Four distinct product ranges, each with its own design ethos, form the new 300 strong collection launch at Arteriors. Spanning across furniture, lighting, accessory and wall décor designs which seamlessly merge the boundaries of art and interiors. Combining inspiration sourced as much from the natural world as from the history of art and architecture, items are designed to reinterpret classic forms for a modern, luxury clientele.
Refined Geometry: A selection of products which borrow inspiration in shape from Classical architecture, with sweeping curves and arches, and triangular detailing reminiscent of temple tympanums. Use of materials including sumptuously-smooth leather and elaborately detailed wood veneers fashions a mid-century look which is proving timeless.
Deep Luxe: Luxury in its truest form is presented through plush materials and extravagant, yet understated details which take inspiration from sophisticated European interiors. Rich velvet textures, subtle golden detailing on furniture and accessories, and magnificent statement lighting all bestow elegance.
Material Contrasts: Designs selected to sit beautifully as pieces of art in their own right create spectacular contradictions when placed together. Mixed materials form a juxtaposition of the man-made and natural, with finely machined metals, imperfect natural woods, high-sheen resins and organic ceramics.
Artisanal Modern: Timeless design with a polished twist is central to this collection. Expressive detailing and thoughtful shapes bring a fresh perspective to designs inspired by the early 20th century – traditional winged-back armchairs, art-deco inspired desks, and opulent chandeliers recall a familiar yet innovative aesthetic, each design combining artisanal and traditional techniques.
Highlights from the collection presented within Arteriors’ new showroom at Chelsea Harbour’s Design Centre.
About Arteriors
Arteriors began 35 years ago as a boutique accessories company and has evolved into a global force in the design industry. With premier lighting, furniture and accessories, Arteriors redefines interior spaces through unexpected creativity and meticulous craftsmanship.
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For 35 years, Arteriors have been proud to work with artisan craftsmen from across the globe to create the highest quality furniture, lighting, wall décor and accessories.
To cater for our extensive and always growing network of interior design clientele, each season we cherry pick pieces of inspiration from around the world, curating product collections tailored to a wide range of design led interiors.
For the past few seasons, we’ve taken direct inspiration from a range of global destinations to produce statement pieces that combine unique location-specific elements with our signature aesthetic.
An architectural movement that proceeded to inspire art and interior design for generations, Bauhaus combines contemporary geometric shaping with unique materials. Material of choice for this collection is luxurious leather. This is seen across an assortment of upholstered furniture, as accent detailing on accessories, and as part of lighting designs. A variety of finishes and forms creates distinctive, design-led products that showcase the juxtaposition of using a material ordinarily associated with a more traditional aesthetic within sculpted and soft designs.
Collections that imbue luxury in the traditional sense of the word are inspired by Monaco and Bel Air. Both exude opulence and grandeur with highlight features such as sumptuous velvet seating and rich mahogany furniture with extravagant chandeliers to bring to life this vision of luxury.
Inspired by a true tropical paradise and timed to launch with the approach of the summer season, this collection sings with the use of natural rattan and raffia, and elegant use of lighter hues are reminiscent of such coastal destinations. We’ve strived to be innovative with material choices, incorporating open linen weaves, coconut shells and wooden beading within our decorative accessories.
The beauty of minimalism is redefined in a collection influenced by Shibuya. Striking, modern shapes and a muted tonal colour scheme are juxtaposed by a selection of woods and ceramics that break up an otherwise monochrome palette. The highlight product from this range that most imbues a sense of Tokyo’s architecture and cultural influences is the Stella cocktail cabinet. With a silhouette reminiscent of a Japanese kimono, fashioned from panels of oyster oak, epitomising the aesthetic of this distinctive collection.
A combination of traditional European influences appear to jostle with a contemporary aesthetic in our product range inspired by Montreal. The charm of this city is this combination of centuries-old architecture with elements of contemporary flair, recreated in product design through a mix of finishes including wood, blackened iron, and pale ivory.
Through decades of meticulous research, and by working alongside skilled craftsmen from around the globe, we’re continuously inspired to experiment with aesthetics, materials and techniques. A selection of location-inspired pieces are available in our Chelsea showroom, and form part of our Spring collection.
Cover image: Pierson Wall Plaques £855; Perez Coffee Table £2,331
For over 30 years, Arteriors delivers impeccable style and artisanal quality craftsmanship within the lighting, furniture, wall décor and home accessory categories to discerning customers worldwide. This three-decade journey in pursuit of extraordinary product – from the understated to the unexpected – had been and remain at the core of what Arteriors do each day. Arteriors’ business has matured and expanded into a timeless lifestyle brand that has become premier resource for interior designers and retailers worldwide.
Today, Arteriors continues to reinterpret materials, forming objects of perfect proportions and scale, resulting in bold interiors that bring ease to everyday luxury.
Sans Souci, leading designer and producer of glass and lighting installations, has unveiled its latest portfolio with an ambitious new direction for the brand. The new design concept is focused on finding the beauty and innovation between contrasting perspectives, which was the inspiration behind an impressive 15 new collections that will be launched as part of the 2023 Milan Design Week.
The new collections are the culmination an important creative journey for Sans Souci, which has experienced significant growth globally in recent years. Some of the most exciting new designs are collaborations with respected designers Karim Rashid and William Sawaya.
William Sawaya’s BRANCHY collection is sleek and artistic, inspired by the natural world. Long crystal tubes in sandblasted, clear and metallic finishes are fitted together with metal bindings. Each component has a LED light source running through it, allowing the installation to produce a different ambience depending on how you choose to light your interior.
Karim Rashid’s exquisite CHIN CHIN collection plays with your perceptions. Flawless installations are formed of crystal components shaped into golden drinks glasses suspended from glass rings, finished with gradient nanocoating. The effect is a perfect paradox – the glasses look full, but they are empty, they hang upside down, but nothing spills. This design is both opulent and contemporary, creating a dramatic focal point for your interior.
Each of the new collections builds on Sans Souci’s central design concept – finding harmony in contrasting ideas and aesthetics. This is the brand’s response to the most pressing questions the interior design industry is facing. It is focused on embracing the contrasts and equilibrium between different perspectives. The space between luxury and responsibility to the planet, between craftsmanship and sophisticated technologies, between classical design and contemporary ideas.
Martin Chab, Founder and CEO of Sans Souci commented: “Our new direction and collections are testament to our commitment to design and innovation. They show that we are not afraid to combine diverse elements and ideas to create truly captivating pieces. We’re delighted to launch our 15 collections in Milan at one of the biggest design celebrations in the calendar – Fuorisalone and Euroluce. It will be exciting to get feedback from our partners and the wider industry, but this is just the beginning as we continue to grow our brand and portfolio.”
Sans Souci’s exhibition ‘The Harmony of Contrast’ will be showing this April at 2023 Design Week in Milan. One of the highlights will be HARK, an immersive exhibit showcasing Sans Souci’s bold designs and cutting-edge lighting technologies. The multimedia piece features exquisite crystal cuboids that respond to the audio around them, emitting different ambience depending on the tone of sound. A design experience for all your senses as it shows the contrasts between cool and warm, darkness and light, silence and sound.
The exhibition ‘The Harmony of Contrast’ is part of Fuorisalone and will be displayed at gallery Mimmo Scognamiglio Artecontemporanea, Via Goito 7, Milan, from 17 to 23 April. Sans Souci’s new portfolio of collections will be showing at Euroluce at Fiera Rho, Milan, P11.250, from 18 to 23 April. Find out more about Sans Souci’s collections and projects at www.sanssoucilighting.com
About Sans Souci
Sans Souci is a leading designer and producer of quality interior and architectural installations. Design and innovation are at the heart of its vision, offering clients a range of studio collections as well as a bespoke design service to create the perfect piece for each interior. Sans Souci manages the entire creative and production process from its headquarters in Bohemia, the world-famous glassmaking region, ensuring quality and sustainability at each step. Its unique art and lighting designs are installed in luxury interiors around the world, from iconic hotels such as Claridges and Burj Al Arab to private residences and designer retail spaces.
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Biophilia can be defined as an inherent human desire to connect with the natural world and elements of Arteriors’ interior décor encourage this. Biophilic design isn’t just trendy from an aesthetic perspective – surrounding ourselves with nature has additional benefits elevating our mood and creating a holistic environment.
In residential design, a biophilic environment can encourage relaxation and a separation from bustling outside life. In an office space, benefits include increased productivity and creativity. In both instances, including elements of nature into the design of a room boosts overall physical and mental health.
Natural materials are the obvious addition and just one of the ways we can ensure we are benefitting from mother nature’s touch. Materials such as rattan, wicker, and various woods are great additions and can be used in furniture, lighting and accessory design. Season upon season we’ve seen more brands offering designs that integrate natural weaves and raffias, making it easier for designers and their clientele to create a grounded, organic décor scheme.
The positive influence on people is paired with the sustainable credentials of using these materials. Inherently biodegradable and regenerative, the resulting products are crafted with the future in mind.
Striving to further our connection with nature, our design team has endeavoured to include additional materials such as corn husk, coconut shell and abaca fibres that give a varied aesthetic but provide the same benefits. We’ve always wanted to ensure we honour the ingenuity of master artisans, where skills are passed down from generation to generation – particularly in places such as Southeast Asia, where the incredible artistry has inspired our collection of natural materials where we’ve weaved in inventive details (pun intended). Combining contemporary form with rich texture and traditional craftsmanship evokes a warm, welcoming aesthetic.
Another key element to consider is the colours used in a space – neutral tones, and earthy hues are grounding and provide an effective canvas to incorporate additional elements of biophilic design. Pops of green are also proven to reduce heart rate and promote calm whether selected as a key colour in furniture choice or across a statement wall.
Final additions make a world of difference, with planters and hanging baskets, dried flowers and fresh posies quite literally adding an element of the living natural world. More than aesthetic, plants and flowers work like gentle air purifiers moderating temperature, humidity and levels of toxins present to create a more pleasant living environment.
Key to a positive outlook and beneficial to health in all senses of the word, it’s no wonder designers are keeping this as a priority for residential, commercial and hospitality design. Each season, we want to make sure we’re creating products that work with, not against the environment and encourage biophilic living.
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Whilst the majority of Britain is working from home, it is more important than ever to create a bedroom that is serene and harmonious. Your bedroom is not only where you sleep but where you begin and end the day by reading, meditating or simply unwinding. We have put together this guide on how to create a relaxing and restful bedroom.
When trying to establish the key elements to change or improve in your bedroom take some time to clear the room by removing items that you no longer want and ensure that everything is put away. This will help you see the room as a blank canvas and make gaps or missing items clear.
Select a colour that is the most calming for you. A neutral base palette, such as ivory or sand, will open up the space making it feel clean, light and bright. It will also give you maximum flexibility with your space. If you do not like neutral colours then consider muted colours such as sage green or duck egg blue. To give your bedroom a refined and sophisticated finish choose a fabric wallpaper to bring texture and warmth to the space.
Position your bed against a wall, with space either side, and select an upholstered headboard with piping or studs to add an element of detail. To recreate a 5-star hotel feel at home use a mattress topper and double up your duvet inside the covers for a sumptuous sleeping experience. For maximum comfort, invest in the best bedding you can afford with a high tread count. Add to your bed by selecting some decorative cushions with small scale patterns or textures with a cashmere throw at the end of the bed.
It is important that you do not have too much furniture in your bedroom as this will make it feel cramped. Think carefully about what is important to you. If you have limited storage space then choose a beautiful chest of drawers or if you want a space to get ready at then choose a dressing table and chairs. Consider the furniture’s size and shape so that it fits within the proportions of the room. When accessorising your bedside table carefully select some key pieces, such as a jewellery dish and a candle, so that you do not clutter the space.
Your bedroom should aim to connect all your senses seamlessly to evoke the feelings and emotions you desire. By bringing scent into the bedroom you can set the tone and mood in your bedroom. You should consider picking a scent that is appropriate for the season: light and floral scents of the summer, deep autumnal and forest scents for autumn and spicy, festive scents for the winter.
Lighting is important to create a calming ambience in your room. Having a dimmer switch on the main light in your bedroom will help to create softer lighting. If this is not possible, you can create a restful environment by turning off the main light and utilising reading lights on your bedside table for warmth and comfort.
Tips provided by Alexandra Jurkiewicz, Creative Lead, Helen Green Design.
About Helen Green Design
Helen Green Design is proud to be one of Britain’s most respected luxury interior design practices. Over the past 19 years, the team has developed an invaluable reputation for creating elegant, sophisticated, and timeless interiors for our international private clients. The portfolio includes prestigious developments, luxury penthouses, townhouses, boutique hotels and country estates, with recognition for our work in Super – Prime London. Founded by the late Helen Green in 2002, the studio creates luxurious, yet liveable, residences and strives to deliver exceptionally high, personalised levels of service – values which lie at the very heart of our business.
Homeplay is proud to be one of only a handful of integrators in the UK to have been selected, trained and authorised to install Lutron’s brand-new premium Palladiom Wire-Free Shading System.
Designed with groundbreaking technology and whisper-quiet performance, they are installed without fascia, pocket, recess or wires, making them the perfect choice for a minimalist aesthetic.
Available as a wired or wire-free, battery-operated system these shades look beautiful from every angle, Palladiom shades are created for the most sophisticated homes.
The aluminum brackets are meticulously hand-finished and available in a variety of finishes that blend seamlessly into any architectural style.
Enhance your space with a shading solution that showcases what’s beyond the window pane. Occupying no more than 3 1/4″ of vertical space, a single Palladiom shade can cover a 12 x 12 foot window – highlighting expansive views while delivering daylight control at scale.
The Palladiom Wire-Free Shading System runs on Active Energy Optimization, a battery management architecture designed to optimize the efficiency of traditional alkaline batteries to extend battery lifetime to an industry-leading three to five years with fewer batteries.
To accentuate the minimalist aesthetic of the Palladiom Shading System, Lutron has created the inventive Palladiom Bottom Rail. The design uses a groundbreaking method of clamping onto the fabric – regardless of the fabric thickness – to ensure that the hembar will always sit perfectly flat and perpendicular to the fabric plane. The subtle curve along the hembar face matches the roll diameter at the top of the shade. When the shade is fully open, the hembar disappears into the negative space behind the shade itself.
About Homeplay
Discover sound you can feel, home cinema that transports you to another world and lighting that brings living spaces to life. We are Homeplay. Experts in beautiful home technology. Simple stylish systems, seamlessly integrated into the fabric of your home.
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At Helen Green Design we believe that beautiful lighting is an integral part of every well curated interior. Every room lends itself to a different lighting style, shape and design and therefore choosing the perfect fixture can be a daunting task.
To achieve a harmonious and considered scheme, it is important to keep lighting throughout the property consistent and connected to each other. This can be achieved by either by specifying similar finishes (aged brass, blown glass, crystal) or a particular style (modern, art deco, traditional). It is possible to mix and match for a more eclectic look, however it is challenging to ensure there is no disconnect between the spaces.
We like to source lighting from a range of suppliers who offer a variety of fixtures suitable for different areas. Here are our simple tips on how to select the perfect light for every room.
The entrance hall is an opportunity to make an impact in your home. The lighting in an entrance hall is likely to be one of the first things seen when entering the house so it is important to ensure it encapsulates the identity of the property.
It is an opportunity to make the most of the architectural features and utilise high ceilings or stairwells. An oversized, statement light can span across several floors or a centrepiece light can create an elegant, welcoming lobby area above the entrance table.
As the centre of every home, it is crucial that the light fitting chosen for this space does not compete with the rest of the furniture in the room and complements and relates to the design scheme. It doesn’t mean it cannot be striking. The key is to consider the proportions and materials as well as balance textures, colours and patterns used in the room.
It is important to carefully consider the position of the light. Most commonly it is placed in the centre of the room, above the main seating area or by the fireplace. It should not obstruct the view if located near a large window and not to hang too low to allow people to walk underneath it.
The main function purpose is to provide light above the dining table or island. It is good practice to follow the shape of the furniture item directly below the light fixture. For example, a round light for square or round tables and oval or oblong for rectangular or elliptical tables.
An interesting choice of lighting is using clusters of smaller pendants either in regular rows or staggered for dramatic effect.
When the dining area is connected to the kitchen, it is effective to use lights from the same family for a cohesive design.
Being sanctuaries of peace and rest, bedrooms are one of the most important rooms. As strong lighting is not necessarily required, light fittings perform a decorative role and can determine the feeling of ambience in the space.
Simple pendant lights above bedside tables are not only very functional as they leave the surface of the table clean but also are an excellent way to accentuate the main elevation of the room.
Alternatively, a small chandelier can bring elegance and interest to the bedroom scheme making it feel more like a hotel suite.
The clean lines and usually very light tones of natural stone finishes, sanitaryware and mirrors in a bathroom create a fantastic background and opportunity to showcase more sculptural lighting pieces.
From large, elaborate chandeliers above the bath to clusters of interesting pendants, they can transform a simple bathroom into a luxury spa.
It is also important to ensure all lights chose for bathrooms have suitable IP rating.
Great lighting design is one of the most important elements in any interior. In addition to enhancing functionality, illumination can also transform mood, ambiance and the perception of space. For optimum results, a project’s lighting plan should be implemented right at the beginning of the creative process. The best lighting designs maximise the amount of natural daylight available, then enhance this with complementary forms of artificial light. Task, ambient, mood, feature and architectural lighting all have an important role to play. The right type can enrich the colour, character and tone of any room. It can also accentuate physical features such as heights and recesses.
“There are three key facets to consider when planning lighting within a room design,” explains our director Mark Taylor. “The size of the room; the nature of the light and how it hits the room; and the existing shapes and ceiling heights.” The client’s personal preferences and their budget must also be taken into consideration. “Lighting can form a very expensive part of any room, sometimes more than the cost of furnishings and joinery,” Mark confirms. “So, it’s vital to establish a realistic budget from the outset.”
Rooms size and shape are next on Mark’s lighting design checklist. “We would assess the shape of the space, where the darker areas are, and how light the room needs to be,” he explains. “We would also consider where we need to avoid glare or reflection, and the colour palette and materials. Lighting can fundamentally change hues and tones.” Mark continues: “We would also take into account energy conservation, and how the lighting will be controlled. Solutions might include remote control smart home lighting systems such as Lutron. More traditional options – such as arc lamps and Anglepoise® lighting – can be both attractive and cost-effective if they are placed correctly and suit the interior’s aesthetic.”
High ceilings were a particular challenge for this multi-functional Marlow kitchen project. Mark and his team incorporated a strip light on the walls, bouncing light off the ceilings to avoid any dark spots. To maintain task lighting, they added LED strips to the wall shelving, to illuminate all the work surfaces.
A room’s primary function usually dictates the type of task lighting required. It can be hidden or directed specifically at certain areas that need to be illuminated. Mark notes: “This type of functional task lighting can still deliver visual design impact via an exposed fitting, either from a ceiling or a wall.”
Feature lighting is about much more than mere functionality. It’s about the shape and style of the fitting, as well as the illumination it provides. It’s an ideal way to make a statement and enhance a specific element of your decor – whether the light in question is off or on.
Then there’s architectural lighting. “There are certain situations where natural light simply is not available,” Mark explains. “To offset this, we could install a large, illuminated panel simulating daylight coming in from a skylight. Or we might use an LED hidden strip to “bounce” light off a ceiling, especially if the ceiling is very tall and spotlights would create dark spaces. That’s what we did in this drawing room, as the client didn’t want too many spotlights. So, we added an LED strip above the tongue and groove panelling.”
Bespoke, layered lighting design schemes use multiple light sources to deliver a combination of functional, ambient and accent lighting. “Depending on a room’s function, we usually look at up lighting, mid-level lighting, and ceiling or task lighting,” Mark explains. “Everything depends on the height of the ceiling, the amount of natural light available, and how the room will be used.”
He continues: “For instance, to light an area with two specific functions – such as a kitchen and TV/entertaining area – you need to adapt the functionality of the lighting for each use, and for different times of the day. In many cases, we use lighting that bridges both areas. For example, we might install wall lights that can be turned on to enhance mood, when task lighting isn’t required.”
This Shaker-style kitchen project incorporated two levels of flooring – and two levels of ceiling. It also featured three distinct areas: the snug, dining space and cooking area. Our lighting design used a combination of floor lights, mid-level lighting, task lighting, LED linear lighting and a window wall to illuminate and harmonise the different elements.
While there is no ‘one size fits all’ with great lighting design, there are some general guidelines that apply, depending on a room’s primary function(s). Obviously, kitchens require practical task lighting so that meals can be prepared safely and easily. Conversely, the rule of thumb with most cloakrooms is to celebrate their relative darkness. Soft lighting – and not too much of it – can minimise the sanitaryware, mitigate small spaces, and create a feeling of calm. For example, this windowless cloakroom is dark, intimate and tranquil. Our lighting design created a sense of movement and fantasy without over-illuminating the space.
Multi-purpose spaces, such as open-plan areas, family rooms and even drawing rooms, are likely to require a lighting design that can accommodate different occasions at different times of the day. In fact, combinations of low level and lamp lighting usually work best.
“As bathrooms have become more luxurious, clients want to create a mood for them, rather than just ‘wash and go’,” Mark reveals. “Sensor lighting is a really great way to make the bathroom an inviting space from the moment you walk in. Soft warm lighting can be used to replicate candlelight. LED strip lighting is also an effective way to highlight a particular design feature.”
Bedroom lighting design also needs to be versatile. Most clients require lamps/task lights for reading in bed and choosing clothes, although the room in general should be calm and sleep-inducing. Mark observes: “A flexible lighting system that gives clear visibility where you want it – but is very forgiving where you don’t – is the key.”
“Not all clients understand the value of lighting design – but it really can make or break a space,” Mark observes. “There’s both a science and an art to great lighting design. And it represents some of the best money spent in terms of creating or renovating loveable living spaces.”
About Mark Taylor Design
Mark Taylor Design is a British manufacturer of superlative bespoke furniture, cabinetry and specialist joinery, working in Central London and the Home Counties.
Canadian luxury handmade furniture and lighting brand Gabriel Scott has launched its latest lighting collection, Welles Reimagined, in collaboration with six global designers and architects to celebrate Gabriel Scott’s tenth anniversary in 2022.
The established designers have reinterpreted the studio’s most iconic fixture, the Welles Chandelier. The six fixtures, first showcased at Milan Design Week 2022, have now been formalised into six capsule collections which include chandeliers, sconces and pendant lighting.
Scott Richler, Gabriel Scott’s Founder and CEO, explains: “The Gabriel Scott brand launched on a manifesto to furnish the architectural community with exactly what they needed, and we’re still doing this through material, size and form ten years later. Inspired by jewellery, the Welles Chandelier is a true representation of our design philosophy – to design and make modular products to custom specifications. The Welles Reimagined capsule collections celebrates our brand ethos and the collaborations we undertook with each designer perfectly demonstrate how we like to work together with our design and architecture clients to achieve something really special and tailored to their requirements.”
The David Rockwell capsule collection celebrates the Welles Chandelier’s classic geometric form, while creating a contemporary light fixture inspired by clusters found in nature, such as crystals, chemical compounds, and clouds. Ultimately, Rockwell drew from botanic forms to create an organic assemblage. The hollowed glass polygons act as metallic light points that come together at varying heights and dimensions to form a floating light cluster. The feature chandelier is defined by its luxe volume and organic nature.
“The collaboration allowed us to create something very special that combines Gabriel Scott’s modular approach to lighting and expert craftsmanship with our focus on storytelling and materiality. We experimented with volume, color, texture, and scale to create organic assemblages of light that have a dramatic impact on the atmosphere and our perception of space.” – David Rockwell.
Crafted from white clay and inspired by a collection of ceramics she is currently designing, the Kelly Hoppen capsule collection comprises a single flush-mount sconce suitable for both wall and ceiling installation, a pendant light, a single sconce on a banded arm and the Welles Long Chandelier in three sizes. The overall form has been scaled down from its original size to create an elegantly delicate aesthetic.
“When I was asked to do it, obviously it’s a very iconic piece already, but instantly I knew I wanted it to be a chalk white, clay, very organic piece, because that would make it incredibly different from anything Gabriel Scott had done before.” – Kelly Hoppen, CBE.
Alessandro’s capsule collection has a beautiful narrative infused with dynamic and bold fashion references inspired by rhythmic dance. It includes the 12-module central chandelier as seen in Milan, a scaled down 8-module chandelier, a larger 18-module chandelier and an arm sconce. While its volume is radically different, the modular qualities are still able to extend for extra tall ceilings and multiply for larger spaces. This flexibility makes it a truly versatile and playful product that invites designers to create bespoke configurations.
“One of the key features that inspired us was how architectural the Welles is, yet extremely detailed and jewellery-like – even the slightest of components like the bracket is beautifully designed. It felt like a sculptural piece of art. So, we drew inspiration from couture fashion, from dance, and when we immersed ourselves in this world, we thought about deconstructing the original piece and rebuilding it in a completely different way.” – Alessandro Munge.
Michelle turned to nature to add a floral element that represents growth and bloom, alluding to a rebirth of a classic Gabriel Scott design. Uplifting and joyful, Michelle Gerson’s capsule collection includes a vertical sconce and small, medium and large versions of the chandelier first seen in Milan.
“The vision is nature. We tried to take a more geometric, modular, masculine type fixture and break it up and create what we thought would be blossoms, branches and leaves. We mixed up the materiality a little by using mesh to create a lightness, we wanted it to feel spacey, alive and happy.” – Michelle Gerson.
As a contrast to the sharp metal and glass silhouette of the original Welles, Sybille’s interpretation reveals the feminine side of her signature design style. Couture-inspired, elegant and smooth, the capsule collection shows a gradient composition from emptiness to full, with a variation of hollow and plain shapes. It comprises a sconce, cluster sconce, the standard chandelier as seen in Milan, and a smaller version. All fixtures include padded vegan leather to create a subtle 3D effect and rounded corners to add softness.
“We love leather because we find it’s a very elegant finish and combined with a soft bronze, this is our vision of luxury which is very understated.” – Sybille de Margerie.
Guan’s design is a striking floor installation, illuminated by light bulbs and made from POLiROCK, a new material developed by Material Architecture Lab. The fired clay has unique characteristics, somewhere between ceramic and rock. It appears natural but is made by recycling manufacturing waste. Due to the nature of this design, it can be customised from the original form that was shown in Milan. For commissions, Guan and the Gabriel Scott’s design team will work with the client to deliver something bespoke.
“The first thing I thought was that it would be nice to have a contrasting material, so instead of something transparent something solid that allows light to go through in a very particular way.” – Guan Lee.
Cover image: Sybille de Margerie for Gabriel Scott
About Gabriel Scott
Gabriel Scott is a design house and production studio creating contemporary collections of fine furniture and lighting. Led by founder and CEO Scott Richler, all Gabriel Scott pieces are proudly handmade in a Montreal-based studio where an in-house team of industrial designers, engineers and manufacturers work together to create and oversee each piece from inception to production. Established to blend Scott’s design experience developed over many years working in architecture, fashion and jewelry design, Gabriel Scott’s furniture and lighting collections are designed in line with the studio’s three principles: timeless, customizable and versatile aesthetic.
Celebrating 35 years of luxury design, Arteriors is thrilled to announce the launch of its latest collaboration collection with renowned American interior designer, Jay Jeffers. As part of the brand’s successful Guest Designer programme, Arteriors welcomes Jay back for a third collection. The range features 28 new furniture, lighting and accessory designs launched as part of their Autumn 2022 collection, debuted at Focus/22.
Jay’s collection prioritises versatility while embodying his “liveable luxury” approach to interior design. Influenced by mid-century décor, from designers including Carlos Scarpa, Franco Albini and Jena-Michel Frank, the collection embraces classic masculine elements including antique and polished brass and pairs them with etched glass and pierced metals.
“With each collaboration, I prioritise quality and craftsmanship. This third collection with Arteriors reflects the skill of their network of artisans that make each product come to life, a hallmark I wanted to celebrate as part for the 35th anniversary. Each piece is handcrafted and meant to feel collected over time. This new offering introduces lighting and accessories that are adaptable to different environments, whether it be a sprawling luxury resort or a compact apartment.” – Jay Jeffers, speaking on the collaboration.
The final result is a beautiful mix of sculptural silhouettes, vintage metal elements, and 20th century inspired design. Expanding on his past two collections, Jay and Arteriors developed new pieces across a variety of categories, including furniture, accessories and lighting created with signature Jay touches.
These design elements can be found throughout the collection, notably in the Trento Mirror, crafted with hand-formed brass, and the Holm Sconce, created with two separate layers of glass for a beautiful diffused light. The Carl Pendant blends smoked glass with pewter and multiple layers of glass for a fixture that can be shown long over a kitchen island or shortened for hallway or bedroom fixture. Finally, the handsome Cantu Cabinet boasts a rich ebony stain and tapered legs for a beautiful addition to an entryway or living space.
“We are thrilled to have Jay return as a guest designer. What better way to celebrate our 35th anniversary than with one of our longest-standing collaborators?” says Barb Fuller, Vice President of Marketing & Visual Merchandising for Arteriors. “Jay’s eye for designing entertaining spaces can be seen across his three collections for Arteriors, from accessories to seating and casegoods designed for comfortable and stylish gatherings at home. For this newest assortment, we worked together to expand on this theme with lighting that creates a warm ambiance and accessories that offer chic touches to interior spaces.”
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