Design enhancements improve visitor experiences at The Championships, Wimbledon

Architecture and interior design practice, SHH has been engaged by The All England Lawn Tennis Club (AELTC) to deliver design enhancements to an array of Food & Drink facilities around the Grounds, all part of cementing Wimbledon’s reputation as the world’s leading premier sporting event and ensuring the highest quality visitor experience.

SHH was initially engaged in 2013, and since then has embarked on a redesign masterplan, which encompasses the development and refurbishment of several hospitality facilities catering to different groups of guests attending The Championships.

For every project, the brief was to complement the AELTC’s design ethos of “tennis in an English Garden”. The colour palette clearly reflects this with green, purple and pink shades offset by oak features. The refurbishment effort aims at bringing the outside in, using indoor planting and floor to ceiling windows, flooding each area with ample natural light and affording uninterrupted views over the landscaped areas. Enhanced wayfinding signage delivered clear communication for those visitors using the facilities.

SHH redesigned sites include the Champions’ Room, the Media Restaurant and a suite of cafes, brasseries and restaurants spanning a variety of different tier dining options to suit the vastly diverse visitors at The Championships.

The Media Restaurant

SHH was initially approached by catering company Compass to carry out upgrades to the Media Restaurant. The restaurant is situated beneath Courts 14 and 15 – a large basement space wrapped around three sides of a light well – which provides catering to hundreds of accredited press and broadcast journalists during The Championships. Operating as a 24-hour facility, it is zoned into three areas providing a deli, pizza bar and coffee offer on an assisted service-type model. All aspects of the design were particularly important given the international nature of the user group and their experiences at competitor venues around the world. The space was designed in a Scandinavian and minimalist theme throughout.

The finalists for SBID Awards product design categories were revealed earlier this month! Receiving entries from 49 countries around the world, the SBID Awards 2020 has been the most globally represented edition to date.

With the public vote open until 30 September, you can vote for your favourite products across each of the 17 categories and have your say in which designs have what it takes to take home a prestigious SBID Award!

Voting closes at 5pm (BST) on 30 September.

Visit www.sbidawards.com to find out more! 

The finalists for SBID Awards interior design categories were revealed earlier this month! Receiving entries from 49 countries around the world, the SBID Awards 2020 has been the most globally represented edition to date.

With the public vote now open until 30 September, you can vote for your favourite projects across each of the 17 interior categories and have your say in which designs have what it takes to take home a prestigious SBID Award!

Voting closes at 5pm (BST) on 30 September.

Visit www.sbidawards.com to find out more! 

This month we’re serving up the stylish interior inspirations from the SBID Awards 2019 finalists in the Show Flats & Developments category; from trendy residential apartments in the city to contemporary luxury villas abroad. As we look to upgrade tired interiors now we’re spending so much more time at home, browse through these interior designs for award-worthy styling ideas.

Show Flats & Developments

Angel O’Donnell – Poland Street

19-20 Poland Street is a stunningly curated, warehouse-style development in the heart of Soho. The lovingly restored building is host to nine exceptional apartments on the upper floors and a ground floor restaurant. The design of the building created reams of light and heavenly rooftop terraces, together with revealing the original steel frame, exposed brickwork and stunning Crittall windows and doors for the ultimate New York-style loft living in the heart of London’s West End. Angel O’Donnell crafted a sensational show suite that reflected the building’s location and character. By maximising space, using bold colours and textures, the scheme delivered a wonderfully curious home, coupled with a tailored choice of books and objets, to create an end result that reflects the very epitome of life in Soho.

Beijing Serendipper Space Design – Royal Palace Xia Die

Royal Palace Xia Die is another demonstration of the designer’s continuous concept of ecological protection as the whole design respects nature. By introducing the colour forest green and using colourful furniture as well as delicate artworks, the designer creates a breathing green garden that conducts a dialogue with nature. The whole design expresses a life attitude of ecological protection and reveals the pursuit of an ideal natural lifestyle.

The space features a Chinese and Western kitchen, an oriental-style tea room, and a delicate and elaborate fragrance-blending room, together they form a comfortable and flowing space, while at the same time depicting the pursuit of a high quality of life. Artwork adds intrigue to the space to provoke deep thinking and the exploration of lifestyles of the urban elite.

DA GROUP – Jingrui Providence Place Model Villa

DA Group was invited to design a model villa of the residential development Providence Place by Jingrui Real Estate Group. Situated in Ningbo, China, the project combines both functionality and aesthetics to present quality living. The designers applied minimalism to the interior design and created a dynamic and diversified spatial effect. The unique duplex space brings more privacy. With a modern and minimalist style, every inch of the space was fully utilised and optimised.

Elicyon – Chiltern Place Apartment

This unique and eclectic show apartment, located in one of London’s most prestigious postcodes, was created by Elicyon. A fresh, warm base palette is complemented with nude and blush tones, enhanced by bold patterns and bright accents of aqua, sky blue, peach and raspberry. A characterful collection of artwork and antiques, carefully selected by the Elicyon team and sourced from an array of antique fairs and galleries, elevates the scheme of the apartment.

Layered textures and finishes throughout the space, lend the apartment a distinctive look that’s enriched with personality, which is further complemented by wild and rustic floral arrangements that bring freshness and femininity to the scheme. Bespoke and made-to-order pieces were designed to maximise the space in the property and enabled the team to be explorative with interesting pattern and fabric that perfectly complemented the style of the home.

HONKY DESIGN – Petite Route de Campagne

HONKY DESIGN created a luxury, yet relaxed design aesthetic by introducing a mix of pared back, minimal furniture with bold art and textures. Combining a blend of soft textures, natural materials and bespoke elements created a refined feeling of luxury that is still family friendly.

Jeffrey Beers International – 108 Leonard

108 Leonard is an elegant landmarked condominium conversion located in Tribeca. Originally constructed in 1894, the McKim, Mead & White architectural masterpiece will house more than 150 condominium residences within the Italian Renaissance revival-style exterior, which was meticulously restored to its original glory. The ornamental majesty offers dramatic details of scale, proportion and volume paired with contemporary design by award-winning hospitality design firm Jeffrey Beers International.

World-renowned SLCE Architects was enlisted as the architect of record for the beloved landmark, which pays homage to a gilded bygone era. On the inside, JBI has designed a bright canvas of modern restraint, ready to adapt to homeowners’ individual lifestyles. Soaring ceiling heights ranging from approximately 10 feet to more than 14 feet, architectural windows and five-inch wide oak floors bring authentic European glamour to organically flowing layouts.

Rigby & Rigby – Project WC2B 130

Rigby & Rigby had the opportunity to develop and drive a full-scale revision of two contemporary residential apartments, one lateral and one duplex penthouse in the central thoroughfare of Covent Garden. The brief was to provide a design scheme, which accentuates the original features of the building with contemporary furniture and fittings. With close proximity to Covent Garden, the scheme captures the dynamic and vibrant atmosphere of its surroundings, while marrying with the traditional Edwardian architecture of its own, and its neighbouring buildings.

SWS GROUP – Shanghai Arch Showroom II

Located on the banks of Huangpu River, the project is developed by one of Hong Kong’s largest real estate developers, Sun Hung Kai Properties. Situated in the core area of Lujiazui, the show flat overlooks the river and takes in the Pudong skyline and its shimmering city lights.

The 2020 edition of the SBID Awards is open for entries!

Entries close this Friday at 5pm (BST) on 14 August.

Visit sbidawards.com to enter now!

As shops have gradually been reopening across the UK with new social distancing rules, the retail industry will be sure to face challenging times ahead. Interior design plays an integral role in curating the retail environments we currently know and love, and as we now look to the future of retail with a degree of uncertainty, we’re sharing some of the inspiring retail design concepts from the SBID Awards 2019. As for how the impact of coronavirus will change the way retail interiors will be designed and adapted in practice, only time will tell! 

Retail Design

Tobias Oliver Interiors – Luxury Lifestyle Showroom

The purpose of the luxury lifestyle showroom to provide access to high-end interior design to the doorstep of Berkhamsted, an affluent town in Hertfordshire. Londoners have the amenity of luxury department stores and especially interior design showrooms in central and west London. Tobias Oliver Interiors brings this resource to Berkhamsted, making exceptional design accessible to the local community.

Jeffrey Hutchison & Associates – Jade Boutique

Creating a unique and contemporary architectural vocabulary was critical in establishing a new direction for this women’s luxury multi-brand retail store located in Jakarta’s Plaza Indonesia Mall. In much the same way as fabric drapes over the human body; Jeffrey Hutchison & Associates used architectural materials to wrap the space and create a dramatic sensual envelope. The architectural forms and materials were layered and folded on top of one another. The store is divided into four rooms, three of which house individual designer boutiques. The curved storefront becomes a unifying element for the project, with four separate entries, which highlights the three designer boutiques. Again, the use of a layered material palette of stone, glass and brass brings the concept of the interior to the outside and establishes the strong design vocabulary for the project.

I-AM Associates Istanbul – Turkcell Pera Flagship Store

Turkish telecom giant Turkcell briefed I-AM to develop a flagship experience for its beloved store in Pera – one of the most nostalgic neighborhoods of Istanbul. With that in mind, I-AM created an experience-based retail store, integrated with the street spirit, comprising of three main zones, where customers can easily interact with the products in a relaxed and friendly environment. Offering the latest innovative IoT products, the new Turkcell store presents a customer journey embracing the latest mobile technologies both in music and sports. The customers are greeted with the touchstone of this particular neighborhood (Istiklal Street) – the tram unit, with which I-AM aimed to design a store that is an organic extension of the street. After the store has opened its doors with its new concept, it was highly appreciated by its customers. This innovative store concept drives the brand into the next level of retail experience.

gpstudio – Hershesons Harvey Nichols

Following the successful opening of Hershesons ‘one-stop beauty’ flagship in Fitzrovia, the brand has now launched their greatly anticipated new site in Harvey Nichols, Knightsbridge, London. Much like the vast, 5000 square foot space opened on Berners Street last year, this super salon is a one-stop shop for its customers’ beauty needs. Rejecting conventional ideas surrounding the traditional salon model, it’s now the turn of the Harvey Nichols location to experience the new concept, but of course with its own iterations. Led by the vision of Luke Hersheson, gpstudio, working alongside architect Racheline Michaels, were tasked with creating a beauty destination offering far more than just hair services, with a café, nail bar, pedicure station, VIP rooms, treatment rooms and much more.

Arizon Design – JoyCity Kid’s World

The Kid’s World on the sixth floor of the South Building in Shanghai Joy City is the spatial extension of this love-themed shopping mall. This area of entertainment and retailing is delicately designed for kids aged 3-10, and provides enriching, interesting and diversified experiences. It encourages the kids to indulge in their everlasting innocent imagination, and to follow their instincts, to explore the nature in their own way. The architecture is inspired by Dandelion Hill, imagining the form of hills when adopting the rhythm of contouring lines in an undulating geography. In this space of 4,200 square metres, the retailing stores and public entertainment areas are merged into the circular moving stream of visitors.

German Kitchens – UnserHaus

The client, BSH Home Appliances NZ is the importer and supplier of high-end German home appliances – Bosch, Neff and Gaggenau – and they were setting up their own dedicated showroom to display their appliances in a retail environment.  BSH needed a place or ‘house’ where the space did not feel or look like a normal everyday appliance showroom. BSH wanted a living space that told a story and was familiar to retail consumers who would feel at ease in the space and, most importantly, feel at home. Ideally BSH wanted a space that represented the brands individually but also harmoniously to reinforce the uniformity of the three brands under the BSH umbrella. The space had to be like no other in New Zealand and this kind of showroom was to be the first independent BSH retail space in the world and thus the world was watching.

The 2020 edition of the SBID International Design Awards is open for entries.

Entries close on Friday 14 August. Visit sbidawards.com to enter now!

Work life, and the commercial landscape as we know it, has changed immensely. In as little as five months, the corporate world experienced a mass exodus of workers, who retreated to the safety of their own homes in response to lockdown.

Throughout this time, cloud communication has enabled businesses to continue operating remotely with relative ease. Indeed, many who were formerly reticent about the merits of working from home, are now reconsidering the future of their own workspace environments in a post-pandemic world.

Whilst the safest thing for us to do right now is either stay at home, or return to an office with stringent COVID-19 precautions in place, we believe that in time and with the right design sensibility, the office space will make a comeback.

For offices have a much greater purpose than offering employees a desk and computer screen to work from. It’s a social environment that reminds us that we’re not alone in this experience, for we’re surrounded by the same people, working towards the same goals, at the same time, in the same place. We can see, hear, feel and sense kinship all around us through face-to-face interaction and the quieter periods of productivity in-between. Offices give us the freedom to share a coffee with our peers and tell them of our plans for the weekend.

And that’s just something virtual communication can’t replicate.

About the Author

Established in 1975, Portview is a fit-out specialist that works with the world’s leading brands in retail, hospitality, sport and business to create award-wining interiors.

If you’d like to become SBID Accredited, click here to find out more. 

Project of the Week

This week’s instalment of the #SBIDinspire interior design series features the complete transformation of the lobby area of a 30-year-old office tower. Once a series of dark, awkward spaces lacking in a clear axis or flow of movement, the lobby is now a bright and airy volume defined by a graphic screen that emphasizes 30-foot-high ceilings. Toronto designers Bartlett & Associates were commissioned to reimagine the space as a welcoming amenity that would attract a stable of noteworthy new tenants. The design team took an architectural approach to the project; removing a disused storage space made way for a public café, while the custom-designed screen was added to anchor the front desk and delineate the elevator bay. The striking black sculptural screen plays off against a dazzling white wall with a surface of subtle peaks and architectural texture.

Practice: Bartlett & Associates

Project: Crown Lobby – 5255 Yonge Street

Location: Toronto, Canada

What was the client’s brief? 

The mandate from our client, Crown Realty, was to reposition a dated office tower’s lobby for the 21st century. The building is right on Toronto’s north Yonge Street, a prime location that offered the potential to create a significant destination. Crown wanted a space that would inject new vitality into this rather tired building and position it as a desirable location for a more vibrant class of tenant. Our design transformed the lobby from an uninspiring entrance to an energetic amenity that makes a compelling impression on visitors – including prospective leaseholders.

What inspired the interior design of the project? 

It’s the challenges of a project that typically inspire the best ideas and in this case we were dealing with a modest budget and an awkward space that was completely covered – all the floors, all the walls – in a very dated and dull granite. Tearing it out was cost-prohibitive, so the new surfaces were something we put a lot of thought into. Nature is also a constant source of inspiration for us and adding biophilic elements is something we try to do with all of our projects. As we spend more and more time in our urban office buildings, immersed in digital worlds, it feels increasingly important to make those connections to nature wherever possible. This is often achieved through very subtle interventions, but with this project the scale of the space presented an ideal opportunity to do something big – something a bit more direct, really impactful. So of course that was the screen, and beyond that we used a lot of wood- and stone-look low-profile surfacing that was applied right over the granite to avoid spending a lot of time and money on demolition and to avoid creating a lot of waste.

What was the toughest hurdle your team overcame during the project?

Resolving the awkwardness of the space while keeping the budget in check was huge. Originally the effect of the high ceilings was all but obliterated by this bulkhead wall that sort of cinched the walls inwards about a third of the way up. It loomed over the elevator bay, feeling very heavy with its stone cladding, and made that space feel a bit ominous. And then the corridor running off the east wall was this dark, narrow tunnel – it was all very uninviting. In the end we tore out a single short, angled wall to open up the corridor and make space for a public café. Then the screen was an amazing solution that both masks that bulkhead and transforms the elevator bay into a cozy little annex. Walking behind the screen to access the lifts offers this sense of discovery, which is a much nicer way to start your work day than trudging through a dark hall. Overall it feels like a cohesive sequence of usable space now, rather than a patchwork of hallways that were strictly for moving through, not for stopping or spending time in.

What was your team’s highlight of the project?

The screen is definitely the highlight for us – it won an award for the project before the space was even finished and it was also reimagined as an installation piece for the Design TO festival, which is part of Toronto’s Design Week in January. It’s obviously a stunning feature that is also functional, but there is a bit of hidden genius going on there as well: Not only does it hide that awkward bulkhead, but it’s actually supported by a mounting system originally installed for the granite cladding. Most of the granite was left intact and simply covered with low-profile materials, but by removing a bit of stone from the bulkhead, we were able to avoid creating customized brackets to hold the screen. That was a big cost-saver and just one of those eureka moments that you want to have on every project.

Questions answered by Inger Bartlett, lead designer and president, Bartlett & Associates.

We hope you feel inspired by this week’s Office design! Let us know what inspired you #SBIDinspire

If you missed last week’s Project of the Week featuring a contemporary loft apartment situated above the famous Soho Theatre, click here to see more.

SBID delved behind the scenes with SBID Accredited Designer, Katie Malik, founder and creative director of Katie Malik Interiors to find out about her journey in the interior design industry, and how proper training and experience helped her get there.

What is your current job?

I’m a creative director at Katie Malik Interiors. I manage a small team of passionate, dedicated design experts, who help me bring our clients dreams to the reality.

What is your background and how did you get into interior design?

My background is in linguistics, but as a daughter of a very talented furniture designer and maker, design has always been a big part of my life,  My career in interior design started in 2011 when I decided to retrain. I have always wanted to run my own business, but I knew I needed to train first and gain hands-on knowledge and experience, so important in the design industry.  After I gained my qualifications at Chelsea College of Art, I was lucky to have my first internship in a high-end interior design studio based in Mayfair. After that, the door to other interior design studios opened to me, and I was offered the second internship and then a position at 1508London, which specialises in high end residential and hospitality interiors. Then, I was ready to move on to work on residential projects under my own brand: Katie Malik Interiors.

Describe an average day in your job role..

I typically start my day with a good breakfast at home, and of course with an Instagram flick through and Inbox check for anything requiring urgency or priority. I typically arrive in the studio quite early, as I like to make a head start. Then it’s the order of the day, setting tasks, checking the order of priorities, communicating with my team, and depending on the day, it could be a lot of very focused designing, building schemes, client meetings, site meetings, procurement etc.

Which elements of your profession do you enjoy the most and/or find the most rewarding?

I love everything that being an interior designer encompasses, but there are two parts I enjoy the most, one of them being designing, coming up with design solutions to meet and exceed clients’ expectations, and the second one being the final project installation, when the designs become the reality and our clients’ dreams come true.

Is there anything new you are excited to be working on?

We are working on a number of exciting projects at the moment, and each of them being very different, provides a lot of creative stimulation, but I am also very excited about finalising my first book ‘Love your space’ which I have been collecting the material for for the last 4 years.

What do you find the most challenging aspects of your job?

I would say the job itself is quite challenging, which I enjoy, but one of the most challenging aspects is managing procurement aspect of the job, ensuing everything arrives on time, in the right condition, and is installed correctly; there’s a lot of time involved in this part of the process, and however wonderfully rewarding, it’s also one of the most challenging aspects for someone who is a perfectionist.

What do you wish you knew before working in the field?

That being an interior designer is so much more than the design, and that in order to run a business, one must also learn about how to become a businessman/businesswoman.

What would you tell your younger self if you had the chance?

Follow your path and what you love doing for hours without looking at the clock- that is your true calling.

What has been your favourite project to work on?

I really don’t have a favourite one because all my projects make me genuinely proud and I enjoy working on all of them. However, if I had to chose one, I would say a redesign of a kitchen with dining and a conservatory which gained quite a lot of attention and landed its own editorial in the Ideal Home magazine in February 2016 and on Houzz in April 2017.

I also loved working on a costal redesign project, which was a refurbishment of the whole property located in Leigh-on-Sea in Essex. The project received a UK Property Award 2019 for the Best Interior Design Residence in the South East.

What do you think is the biggest problem the interior design industry faces?

I think there’s a lot of misconception about the profession and what interior design experts can do for homeowners and business owners. Also, I believe there’s a lot of potential issues that can arise in connection with products that interior designers specify from trusted trade sources and which homeowners can find online for less.

SBID Accredited Industry Partner, Schneider Electric provide energy and digital automation solutions to residential and commercial markets with an emphasis on efficiency, reliability, safety and sustainability. Committed to achieving carbon neutrality by 2030, Louisa Buckley, Residential Segment Marketing Manager at Schneider Electric tells us about the brand’s 180 year history, and how they are moving even more towards a sustainable future.

What are the origins of your brand?

Schneider Electric is originally from France and was established over 180 years ago by the Schneider brothers. It is a global organisation specialising in Energy and Digital Automation solutions. Our technologies ensure that Life Is On everywhere, for everyone at every moment. Schneider Electric has gone a long way since it first started in the steel and machinery industry in 1836. A few years later it then entered the emerging electricity market. After experiencing two world wars, Charles Schneider restructured the company in 1949. Throughout the 20^th century, different companies were acquired and the focus was more on electricity. Then, during the beginning of the 21^st century more on products and solutions. Schneider Electric has always kept efficiency, reliability, safety and sustainability at the heart to all of products and solutions for their customers.

As a global company, we committed to the ‘Sustainable Development Goals’ to help end poverty, protect the planet and ensure that all people enjoy peace and prosperity by 2030. As part of these goals, we have committed to carbon neutrality by 2030. We are committed to help our customers on this journey to help the planet with our products and solutions.

How do you work with interior designers?

Our electrical accessories are built to complement inspired interiors. Designed by award-winning craftsmen in the Schneider Electric Design Labs, our range of light switches bridge the gap between form and functionality to perfectly fit in any interior. We have a wide range of beautifully crafted, high-quality devices to suit every taste and budget.

What value does your sector add to the interior design industry?

Introducing Electrical Safety, Smart homes, Style and Net Zero products and solutions. This is important for customers who want to be stylish but still be sustainable. Wiser, KNX and C-Bus are smart home solutions that can be implemented in the home to help contribute towards net zero.

How do your services/offering enhance an interior designer’s projects? 

We have an inspirational and visualisation tool called ‘Find your Style’. Our smart home offerings will help futureproof interior designer’s projects e.g. C-Bus/KNX/Wiser. We also have a tool on our website to find an Electrician/Installer to come and install our products for peace of mind. They are approved partners who have had all the relevant trainings to safely install Schneider Electric products and solutions.

What are the latest trends you’ve noticed in your client’s requests?

Sustainability. This is a ‘hot’ topic at the moment from the government and press. Our customers want high quality products that meet their styles whilst improving the energy efficiency and comfort of homes.

Why did you want to become a sponsor of the SBID Awards?

We are proud to sponsor the SBID International Design Awards. This is a great opportunity to connect with Interior Designers and other professionals from the interior and décor industries. It is a brilliant place to also view some of the best interior design projects, which will support us in inspiring our customers.

Head of Marketing at Yves Delorme UK, Prune Allain des Beauvais reveals how the heritage of the French luxury brand has shaped five generations of exquisite embroidered and bespoke bedding and linen homewares, from timeless classics and fashionable prints, to unique customisations and original hand-painted artwork.

What are the origins of your brand?

Yves Delorme is the French luxury linens brand for the home and our passion since 1845. Since then, the name Fremaux has been synonymous with home linen and the company is proud to be one of the oldest businesses of its kind in Europe. 1845 was a special year which saw the creation of a linen weaving mill near Lille by Ernestine Fremaux and her husband. Time and generations have gone by, the company has grown, consolidated its experience and know-how and achieved a strong authentic personality: creative, demanding and courageous. A creativity which was increased tenfold in the early 80’s, with the association between Dominique Fremaux, the current president and Yves Delorme, who was then renowned for his bath linen collections. The excellence of the Fremaux-Delorme’s heritage can be found in the history of the men and women who have built the company, its expansion and all its products to the point that the passion and know-how of five generations are woven into every sheet, every towel and every tablecloth branded Yves Delorme. A member of the Comité Colbert since 2001, Yves Delorme today epitomises a lifestyle which is truly exceptional, when luxury living is a daily experience.

How do you work with interior designers?

For their projects, Interior Designers usually use our classic collections; our percale (Athena collection) and sateen cotton (Triomphe collection) lines. We also have an amazing collection of luxurious quality towels called Etoile. Yves Delorme collaborates directly with interior designers, selecting from our Bespoke catalogue of fabrics, embroideries, monograms and colours to customise a truly unique set of linens. Begin the creative endeavor with a pristine canvas of the finest long staple cotton in percale or sateen, then build from a choice of distinct Yves Delorme embroidered designs, with a selection of 48 stunning thread colours and a range of monogram styles and placements for a personalised and made to measure design.

Yves Delorme Bespoke options apply to flat sheets, duvet covers and all sizes of pillow shams and cases. Monogram services are also available in our Etoile range of bath linens in 19 fashionable colourways. Yves Delorme also offers the option for made to measure sizes.

What value does your sector add to the interior design industry?

Our values are Poetry, Audacity, Excellence and Savoir-faire. Maintaining the highest standards in the selection of natural materials and fine fabrics, and in the excellence of finishings and attention to hand-made details, the Yves Delorme design is recognised for timeless classics and fashion prints, integrating original hand-painted artwork and heritage to Haute Couture. Yves Delorme shares with the designer community its passion for luxury linens!

How do your services/offering enhance an interior designer’s projects? 

Our monogramming service is very popular. We can add initials, logos or bespoke designs on any of our products to enhance interiors with unique, personal touches.

What are the latest trends you’ve noticed in your client’s requests?

Today, the desire for beautiful, embroidered and bespoke linen has never been so strong, which is why we founded Yves Delorme Couture. A timeless collection in endless white tones, fresh and delicate percales, silky soft white satins, featherweight cloths and classic linens. A collection designed to be transformed, played out by your imagination to take you beyond wonderland…

Why did you want to become a sponsor of the SBID Awards?

We are proud to sponsor the SBID Awards. We have been partners for the second year and it is a great opportunity to connect with other professionals from the interior and decor industry.