeless features in the arrangement, layout, materials, innovative technology applications, creating an environment both aesthetically exceptional and technologically advanced.
What inspired the design of the project?
The guide through the whole project was the building’s existing architectural characteristics. We listed them and we tried to emphasise them and reproduce them by using modern materials and simplified contemporary forms. We also introduced a system of organic forms that define the circulation, the open offices setting and all additions made to the building.
What was the toughest hurdle your team overcame during the project?
The main hurdle we faced while working in this building was the process of embodying new technologies in an existing structure without disrupting it. The building’s design and the standards specified by LEED and WELL certifications demanded a large variety of new technologies and in many cases, we had to be very creative in order to combine them with the building’s dimensions and materials.
What was your team’s highlight of the project?
The project in its entity was a highlight for our office since it was our most demanding project so far. However, were we to point out a highlight during its progress, we would point out the week when the artworks were added in the building. The artwork selected is a statement for the relationship between PRODEA and the Contemporary Greek Art and artists, which in certain cases were commissioned to create art especially for the company. This allows for the artwork to be integrated into the architectural design, rather than constitute a post hoc addition.
Why did you enter the SBID Awards?
The reason we presented PRODEA HQ in the SBID Awards is that they are among the most prestigious international awards. Their presence among the participations was already an honour, let alone a distinction. SBID Awards offer the opportunity to present our work to a wide international audience among many other projects of very high standards and qualities.
Questions answered by Urban Soul Project.
We hope you feel inspired by this week’s design! Let us know what inspired you #SBIDinspire.
If you missed the last instalment of Project of the Week, featuring a client-focused office design, click here to see more.
This week’s instalment of the #SBIDinspire interior design series features an office design by 2020 SBID Awards Finalist SHH Architecture. Luxury interior and architecture design practice SHH has completed new top floor headquarters for leading Chinese developer, KWG Group holdings, in Shanghai, China. The 32,500 sq ft project unfolds over two floors in a twenty-storey building at an office campus just west of the city centre of Shanghai. The premises have been designed by SHH to be client-focused, making a strong first impression, while reflecting the quality of KWG’s existing offices in Guangzhou and Hong Kong.
Practise: SHH Architecture & Interior Design
Project: KWG Headquarters Shanghai
Location: Shanghai, China
The office space on level nineteen provides the main reception, boardroom and meeting rooms boasting views over the Huangpu River. Cellular offices for senior staff are located around the perimeter of the floor with uninterrupted river views. Level twenty is largely dedicated to executive facilities including VIP offices and suites for the company CEO and President. It also accommodates smaller areas of general workspace, a secondary reception and lounge, along with an additional breakout area.
The design is sophisticated and welcoming throughout. The materials palette includes timber, stone, leather, fabrics, laminate glass, mesh and brass highlights. Suspended from ceilings are feature planters with integrated lighting which define circulation routes and provide visual interest at a high level.
The brief formulated by KWG called for a solution that would make a statement about the company’s design-led approach to their property developments and impress this upon their clients as the company expanded into the Shanghai market. Accommodating executives, senior management, building professionals and designers this messaging was also important for staff, instilling a sense of collective pride and confidence within them all.
KWG are one of the top ten developers in Mainland China and their portfolio consists of commercial office developments, five-star hotels, luxury residential developments and shopping centres. So the occupants of and visitors to this office might be involved in any of these market sectors. Our design approach was to cross boundaries and create a hybrid of hospitality, hotel and workplace in terms of character. This was achieved through the use of quality materials and thoughtful detailing set alongside functional efficiency and consideration for how company employees inhabit and use the space.
This project is just one of more than half a dozen we have undertaken with the client. Having worked so many times with them we have established a great understanding with each other and there are very few hurdles that we have to overcome as a result. If there was one particular challenge with this project it was time. The design and development of projects in China is so much quicker than what we’re accustomed to in the UK. KWG set a very ambitious programme for completion, however, our designers rose to the occasion and delivered what was required of us on time.
In all honesty, the highlight is working with the people at KWG. As a group, they understand design and appreciate what it can contribute to the quality and success of a project. We have developed a mutual respect between us and as a result, the whole process is really enjoyable. It’s been a meeting of minds and characters. A number of us at SHH have had the good fortune to travel to China on multiple occasions to meet directly with KWG and visit construction sites. And I think we’re all sorely missing these face to face encounters with the current travel restrictions that are in place.
SBID provides a great platform for recognition to practices that wish to showcase their work to a talented global audience by bringing together high standards of work from across the world.
Questions answered by Brendan Heath, Director of Hospitality & Commercial Interiors, SHH Architecture.
If you missed the last instalment of Project of the Week, featuring a classically modern kitchen design, click here to see more.
This week’s instalment of the #SBIDinspire interior design series features a residential design by 2020 SBID Awards Finalist Cronin Kitchens. The New Zealand kitchen design company was tasked with creating a modern, open-plan kitchen for a family holiday home.
SBID Awards Category: KBB Design Sponsored by Garrett Leather
Practise: Cronin Kitchens
Project: Queenstown Kitchen
Location: Queenstown, New Zealand
The client was looking to create a classically modern, family kitchen that would sit at the heart of a new holiday home. The kitchen would include an island large enough to accommodate seating for up to five people, along with a separate drinks preparation and storage area.
Working with a deceptively small area, a cantilevered, L-shaped element was seamlessly integrated into the marble benchtop – raised slightly above the rest of the benchtop to demarcate the seating area. For continuity, the same marble was used in the cooking zone and for the splashback, above which sits a custom, acid-etched glass extractor box. Two columns of black-stained oak cabinetry containing the pantry and integrated fridge/freezers flank this area.
Adjacent to the kitchen, a custom built-in sideboard was installed, containing the requested drinks station, plus storage for crockery, etc. Matched in the same black-stained oak cabinetry, this unit is fronted with smoked, black-glass doors, which bring an additional dimension to the space.
The project was inspired by modern design, and the goal was to design a kitchen that would appear larger and grander than its footprint would allow. The overall palette is dark and moody, and we worked closely with the interior designer from the outset, so these hues could be complemented in the rest of the living space.
I only visited the house for a final inspection once the house was completed. The design and detailing of all of the cabinetry needed to be highly detailed and very specific. The kitchens design is such that the overall dimensions are not too critical, it does not fit between walls or go up to the ceiling like all of my other designs do.
The oak frame that surrounds the cooking area, I used 38mm thick oak panels to give the kitchen a more classic aesthetic. I extended a panel over the top of the cooking area to create a box-like surround. This connects the pantry on the left to the integrated fridges on the right making the kitchen appear more substantial then it is.
The raised seating bench which is wide on the front side of the kitchen to maximise seating but is also checked out on the inside of the kitchen to give plenty of practical working space, either side of the sink.
The visual symmetry, the centre of the islands cabinetry is centred on the dining rooms cathedral-like peaked ceiling. On the front of the Island, there are 3 doors on either side of the centre, 6 doors in total. This is also the line where the benchtop steps up from thin to thick. It is also the centre of the tap, sink, hob and extractor.
This is the first time I have entered the SBID Awards. In New Zealand we have lots of good kitchen designers, we really only have one Kitchen Design Awards though. This year I had multiple kitchens that I was very proud of, two of which made the SBID finals. I really wanted to give all of these kitchens an opportunity to be judged by International judges and compared with other designs outside of New Zealand.
Questions answered by Morgan Cronin, Owner/Director/Designer, Cronin Kitchens.
If you missed the last instalment of Project of the Week, featuring a residential design inspired by its surrounding harbour views, click here to see more.
This week’s instalment of the #SBIDinspire interior design series features a high-end residential design by Barclay Interiors. The principal concept for the interior was to use the surrounding estuary and unspoilt harbour of the River Yealm as inspiration. The curvature of the building, floor to ceiling glass and open plan living space, allows for the most incredible view, a key element of the design. Barclay Interiors was involved in all aspects, from flooring and walling finishes to lighting layouts, from joinery design to staircase detailing. Each space was furnished in line with the chic, modern concept that was desired, whilst also introducing splashes of colour and texture to ensure the space felt like home.
Practise: Barclay Interiors
Project: Devon Project
Location: Newton Ferrers, Devon
Photography credit: James Balston Photography
The brief was to design a fully practical yet modern and aesthetically chic interior for her re-location to Devon. When our client decided to move to Devon, she wanted a complete change in surroundings, both from an exterior perspective (city life to harbour life!) and also from an interior angle. Modernity, simplicity and elegance were at the pinnacle of my clients brief and it was this in addition to the surroundings that inspired the concept.
As mentioned above, the main source of inspiration came from the surroundings, namely the River Yealm and Estuary. The view was at the forefront of all space planning decisions and the colours that infiltrated into the space from the outdoors led to choices in colour palettes and finishes. Timber flooring, a cladded staircase and a bespoke decorative screen were designed specifically to add warmth and sophistication to my client’s entrance hallway whilst allowing for maximum amounts of natural light to bounce through the space, once again relating to the exterior surroundings.
Some contractors can be a little anti-change so this was the biggest hurdle; however, after substantial hand-holding and clear guidance, a collaborative effort was achieved.
As with all of our projects, we are lucky in that visually our role is extremely rewarding. Seeing the design come together on the final days of installation and seeing how we achieved the conversation between the surroundings and the interior so well, felt quite magical.
Questions answered by Megan Loughborough, Senior Designer, Barclay Interiors.
If you missed the last instalment of Project of the Week, featuring a Manhattan Hotel Design with Central Park views, click here to see more.
This week’s instalment of the #SBIDinspire interior design series features a design by SBID Awards Finalist, Jeffrey Beers International. For the Manhattan Sky Suite, Jeffrey Beers designed and decorated the interiors to frame the incredible wide views of Central Park. With the wonderful scale of the open living room and dining room, they were able to play with grand and stately furniture, such as a 10 person dining room table with wide and plush dining chairs. The mix of warm and cool tones paired with contemporary arts as well as rich wood finishes make the home a home but do not disrupt the wonderful and impressive open layout.
SBID Awards Category: Hotel Bedroom & Suites Sponsored by Schneider Electric
Finalist: Jeffrey Beers International
Project: Park Hyatt’s Manhattan Sky Suite
Location: New York
New York City hotels are renowned for their speciality suites, but nothing in the city measures up to this new suite’s overwhelming sense of luxury and unparalleled views of Central Park and the Manhattan skyline.
When it came to the hospitality design, we imagined that the suite was a private residence. We first created a separation of space between public areas (the living room and dining room) and the private space (bedrooms and bathrooms). We then favoured open-plan living for the public areas. With careful attention to layout, materials, and art we created fluidity between your kitchen, dining area, and living room. The overall effect is warm and social; a perfect destination for entertaining.
One of the questions we were faced with was how to separate the dining space from the living room space without disrupting the overall open plan of the main area. We, therefore, custom-designed an open shelving unit to act as a divider between the living area and the dining area. As well as integrated lighting, the shelving unit has a custom double-sided glass fireplace that looks modern and yet feels warm and inviting.
To create a warm and sophisticated master bedroom, we chose naturally beautiful architectural materials. We used fumed eucalyptus wood millwork panels to create a dramatic backdrop for the headboard. The centre has upholstered panels with antique brass metal reveals and integral light grazes to give it a bit of softness while remaining sophisticated.
We entered the SBID awards because of the international connection to the global design industry.
Questions answered by Jeffrey Beers, Founder & CEO, Jeffrey Beers International.
If you missed the last instalment of Project of the Week, featuring a luxury hotel design, click here to see more.
This week’s instalment of the #SBIDinspire interior design series features a hotel suite design by SBID Awards Finalist, Stonehill Taylor. The 563-room Conrad New York Midtown hotel is located in the heart of Manhattan on West 54th Street, between 6th and 7th Avenues. Hospitality design firm Stonehill Taylor was tasked with turning the property, previously known as The London New York, into a new luxury destination through their vision for its interior design. The firm’s design exudes calm and elegance, reminiscent of the upscale Midtown residence of a contemporary art collector, with an emphasis on art throughout the property. While the décor is sleek and modern, it aims to achieve a timeless feel.
Finalist: Stonehill Taylor
Project: The Conrad New York Midtown
We were asked to design a hotel befitting the clientele of the New York Midtown location – specifically the executive traveller, the affluent family, and the celebrity guest; and develop five keywords to guide the design direction. The words we selected were “welcoming”, “connected”, “elevated”, “Invigorating”, and “stylish”. These words were carefully chosen to embody the patrons of The Conrad Midtown, who are not merely hotel guests – but worldly travellers with their New York City home at The Conrad Midtown – and their home should reflect their lifestyles.
For this project, we were heavily influenced by residential design. We sought to immediately transport guests from the hustle and bustle of the neighbourhood as soon as they enter the grand yet serene lobby. We envisioned each suite as an upscale Midtown residence of a contemporary art collector, infusing the rooms with art and constructing thoughtful layouts with separate living and sleeping spaces. Take one of the grandest examples, the Penthouse suite, located on the 53rd & 54th floors: it has 180 degrees of expansive city views. We laid out each space in this suite to take advantage of these views—being able to soak in the bath while overlooking Central Park creates an unforgettable moment for a guest.
There is a fine balance to having a luxury suite feel residential while making practical decisions to stand the test of time. If your design is beautiful the day it opens, but a year later the hotel is having to replace everything due to wear and tear, then we haven’t done our job. Our challenge was to source furnishings that create the beautiful first impression that we wanted to make, while also being durable and resilient.
This project is truly a standout for its spotlight on fine art and it’s unique offering as an all-suite hotel. In the lobby, guests are greeted by a large, lifelike sculpture, Leda and the Swan by Carole A. Feuerman. Museum-style lighting contrasted with dark surrounding walls highlights this special piece while emphasizing it as a gallery space. To the right of the hotel’s entry is an intimate library nook, with a curated selection of art and mythology books lining the shelves. Additional lounge areas are found in the mezzanine, overlooking the lobby and feature artwork by contemporary British artist Amy Judd.
The all-suite rooms provide guests with the sense of being in a private pied-a-terre. They feature dark herringbone wood floors, hand-tufted wool rugs with floor-to-ceiling, cream-coloured drapery complements the soft, neutral palette of greys and caramel. The project includes several special suites including Sky Suites, Atrium Suite and a split-level Penthouse Suite.
We value the contributions that SBID makes to the field of interior design, both in its native Britain and internationally. The Awards, of course, are one extension of that mission, and we are honoured that this hospitality effort is among the recognized projects. Our Interiors Division is central to the work that Stonehill Taylor does. It is with great pride that we design spaces for people to live, work, and play, and it’s always a delight to have our projects spotlighted by such a prestigious organization as SBID.
Questions answered by Bethany Gale, Interiors Associate, Stonehill Taylor.
If you missed the last instalment of Project of the Week, featuring a luxury New Zealand kitchen design, click here to see more.
This week’s instalment of the #SBIDinspire interior design series features a residential kitchen design by SBID Awards Finalist, Mal Corboy Design. Located on a Central Otago lane, this kitchen was the second project completed by the designer for this client. A brand-new home in a typical prominent gated community, the space was dictated by the architect. Surprisingly, the client sought a modern, contemporary interior that cleverly juxtaposed the exterior of the house.
Finalist: Mal Corboy Design
Project: Cardrona Views
Location: Otago, New Zealand
Four years from design to completion, everything was made from the ground up. Despite this, it’s perfect for 2020 showcasing the refined taste at play and timelessness of the modern feel of this kitchen.
The owner spared no expenses in ensuring every facet of this kitchen was to the highest standard. Not only did the kitchen need to have a day-to-day function but also be able to entertain at a corporate level and function, in part, as a scullery when needed. Electric doors open up to a large back end of the kitchen, where a complete scullery can be found. This completes the functional aspect, ensuring the kitchen can serve as an entertainment area with ease.
For inspiration, the designer drew from a palette of rich, earthy colours. Under-cabinet lighting complements these tones well and both add a softness to the clean lines and sleekness of the design. Modern materials give this kitchen a contemporary look whilst keeping everything pristine.
One of the challenges in this project was keeping the kitchen on trend due to the amount of time that had passed from design to completion. The client has received widespread feedback from visitors, with people being blown away with the final result, not having seen anything like it in the community.
After several successful corporate events, the kitchen is functioning as requested for the owner. Described as “world-class” by the architect, it has truly surpassed the client’s expectations, in design and function.
As it is known as being the best of the best in the design world and, as a past winner, it’s one I love to support.
Questions answered by Mal Corboy, Founder and Owner, Mal Corboy Interiors.
If you missed the last instalment of Project of the Week, featuring a Spanish health retreat, click here to see more.
This week’s instalment of the #SBIDinspire interior design series features a Spanish health retreat by SBID Awards Finalist, Rachel Laxer Interiors.
The ARTAH health retreat in Spain is the flagship hospitality project; a brand which Rachel Laxer Interiors brought to life through a design that reflects the wellness elements of restoration and transformation.
This included creating private areas where guests can relax, reflect and reconnect with themselves after an active day out cycling. These communal rest areas were designed to help guests connect with each other. You will find quiet restful corners for individuals and larger spaces to be enjoyed by groups of people.
Rachel Laxer worked with small independent makers and regional suppliers to create a unique expression of the brand that connected it to the local area. Many of the accessories and lighting were sourced from local craftsmen which was really important to both the designer and the client. Supporting the local community and giving back gives the retreat an authentic feel and helps it connect with the local landscape.
SBID Awards Category: Healthcare & Wellness Design Sponsored by Schneider Electric
Finalist: Rachel Laxer Interiors
Project: Artah Health Retreat Spain
Location: Girona, Spain
The word Artah translates as purpose or essence in Hindu philosophy. As a broader concept, it refers to the activities and resources that enable an individual to be in their desired state, and since the state of your health determines the way you live your life, Artah was created to embody this notion.
We were briefed by ARTAH founder Rhian Stephenson with the above quote to design her health retreat in Girona, Spain.
We created private areas where guests can relax, reflect and reconnect with themselves after an active day out cycling. These communal rest areas were designed to help guests connect with each other. You will find quiet, restful corners for individuals and larger spaces to be enjoyed by groups of people.
The retreat is beautiful and relaxing but also functional so that the purpose of the guest’s stay can be met. There are treatment rooms for restorative exercising and massage therapies, a simple and functional dining space to nourish your body, a yoga studio and an outdoor pool to exercise; and, beautiful bedrooms for guests to relax, sleep and reflect. These are simply luxurious – not opulent and we think reflect the philosophy of being in one’s ‘desired state’.
We worked with a colourful pastel palette on a neutral backdrop. Most of the furniture pieces, especially in the reception and communal areas are made from natural materials such as wood and rattan which reflects the pared-back nature of the retreat. The design needed to be modern, yet timeless to reflect the philosophy of the brand.
We had a lot of fun in the bathrooms, particularly with the tiles. You will see some bright pink and green tiles mainly from Bert & May and Porcelanosa. ARTAH Retreat is a place filled with energy and fun and the injection of colour and pattern helps us to reflect that.
Many of the accessories and lighting were sourced from local craftsmen which was really important to us and our client. Supporting the local community and giving back but gives the retreat an authentic feel and helps it connect with the local landscape.
A laid back California style that was translated into English quirkiness mixed with European elegance and brought to life through local Spanish crafts.
It was really cold and very wet and being on a building site meant we had little protection from the elements. There were even mud slides that we navigated through between our hotel and the building site. But the lovely cosy evenings with tapas and wine kept us going.
There were a few highlights. We had a vision to create a large arched opening in this old stone farmhouse, we didn’t know if the building would withstand the opening. Luckily it could, so we were very pleased with the large arch that you can see in the lobby area.
There is no greater satisfaction than when a client walks in and mentions that you’ve exceeded their expectations and that’s the response that we got from our clients, so again, we were very pleased.
The skill, love and dedication of the Spanish teams who worked on the project. Their attention to detail, particularly on how they laid the tiles was impeccable. Working in another country and in a different language is always a challenge, but everyone rolled up sleeves and got on with the job. We were very pleased to work with the architect, Ignacio Beloa, who was the glue that kept all the teams together.
Because we met the CEO and Founder of SBID, Vanessa Brady and I was blown away by her dedication to raising the standard of the industry. I immediately joined the SBID and entered its gold standard Awards that I would be proud to win. In an unregulated environment, to be recognised by a professional body means even more.
Questions answered by Rachel Laxer, Director of Rachel Laxer Interiors.
If you missed the last installment of Project of the Week, featuring a Russian wellness centre, click here to see more.
This week’s instalment of the #SBIDinspire interior design series features a wellness centre design by SBID Awards Finalist, Dseesion Interiors. This is a unique high-tech wellness centre, situated in the most prestigious residential area of Moscow, where modern people have the opportunity to restore strength, to recharge their creative energy and harmonize their internal state. The techniques used within the centre combine the most progressive technologies and ancient healing practices.
The interior aims to foster a calm meditative state, that aids recovery and allows contemplation. It emphasizes the importance of the human being and their individual personality. In this centre, Dseesion uses many hand-made items and has created unique installations exclusively for this space.
Finalist: Dseesion Interiors
Project: Quintessence. Centre for Mindful Change
Location: Moscow, Russia
We were asked to design the interior and manage construction works of a center which is unique to Russia. The interior is supposed to create a favorable atmosphere for our guests revealing their internal potential and harmonization of their personality. It also needed to be multifunctional, effectively using a relatively small space to ensure the privacy of the guests within an intimate atmosphere involved in various procedures and practices.
It was true teamwork which required a lot of energy, resilience and inspiration. Working on this project we have created a lot of hand-made objects and we passionately inspired other subcontractors and artists to deliver the best result they can.
We consider British traditions of interior design as the most sophisticated and stylish. The Society of British International Interior Design joins the best professionals all over the world. It is a great honor and privilege to take part in such a respected and well-known contest. That is why we decided to enter the SBID Awards.
Questions answered by Valeria Senkina, Chief Architect and General Manager of Dseesion Interiors.
If you the last installment of Project of the Week, featuring a Club House Design, click here to see more.
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