4SPACE Design: Creating a Colourful, Armenian-Inspired Restaurant

This week’s instalment of the Project of the Week series features a colourful, Armenian-inspired restaurant design by 2023 SBID Awards Finalist, 4SPACE Design.

The name “VAGA” comes from the word “vagabond,” which means “nomad” and serves as the inspiration behind the concept. 4SPACE created a world-fresh time-traveler vibe that takes you on a journey through traditional Arabic cuisine and colorful Armenian culture – a lifestyle destination that embodies the wandering, explorative nature of the vagabond. The restaurant offers exceptional views of Ain Dubai and a contemporary design that takes your dining experience to the next level. Revelers looking for secrecy can enjoy the private room that offers a world of speakeasy fantasy, perfect for those looking for a little adventure to their dining experience.

What was the client’s brief? 

The client’s brief for VAGA Restaurant and Bar, designed by 4SPACE, was to create a contemporary dining destination that harmoniously blends Arabic and Armenian cultures. The restaurant was envisioned as a space where diners could embark on a captivating journey, experiencing the fusion of these two vibrant traditions. The goal was to design a restaurant that pays homage to both cultures while providing extraordinary views of Ain Dubai, the world’s biggest and tallest Ferris wheel, on Bluewaters Island.

What inspired the design of the project?

The design of VAGA was inspired by the concept of a magical vagabond, a time traveler who traverses different eras and worlds, experiencing grand adventures along the way. This inspiration led to the creation of a space that beautifully weaves together Arabic and Armenian elements, with a focus on kitchen drama, textures, and reflective surfaces. The design represents the wanderlust and explorative nature of the vagabond, capturing the essence of discovery and wonder.

What was the toughest hurdle your team overcame during the project?

The toughest challenge that 4SPACE overcame during the VAGA project was designing and connecting two distinct spaces that represent Armenian and Arabic cultures, while still maintaining a sense of harmony and unity. Creating a seamless transition between the ground floor, which reflects Armenian influences, and the first floor, which is inspired by Arabic aesthetics, required careful design and meticulous execution.

What was your team’s highlight of the project?

The highlight of the VAGA project for the 4SPACE team was the creation of the impressive chandelier on the ground floor. Comprising large metallic rings intricately adorned with the Vannic alphabet, this chandelier is a stunning focal point that captures the essence of the restaurant’s concept. Additionally, the unique DJ booth, which becomes the center of attention for diners and late-night revellers, added a dynamic and interactive element to the space.

Why did you enter the SBID Awards?

4SPACE entered the SBID Awards to showcase the innovative and culturally rich design of VAGA. The project’s successful fusion of Arabic and Armenian influences, along with its captivating design elements and attention to detail, made it a compelling contender for recognition within the design industry.

What has being an Award Finalist meant to you and your business?

Being an Award Finalist in the SBID Awards held significant meaning for 4SPACE and their design business. It affirmed their ability to merge diverse cultural influences into a harmonious and visually striking space. The recognition from the awards highlighted their expertise in creating immersive and experiential environments, enhancing their reputation in the design community and among potential clients.

Questions answered by Firas Alsahin, Co-Founder and Design Director at 4SPACE.

Join Katharine Pooley this Monday the 11th of March, for a panel discussion on ‘Extraordinary Homes & Gardens Around the World’ led by Noni Ware, Executive Editor of House & Garden magazine.

Topics include ‘Extraordinary Estates’, ‘Coastal Homes’, ‘Countryside’ and ‘Urban City Living’ – in a far-reaching conversation with Katharine Pooley and industry visionaries, Janice Parker and Randle Siddeley in celebration of the launch of Design Week 2024.

We invite you to discover insights into design as our experts take you through their most breathtaking projects – some of which have never been shown to the public before. Join us in the McKinnon & Harris Showroom, amongst a sea of spring flowers, for a spot of afternoon tea and bubbles. It promises to be an unmissable Design Week highlight.

MONDAY 11th MARCH 2024
4.15pm
McKinnon & Harris
220 North Dome
The Design Centre Chelsea Harbour
[email protected]

Katharine Pooley

Established over 20 years ago Katharine Pooley’s London-based interior design studio creates innovative designs and exquisite, award-winning, spaces worldwide. Recently named as “British Interior Designer of the Decade” and “International Designer of the Year”, Katharine’s design vision is limitless and unconstrained by genre.

Janice Parker

Janice Parker was born and raised in NYC. While studying she worked in the floral business which solidified her passion for landscape design. In 1984 she launched her eponymous firm, which has been honoured with Interior Design’s Best of Year Award for Residential Landscape in 2020, and Veranda’s Best in Outdoor Living Awards in 2022 and 2020.

Randle Siddeley

Randle Siddeley, The Lord Kenilworth, founded RSL in 1978. Under his guidance, the landscaping company has become globally recognised for its quality and innovative designs. He has gained extensive experience working alongside many eminent architects and designers on private gardens, hotels and commercial developments all over the world and he is much lauded for his beautifully crafted gardens.

McKinnon and Harris

McKinnon and Harris has been handcrafting high performance aluminium furniture for estate, garden, and yacht in Richmond, Virginia since 1991. Today, McKinnon and Harris set the standard for outdoor home furnishings, with the mission to elevate and inspire designers and homeowners through art, design, and craftsmanship. McKinnon and Harris operates showrooms in London, Richmond, New York City and Los Angeles.

If you’d like to feature your news or stories on SBID.org, get in touch to find out more. 

If you’d like to become SBID Accredited, click here for more information.

This week’s instalment of the Project of the Week series features a retro styled residential design by 2023 SBID Awards Finalist, Harmony World Consultant & Design.

Harmony World Consultant & Design was commissioned to design interior space for The Catania Wuhan project.

What was the client’s brief? 

In a globalised city, art and life have never been separated. Under the trend of the overall environment, the design of this project tends to create an artistic living space, which can better experience the architectural form and space volume by emphasising artistic decoration and infiltrating art.

What inspired the design of the project?

We provide each viewer with a certain identity of presence in this immersive space, which means that they have various possibilities to reconstruct their feelings as individuals and continue to write stories. This is the meaning of our design.

What was the toughest hurdle your team overcame during the project?

The integration of various design elements in the space has become our main design consideration. In order to continue the cultural attribute of the integration of multiple cultures, we also focused on the retro style of multi focus, artistic and cultural heritage and French elegance when creating this house style.

What was your team’s highlight of the project?

The overall beige tone shows its elegance to the audience. At the same time, the entrance is a master sculpture from the Paris. Through the appreciation of artistic sculpture and the continuity of metal chandelier space, the audience is constantly attracted to explore the space, to re-establish their feelings of space in their minds and create the artistic atmosphere of Home Gallery. It shows the collision and integration of modern and classical art in space as a whole, and the experience of “crossing multi-dimensional space” is completed by the design. Innovation and retro, collision and blending, thus reflecting the instantaneous eternity of the concept of art space.

Why did you enter the SBID Awards?

As one of the most prestigious awards in the world, SBID has attracted the attention and participation of many internationally renowned designers with its strict selection criteria. From a professional perspective, SBID focuses on exploring, summarising and exploring the latest trends in the field of design. It also has high standards and requirements for the design works participating in the awards. Every year, authoritative experts in the industry assess the technical content and aesthetic creativity of the entries, and is committed to commendation, reward and publicity of various excellent designs.

What has being an Award Finalist meant to you and your business?

The SBID Design Award has a very high competitiveness and influence in the international design industry. Being shortlisted for the SBID Design Award is not only a recognition of designers’ professional ability, but also a recognition of their design achievements in the world.

Questions answered by Hongjun Lin, Managing Director at Harmony World Consultant & Design.

This week’s instalment of the Project of the Week series features a nature-inspired, family home design by 2023 SBID Awards Finalist, Pia Design.

Pia Design was commissioned for the sensitive refresh and redecoration of this dated but loved Georgian country family house. The clients wanted to keep as many of their existing furniture pieces as possible, opting to reupholster much loved heirloom items rather than buying new. Inspired by the stunning hilltop views of the North Downs surrounding the house, the concept was directly inspired by the natural surroundings and referenced the panoramic views of nature and invited the landscape in.

What was the client’s brief? 

This project was an exemplary case study for us in sustainable design. Our client had collected good quality furniture pieces of the years, some of which were handed down throughout the generations and had a lot of personal meaning to the homeowners. They wanted to keep as much of their existing furniture as possible, whilst being conscious that they want to modernise the look of their home. We successfully reused every single item of furniture, only filling in gaps with new pieces where necessary. Their existing furniture was lovingly restored and reupholstered and the new pieces carefully selected or made bespoke to fit in cohesively with the existing.

What inspired the design of the project?

The entire design of the house from concept to design development was inspired by nature. Firstly, we considered the panoramic views of the South Downs visible from this hilltop house and how the colours would change throughout the seasons – this was reflected in the colours schemes, patterns and textures we selected for the house – from nature murals to a soft, seasonal palette of blues and greens, always offset with pops of warming accent colours. Secondly, the materials we chose were primarily natural, sustainable materials, such as Carrara marble, wooden flooring, and fabrics which were at least 75% natural fibres.

What was the toughest hurdle your team overcame during the project?

I would say that working with the client’s existing furniture and focusing so rigorously on not sending anything to landfill unnecessarily did come with its own challenges – we spent a long time playing around with what furniture could be reused in what room and how to refurbish existing pieces – often reupholstering can be more expensive than buying new furniture, so we had to consider carefully how to sensitively and cost effectively breathe new life into existing furniture that didn’t always feel like the best fit for some design schemes. For example, the client’s existing main bedroom bed was a very heavy, ornate wooden sleigh bed which felt overwhelming against the soft blue colour palette we recommended. We overcame this by opting for a custom, handpainted mural by De Gournay behind the bed, as well as large, bright coloured cushions, to draw the eye to these details as opposed to the heavy bed.

What was your team’s highlight of the project?

The highlight was undoubtedly when the client saw her home finished for the first time after the re-upholstered furniture arrived back from the workshop. When she reacted to her grandmother’s chaise longue brought back to life, I don’t think there was a dry eye in the room. It was very emotional and hugely satisfying to see the hard work we had put into the project be so appreciated and to see just how personal and meaningful everything in their home was to them, and to hear their feedback on how well they felt we had interpreted their brief and understood just how important retaining these heirloom pieces was to them. Of course seeing our project featured in Homes & Gardens was also a moment of great pride!

Why did you enter the SBID Awards?

Sustainability is at the heart and soul of everything Pia Design does, and this project has been such a perfect showcase of our commitment to our ethos and a testament to the fact that it is possible to design around what the client already owns without compromising the design aesthetic significantly. I think it would be a great achievement and even further testament to this if the project was deemed award-worthy.

What has being an Award Finalist meant to you and your business?

Having been an SBID member for a few years now, to have been selected as a finalist, particularly with our sustainable project, has been a huge honour. We are still a young and growing business as well, so to be a finalist has given our team an enormous boost of confidence. I’m sure our clients will be excited to hear about our nomination as well!

Questions answered by Pia Pelkonen, Creative Director at Pia Design.

Which elements of your profession do you enjoy the most?

Understanding a client’s lifestyle, desires and pain points and translating that into an environment that they love, that works for them and improves their way of life, not just for now, but their future too. For example, designing a client’s dream bar and lounge on the ground floor of their new extension, whilst also placing services that enables them to easily transform the room to a bedroom with en-suite should they need to as their life evolves.

I enjoy working on floor plans to maximise the space, using colours to influence mood and improve wellbeing and a huge fan of being resourceful, re-purposing objects in aspects of the new design if I can. For example, I recently arranged for a disused architect model of a development to be transformed into a modern coffee table. It’s a great talking piece to showcase the developer in their new office reception waiting area.

What has been your most memorable career highlight from the past year?

Finch House is a beautiful, listed building in Salisbury that used to be the largest private mental hospital in England. Recently redeveloped by AHH for the over 55’s market it comprises 21 apartments with communal lounges over 2 floors, a carefully restored greenhouse, rose garden and stunning water fountain.

Residents feeling at home as soon they enter, whilst honouring the property and the needs of the demographic was important to me.

This was achieved by increased, layered lighting and considering light reflectance values between surfaces for aging eyes, LVT flooring with recessed, low pile carpet to imitate rugs for moveable equipment and specialist yet stylish furniture for comfort and support. Art from local places and by well-known artists such as Salisbury Cathedral by John Constable, colours with yellow undertones and William Morris wallpaper, bring the space to life and offer talking points for the new community.

The pièce de resistance was the chandelier. Unable to find a light fitting suitable to fill the space whilst not blocking the smoke vent, I designed my first light fitting where 2 soft gold rings with decanter style pendants join, cascading through the void.

What are your favorite types of projects to work on and why?

I love to work on challenging assignments that involve problem solving, where space and technical details need to be carefully considered. Manufacturers couldn’t generate a floor plan or specification that the executive team desired for their new holiday lodge park, Hoburne St Mabyn. I took control, working closely with the manufacturer, operations, and sales team to create our first, unique range of holiday lodges. A hit at the trade show, the development won Hoseason’s Diamond Award and the park is a great success.

Another project I worked on was for a retired couple who had always renovated houses. This project was to be their last and to offer space for a live in carer, should they need it in the future. I sought advice from an occupational therapist to create a layout and specification that serves them now, as they continue to age and that can easily be adapted without costly alterations.

What are the most challenging aspects of working in interior design?

The budget for the interior design element of a project is usually well considered and agreed before starting. However, as build costs accumulate during the programme, that budget slowly decreases, and this can be detrimental to the outcome.

Being adaptable and value engineering can help achieve the design intent without compromising on the result, but when items are stripped out completely either due to cost or lead times affected by world events, it can be demoralising.

Ultimately, you’re judged on the final finish and people forget that these adaptations were made to complete a project on time and within budget. And where you may have designed one element in that has been removed, it was part of an overall picture, which can also jar the aesthetic.

What do you wish you knew before working in the field?

I’m fortunate to have been exposed to working on a construction site and have a great understanding of the processes of a building site. I can stand my ground when a tradesperson is saying something isn’t possible when I know it is. For example, I had an electrician tell my client he couldn’t have a chandelier in his bathroom. When we all know, you can, with the correct IP rating.

However, what I was not prepared for, was how many wallpapers and fabrics there are available! I would meet with other interior designers who would reel off these brands and styles, and I’d have no idea what they were talking about. Thankfully, once I had immersed myself in tradeshows, visited places like Chelsea Harbour and Clerkenwell, I quickly picked them up!

If you could give one tip to aspiring designers, what would it be?

Never stop learning and growing. There are always new styles, trends, brands and ways of working. Attending tradeshows, CPDs, networking, doing online workshops or courses provides you with new opportunities, new relationships, new ways to adapt in a fast-paced industry and new services to offer your clients keeping you ahead of the game.

How do you see the interior design industry evolving in the year ahead?

I feel virtual reality will help designers offer more immersive experiences for clients. 3D modelling plays an important role in helping my clients to visualise their project, particularly space planning and they always make alterations before the build commences as a result. Virtual reality already happens in-store for many high street chains and I can see studios growing this way too.

I also believe we will see more sustainable products that benefit the environment we design becoming available. For example, Crown recently launched Clean Air paint – a paint with air purifying technology. I used it on a recent office project – it’s currently available in ‘whites’ – and there was a noticeable difference in smell between that and the usual product I used on other walls. I hope to see more of these products and colours become available over the next year.

What does being an SBID Accredited Interior Designer mean to you?

As you will have learned, the route into interior design was a career change for me. It required significant investment in training, most of which took place with a new baby at home, and years of making the most of the opportunities that arose to allow me to learn and grow quickly within the industry.

Being an SBID Accredited Interior Designer acknowledges this investment and recognises that I have succeeded in offering high standards of practice too. The ongoing support and CPD and tradeshow opportunities available also help to keep at the top of my game.

About Samantha Tong

Accredited interior designer with extensive experience in leading projects within the hospitality, property development and construction industry. And certified home staging and styling professional. Experienced in pre-build interior design and technical co-ordination, I tailor each project to the customer profile to maximise space and can assist with value engineering to help keep within budget. A keen eye for detail and understanding of Lifetime Homes, I specialise in designing for family life, senior living and lettings.

If you’d like to feature your news or stories on SBID.org, get in touch to find out more. 

If you’d like to become SBID Accredited, click here for more information.

This week’s instalment of the Project of the Week series features a fun and photogenic restaurant design by 2023 SBID Awards Finalist, Quadrant Design.

Quadrant Design was commissioned to design and specify the finishes for EL&N London in Atelier La Vie.

What was the client’s brief? 

The brief focuses on creating a completely unique concept in each EL&N cafe, allowing the customers to experience something different when visiting different branches across the globe. EL&N cafe’s want a fun atmosphere that encourages customers to take photos and share these on social media, which the brand has become recognised globally for. EL&N want to create special ‘instagrammable moments’ in each of their cafes and create an environment where customers feel that every seat is the best in the house.

What inspired the design of the project?

The brief for every EL&N restaurant is that each should be unique in its own way, linking to the location, so we based our inspiration for this site on the French Riviera, with the development in Jeddah being fondly named Atelier La Vie taking inspiration from the French Riviera as it is positioned within a warm, large and captivating development in Jeddah. Inspired by coastal colours, geometric shapes, iconic, bespoke patterning and bold architectural arches, we created a two storey oasis where every seat is the best seat in the house.

We used a mixed palette of materials which were bright and bold in tone and texture, mixing Fabrics, solid surfaces, florals, metal chains and bespoke terrazzo finishes throughout. Many materials used for this location were created as bespoke finishes to create a truly unique space, including bespoke wall coverings, fret cut metal screening with bespoke geometric prints, custom poured terrazzo tiles, printed metallic chains which span 6m in length. We also worked with Panaz fabrics to create bespoke fabrics especially for this project, creating custom patterns and prints which linked to the styling and colour ways of the French Riviera.

The ground floor was designed as an external garden space with custom made concrete blocks to create the striking bar and cake counter, geometric flooring tiles and garden flower wall linking in with the Riviera coast. The 6m tall hanging chains with printed illustrations grabs the attention of visitors and features EL&N founder, Alexander Miller. We wanted to bring the outdoors inside by creating the ground floor terrace space which in turn allowed us to create a unique space on the first floor. We designed the space so that every single seat is the best seat in the house, with every cover having a unique and striking Instagram backdrop.

We wanted the two areas to offer a different experience, with the first floor providing a luxurious dining space with plush seating, opal lighting, custom Instagram garden swing and neon wall paneling all accessed by a floral lined staircase. We created bespoke wall coverings which adorned the staircase wall and first floor, along with a bespoke geometric fret cut brass screen which encased the stairwell.

Being positioned along the boulevard with a strong vista to the facade from the roadside, we accentuated the double story shop front facade by creating vertical illuminated portals to all of the window apertures as well as highlighting the secondary double height arches we installed within the space to really make the building sing at night time. The whole building glows proudly on the boulevard and can be seen from afar both from the road and within the development. The space also boasts of a large external dining terrace which seats 40 covers, encased with floral displays and air conditioning units & parasols to create the perfect al fresco experience.

What was the toughest hurdle your team overcame during the project?

Working between the UK and KSA, we remotely managed the project using video conferencing facilities and keeping great communication throughout the project lifespan. The most challenging element to coordinate was the ceiling custom Kriskadecor chains which needed to be coordinated with existing M&E services and structural fixing details. With the chains also being supplied from Europe, the coordination was tricky but great communication and commitment between us Quadrant Design, Kriskadecor and the local team we were able to deliver and install and beautiful feature ceiling!

What was your team’s highlight of the project?

We absolutely love working with EL&N, as each restaurant across the world features completely unique design and finishes. The team loved working on Atelier La Vie, creating the design concept based specifically on its location, taking inspiration from the French Riviera creating a space which feels authentically European.

We got to work with exciting colours, patterns & materials, such as Kriskadecor metal decorative chains in which we printed a bespoke illustration of EL&N’s founder, Alexander Miller and suspended it from the 6m high ceiling void. The chains also sweep across the width of the store, creating a unique waved ceiling feature made from a selection of 4 types of pink metal links.

All of the upholstery materials throughout the space were all created as bespoke graphic patterns which we then had printed to create our very own Riviera fabric collection. We wanted all of the interior elements to be customised to suit the localisation of the site as much as possible, so as well as creating our own patterns and prints for the fabrics, we also created our own wall coverings which feature bespoke illustrations and prints to link in with the EL&N brand.

Why did you enter the SBID Awards?

The SBID Awards is a huge celebration of global talent for interior design projects and we knew it would be a privilege to be shortlisted alongside some great designer studios in a number of categories. We worked on some amazing projects last year so we entered in the hope we would get the opportunity to celebrate the teams’ achievements, and reward individuals for their hard work. This was a very large space for EL&N and their first in Jeddah, the finished result is a very striking restaurant that we’re very proud to have been involved with. The restaurant has been a huge success locally and has also gained global attraction from Bloggers and Design enthusiasts who have celebrated the design from afar.

What has being an Award Finalist meant to you and your business?

It’s been fantastic to be recognised for this project, and two other projects in different categories, at the SBID Awards. We were so proud to have created the concept for this unique project, so being shortlisted for restaurant design at the SBID Awards is the cherry on the cake.

Questions answered by Sonia Brown, Head of Design at Quadrant Design.

This week’s instalment of the Project of the Week series features a rustic and sleek restaurant design by 2023 SBID Awards Finalist, 4SPACE Design.

Jun’s is the brainchild of eminent chef Kelvin Cheung. 4SPACE Design created Jun’s concept to celebrate community. The inspiration is drawn from horse stables, and the vibe reflects the natural materials that are simple, sleek, rustic, and refined. The soothing interiors are of a sand-colored palette with natural materials and various interesting textures, including timber, marble and white bricks.

What was the client’s brief? 

The client’s brief for JUN’s, designed by 4SPACE, was to create a bold, modern, and inviting restaurant that harmoniously blends Asian and North American flavors. Chef Kelvin Cheung and Kings Group Ventures sought a contemporary venue that would capture the essence of community and connection over food. The restaurant was envisioned as a warm and welcoming environment, reflecting the culinary expertise of Chef Cheung and inviting guests to gather and celebrate.

What inspired the design of the project?

The design of JUN’s was inspired by the concept of community and coming together. 4SPACE created a space that celebrated the importance of life, drawing inspiration from the imagery of horse stables. The design concept embraces natural materials, reflecting simplicity, rustic elegance, and modern refinement. The sand-colored palette, textured surfaces, and use of timber, marble, and white bricks contribute to a soothing and inviting ambiance.

What was the toughest hurdle your team overcame during the project?

The main challenge overcome during the JUN’s project was merging two separate units to create a cohesive space, while respecting the residential condominium above and minimizing disturbances to residents. Additionally, the challenge of seamlessly blending the different design elements, such as the incorporation of the unique I-mesh material and the suspended installations, required careful planning and execution.

What was your team’s highlight of the project?

The highlight of the JUN’s project for the 4SPACE team was the successful creation of an environment that celebrates community and culinary excellence. The innovative use of I-mesh installations and the integration of various design accents throughout the interior added vibrancy and dimension to the space. The elevated dining experience at the chef’s table, where special menus are prepared under invitation from Chef Cheung, stood out as a unique and exclusive feature.

Why did you enter the SBID Awards?

The decision to participate in the SBID Awards was driven by the desire to spotlight the innovative and cohesive design of JUN’s. The project’s seamless fusion of both rustic and refined elements, its emphasis on fostering a sense of community, and its capacity to provide an exceptional dining experience positioned it as a candidate for acknowledgement and acclaim within the design realm.

What has being an Award Finalist meant to you and your business?

Being an Award Finalist in the SBID Awards held special significance for 4SPACE and their business. The recognition affirmed their ability to translate Chef Cheung’s vision into a captivating reality, merging different design influences into a cohesive and inviting dining space. The acknowledgement from the awards highlighted their expertise in creating immersive environments that enhance the dining experience.

Questions answered by Firas Alsahin, Co-Founder and Design Director at 4SPACE.

This week’s instalment of the Project of the Week series features an Italian styled, modern residential design by 2023 SBID Awards Finalist, Harmony World Consultant & Design.

Harmony World Consultant & Design was commissioned to design the interior spaces for Shenzhen Oct The One project.

What was the client’s brief? 

The project chooses the coastline of Shenzhen Bay. The unique geographical advantage of the peninsula endows the project with a natural landscape surrounded by the sea on three sides. The design of all floor to ceiling windows maximises the view. Every stay in different outdoor corners will be accompanied by mountains and seas outside the window. Every moment is romantic.

What inspired the design of the project?

We extract humanistic ideas and spiritual pursuits from the project area, strive for natural, artistic and humanistic design concepts, inject romance and elegance into the coastal life, and create an era image with unique characteristics of the bay area city with diversified scenes.

What was the toughest hurdle your team overcame during the project?

In the design, we need to think about how to maximise the functionality of the space, and at the same time, have artistic aesthetics, so that the design can reflect the characteristics of the city, show the classic design model of coastal luxury houses, and create a comfortable space that integrates multiple attributes such as living, social, and aesthetics.

What was your team’s highlight of the project?

The overall space is dominated by Italian style. The simple and elegant tone of the living room is blended with retro orange, adding romantic Italian style to create a romantic comfort in the warm sun, which makes people sit down quietly and release a relaxed and fulfilling life state. The integrated design is adopted between the reception hall and the dining room, creating a sense of space integration, open and comfortable. The restaurant should be a place of comfort from the beginning of vision. Therefore, the restaurant is placed next to the seascape, and the whole floor to ceiling windows are used for lighting, so that the space is full of light and shadow vitality, while introducing endless scenery outside the window, and offering a feast of food. In the master bedroom space, the Italian style artistic atmosphere is fully displayed. With gray white as the bottom and warm caramel color as the decoration, the modern atmosphere spreads and grows, and the space becomes interesting. The master bedroom is equipped with independent cloakroom and master bathroom, so the master’s taste can be properly placed. The master bathtub facing the sea, with a design full of ritual and privacy, feels the daily life with the sea, pure and quiet.

Why did you enter the SBID Awards?

As one of the most prestigious awards in the world, SBID has attracted the attention and participation of many internationally renowned designers with its strict selection criteria. From a professional perspective, SBID focuses on exploring, summarising and exploring the latest trends in the field of design. It also has high standards and requirements for the design works participating in the awards. Every year, authoritative experts in the industry assess the technical content and aesthetic creativity of the entries, and is committed to commendation, reward and publicity of various excellent designs.

What has being an Award Finalist meant to you and your business?

The SBID Design Award has a very high competitiveness and influence in the international design industry. Being shortlisted for the SBID Design Award is not only a recognition of designers’ professional ability, but also a recognition of their design achievements in the world.

Questions answered by Hongjun Lin, Managing Director at Harmony World Consultant & Design.

This week’s instalment of the Project of the Week series features a characterful and bold home design by 2023 SBID Awards Finalist, Oakley Moore Interior Design.

Oakley Moore Interior Design was commissioned to carry out a full refurbishment and redecoration of this Victorian terraced house in the heart of Fulham in London. The brief was to bring the property to life with a focus on the client’s art collection, using creative layering of textiles, materials and bold colours to deliver an expertly layered and characterful home. Kate Aslangul of Oakley Moore lead the design for the interior architecture, soft furnishings, bespoke furniture pieces and the hanging of all artwork.

What was the client’s brief? 

Mandated to oversee a full refurbishment and redecoration of this Victorian terraced house in the heart of Fulham, our brief was to improve the flow of the property and breath new life into it with a focus on the client’s art collection, using creative layering of textiles, materials, and bold colours.

What inspired the design of the project?

Inspiration for the design of the project came from the client, his love of art and his collection; he has many interests and has not only lived in the UK but also in the USA and France, so it was important to find creative ways to reference this and weave the threads to tell a story. He’s collected throughout his travels, so we had some strong pieces and colour references to use as starting points for the design.

To infuse sunshine and Provencal colour all year round I decided to make a feature of the kitchen/dining room wall which is a key siteline throughout the ground floor by designing a mural inspired by the work of Etel Adnan, a Lebanese/American artist who lived in Paris whose work I admire. The spare bedroom has a distinctly traditional French feel and using bright, modern colour and unusual fabrics makes it feel more contemporary.

What was the toughest hurdle your team overcame during the project?

The toughest hurdle was getting supplies and artisans as we started work during the Covid pandemic, so logistics and planning were incredibly important for the smooth running of the project to ensure that we delivered on time and on budget.

What was your team’s highlight of the project?

This was such a special project for me as the client wanted something very layered and beautiful and allowed me the freedom to play with colour and fabric. His trust in me was a real highlight.

Why did you enter the SBID Awards?

I’m honoured to be an accredited SBID designer and it’s always wonderful to be recognised within one’s industry.

What has being an Award Finalist meant to you and your business?

It is thrilling and a huge honour to be singled out within one’s industry. These prestigious awards are internationally recognised and provide a rare platform to gain recognition in a competitive industry for all the work involved in interior design projects. The awards not only put designers in the spotlight, but they give value to the craft and the industry.

Questions answered by Kate Aslangul, Founder and Creative Director at Oakley Moore Interior Design.

This week’s instalment of the Project of the Week series features an ocean-view residential design by 2023 SBID Awards Finalist, Katja Kessler Kreation.

The client owned a vacation home which was only an empty shell and asked for an interior design concept. The empty shell turned out to be a seven-metre-high postmodern recently built concrete building.

What was the client’s brief? 

My client dreamed of an interior design, that would bring together regional heritage and modern vibes, creating a powerful and emotional yet stylish space. A place to sense the refreshing breeze of the Baltic Sea during the day; a place to cuddle in front of the crackling fire, listening to the raging waves at night.

What inspired the design of the project?

Entering the shell of the building I had the sensation of standing inside a modern, concrete-formed cathedral – an overwhelming feeling. One central idea was spiraling in my head: Why conceal anything here? The rough cold DNA of the building’s structure should be palpable at every point!

So, I left the seven-meter-high concrete walls completely unplastered and used them as a backdrop for a historic church staircase, proudly displaying its 200-year-old scarred woodworm patina skin. 150-year-old weathered iron windows from a nearby decommissioned distillery, repurposed as kitchen walls, also pay homage to past times. In contrast postmodern XL window fronts that can be folded open across their full width like an accordion serve as bridges between the past and the present, as well as between indoor and outdoor. These windows bring in sunlight, wind, and the calls of seagulls, turning the expansive terrace into an additional living room on beautiful days. A ceiling mounted 360-degree swiveling XL fireplace accentuates the cathedral-like height of the building’s structure, though sitting in front of the crackling fire, it simultaneously provides a cave-like ambiance.

What was the toughest hurdle your team overcame during the project?

Moving and fitting the old 1000 kg spiral staircase into the shell required the assistance of five hard-trained carpenters and the same amount of champagne bottles to celebrate what we had achieved.

What was your team’s highlight of the project?

Sitting on the ocean-view terrace for the very first time with the entire crew gazing beyond the horizon on a quiet Sunday afternoon, resembled the cathedral like spirit I had experienced when first visiting this place. It was a moment of reward for what we had accomplished together.

Why did you enter the SBID Awards?

I’ve been following the SBID Awards for a long time and have repeatedly been inspired and impressed by the submitted projects. This year, I thought now or never and submitted my own application.

What has being an Award Finalist meant to you and your business?

So many people congratulated us for the nomination via social media. It feels like participating in a kind of interior Oscar. That alone has been a great compliment for me and the rest of my team.

Questions answered by Dr. Katja Kessler, Interior Designer and Founder of Katja Kessler Kreation.