With a people-centric approach to sustainability, the UK’s market leader in vinyl flooring Karndean Designflooring is building commercial interiors that have a reduced impact on the environment whilst also delivering outstanding style, durability and performance.
Working with RFD Interior Architecture, its latest project has created an attractive biophilic design for Groupe Atlantic’s Expert Training Academy in East Yorkshire that combines sustainable performance with thermal and acoustic comfort.
Groupe Atlantic’s mission is to help society rise to the challenge of reducing energy consumption and increasing the use of renewable energy whilst still satisfying the demand for thermal comfort. Its new Expert Training Academy has been established to further these goals, training the heating and hot water industry in the next generation of renewable energy sourced appliances. With the business’ clear focus on sustainable development, it was key that the academy’s interior should itself have minimal impact.
Project designer and principal contractor RFD Interior Architecture has reflected Groupe Atlantic’s ambition to create a greener built environment with a comfortable yet practical interior in a biophilic style that supports health and wellbeing, meeting its sustainability brief with a focus on decarbonisation and recycled materials.
A terrazzo design floor from Karndean Designflooring sits alongside a natural moss wall and FSC certified oak cladding with recycled plastic acoustic backing. The furniture and accessories were also chosen for their superb eco credentials, including ultra-low carbon furniture made with recycled upholstery materials.
Jamie Shaw, head of ESG at Karndean Designflooring, said: “The Groupe Atlantic project amply demonstrates how our flooring can balance on-trend biophilic aesthetics with practicality and sustainability.
“Like all our designs, our new Opus Abstracts capsule collection replicates the beauty of natural materials using cutting edge technology to provide a hard wearing flooring that also improves indoor environmental quality and reduces a project’s impact over its entire lifecycle.
“The durability of Karndean flooring is key to product longevity and in commercial environments this can result in a carbon footprint that is up to 85% lower than other flooring products. These sustainability credentials were a key decision point for RFD Interior Architecture when specifying for Groupe Atlantic’s academy.”
Dalmata from Karndean’s Opus abstracts capsule collection has provided a statement floor that can stand up to the academy’s heavy footfall yet is easy to maintain. Featuring large black marble chips that stand out against a simple white background in a striking ‘dalmatian’ effect, the flooring brings an impactful neoclassical look to the clean lines of the interior. Introducing additional visual interest and comfort underfoot, breakout zones have been highlighted with thick pile rugs.
Alex Jenneson, design director at RFD Interior Architecture, explained: “From a design aesthetic, the newly launched Karndean terrazzo was a great looking product for our story. This design statement of monochrome maximalism stands out perfectly as a confident stone effect feature juxtaposed against the neat, uniform oak panels and earthy fabric colour tones. Natural materials, controllable low carbon lighting, biophilic elements and the clean yet playful interior design speak volumes about how workplaces can look and operate in the market today.”
The Opus abstracts capsule collection presents a range of bold contemporary designs and offers designers complete creative freedom of expression with endless options to create intriguing and impactful bespoke floors. Suitable for installation alongside other Opus wood plank and stone tile designs, these new abstract designs have expanded the boundaries of design and opened up new opportunities for personalised interiors.
Karndean products are manufactured in factories certified to the ISO 14001 Environmental Management and ISO 9001 Quality Management International Standards and meet LEED Credit 4.3 and CAL 01350 standards. Using production and operating processes that are increasingly energy efficient and making use of renewable energy sources, Karndean flooring provides a resilient, comfortable and attractive flooring that is the ideal choice to meet the sustainability challenges of the future.
For more information on Karndean’s Opus Abstracts capsule collection, visit www.karndean.com.
About Karndean Designflooring
Our design process begins with a meeting…with nature. We see flooring differently. Pushing the boundaries has to be an adventure of discovery. It’s why we travel the world for inspiration. From the ancient European woodlands to the Australian outback, we pack our bags and go there. Every time, we connect with something extraordinary that shapes our every step. It’s how we bring the unimaginable, inspired from the outdoors, indoors.
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Award winning and WELL certified Interior Designer, Emma Webb, is passionate about designing for the wellness of her clients and focuses on delivering restorative spaces. Her creative vision and expertise in implementing the principles of Biophilic design and Nudge design result in interiors that are beautiful, restorative and supportive of positive lifestyle choices. Over a 25+ year career, Emma has built an extensive portfolio of distinctive projects in Ireland and Internationally. Emma’s qualifications include a Bachelor of Arts in Psychology, WELL Building Standard professional accreditation as well as certificates in Biophilic design, Healthier Materials and Sustainable building.
I was always arty and had planned on being an artist when I left school. But my parents told me to get a “proper” degree before I could go to Art College, so I did a degree in Psychology at University College Dublin. It was here that I learnt how much people were impacted by the natural and built environment and so I went on to study Interior Design and open my design practice in my early twenties.
Whilst working on every project is invigorating, I really enjoy the energy and camaraderie encountered on our building sites. I work with many skilled tradesmen and artisans, and I love to see what they produce and to learn from them.
Achieving Business All-Star Accreditation and being named South Dublin Interior Design Company of The Year 2023 by the All-Ireland Business Foundation.
I love a tricky building that needs to be completely remodelled for today’s busy lifestyles. I can lose myself for hours as I imagine myself in a client’s shoes working out how to best use the available space.
Lead times for materials can be very challenging especially here in Ireland, where we are at the mercy of weather impacted sea crossings. So our building programmes often require careful monitoring and good communication with clients, keeping them up to date.
I wish I had appreciated the power of marketing! When I was setting up my business we didn’t have social media to publicise on. We relied on referrals for new projects as well as sometimes investing in advertising or editorials in glossy interiors magazines, which was very expensive. This meant that we really overlooked the power of advertising in the early days.
Don’t build toxic interiors! Understand what your materials are made from and how they are produced. Research their impact on the environment and on people’s health.
Wellness interior design and Biophilic Design are still very much on trend – although I think that this is more of a movement than a trend and here to stay. So, I think we will see more responsible sourcing of materials and a focus on health and sustainability developing over the coming years.
I’m really proud to be accredited by SBID. When you are self-employed it’s easy to forget to celebrate any success and so thank you for reminding me that after 28 years in practice, weathering a global recession followed by a pandemic and then a war, that I still love what I do!
Questions answered by Emma Webb, Founder, Emma Webb Design.
About Emma Webb Design
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This week’s instalment of the Project of the Week series features a modern residential development design by 2022 SBID Awards Finalist, ENJOYDESIGN.
SBID Awards Category: Property Development Asia Pacific
Practice: ENJOYDESIGN
Project: Zhongfang Yinchuan Huayu Xuan
Location: Yinchuan, China
The theme of client’s brief: The Garden on the Loess.
The city of Yinchuan, where the project is located, is situated in the Ningxia Plain, an arid region in western China. Unlike other arid regions, there are two major wetland parks that are ecological features of the area. In order to protect the precious wetland resources and this important transit point for migrating birds, the city of Yinchuan is also aiming to become a ‘city of lakes’. In addition, the survey shows that there are few commercial forms around the project site, the quality of life is not high and the convenience of living is improving.
Therefore, ENJOYDESIGN, as the interior design for this case, wanted to create a “multi-life experience hall” for the residents with the theme of “The Garden on the Loess”, integrating plants and greenery, floral art, cultural creation, trendy games, reading, beauty, tea and other diversified businesses, and creating a “multi-life experience hall” with both aesthetics and fireworks in the form of a community. A third space outside of work. At the same time, it also serves to promote the ecological characteristics of the area.
What inspired the design of this project is the local efforts made over the years to protect the wetland resources. Using flowers and greenery as a medium, nature is allowed to surge like flowing water, irrigating not only the desert sands, but also the hearts of the people of Yinchuan.
We have tried to tell the other side of the city in a lifelike way, leading people to experience the unique face of Yinchuan, not only the yellow earth and barren smoke and ravines, but also the prosperity and vibrancy of The Garden on the Loess.
We hope that community residents will feel the romance of the sun surrounded by flowers and embark on a journey to nature to find the oasis their hearts desire.
During the project, the toughest hurdles to overcome were the construction of the design facade and the local people’s acceptance of the novel style.
Large curved wood finish walls require a high degree of workmanship and stability in terms of grain and colour. Yinchuan is one of the more remote cities in western China, where finding workers who are skilled in construction and high quality building materials is more difficult than in the metropolis.
Secondly, the style of the scheme is relatively new to the occupants of the area and has undergone a process of trying to tell the concept from scheme to landing and then to pre-acceptance by the general public.
I think it is: we strive to turn dream gardens into real, functional spaces that are both beautiful and functional, making them a part of the lives of the community.
First, of course, the professionalism. SBID Awards is a highly professional, fair and influential award in the design industry. Every year, we choose excellent works to compete. For example, last year, we won the only award for interior design in the Asia Pacific region, which was affirmed and recognized by the jury from distant overseas and design countries. The designers were greatly excited and encouraged after winning the award because it proved the design ability of the studio.
Questions answered by Jie Guo, Founder & Creative Director, ENJOYDESIGN.
We hope you feel inspired by this week’s design!
If you missed the last instalment of Project of the Week, featuring a luxurious bar-restaurant design by Albion & East, click here to read it.
Biophilia can be defined as an inherent human desire to connect with the natural world and elements of Arteriors’ interior décor encourage this. Biophilic design isn’t just trendy from an aesthetic perspective – surrounding ourselves with nature has additional benefits elevating our mood and creating a holistic environment.
In residential design, a biophilic environment can encourage relaxation and a separation from bustling outside life. In an office space, benefits include increased productivity and creativity. In both instances, including elements of nature into the design of a room boosts overall physical and mental health.
Natural materials are the obvious addition and just one of the ways we can ensure we are benefitting from mother nature’s touch. Materials such as rattan, wicker, and various woods are great additions and can be used in furniture, lighting and accessory design. Season upon season we’ve seen more brands offering designs that integrate natural weaves and raffias, making it easier for designers and their clientele to create a grounded, organic décor scheme.
The positive influence on people is paired with the sustainable credentials of using these materials. Inherently biodegradable and regenerative, the resulting products are crafted with the future in mind.
Striving to further our connection with nature, our design team has endeavoured to include additional materials such as corn husk, coconut shell and abaca fibres that give a varied aesthetic but provide the same benefits. We’ve always wanted to ensure we honour the ingenuity of master artisans, where skills are passed down from generation to generation – particularly in places such as Southeast Asia, where the incredible artistry has inspired our collection of natural materials where we’ve weaved in inventive details (pun intended). Combining contemporary form with rich texture and traditional craftsmanship evokes a warm, welcoming aesthetic.
Another key element to consider is the colours used in a space – neutral tones, and earthy hues are grounding and provide an effective canvas to incorporate additional elements of biophilic design. Pops of green are also proven to reduce heart rate and promote calm whether selected as a key colour in furniture choice or across a statement wall.
Final additions make a world of difference, with planters and hanging baskets, dried flowers and fresh posies quite literally adding an element of the living natural world. More than aesthetic, plants and flowers work like gentle air purifiers moderating temperature, humidity and levels of toxins present to create a more pleasant living environment.
Key to a positive outlook and beneficial to health in all senses of the word, it’s no wonder designers are keeping this as a priority for residential, commercial and hospitality design. Each season, we want to make sure we’re creating products that work with, not against the environment and encourage biophilic living.
About Arteriors
For over 30 years, Arteriors delivers impeccable style and artisanal quality craftsmanship within the lighting, furniture, wall décor and home accessory categories to discerning customers worldwide. This three-decade journey in pursuit of extraordinary product – from the understated to the unexpected – had been and remain at the core of what Arteriors do each day. Arteriors’ business has matured and expanded into a timeless lifestyle brand that has become premier resource for interior designers and retailers worldwide.
Today, Arteriors continues to reinterpret materials, forming objects of perfect proportions and scale, resulting in bold interiors that bring ease to everyday luxury.
As biophilic design grows in popularity (no pun intended!) so does the number of interior projects where clients request a green ‘infusion’ in their refurbished homes.
Biophilia, or the love of nature, provides a connection to the natural world and instils a sense of wellbeing through the creation of a healthy environment. The air quality in a city dwelling is said to improve, through the air-purifying potential of plants, with certain varieties able to remove many pollutants. No small feat, considering indoor air quality is often inferior to outdoor, with residents breathing in all sorts of undesirable pollution.
The Royal Horticultural Society also reports that the potential psychological and physical benefits of indoor plants include improved mood, reduced stress, better productivity, longer attention span, quicker reaction times on computer tasks, lower blood pressure and a significant reduction in fatigue and headaches. Undoubtedly, this need for repeated and sustained connectivity to nature and its positive impact on people in general, is becoming increasingly important in our busy, urban lives.
The brief then, for this penthouse perched on the River Thames, was to incorporate a biophilic aspect into the space in order to make it a restorative refuge. Other than the views, it was originally an uninspired space and the two large terraces empty and unused. With cohesive vision and contemporary furnishings, it was transformed both inside and out into an attractive and harmonious home. The copious amounts of greenery that were added, including a living wall, together make the space incredibly calm and congenial. The residence now ticks all the boxes with close proximity to work in the Wharf, whilst infusing a sense of spaciousness and serenity. Who wouldn’t want to relax and rejuvenate on a lounger surrounded by vegetation gently rustling in the breeze?
As a biophilic design studio, Oudejans Interiors feels it’s vital to live more sustainably and regularly draws upon the proven benefits of nature as a key design element to create exquisite and enduring residences.
About Oudejans Interiors
Oudejans Interiors, a leading biophilic design studio, draws upon nature, with its many proven benefits, to create beautiful, enduring spaces that engender wellbeing. Our ethos is to live sustainably, increasingly connected to the natural world. When designing interiors, we instil this organic connection to enhance clients’ lifestyles.
This week’s instalment of Project of the Week interior design series features an arty biophilic Oriental restaurant design by 2021 SBID Awards Finalist, Deckora Design.
Yakuza is the most buzzed-about Asian restaurant of Lisbon set at the ground floor of Hotel AVANI AVENIDA and offering the best selection of creative sushi in town. Deckora Design assisted the wider Minor hotel group in shaping a refined yet eccentric environment featuring fine walnut details, polished stone superficies and hand-painted art murals.
The original commercial space, situated amid a dense urban context in the back yard of a busy high street, represented a challenge of great complexity for the designers due to the lack of natural light. The tailored made labour of Deckora Design’s team transformed a difficult space into the trendy Oriental restaurant of the Portuguese capital where art and biophilic design play a crucial role.
SBID Awards Category: Restaurant Design
Practice: Deckora Design
Project: Yakuza Restaurant
Location: Lisboa e Vale do Tejo, Portugal
The brief is the creation of a cosy yet seductive interior where dark fittings, comfortable furniture and warm lighting contribute to a truly unique experience for the guest.
The project’s holistic approach, rooted in systematic design research, is considering all aspects of the environment: from architecture and lighting, to furniture and art. The concept was a modern and irreverent reinterpretation of the Japanese restaurant. The overall emblematic proposal shows how good quality design, and the successful transformation of a space, can have a successful impact and provide an authentic experience that goes beyond dining.
Yakuza Restaurant represented a great challenge, starting from the location situated amid a dense urban context with lack of natural lighting. Deckora Design delivered a flawless design enhancing the intrinsic characteristics of the property. The design team managed to exceed the expectations of the different stakeholders by respecting budget constraints and demanding deadlines during a world pandemic. The final outcome satisfied the client’s complex brief and requirements, integrating motifs and key elements of the pre-existing Yakuza brand into a new, unique and innovative concept.
Art played an important role in the project; we commissioned hand-painted murals from the local artists. Art is also present in the main highlight of the project and the main attraction of the commercial space – the sushi counter, a 5×10 meters rectangular central artefact representing the beating heart. The austerity of the walnut louvers and the rigorous central slate are juxtaposed to the playfulness of the backlit ceiling canvas. This distinctive piece of art, hand painted by the urban artist Smile, is characterised by vibrant tones and portrays a huge Japanese koi, providing indirect lighting to the entire room.
The SBID Awards is one of the most influential and well organised awards in the Architecture and Interior Design industries. Being part of this programme is definitely something to be proud of, and being a finalist is already a great reward for us after the great amount of care and time our project required. I also believe that getting personally involved, contributing to the community and being exposed to the work of other colleagues is an important part of our professional development.
Questions answered by Camilla Degli Esposti, Director, Deckora Design.
If you missed the last instalment of Project of the Week, featuring a spacious penthouse design by Lori Dundas Interior Design, click here to see more.
Dentsu Hong Kong is an international advertising company which strives to create the best solutions and services, and unlock new opportunities for their customers.
Responding to the client’s brief, Crosstec International Ltd has renovated the office of a total of 23,640 sq. ft. with two floors in the heart of the City in Hong Kong. They designed a spacious open office with a feel of unity over the entire floor in order to introduce vitality to the workspace and enhance staff interaction.
The office floor is divided into the three main zones: workstation, town hall and cafeteria. Since an open plan layout was applied, it was essential to tackle the noise disturbance within the functional areas. In order to do so, the areas’ locations were determined based on the level of noisiness – the pantry is located at the top-left corner, the furthest distance from the workstation where silence is required. The town hall, which is located between the pantry and the workstation, plays the role of a separator. The conference rooms are located at the window side with glass partition in order to bring in more natural light across the whole floor.
The client emphasized that communication and interaction are the core values of the company. To facilitate the communication between co-workers, break-out areas and conference rooms are scattered all over the story. The main entrance is always open during office hours to welcome business partners.
In order to represent the dynamic working environment of Dentsu Hong Kong the spatial design concept of “Work in Progress” is applied. Industrial approach is used at the reception area to give visitors a workshop impression, which highlights that Dentsu Hong Kong provides a one-stop solution to their clients.
The area connected to the reception is the “Town Hall” – a place which aims to enhance internal communication by encouraging the staff to have meetings and share ideas. As per the client’s wish, this space has a seating capacity of one hundred. In addition, an open pantry provides even more interaction opportunities between co-workers.
Across the overall office design, biophilia is applied to stimulate natural and casual atmosphere, which is enhanced through the wooden elements of the interior. The open plan layout minimizes visual blockage, which allows natural light to come through the whole space.
About Crosstec International Ltd
Crosstec Group Holdings Limited is a one-stop provider of interior design solutions; the majority of their clients are global luxury goods and high-end fashion brands with retail stores across the world. According to Frost & Sullivan, they are the largest Hong Kong-based luxury retail interior designer in terms of revenue in 2015. They serve a global client base in various parts of the world including Hong Kong, China, the United States, Europe, Middle East and other Asian countries.
If you’d like to feature your projects with SBID, get in touch to find out more.
In a particularly turbulent world (enduring an ongoing pandemic) where there is so much uncertainty, striving for wellbeing in our daily lives is all the more important. Our homes now act as a substitute for offices, gyms, entertainment centres and sanctuaries to name but a few of their additional uses. As we’re spending significantly greater time in them overall, it is clear they need to work harder than ever to meet our demands, suit our needs and ease our minds. The question is – can biophilic design really help? Peter Oudejans, director of leading biophilic design studio, Oudejans Interiors shares key insights on the benefits of integrating concepts of biophilia into our interior environments.
Biophilia, simply stated, is the human connection to nature that assists us in attaining wellness in our lives. Have you ever noticed how calm and uplifted you can feel when walking in the woods, strolling along the beach or simply sitting in a park? That’s the ‘Biophilia’ effect. In rural settings, this connection can be more obvious, but as more of us live in densely populated, urban environments, this connection is slowly being lost. That does not mean however, that we are unable to embrace nature’s beauty at home. There are numerous ways to live more meaningful, holistic lives and in practice this is about re-establishing links with nature to create healthy environments for life and work.
“It is the simple core truth that humans need a connection to nature to be content”, according to Sally Coulthard, author of the book Biophilia. It is the notion that humans need to feel connected to their natural environment not only to survive, but also to thrive.
Research undertaken over the past few decades has shown that biophilic design can improve cognitive function, physical health, and psychological well-being with benefits that include:
According to architect Claudia Bonollo of Monamour Natural Design, “our mood and our capacity for communication are influenced by a combination of physical, mental and sensory factors. Therefore, an environment that involves all the senses makes us happier and more receptive,” she says.
Oliver Heath Design, has found that the inclusion of Biophilia to the design process can increase productivity by 8% and rates of wellbeing by up to 13% in an office environment. In healthcare settings, pain medication was shown to be reduced by 22% and in the education setting, rates of learning can be increased by 20-25% where biophilic designs have been incorporated.
And finally, Florence Nightingale, the founder of modern nursing weighs in with “I shall never forget the rapture of fever patients over a bunch of bright-coloured flowers… People say the effect is only on the mind. It is no such thing. The effect is on the body too.”
With regard to interior design, Biophilia is considered more of a lifestyle than a design trend. It can be applied across the entire spectrum of interior styles from contemporary to classic and has a place in all areas of interior design, be it in a residential or commercial setting. Eco design and green architecture are very closely related concepts with a focus on environmentally-friendly design practices that are good for people and planet, just as Biophilia is focused on the wellbeing of humans through their connection to the natural world.
Biophilic design has three key threads that together make a space biophilic:
1. Being in a space that has a direct, physical contact with nature; 2. Being in a space that reminds you of nature through the use of natural items; 3. Being in a space that connects to natural rhythms and outside spaces.
There are numerous key elements of biophilic design which include incorporating a few or all of the following:
Take the example of firelight and candle light, which have slowly decreased in domestic settings as the use of heating (central and otherwise) and of course, electric light, now almost completely dominate in the modern home. Yet the ‘red’ light that emanates from firelight and candlelight plays an important trigger in the body’s preparation for rest and relaxation, making us feel calm and cosy.
In a study by the anthropologist Christopher Lynn, he measured people’s blood pressure and how sociable they felt after watching a log fire on a screen. One group watched with sound, the others no sound. The results found that those that watched with no sound showed little benefit, but those that experienced the audio and visual effects of the fire, had significantly reduced blood pressure, felt more mindful and focused on the present and were increasingly communicative and sociable. [1]
Including such a simple yet multi-sensory element such as a fireplace within the home can make a significant difference to the wellbeing of the individual. Just imagine the other benefits and sensations a real fire provides, such as the soothing radiant heat and comforting wood scent. And this is just one simple addition in the whole armament that nature and Biophilia can provide.
Biophilia is still deemed to be in its infancy within the interior design profession, despite being based on one of the most fundamental connections humans have with their environment. But with the current focus very much on the recovery, both physically and mentally, from a global pandemic, never has there been a better time or more crucial need to draw upon the healing powers of nature to improve our wellbeing.
Interior designer’s approaches to home design should now be looking to design sustainably with nature at its core for the creation healthy, happy homes that are better for people and the planet. After all, it truly is all about creating nature-inspired spaces to support our health and wellbeing.
References:
[1] Lynn C.D. The Psychophysiology of Fireside Relaxation. American Journal of Human Biology 25 (2013). 265-265
Projects photographed are undertaken by Oudejans Interiors Ltd. All photos are credited to photographer Glenn MacKay.
About
As a leading biophilic design studio, Oudejans Interiors feels it is vital to live more sustainably, in an increasingly connected manner to the natural world. Their motivation for designing spaces is to consciously straddle the line between nature and interior architecture. From creating a living wall to redecorating with natural hues, incorporating biophilia into living spaces is an effective way to restoratively transform them, whilst boosting body and mind.
If you’d like to become SBID Accredited, click here to find out more.
SpeakEasy with Patrick Folkes
In this episode of the SBID podcast, host Grant Pierrus talks business and sustainability in interior design with entrepreneur and founder of The Graphene Company, trading an innovative and ground breaking line of natural paint.
Patrick explains the origins of the Graphene Company and how the process of combining Graphene and minerals developed to create this new healthy and high-tech range of ecological paints.
As a globally certified sustainable paints company with credentials in environmental performance, cradle to cradle practices and social responsibility, Patrick shares his approach to achieving genuine sustainability throughout the entire product lifecycle.
Shedding light into the concept of what “eco paint” really is – he talks green washing in the industry, how levels of VOC impact biophilic design and the integral role of lime in air purification. Discussing the future of the paint sector for interior design, he explores the importance of health considerations, ecological characteristics and indoor air quality in the industry.
Tune in to the whole conversation to discover more.
Patrick Folkes
Patrick Folkes has focused his career on a range of financial and entrepreneurial activities. He began in 1980 when he was involved in derivatives broking and gold and silver bullion market-making in London and New York. In 1990, he founded his own fund marketing and advisory firm, Folkes Asset Management. Later, in 2016, he founded The Graphene Company, trading Graphenstone Paint UK with its innovative range of sustainable, healthy and high-tech ecological coatings that are air-purifying and free of plastic and VOC.
Taking into account that the average employee spends 3,515 full days in the office in their lifetime – not to mention an additional 188 days of overtime – it’s no wonder that top firms are reviewing the ways that their headquarters feel, function and flow. Now Midlands-based aquarium design company and SBID Accredited Industry Partner, ViDERE, has developed a remedy in the form of interacting with fish-tanks and it hopes the discovery will help more employees keep their heads above water.
Poor mental and physical health diminishes an employee’s ability to function and perform well at work and can also negatively impact their wider social community. It is also common knowledge, through both research and anecdotal evidence that humans experience physiological, emotional and cognitive benefits from interacting with nature (Ulrich, 1984; van den Berg et al, 2003). Thus, the correlation between connections with nature and improved wellbeing has led to a cultural shift in the way we design buildings and public spaces.
Nature as a key design element
This cultural shift has been a driving force behind occupational psychologists and designers taking a holistic approach in incorporating different elements of nature into the structure, furnishings and operational activities of businesses and corporations. The approach of ‘Human Centred Design’ encapsulates a multitude of disciplines and expertise, to enable companies to positively shape the working environment of their employees both physically and culturally.
One important component of this approach is the introduction of nature as a key design element to create greater appeal and improve wellbeing. Research has shown that on average, humans instinctively prefer to be surrounded by elements of nature (Ulrich, R. S., 1981). Our perception of what is ‘beautiful’ is greatly skewed towards landscapes, and areas that are rich in biodiversity (Dennis Dutton, 2009). The extensive body of research in this subject area has made the integration of nature as a corner stone in the approach of design that improves the human experience.
At a time when workplace stress is on the rise, with recent research showing that it costs UK employers over £43bn a year, ViDERE dove deeply into researching the effect that interacting with aquariums has upon key stress indicators. This study was carried out during the summer and autumn of 2019 and specifically, looked at the impact of spending time looking into an aquarium and how this affected the stress and anxiety levels of employees working in a web development agency, Lightbox Digital, who are based in Birmingham.
Studying the therapeutic impact of aquariums
Individuals working in the digital marketing sector often experience prolonged periods of workplace anxiety and stress, partly due to heavy workloads and extended periods in front of a screen. Therefore, the focal point of the study was collecting data on each employees’ heart rate and blood pressure before and after each individual looked into their office fish-tank for ten minutes and looking at how this data varied.
Overall, the results across the board show that looking into the office’s planted aquarium for 10 minutes led to an average drop in blood pressure by 15.6% and an average drop in heart rate by 3%, reinforcing ViDERE’s initial theory that fish-tanks have a positive effect on mental wellbeing in the workplace. It’s also notable that all but two participants’ blood pressure fell into the NHS’s recommended blood pressure range for a healthy adult of between 90/60mmHg and 120/80mmHg, after the 10-minute therapy.
The correlation between lower stress levels and biophilic design elements highlighted by the study is a factor that more businesses should consider as they expand both their teams and workspaces. From this pilot study, we can draw some preliminary conclusions and inferences about the potential benefits associated with having an aquarium in a business interior for the staff and management teams that work there. The findings from this study also suggest that an aquarium not only has a positive impact on the appeal of a space with its high biophilic value, but can be used as a therapy for stress recovery. Thus, the more businesses invest in their office infrastructure and multi-functional design features, ultimately, the more they will improve their employees’ well-being within their workplace; which in turn, enhances productivity.
What does this mean for employers?
Discussing the results, ViDERE founder and pioneer of the study, Akil Beckford, commented: “The research into biophilia and the impact that the natural world has on our human emotions has risen in recent years and has shown staggering results. While our own study was on a small scale, the universal impact that it had on our individual test subjects is testament to the impact that simple changes can make to the bigger picture for businesses. All companies are made up of teams of people, and if they are feeling better, the business performs better… it’s simple!”
“The world seems to be constantly pushing high-tech boundaries and striving for smarter homes, offices, and community areas; but we are in danger of losing touch with nature, with potentially catastrophic results on our own health and wellbeing. Of course, we aren’t saying that technology is bad – quite the opposite in fact! – but it does serve as a warning that if we don’t start thinking about the way that the two can co-exist symbiotically, and designing our spaces to reflect that, then our wellbeing may well suffer.”
Akil and his team at ViDERE intend to continue educating people in the business community about how they can better facilitate wellbeing at work. Having already worked with the likes of Interface, Poggenpohl, and Clements and Church, seeing first-hand the impact that aquariums have had, Akil is confident that he can continue to lead the way as an advocate for biophilia in the Midlands.
Click here to read the full report.
About the Author
Akil Beckford is an aquarist and designer who is passionate about connecting people to nature. For over 15 years, Akil has been designing and installing aquariums into peoples homes and business’s, creating globally recognised designs and displays.
This article was written by Akil Gordon-Beckford, Founder & Director of ViDERE Aquariums
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