This week's instalment of the #SBIDinspire series features the breath-taking 'Whale Bar' designed by WOW Architects. We spoke to Wong Chiu Man (Founder and Managing Director) of WOW Architects about this extraordinary project, our overall winner of the SBID Awards 2017.
The Whale Bar’s iconic shape was inspired by the majestic whale shark. This imaginative yet elegant retreat is elevated by light oak interiors and a softly lit neutral palette. The use of fish scale inspired timber shingles around the kitchen and smooth iridescent stucco inside the “body” of the whale emphasises the marine iconography that is unmistakable. The team endeavoured to make as many aspects of the project as sustainable as possible, up-cycling and recycling wherever appropriate, focusing their attentions on highlighting the fragility of the surrounding environment within their design in the hope that this would motivate guests to contemplate the creation of a responsible future for the next generations.
Company: WOW Architects | Warner Wong Design
Project: THE WHALE BAR
Project Location: St Regis Resort Vommuli Island, Maldives
What was the client’s brief?
The clients desire was to create a resort destination that would standout from the existing resorts in the Maldives and be commercially successful. After much research and discussion, the components of the brief were decided upon, the master plan designed and construction started. Upon appointing the St Regis as the operator, the brief was evolved further and refined, and improvements were made to fully achieve the brand’s potential, and the clients vision for a leading resort hotel.
What inspired the design of the Project?
After visiting many resorts in the Maldives, we understood the evolution of resort design throughout the last twenty years. The latest and best resorts had a strong ecological aspect but still stayed within the realm of design inspirations from the human perspective. We saw an opportunity to create even more eco awareness and draw inspirations directly from nature itself, and to pointedly draw attention through our design to the fragility of atoll and marine habitats in particular. Thus, the design evolved through our inspirations and observations on atoll ecology and marine biology. We hope that the design will uplift and motivate our guests in creating a responsible future for the next generations.
What was the toughest hurdle your team overcame during the project?
Building sensitively with minimal waste and consideration for protecting the islands ecology was by far the biggest challenge. Efficiency and speed minimises waste and the logistic and carbon footprint on the Maldives and resources we needed. Despite using all forms of prefabrication and eco friendly materials, up-cycling and recycling, the longer the construction time is, the larger the waste footprint. Our challenge on a daily basis was to find affordable and intelligent solutions to minimise the waste while achieving a high standard of construction and finish.
What was your team’s highlight of the project?
We had many highlights over 4 years. From the beauty of the sunsets to the drama of the storms, and the pleasure of seeing and preserving the island and the marine life around us.
However, an unexpected reward was how we were able to connect with the villagers from the neighbouring islands by offering them employment and gaining their trust and respect. They were instrumental in minimising waste because they up-cycled many leftover building materials and packaging materials into their villages and our project actually improved the villagers lives. This was truly sustainability in practice.
Why did you enter the SBID International Design Awards?
We hoped to gain recognition for a project very close to our hearts and wished that by winning an SBID award, we could not only celebrate the design, but tell the meaningful stories that made the design possible. For receiving the overall winners award, we are extremely proud and grateful, but also humbled by the quality of the other winners.
Questions answered by Wong Chiu Man (Founder and Managing Director) WOW Architects.
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If you missed last week's Project of the Week with Orkun Indere's winter wonderland 'Log House Extension' click here to see more
Entries were received, finalists deliberated and the winners of the SBID International Design Awards 2017 have been announced! Click here to see the full list.
We hope you feel inspired! Let us know what inspired you #SBIDinspire
WOW Architects | SBID International Design Awards 2017
2018 copyright WOW Architects | Warner Wong Design
This week's instalment of the #SBIDinspire series features the magical 'Log House Extension' by Orkun Indere Interiors. Located in Kazan, this project features all the seasonal cheer you'd expect from a stunning 'chalet' in the wintertime. Decked with Christmas decorations and high end interiors, this project is the epitome of festive opulence.
The extension was created to expand on this family home to meet the families growing needs. Conventional log house patterns around the location and separate building blocks were designed to emphasise the warm & cosy “chalet” feeling. Every single-functioning building block is connected by hallways. All the new buildings are made of timber and constructed with special joinery techniques which forgo the use of screws and bolts. The new main space is to be used as a living room, while also functioning as a flamboyant area to welcome guests. In contrast to the traditional log house aesthetic this area has a very high ceiling profile.
SBID had the opportunity to speak with Orkun Indere, Founder & Designer of Orkun Indere Interiors about this magical project.
Company: Orkun Indere Interiors
Project: Log House Extension
Project Location: Kazan, Russian Federation
The idea of adding an extension started with the need for more space. The existing building didn't meet the client’s needs as the whole family (of five) was about to move into the house. The existing building was quite small in relation to its mass. The vernacular architecture of the district which consisted of highly inclined roofing was diminishing the beneficial use of interior areas.
With a new life beginning, the client required a bigger en-suite bedroom, three rooms, one for each child, a bigger area for the walk in closet, a proper entrance to the building (the building entrance was not suitable due to its mass and the connection to the living room was not suitable for the guests), a proper dining room and a stunning reception room. We decided to extend the existing building, adding a new area to be connected to the previous. After this change the whole complex would be seen as one chain of buildings.
The design emphasises every single room as a building block thus maximising the perception of space in every room. The joint points of short hallways which connect the buildings together, give an extra spacious feeling to every new room you step into.
The new layout also affected the existing building as a part of the new chain. After resolving the facilities of dining room, reception room and entrance hall in the new extended blocks, the existing building then turned out to be the intimate and most private part for the family. The new blocks were for welcoming the guests, entertaining and organising special events for celebrations so that the existing building could be used for the private, everyday life of the family.
The toughest hurdle was to connect the two existing buildings (the main house and barbecue house) and constructing new buildings in between them, so that the position, angle and distance between existing buildings was a big reference for the shape of the final design. Firstly we positioned the new reception room building with an area of 9 x 8 metres, we had to connect them one by one to the existing building. There planned three main blocks approaching to the existing house; reception room, entrance space and joint block which includes the staircase around a preserved tree existing on the land. We chose the side façade of the existing building (the kitchen façade also including an exit to the land) for the joint point of new blocks.
The plan layout and shape of each single block, derived from the positions of the buildings as came out of the joint angles. As many different blocks had to join each other properly we wanted to use the biggest block (reception room) as the conjunction unit, so the first idea was to design it in an octagonal shape to use some façades to connect to other blocks.
For this project there were a variety of of highlights. One of my favourite aspects of this project includes the height of the rooftop of the main building block used as the living room, it was 8,5 meters high inside the building, supported with a mesh of beams to keep the huge block stable. Stunning!
Another highlight was the preservation of an existing tree so at the time of snow in winter you can have a well snowed tree inside the house right in the middle of the staircase.
SBID is an internationally known professional body registered in the UK to accredit professionals in interior design, to be accredited by SBID is a great opportunity to spread our design approach and projects to an international platform. That’s why I wanted to enter and be chosen by SBID.
Questions answered by Orkun Indere, Founder & Designer of Orkun Indere Interiors.
If you missed last week's Project of the Week with HBA's outstanding Ultima click here to see more
Orkun Indere Interiors | SBID International Design Awards 2017
Today’s post is dedicated to the second installment about the recently opened The Wellesley hotel in Mayfair.
A lot has happened since Part 1 when A-Gent of Style reviewed the ground floor public areas of the already prestigious hotel.
But first and foremost, congratulations are in order: The Wellesley and award-winning Interior Design company Fox Linton Associates have been shortlisted for three awards at the 2013 European Hotel Design Awards; The Jazz Lounge and Oval Restaurant, The Crystal Bar and also The Suites are now in competition.
What an impressive achievement. Highly deserved.
A-Gent of Style was granted access to all floors of this 5-star ‘new kid on the block’ (The Wellesley itself confirmed it is not a 6-star hotel despite the media hype before its opening) and is taking you today on a private tour of the guest rooms.
Above the public areas of the ground floor, The Wellesley is graced with 36 guest bedrooms spreading over seven floors, the last two culminating in the signature Wellesley Penthouse offering a private terrace with stunning views of Hyde Park.
Every room offers 24-hour-butler-service and is individually finished with sumptuous décor and amenities, equipped with the latest state-of-the art technology ( electric curtains, 52″ flat screen TVs, in-room laptops, Samsung control tablets and complimentary Wi-Fi), all cleverly integrated in the bespoke elements.
The rooms are sheathed in a palette of cream, ivory and off-white – mostly faux leather panels on the walls, luxurious wall-to-wall carpets and beautifully drapes of pleated fabric on the windows – with different accent colours (gold or burgundy in the Deluxe rooms), and some of the bespoke joinery designed by Fox Linton Associates is made of Art Deco-favoured ebony Macassar in a high gloss, veneer-finish. There are hints of brass and bronze in the custom-made lamps by Dernier & Hamlyn (who also created the chandeliers on the ground floor) and also the ribbed lever handles by Joseph Giles (but polished nickel on the bathroom side). The stepped, coffered ceilings provide soft and flattering glow that complement the colour schemes. Elegant black and white framed photographs from Vogue and Vanity Fair archives, probably shot by Blumenfeld, are scattered around the rooms (and the corridors). The headboards are upholstered in leather and the deluxe king-size beds are enveloped in customised luxurious bedding. A perfect night, no doubt, to be had in the arms of Morpheus.
The Penthouse floors comprise the Churchill Suite, Wellesley I, Wellesley II and Penthouse Suite which are the jewels in the crown of The Wellesley. The latter is situated over the top two floors which are linked by a private leather-panelled staircase. This suite can boast its own private terrace, boardroom and personal humidor. All the rooms are interconnected and give a great sense of rhythm, fluidity, privacy and exclusivity.
Here, the rooms are wrapped in a palette of champagne and pearl, the accent colours on the sensuous mohairs and velvets are rich, saturated midnight blues and browns, and there are hints of silver and gold to express the glitzy “Roaring Twenties”/Hollywood feel.
A-Gent of Style found the stepped, travertine Art Deco fireplace simply sublime.
A humidor and a wine cabinet, both in high gloss Macassar, are flanked on both sides of the dining table.
All the bathrooms at The Wellesley are equally stunning: the focal point is unquestionably the beautiful, deeply veined Italian Carrara Arabescato marble on the floor and on the walls which give the rooms great character, substance and grandeur. The shiny mirrored, silver-polished vanity units and shelves add a sense of elegance. Top-end bathroom fixtures and accessories by Dornbracht and Villeroy & Boch finish off the décor superbly well.
So, whatever takes your fancy – a top-notch cigar, Cognac, cocktail, intimate meal, celebratory Afternoon Tea or romantic stay in a suite (A-Gent of Style will happily settle for all of them. At the same time) – The Wellesley is the latest ultimate hideaway in London to ‘Chanel’ your inner Agatha Christie in stylish and tasteful surroundings.
A-Gent wishes Fox Linton Associates and The Wellesley good luck on November, 19 at the EHDA awards ceremony.
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